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Relevant bibliographies by topics / Chant de Linos

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Academic literature on the topic 'Chant de Linos'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Chant de Linos"

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Smith, Richard Langham, Andre Jolivet, The Britten-Pears Ensemble, et al. "Chant de Linos; Poemes Pour l'Enfant; Pastorales de Noel; Suite Liturgique." Musical Times 136, no. 1834 (1995): 674. http://dx.doi.org/10.2307/1003571.

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Peattie, Matthew G. "Transcribing the Beneventan chant." Plainsong and Medieval Music 19, no. 2 (2010): 139–67. http://dx.doi.org/10.1017/s0961137110000069.

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ABSTRACTThe Beneventan Mass Propers are preserved in sources that are notated, for the most part, in campo aperto – without staff lines or clefs to indicate the pitch or placement of the semitone. Despite the absence of pitch-specific notation, it is possible to discern a great deal about the pitch of the Beneventan chant and to propose verifiable transcriptions. This article provides a systematic overview of the pitch placement of the Beneventan repertory through a study of the formulaic structure of the chant and through a comparative examination of the small number of exemplars of Beneventan chant notated on a staff line.

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Paucker, Günther Michael. "Liturgical chant bibliography 12." Plainsong and Medieval Music 12, no. 2 (2003): 179–211. http://dx.doi.org/10.1017/s0961137103003097.

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Liturgical chant bibliography 12 maintains the traditional division into: (1) Editions and facsimile editions, (2) Books and reprints, (3) Congress reports, (4) Chant journals, (5) Collections of essays and dictionaries, (6) Articles in periodicals and Festschriften. Additions to previous bibliographies, consisting mainly of reviews, follow the present introduction. A significant publication in 2002 was without doubt the colour facsimile of the manuscript Paris, Bibliothèque nationale de France, fonds lat. 776 (12002), an eleventh-century gradual from the Benedictine abbey of Saint-Michel-de-Gaillac near Albi. Although no staff lines are present, the music is notated carefully in diastematic notation. The availability of a facsimile of this famous manuscript will certainly be of value for the study of semiology and the transmission history of tropes, proses and prosulae. It also contains traces of the Gallican and Mozarabic chant repertories.

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&NA;. "Chart Links Software System for Patient Records." Clinical Nurse Specialist 11, no. 1 (1997): 1. http://dx.doi.org/10.1097/00002800-199701000-00023.

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Rosenhouse-Dantsker, Avia, Sergei Noskov, Diomedes E. Logothetis, and Irena Levitan. "Cholesterol sensitivity of KIR2.1 depends on functional inter-links between the N and C termini." Channels 7, no. 4 (2013): 303–12. http://dx.doi.org/10.4161/chan.25437.

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Levy, Kenneth. "Gregorian Chant and the Romans." Journal of the American Musicological Society 56, no. 1 (2003): 5–41. http://dx.doi.org/10.1525/jams.2003.56.1.5.

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Abstract A central problem in plainchant studies has been the relationship between the two “Roman” repertories, “Old Roman” (ROM) and “Gregorian” (GREG). Many attempts have been made to penetrate the “mystérieuse alchimie” that links them. Almost without exception, these have embraced the notion that ROM music was the supplier of GREG. This paper advances an alternative hypothesis. It recognizes initial transfers of ROM musical material to the Franks under Pippin III (before 768)—ROM music that was generally improvisational in process and style. However, still under Pippin or later under Charlemagne, the Franks rejected the ROM music and, in their effort to establish GREG, turned to familiar Gallican chants, which tended to have fixed, memorable melodies. Later, perhaps during the tenth century renovatio imperii under Otto I, though perhaps even during Charlemagne's reign, the authorized GREG repertory reached Rome, where it was supposed to supplant the local ROM. But the Roman musicians resisted; rather than abandon ROM, they compromised by accepting certain portions of GREG music and remodeling them so they conformed with ROM style. This sequence of events would explain the musical relationships between ROM and GREG.

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Faraz, Alireza, and Ahmad Parsian. "Hotelling’s T2 control chart with double warning lines." Statistical Papers 47, no. 4 (2006): 569–93. http://dx.doi.org/10.1007/s00362-006-0307-x.

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Solares, Blanca. "Le chant de l’Usumacinta. Paysage et mémoire." Caietele Echinox 38 (June 30, 2020): 61–71. http://dx.doi.org/10.24193/cechinox.2020.38.04.

