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Books on the topic 'Chant de Linos'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Hart, Christopher. Chats, lions et tigres. Taschen, 2001.

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2

Palmistry: How to chart the lines of your destiny. Simon & Schuster, 1992.

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3

Palmistry: How to chart the lines of your life. Rider, 1992.

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4

Wang, Guoliang. Gao su gong lu chang tu ke yun guan zhi zheng ce zhi tan tao. Zhonghua jing ji yan jiu yuan, 1988.

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5

Yasui, Sueko. Zai shi zi du zi li chang ge de Laibi. Hai yan chu ban she, 2012.

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6

Jue dui bu wu liao !: Chang cheng you lun zhe yang da jiu dui le. Mao tou ying chu ban, 2015.

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7

Khongčharœ̄nsunthō̜n, Wisātrī. Rāingān wičhai rư̄ang kānsưksā khunnasombat kāntān čhulinsī dư̄ yā læ kāntān mareng khō̜ng sānsakat čhāk samunphrai Thai bāng chanit =: Inhibitory effects of some Thai herb extracts on the growth of some drug resistant microorganisms and cancer cell lines. Phāk Wichā Chīwawitthayā, Khana Witthayāsāt, Mahāwitthayālai Būraphā, 2006.

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8

Attend Chart Lions Den. Standard Publishing Company, 1997.

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9

LIBOFF. Transmission Lines, Wavegdes Chart. McGraw Hill Higher Education, 1986.

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10

LIBOFF. Transmission Lines, Wavegdes Chart. McGraw Hill Higher Education, 1986.

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11

First Chants Set (First Links). Shortland Publications, 2001.

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12

First Chants Set (First Links). Shortland Publications, 2001.

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13

Chano (Literacy Links Plus Topic Books Fluent). Shortland Publications, 2001.

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14

PALMISTRY: HOW TO CHART THE LINES OF YOUR LIFE. Ted Smart, 1999.

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15

Levine, Roz. Palmistry: How to Chart the Lines of Your Life. Fireside, 1993.

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16

Coast Lines: How Mapmakers Frame the World and Chart Environmental Change. University Of Chicago Press, 2008.

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17

Coast Lines: How Mapmakers Frame the World and Chart Environmental Change. University of Chicago Press, 2008.

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18

Théberge, Paul. The Sound of Nowhere. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0015.

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This chapter traces the development of reverb in music production. Reverberation implicates acoustic space with musical and social places; thus, genres can come to be associated with different locations (e.g., Gregorian chant with cathedrals, orchestras with large concert halls). Sound recordings relocate music to other locales, however, superimposing the reverberant characteristics of one space upon another. Since the 1930s, audio-recording engineers increasingly disengaged recorded sounds from their acoustic environments and replaced them with artificial reverb: through the use of chambers, plates and digital devices, popular recording practices create a complex, multilayered musical space. The chapter traces these developments and links them to contemporary listening practices associated with headphone use, arguing that reverb serves to create an imaginary sonic space for the mobile listener.
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19

Baloh, Robert W. Hallpike’s Caloric Test. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190600129.003.0015.

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Charles Hallpike decided that greater precision could be obtained with the caloric test by measurement of one or more attributes of the responses to some suitably graded stimulus. He chose to measure the duration of induced nystagmus. Hallpike chose water at 30°C and 44°C (7°C below and above body temperature, respectively) and allowed it to flow for 40 seconds. These temperatures were generally well tolerated, and the comparatively large quantity of water and rapid flow minimized errors due to misdirecting the stream within the ear canal. A simple chart was used to summarize the results of the bithermal caloric test. The chart consisted of two continuous lines, each representing a total of a 3-minute period, subdivided into 10-second intervals. Hallpike conducted a series of experiments on the phenomenon of directional preponderance with caloric testing and emphasized the importance of vestibular tonus originating from the inner ear receptors.
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20

Makeham, John. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878559.003.0001.

