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Dissertations / Theses on the topic 'Chappell'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Suckart, Isabel [Verfasser], and Daniel [Akademischer Betreuer] Chappell. "Akute Schädigung der endothelialen Glykokalyx bei Kindern während kardiochirurgischen Eingriffen / Isabel Suckart ; Betreuer: Daniel Chappell." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1148276548/34.

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2

Chappell, Tyson. "The long-term teratogenic effect of prenatal alcohol exposure on the somatosensory and motor cortex of rats." View the abstract Download the full-text PDF version, 2007. http://etd.utmem.edu/ABSTRACTS/2007-013-Chappell-index.htm.

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Thesis (Ph.D.)--University of Tennessee Health Science Center, 2007.
Title from title page screen (viewed on February 29, 2008). Research advisor: Robert S. Waters, Ph.D. Document formatted into pages (xix, 179 p. : ill.). Vita. Abstract. Includes bibliographical references (p. 152-178).

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3

Martin, Jim. "A rhetorical analysis of the illustrative technique of Clovis G. Chappell, Batsell Barrett Baxter, and Lynn Anderson." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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4

Mabe, Abbey. "The Appalachian Other: Struggles of Familial and Cultural Assimilation in Fred Chappell's Kirkman Tetralogy." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/995.

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In his Kirkman tetralogy, Fred Chappell refutes ill-conceived Appalachian stereotypes via his refreshingly intelligent and sophisticated cast of mountaineer players. However, Chappell’s characters do not exist without flaws. Jess Kirkman, the tetralogy’s narrator, is a particularly tortured figure. Perpetually struggling to assimilate into his native mountain culture, Jess represents the Appalachian Other, an individual who is born into Southern Highland society, but who is, ironically, treated like an outsider by his peers. Throughout Chappell’s first novel, Jess’s inability to connect with his own family members becomes evident. In books two and three, readers see that, although several of Jess’s male relatives share his assimilative struggles, the women in his family are warmly embraced members of Appalachian society. While Jess desperately attempts to win the approval of his peers in novel four, he ultimately accepts his otherness, thus embracing the permanency of his outsider status.

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5

Colatosti, Jennifer M. "Geneaology." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213029447.

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6

Buchsteiner, Michael [Verfasser], and Daniel [Akademischer Betreuer] Chappell. "Nicht invasives hämodynamisches Monitoring während der Narkoseeinleitung von pädiatrischen Patienten : eine vergleichende Analyse der Hämodynamik zwischen inhalativer und intravenöser Narkoseeinleitung / Michael Buchsteiner ; Betreuer: Daniel Chappell." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1218466154/34.

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7

Nichols, Dana J. "Y'all Go Out and Make Us Proud: The Commencement Address and the Southern Writer." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04242006-091038/.

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Thesis (Ph. D.)--Georgia State University, 2006.
Thomas L. McHaney, Pearl A. McHaney, committee co-chairs; Matthew Roudane, committee member. Electronic text (170 p.) : digital, PDF file. Title from title screen. Description based on contents viewed July 3, 2007. Includes bibliographical references (p. 158-169).

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8

Blumenstock, Alex L. "Jess's Search for an Understanding of Truth in Fred Chappell's Kirkman Tetralogy." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2500.

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In Fred Chappell’s Kirkman tetralogy, narrator Jess Kirkman synthesizes a multiplicity of perspectives for understanding the nature of truth. Blurring the distinction between art and life, Jess's narrative structure mirrors the imaginative reconstruction of experience; the novels are largely non-chronological emotive interactions with and reflections of his most salient memories and imaginings. Synthesizing an impressive cacophony of voices, Jess's stories both describe and apply the wisdom and tales Jess acquires from and with his family members. Each story informs the prior and the next, and the rhizomatic interaction between language, narrative, and reader explores Jess's numerous identities and understandings as narratives venture through space, time, and imagination.

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9

Hayes, Jeffreen M. "Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539623598.