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The process of globalization homogenizes the inequality and violence of the capitalist market on a global level while setting in motion a localizing process that invites to explore its critical potential. In what follows, our intention is to make an account of the micro-local transformations linked to the Usumacinta River, border between Mexico and Guatemala and one of the most important rivers of the planet. The objective of the following lines is the recovery of the mythicalreligious local imaginary of the inhabitants settled along the Usumacinta and the preservation of their memory through poetry, which, in an ethno-ethical geographical approach, subverts the overwhelming havocs of development, linked to the chaotic and excessive exploitation of nature and life.

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Wu, Yongle, Haiyu Huang, and Yuanan Liu. "An omnipotent Smith chart for lossy nonreciprocal transmission lines." Microwave and Optical Technology Letters 49, no. 10 (2007): 2392–95. http://dx.doi.org/10.1002/mop.22783.

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Mendoza, Alejandro Prieto. "Semantic Parallelism in Traditional Kakataibo Chants." Open Linguistics 5, no. 1 (2019): 383–404. http://dx.doi.org/10.1515/opli-2019-0021.

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AbstractIn the present article, I propose some initial topics for the typological-comparative study of semantic parallelism, which also serve as an analytical axis to study semantic parallelism in traditional kakataibo chants. These basic topics are the structure of the cotext, lexical and grammatical type of parallel units, type of semantic relations between parallel units, number of parallel units per pair of lines, and associated phenomena such as recurrent or fixed pairing and diphrasism. Following this initial proposal, I postulate that the cotext in Kakataibo semantic parallelism is a repeated morphosyntactic structure that does not exhibit ellipsis or increasing, the number of parallel units can be one to three slots and one pair is more productive, parallel units are related by semantic fields such as kinship terms and colors. Furthermore, I analyze the interaction of semantic parallelism in the continuous creation of lines with two other poetic forms, enjambment and repetition, and I postulate that semantic parallelism is a compositional strategy due to its high productivity for line composing.

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Dissertations / Theses on the topic "Chant de Linos"

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Guarnuccio, Bryan Arthur. "André Jolivet's Chant de linos (1944) a sentential analysis /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1151003196.

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Guarnuccio, Bryan Arthur. "André Jolivet’s Chant de Linos (1944): A Sentential Analysis." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151003196.

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Berzett, Wade A. "Comparative study of the transmission ellipsometric function contours and the Smith chart." Thesis, Atlanta, Ga. : Georgia Institute of Technology, 2006. http://hdl.handle.net/1853/24901.

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Thesis (M. S.)--Electrical and Computer Engineering, Georgia Institute of Technology, 2006.<br>Committee Chair: A. Rahmen M. Zaghloul ; Committee Members: W. Russell Callen and P. Douglas Yoder. Part of the SMARTech Electronic Thesis and Dissertation Collection.

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Svoboda, Radovan. "Využití umělé inteligence pro optimalizaci výroby." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2012. http://www.nusl.cz/ntk/nusl-223595.

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This paper deals with the problem of optimization of a production plan by using genetic algorithms. It contains a brief overview of the principles behind genetic algorithms in scope of evolutionary algorithms and artificial intelligence in general. It also takes a closer look on the challenge of production planning and control and all activities connected to it. This is followed by description of the modification of genetic algorithms that needed to be done in order to implement it into a computer program, which is used to create and optimize the production plan, and is a result to the issue that this paper deals with. Incorporated is detailed escription of principles and functions of the program, that it offers to its users.

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Östman, Zacharias. "Hammers, Lions and Yids: Identity and Ethnicity on British Football Grounds : A Critical Discourse Analysis of the Terrace Chants of West Ham United FC, Millwall FC and Tottenham Hotspur FC." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5999.

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This essay will show how manifestations of local identity, ethnicity and community in the terrace chants of the three football clubs West Ham United Football Club, Millwall Football Club and Tottenham Hotspurs Football Club are created. By featuring a collection of chants from each club, a connection to the clubs’ geographical areas, the home grounds and ethnic features will be described. By featuring a critical discourse analysis of the language used in the various clubs’ chants at their respective home ground, this essay will display aspects of above mentioned aspects and how these are upheld in language and interaction between people. Each club’s supporters acknowledge allegiance to various communities. West Ham United is traditionally a club of working class Londoners who often relate to themselves as ‘the cockney boys’, while Millwall (although being set in working class London) identifies more with the geographical area (South London) where they are situated, than with their heritage. Tottenham is one of the clubs in Britain most strongly influenced by religion, as many of the supporters are Jews.