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The Introduction contextualizes Zhu Xi within the “Learning of the Way” tradition of Neo-Confucian thought, and introduces key questions that animate the volume as a whole: What aspects of Buddhism did Zhu criticize and why? Was his engagement limited to criticism (informed or otherwise) or did Zhu also appropriate and repurpose Buddhist ideas to develop his own thought? If Zhu’s philosophical repertoire incorporated conceptual structures and problematics that are marked by a distinct Buddhist pedigree, what implications does this have for our understanding of his philosophical project? The Introduction provides a narrative that links the book’s five chapters; introduces the main aims, content, and structure of each chapter; and provides historical, institutional, and doctrinal contextualization for the Buddhist material. That material includes coverage of Chan Buddhist doctrine in the Song dynasty and Chan’s institutional setting; Chan and Tiantai engagement with Neo-Confucian thinkers; and key Tiantai and Huayan doctrines.
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21

Daniel & Lions Attendance Chart: Each 13 Week Chart Has Spaces for 12 Names and Comes with Stickers and a Reproducible Attendance Certificate to Use a. Warner Press, 2000.

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22

William, Kehoe, ed. The London disaster: The following lines were composed br [sic] Blind Bill, the Fiddler, well known over the Dominion of Canada, on the wreck of the Victoria ... s.n., 1986.

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23

Angle, Stephen C. Buddhism and Zhu Xi’s Epistemology of Discernment. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878559.003.0004.

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This chapter focuses on Zhu Xi’s theory of knowing in order to show how Zhu consciously appropriated Buddhist ideas to develop his own thought. Zhu repurposed the Buddhist term zhijue (perceptual awareness) to become a general term for the mind’s various kinds of knowing activity. Zhu’s epistemology was a conscious rejection of radical approach associated with the Song dynasty Chan master Dahui Zonggao (1089–1163). Two parallel lines of argument are presented. First, the main reason that key aspects of Zhu’s thought resemble Buddhist ideas and modes of thought is due to the deep-rooted cultural embeddedness of those Buddhist ideas and modes of thought. Second, despite the fact that Zhu’s epistemic theorizing is replete with terms and phrases that are strongly associated with, and in some cases originate from, Buddhist writing, the similarities in terminology or structure actually mask deep differences.
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24

SATTA MATKA | KALYAN MATKA | 7049469905 | SATTA KING | MATKA RESULT: Kalyan MATKA fix SINGAL Jodi Patti call 7049469905 ❋ Satta Matka ❋ Satta Matka Results ❋ SattaMatka ❋ Matka tips ❋ Free Matka Results ❋ Kalyan Matka Results ❋ Satta Game ❋ Matka Game ❋ Mumbai Main ❋ Kalyan Results ❋ Kalyan Chart ❋ Main Mumbai Chart ❋ Online Matka Results ❋ Satta Matka Tips ❋ Milan Chart ❋ Old Satta chart ❋ Top Matka Guess ❋ Matka Links ❋ Live Satta Matka Results ❋ Satta Matka Number ❋ Satta Matka Software ❋ Matka Chart ❋ Matka ❋ Free Matka Guessing ❋. SATTA MATKA | KALYAN MATKA | 7049469905 | MATKA RESULT | SATTA KING | KAPIL MATKA |, 2018.

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25

Anker, Elizabeth S., and Bernadette Meyler, eds. New Directions in Law and Literature. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.001.0001.

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After the heyday of the law and literature movement in the 1970s and 1980s, many wondered whether it would retain vitality and influence. Yet in recent years, scholarship in law and literature continues to flourish, broadening into a number of new directions. This collection of essays by twenty-two prominent scholars from literature departments as well as law schools showcases the vibrancy of recent work in the field, at the same time as it takes stock of many of the new directions shaping the interdiscipline. In so doing, New Directions in Law and Literature furnishes an overview of where the field has been, its recent past, and its potential futures. Some of the essays examine the innovative methodological approaches that helped to enlarge the field; among these are concern for globalization, the integration of insights from history and political theory, the application of new theoretical models from affect studies and queer theory, and the expansion of study beyond the text to performance and the image. Other essays instead grapple with particular intersections between law and literature, whether in copyright law, or competing visions of alternatives to marriage, or the role of ornament in the law’s construction of racialized bodies. Together, the essays in this volume offer a diverse, evolving portrait of the wide variety of work in law and literature, and in the process they likewise chart new lines of inquiry that beginning scholars might pursue.
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26

Harris, Laura. Experiments in Exile. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279784.001.0001.

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Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, Harris argue that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, Harris show how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life.
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27

Mountaine, William. Account of the Methods Used to Describe Lines, on Dr. Halley's Chart of the Terraqueous Globe;: Shewing the Variation of the Magnetic Needle about the Year 1756, in All the Known Seas; Their Application and Use in Correcting the Longitude at Sea; With. HardPress, 2020.

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