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"Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder" will examine twenty-first century constructions of race by African Americans. I am interested in how visual artist Jefferson Pinder, comedian Dave Chappelle, and comic artist Aaron McGruder interrogate and incorporate race, particularly whiteness, into their respective works. Each artist challenges hegemonic constructions of race, utilizing technology and taking full advantage of our visualized culture to present their examinations of race. I selected the artists because of their intimate knowledge of their respective crafts, their use of popular culture, and their diverse perspectives on race in America. Additionally, the artists share a regional background in that they came of age while living in the Washington, DC metro area, which I believe heavily informs their racial views.;Inside their world of the visual arts, comic strips, and television, I argue that the artists are examining blackness while re-defining what it means and inserting, visually, whiteness into the discourse. These black constructions of race have always existed; however, I suggest that the post-soul generation is expanding concepts of race by taking the constructions from the shadows of African American culture and situating them in mainstream culture. In this attempt to challenge homogenous notions of race, the artists cull from several disciplines, which call for an interdisciplinary approach. Employing an interdisciplinary method, I will use theories of race and theories of representation. Additionally, theoretical approaches from art history, visual culture, studies of television, and film studies help frame and ground my research. This twenty-first century discourse from African American cultural workers makes my dissertation timely because it captures an important transition in American culture carried out through the combination of art, media, and racial discourse.

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10

Piver, Courtney Lorraine. "More Than One Shape: Unity Among Fred Chappell's Varied Literary Works." NCSU, 2004. http://www.lib.ncsu.edu/theses/available/etd-01112004-220648/.

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The purpose of the research has been to develop a theory of unity between Fred Chappell?s prose and poetry. His works thematically range from Southern gothic, regional Appalachian, magical realist, and science fiction. One application of this theory of unity has been explored through the idea of a common heroic character. Another application of this theory of unity has been explored through the reliance on fantasy during the hero?s journey in the search for truth. But there is a danger in fictive realities ? they can both hinder and help the hero reach his goal. Ultimately Chappell?s more regional works predominately use fantasy to allow a protagonist to gain truth in self-knowledge while his more gothic and science fiction works tend to use fantasy in order to lead the hero away from truth.

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11

Loiseaux, Pierre André. "Les frères Chappe : la genèse des télécommunications en région Parisienne (1794-1830)." Paris 4, 1994. http://www.theses.fr/1994PA040098.

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But de cette thèse : montrer comment la télégraphie en France naquit et se développa. Chapitre 1 : naissance de la télégraphie. Chapitre 2 : essais du 1er procédé. Agrément par la convention nationale de la première ligne de Paris à Lille. Budgets accordés. Cout des implantations. Chapitre 3 : techniques. Différents types de machines. Le poste central, les stations de la région parisienne. Le langage télégraphique. Codage et décodage utilisations diverses : loterie, contrôle des titres des monnaies métalliques diffusion des résultats des élections législatives. Chapitre 4 : les hommes. Les frères Chappe, Kerepertz, administrateur nommé en 1823. Cadres supérieurs, directeurs et inspecteurs principaux cadres subalternes et agents d'exécution. Formation professionnelle, appointements, discipline, activités. Chapitre 5 : la législation. Les rapports avec le pouvoir en place. Chapitre 6 : conclusion. Influence de la télégraphie sur la vie quotidienne des français
Aim of this thesis : show how telecommunications were born and grew in France. Chapter 1 : the birth of the telegraphy. Chapter 2 : the test of a first rudimentary process of a far-away communication. The agreement Chappe's process by national convention of the first line Paris - Lille. The budgets, the cost of the implantations. Chapter 3 : the technics. Different types of machines. The central post and the different stations in the Paris area. The telegraphic language. Writing in code and reading off of the dispatches. The use of the telegraphy by the lotery, the control of the titles in metallic moneys, diffusion of the legislative election results. Chapter 4 : the men. C. Chappe's brothers. Kerepertz, the administrator appointed in 1823. The superior officers. The directors and the main inspectors. The subaltern officers and executive agents. The professional formation the salaries, the discipline, the daily activities. Chapter 5 : the law about telegraphy. The relations with the sitting power. Chapter 6 : conclusion, the influence of the telegraphy on the French daily life

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12

Martin, Ralph S. "Laughing Our Way To Revolution: A History and Analysis of African American Humor." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/599.