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Chen, Yiou-May, and 陳友梅. "Analysis and Explanation-----Jolivet "Chant de Linos"." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/37822809328865100645.

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Chao, Chia-Ying, and 趙家穎. "A Research of André Jolivet´s Chant de Linos." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/3t6nfy.

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碩士<br>臺北市立大學<br>音樂學系碩士在職專班<br>103<br>André Jolivet (1905-1974) was one of the most important French composer in twentieth century. French music was pluralism, composers who had to purchase their own ideals of music patterns, such as neo-classicism, serialism, electronic music, etc. Jolivet thought that music should return to the original meaning─ritual music, and should be expressive and present life rather than complex. Therefore, his music associated with magic, incantation and ancient-rituals. André Jolivet founded the group“La jeune France”with Messiaen (Olivier Messiaen, 1908-1992) and other composers. They were friends and popularized their musical ideals. Due to explore the essence of music, Jolivet had unique way of musical expression and orchestration. He also extended his talent to many kinds of art; in addition to the creation of instrumental music, he directed ballet, worked as music director and a conductor of the opera as well as a professor in composition at the Paris Conservatoire. Jolivet influenced the French music deeply. “Chant de Linos” was the commisioned piece of final examination of the Paris Conservatoire. Because of its difficult passages, strong rhythms of dance and strange acoustics, this work became classics either exams or recitals. In 1945, Jolivet adapted it to the chamber music version for flute, violin, viola, cello and harp. Analysis and interpretation of “Chant de Linos” discussed by the historical data and analysis of this work. First, introduce the background and materials of “Chant de Linos”. Second, analyze the structure in detail. Thirds, probe the playing and the interpretation. Analysis and interpretation of the paper explore the interpretations of “Chant de Linos” as a reference, when the player can closer the exact style of the song´s original ideas.

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葉秋眉. "An Analysis and Interpretation of André Jolivet’s 《Chant de Linos》." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/61809325454657569117.

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碩士<br>臺北市立教育大學<br>音樂學系碩士班<br>100<br>André Jolivet, (1905-1974) was a total liberalist in music creation. He sought to make music to recover its ancient meaning of the original. By using the original way, through the creation and interpretation of a musician, he had made a reflection of the great universe. In this dissertation, Chant de Linos is divided into five chapters. The first chapter illustrated the motivation, purpose and methods of this study. The second chapter describes the life, composing style and creation origins of Andre Jolivet. There is detailed analysis and interpretation of composition of the music in chapter three. Chapter four would address on the content of the music, such as speed, strength, style and how different performers gave varied interpretation of the music itself. Chapter five would be an overview of Chant de Linos and personal point of view from the arthor. The ultimate intention of the study is to help worldwide flutes players to be able to have deeper sight into the creation and content of this musical artwork, and more importantly, to provide others to develop unique playing styles of their own.

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Chiang, Yi-Fang, and 姜懿芳. "A Discussion of Creative Background, Methodology andStyle of André Jolivet’s Chant de Linos." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/81657521405252319631.

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碩士<br>國立臺南藝術大學<br>音樂表演與創作研究所<br>96<br>André Jolivet(1905-1974) is a music composer who proposed that music should return to its very original meaning in order to show the different phases and mystic styles. The French Flute School, 1860-1950 had became the development role model of modern flute schools by following the old Conservatoire National Superieur de Musique de Paris. Chant de Linos is the end out come under this important system. The music style of Jolivet had been influenced by his growing experience which contained the power of the origins. This power had pushed Jolivet to keep his music going and powerful. One example from Chant de Linos’s work, Jolivet had created a music which contained many elements. Within this music, Jolivet had blended the ancient Greek music for funeral and Greek legends into his music background. With full understanding and thinking, it is possible to differentiate music styles and forms by deeply analyzing the musical elements thought by the original composer.

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Yeh, Ya-Ru, and 葉雅如. "J.S.Bach: sonata in b minor; A.Jolivet: Chant de Linos; T.Boehm: Grande Polonaise op.16; O.Messiaen: Le Merle Noir." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/69652118132031003273.

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Books on the topic "Chant de Linos"

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Hart, Christopher. Chats, lions et tigres. Taschen, 2001.

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Palmistry: How to chart the lines of your destiny. Simon & Schuster, 1992.

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Palmistry: How to chart the lines of your life. Rider, 1992.

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Wang, Guoliang. Gao su gong lu chang tu ke yun guan zhi zheng ce zhi tan tao. Zhonghua jing ji yan jiu yuan, 1988.

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Yasui, Sueko. Zai shi zi du zi li chang ge de Laibi. Hai yan chu ban she, 2012.

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Jue dui bu wu liao !: Chang cheng you lun zhe yang da jiu dui le. Mao tou ying chu ban, 2015.

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Khongčharœ̄nsunthō̜n, Wisātrī. Rāingān wičhai rư̄ang kānsưksā khunnasombat kāntān čhulinsī dư̄ yā læ kāntān mareng khō̜ng sānsakat čhāk samunphrai Thai bāng chanit =: Inhibitory effects of some Thai herb extracts on the growth of some drug resistant microorganisms and cancer cell lines. Phāk Wichā Chīwawitthayā, Khana Witthayāsāt, Mahāwitthayālai Būraphā, 2006.

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Attend Chart Lions Den. Standard Publishing Company, 1997.

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LIBOFF. Transmission Lines, Wavegdes Chart. McGraw Hill Higher Education, 1986.

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LIBOFF. Transmission Lines, Wavegdes Chart. McGraw Hill Higher Education, 1986.

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Book chapters on the topic "Chant de Linos"

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Chaturvedi, Prakash Kumar. "Transmission Lines, Waveguides, Strip Lines, and Stub Matching by Smith Chart." In Microwave, Radar & RF Engineering. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7965-8_2.

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"5 Eleven Lines, Nine Letters." In eye chart. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501312335.0009.

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"Trends and Trend Lines." In Technical Analysis and Chart Interpretations. John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119204800.ch7.

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"Appendix B The Smith Chart." In Artificial Transmission Lines for RF and Microwave Applications. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119058403.app2.

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"Using High-Low Lines in a Chart." In John Walkenbach's Favorite Excel® 2010 Tips & Tricks. Wiley Publishing, Inc., 2011. http://dx.doi.org/10.1002/9781118257647.ch141.

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Krackhardt, David, and Jeffrey R. Hanson. "Informal Networks : The Company behind the Chart." In Networks in the Knowledge Economy. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195159509.003.0016.

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Many executives invest considerable resources in restructuring their companies, drawing and redrawing organizational charts only to be disappointed by the results. That’s because much of the real work of companies happens despite the formal organization. Often what needs attention is the informal organization, the networks of relationships that employees form across functions and divisions to accomplish tasks fast. These informal networks can cut through formal reporting procedures to jump start stalled initiatives and meet extraordinary deadlines. But informal networks can just as easily sabotage companies’ best laid plans by blocking communication and fomenting opposition to change unless managers know how to identify and direct them. Learning how to map these social links can help managers harness the real power in their companies and revamp their formal organizations to let the informal ones thrive. If the formal organization is the skeleton of a company, the informal is the central nervous system driving the collective thought processes, actions, and reactions of its business units. Designed to facilitate standard modes of production, the formal organization is set up to handle easily anticipated problems. But when unexpected problems arise, the informal organization kicks in. Its complex webs of social ties form every time colleagues communicate and solidify over time into surprisingly stable networks. Highly adaptive, informal networks move diagonally and elliptically, skipping entire functions to get work done. Managers often pride themselves on understanding how these networks operate. They will readily tell you who confers on technical matters and who discusses office politics over lunch. What’s startling is how often they are wrong. Although they may be able to diagram accurately the social links of the five or six people closest to them, their assumptions about employees outside their immediate circle are usually off the mark. Even the most psychologically shrewd managers lack critical information about how employees spend their days and how they feel about their peers. Managers simply can’t be everywhere at once, nor can they read people’s minds. So they’re left to draw conclusions based on superficial observations, without the tools to test their perceptions.

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Mullins, Willow G. "Check Snopes: Cyborg Folklore in the Internet Age." In Implied Nowhere. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822956.003.0011.

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“Check Snopes” has become the clarion call of doubters everywhere, from the chalkboard to the chat room. Yet Snopes.com also presents an interesting problem within folklore studies, a problem common to folklore’s relationship with the internet. Certainly Snopes.com demonstrates a breakdown of the clear lines between academic scholarship and popular scholarship, but it points towards other breakdowns as well: between single authorship and community production, between what folklorists study and folklore itself, between human and machine.