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The goal of this thesis is to explain the nature of ethnic humor in American society. This will be achieved through three different processes. First, this thesis will explain the history of African American humor and recount it’s development into it’s own brand of comedy. Second, it will explain the nature of African American humor and how it is a tool used to revolt against the oppressive and hegemonic nature of western society. Additionally, this paper aims to prove that African American humor is a coping mechanism for African Americans. This thesis will also discuss the duality of African American humor as both comedy and social critique. Another aspect this work will explore is how comedians deal with unintended stereotype perpetuation and also how different audiences respond to the racial jokes of the comedians. Finally, this thesis will outline how to better present jokes so that the perpetuation of racism and stereotypes does not happen. As a coping mechanism, African American humor takes stereotypes about African Americans, both positive and negative, and converts them into humorous topics that can make the stereotypes positive (Daube, 2010). This play on stereotypes, although it can be incredibly funny and also makes for great social commentary, is also very dangerous (Apte, 1987). Without proper context and understanding of the joke, it is possible that the intended social critique is not conveyed to the audience and instead the humor unintentionally perpetuates negative stereotypes. The value of African American humor as both entertainment and a coping mechanism is immeasurable (Cater, May, & Bird, 2012)

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13

Zakos, Katharine P. "Racial satire and Chappelle's Show." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-04212009-163930/.

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Thesis (M.A.)--Georgia State University, 2009.
Title from file title page. Mary Stuckey, committee chair; Kathryn Fuller-Seeley, Alisa Perren, Alessandra Raengo, committee members. Description based on contents viewed June 11, 2009. Includes bibliographical references (p. 86-89).

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14

Parker, George. "Actor Alone: Solo Performance in New Zealand." Thesis, University of Canterbury. Theatre and Film Studies, 2008. http://hdl.handle.net/10092/1035.

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This thesis explores solo performance in New Zealand. That solo performance has been widely used in New Zealand's relatively brief theatre history is usually ascribed to the economy, manoeuvrability and adaptability of the form - common reasons for the popularity of solo performance elsewhere as well. But this thesis considers solo performance as a kind of theatre that has been suited to New Zealand in a distinctive way. In particular, I argue that solo performance has emerged on the margins of mainstream theatre in New Zealand as a means of actively engaging with a sense of isolation that typifies the post-colonial New Zealand experience. The ability of the solo performance to move between remote rural settlements and urban centres has connected these New Zealand communities in a way that is unusual for theatre in New Zealand. Furthermore, a solo performer speaking directly to an audience about the experience of living in New Zealand allows for an intimate interaction with a traditionally stoic and laconic masculine society. In this thesis, I make a case for three solo performances where it is possible to see, in the representation of a search for what it means to be a New Zealander, a theatrical contribution to nation-building: The End of the Golden Weather (1959), Coaltown Blues (1984) and Michael James Manaia (1991). However, in a subsequent chapter, I look at solo performances in New Zealand that might better be understood within global movements such as feminism and multiculturalism. I argue that this shift has depleted the power that the form once held to comment upon New Zealand identity and to assist in the search for national identity. I conclude the thesis by considering how ongoing theatre practice may be informed by the experience of solo performance in New Zealand.

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15

"The Appalachian Other: Struggles of Familial and Cultural Assimilation in Fred Chappells Kirkman Tetralogy." East Tennessee State University, 2005. http://etd-submit.etsu.edu/etd/theses/available/etd-0329105-201156/.

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16

Piver, Courtney Lorraine. "More than one shape unity among Fred Chappell's varied literary works /." 2003. http://www.lib.ncsu.edu/theses/available/etd-01112004-220648/unrestricted/etd.pdf.

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17

Gage, JoAnn. "Anisotrophy of magnetic susceptibility (AMS) analysis of strain partitioning in a lithologically heterogeneous granulite facies shear zone, Mt. Chapple, central Australia." 2007. http://catalog.hathitrust.org/api/volumes/oclc/163570426.html.

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Thesis (M.S.)--University of Wisconsin--Madison, 2007
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-89).

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