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Whiteman, C. David. "Weather Maps, Forecasts, and Data." In Mountain Meteorology. Oxford University Press, 2000. http://dx.doi.org/10.1093/oso/9780195132717.003.0016.

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Weather maps prepared by the National Weather Service summarize and synthesize weather data to provide a comprehensive picture of weather conditions at a given time. They are the basis of weather maps used on television to show precipitation, high and low pressure centers, and fronts. Weather maps are produced using both surface data and data from specified pressure levels. Data are plotted and contoured by computer, and analysts use satellite photos, satellite video loops, weather forecast models, and extrapolations from previous frontal and pressure system analyses to locate fronts and pressure centers. An example of a surface weather chart is presented in figure 9.1. A 500-mb chart for the same date and time was presented in figure 5.1. Symbols are used on weather maps to indicate synoptic-scale features. High and low pressure weather systems (highs and lows) are indicated by the letters H and L, with isobars labeled in millibars. Lines indicating frontal positions (section 6.2) represent the position on the ground of boundaries between air masses. Additional meteorological variables, such as temperature, are often analyzed on the same map using dashed or colored lines. Pressure, temperature, and other data from the reporting stations are plotted in coded form at the station locations. A station model specifies the positions in which different types of data are plotted relative to the station location. Figure 9.1 used an abbreviated station model. A complete station model is shown in figure 9.2. Figures 9.3 — 9.7 show additional symbols used in station models to indicate total sky cover, winds, pressure tendency, cloud types, and present weather types, respectively. A surface weather chart, with the symbols indicating fronts and high and low pressure centers and the information included in the station model, provides a snapshot of synoptic-scale conditions at ground level. By overlaying charts for several pressure levels (section 5.1.3), changes with altitude can be identified and the three-dimensional structure of the atmosphere at a given point in time can be visualized. By comparing consecutive charts, the rate of movement of fronts and the rates of development of high and low pressure centers can be determined.

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"Women Visiting or Women Having a Private Chat (ΦΙΛΙΑΖΟΥΣΑΙ‎ Η‎ ΙΔΙΑΖΟΥΣΑΙ‎)." In Herodas: Mimiambs, edited by Graham Zanker. Liverpool University Press, 2009. http://dx.doi.org/10.3828/liverpool/9780856688836.003.0007.

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This chapter examines Herodas' technique of creating an interplay between Korittô and Mêtrô in the sixth Mimiamb, which is almost as important as his characterization of the two women. It cites Korittô, who is characterized as obsessed with sexual gratification. It also points out Korittô's lines that were mostly devoted to her narrative of her admiration for the dildo, which she dwells on in loving detail. The chapter discusses Korittô's outrageous comparison of Kerdôn's workmanship with that of Athene as the crowning hyperbole in her enthusiasm for the dildo. It describes how Korittô is being presented as almost paranoid in her concern with what people think of her alongside her obsession with sex.

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Aguirre, Mercedes, and Richard Buxton. "Love and Song." In Cyclops. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198713777.003.0008.

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Absent from the Odyssey, and only embryonic in Euripides’ Cyclops, is the motif of Cyclopean sexuality. It is only with the arrival of Galatea, and subsequently (in Ovid) her suitor Acis, on the mythological scene, that the love life of Polyphemus takes centre stage. In this chapter Aguirre and Buxton chart the emotional triangle that links Polyphemus with the nymph he adores, and sets him in furious wrath against Acis. The authors look at the possible origin for the Polyphemus/Galatea stand-off in the poetry of Philoxenus, and go on to examine the erotic variations on the motif in classical poetry and art. Finally they listen to the songs that the Cyclops sings to his beloved—the first occurrence of the motif of Cyclopean music, which will resound through postclassical poetic and visual imagery.

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Conference papers on the topic "Chant de Linos"

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Niu, Jiping, and John Dartnall. "Using the Fuzzy Method to Evaluate Manufacturing Productivity." In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-10940.

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This paper introduces a useful method for improvement of the time forecasting of production lines operating at full speed production time (FSPT) and dealing with uncertain time losses. The full speed production time is a major index of the production line’s performance because it enables direct evaluation of production line output. This measure is called as overall equipment effectiveness (OEE). The fixed theoretically available hours minus time losses such as holidays, broken equipment and raw materials or labor shortages give us the production lines’ full speed production time. The waterfall chart model (WCM) improves the measurement of FSPT and can thereby help decision-makers to evaluate OEE. Unfortunately, there are many uncertain and imprecise factors operating. The fuzzy method can be used to reduce the degree and effect of uncertainty and imprecision [1]. We therefore introduce fuzzy theory into our WCM chart. This will assist decision makers in evaluating uncertainty and imprecision and obtain improved OEE measurements as well as producing better production plans and master production schedules [2].

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Sultanum, Nicole, Fanny Chevalier, Zoya Bylinskii, and Zhicheng Liu. "Leveraging Text-Chart Links to Support Authoring of Data-Driven Articles with VizFlow." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411764.3445354.

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Bachrathy, Daniel, and Gabor Stepan. "Efficient Stability Chart Computation for General Delayed Linear Time Periodic Systems." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-13660.

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The determination of the stability of systems with time delay is of high importance in many industrial and research applications, like cutting processes, wheel shimmy, traffic jams and even in neural systems, human balancing. A user friendly numerical method was implemented to analyse the general form of delayed linear time periodic systems with time periodic coefficients. The goal is to create a freeware Matlab package which is able to determine automatically the so-called stability chart, which illustrates the parameter range for which the given linear system is stable. The user has to define the governing equation by the time periodic coefficient matrices, the corresponding time delays, the orders of time derivatives of the general coordinate vector, as well as the range of the parameters and the resolution of the stability chart. The method is optimized for 2 parameters, which is a typical case in engineering applications, but 1 and 3 parameter stability charts are also supported and tested. The stability is analysed in frequency domain based on the Nrth order approximation of Hill’s infinite determinant. The parameter points where the number of unstable Floquet multipliers changes are computed by the Multi Dimensional Bisection Method. From these parameter points, another algorithm selects the stability boundary lines. The algorithm is tested by means of numerous examples.

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Hernández, Daniel, Antonio Antoranz, and Raúl Vázquez. "Application of Smith Chart for Non-Repeating Stages in Axial Compressors." In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-94199.

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The configuration of an axial compressor, including the mean radius, the annulus lines, stage loading or number of stages, flow parameter, work split and stage reactions, are all of them selected in the preliminary design phase. For the success of the final design, to attain the proper selection is mandatory. A representative geometry of the airfoils is not available at this early stage of the design process. Therefore the former parameters use to be selected based only on the designer prior experience and/or empirical correlations. Under these circumstances, the so called Smith Chart is a valuable tool that can provide simple guidelines to the designer and a preliminary assessment of the compressor efficiency. The use of this chart can be also extended to get the main features of the airfoils, like flow angles, turning, Mach and Reynolds number, diffusion factor, aspect ratio, etc. as well as to compare different design candidates. Several authors have produced their own diagrams by analytical or semi-empirical approach. The repeating stage hypothesis, which has been usually assumed, implies no change in inlet and outlet absolute flow angles and constant axial velocity throughout the stage. The density rise through the stage is compensated by reducing the annulus height and so the annulus wall slope along the compressor is directly obtained from the continuity equation, being in most of the cases not representative of real compressors. In order to have a more representative annulus, in the present work, the repeating stage hypothesis has not been assumed. The annulus shape (height and slope wall angle) is therefore defined by the designer and in order to close the equations of the problem, the absolute exit flow angle of every stage is required. The optimization of the compressor by the novel proposed method is more complicate because of the higher number of variables. However the method has the advantage to reduce the design iterations due to its more reliable results. The aim of this paper is to introduce the novel method of non-repeating stages and to show how this approach can be used in the preliminary design of an axial compressor.

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Gurak, L. J., P. Rubens, and D. Steirer. ""Should I Fill In This Chart With Dots or Lines ?": A Pilot Study on the Effectiveness of Visual Elements in Information Displays." In Conference Record on Crossing Frontiers. IEEE, 1992. http://dx.doi.org/10.1109/ipcc.1992.673013.

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Roghani, Alireza, Renato Macciotta, and Michael Hendry. "Combining Track Quality and Performance Measures to Assess Track Maintenance Requirements." In 2015 Joint Rail Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/jrc2015-5654.

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The serviceability of a section of railway highly depends on track stiffness and roughness. Railway operators regularly measure parameters associated with track stiffness and roughness to evaluate the track conditions. These measures are used in combination with performance observations to assess maintenance requirements. Although these assessments are mostly qualitative, railway operations have benefited from them. Railway operators keep comprehensive records of different types of track defects along their lines. These records are a measure of track performance and present an opportunity to quantify the relationship between track quality and performance. This brings the possibility of developing a performance-based approach for assessing the maintenance requirement along a railway track. In this paper, a database of track geometry defects along Canadian National Railway’s Lac la Biche subdivision (Alberta) has been compared against measured parameters associated with track roughness and stiffness. The analyses confirm the relationship between track stiffness and roughness, and the occurrence of track defects. This relationship is further used to define threshold values of track roughness and stiffness, and a hazard chart for maintenance requirements along the Lac la Biche subdivision is proposed.

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Clark, Ian M., and Glenn Shaw. "Pipeline Control: Merging SCADA and Gas Measurement." In 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2106.

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This paper discusses the merits of merging SCADA1 and gas measurement from a technical and economical perspective. Because traditional SCADA is largely limited to control room data used only for day to day operational purposes, the real-time metering data is not often utilized in the external revenue-generation business systems of the organization. In many cases, entirely separate measurement systems are utilized in isolation which often have few, if any, ties to the SCADA system which is capable of collecting pertinent measurement information. Measurement data validation provides automatic data validation of flow measurement data upon retrieval from telemetered or non-telemetered data sources. Row measurement data can be supplied from field devices such as electronic flow computers or from other sources of flow measurement data such as manual operator entry, third party collection systems, chart integration sources, etc. Flow measurement data undergoes a series of automated validation tests including single-run limit checking, meter run comparisons (at a given metering station) and historical validation tests (such as searching for frozen values). The outcome of these tests determines the data quality code assigned to each flow measurement reading (indicating the results of validation tests). When combined with a real-time processing and data acquisition engine in a SCADA system that is capable of communicating with field devices via leased lines, VSAT, radio, dial-up, etc., many benefits can be realized.

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Cardenas, Ariel Gasca, and Edilberto Gutierrez. "The Challenge of Crossing the Andes: A Data Base Analysis and Peru LNG Project Description." In ASME 2013 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/ipg2013-1951.

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As of the date this paper is written pipelines in South America comprises 113000 kms of transmission lines including Oil, Gas, Condensates, and refined products from which approximately 17% (19400 kms) crosses the Andes reaching elevations up to near 5000mts. Rugged terrain combined with the geology, weather conditions (especially rain intensity) and continuous pipe ruptures in the past impose serious challenges for the pipeline industry that makes the design, construction and operation substantially different from other pipelines in the world. The records have shown that the threat of Ground movement/weather-related pipeline ruptures in the Andes plays a significant role since the percentage of the risk associated with geotechnical causes is substantially higher than any other parts such as Europe or United States. Thus the rate of pipeline failures due to natural forces is significant higher than the average industry. Peru LNG is a 406km × 34in gas pipeline transporting natural gas from the jungle side of Peru to the Pacific Coast where a LNG terminal has been installed. Peru LNG’s pipeline currently holds the record of being the highest Gas Pipeline of the world with a maximum elevation of 4901 meters above sea level. Project completion was done in May 2010 and lessons learnt from similar projects were taken into account since project designs. This paper is divided in two parts. First, it compares pipeline ruptures frequencies due to natural forces in the Andes with other pipelines in different terrains based on historical cases compiled by the authors. Secondly, it explains the different phases of Pipeline Project in rugged terrain from the conceptual design until the operations stage and the role of Pipeline Geotechnical Engineers in this process based on PERU LNG’s pipeline experience. It also describes some of the main features of the PLNG pipeline project. A comprehensive flow chart provides general guidance for future pipeline projects in similar conditions.

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Reports on the topic "Chant de Linos"

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Wilcox, D. R. Composeable Chat over Low-Bandwidth Intermittent Communication Links. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada471810.

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Haines, G. V., and L R Newitt. Vertical intensity chart 1985.0, lines of equal vertical intensity and equal annual change. Natural Resources Canada/CMSS/Information Management, 1985. http://dx.doi.org/10.4095/225669.

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Haines, G. V., and L R Newitt. Magnetic inclination chart 1985.0, lines of equal magnetic inclination and equal annual change. Natural Resources Canada/CMSS/Information Management, 1985. http://dx.doi.org/10.4095/225670.

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Haines, G. V., and L R Newitt. Canada, total intensity chart 1985.0, lines of equal total intensity and equal annual change. Natural Resources Canada/CMSS/Information Management, 1985. http://dx.doi.org/10.4095/225668.

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