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1

McLarney, Karen. Knight character diary. Guelph, Ont: Guardians of Order, 1999.

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2

Berk, Sheryl. Playing pirates. [Maitland, FL]: Advance Publishers, L.C., 2003.

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3

Berk, Sheryl. Playing pirates. [Maitland, FL]: Advance Publishers, L.C., 2003.

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4

Thomas, Craig. Playing with cobras. New York: HarperPaperbacks, 1994.

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5

Playing with fire. New York, N.Y: Avon Books, 2005.

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6

Field, Barbara. Playing with fire (after Frankenstein). New York, N.Y. (440 Park Ave. South, New York 10016): Dramatists Play Service, 1989.

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7

George, Elizabeth. Playing for the ashes. New York: Bantam Books, 1994.

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8

Thomas, Craig. Playing with cobras. New York: HarperCollins, 1993.

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9

Thomas, Craig. Playing with cobras. Thorndike, Me: Thorndike Press, 1993.

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10

Thomas, Craig. Playing with cobras. London: BCA, 1994.

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11

Francine, Pascal, ed. Playing with fire. London: Bantam, 2007.

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12

George, Elizabeth. Playing for the ashes. New York: Bantam Books, 1995.

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13

Mayer, Mercer. I am playing. New York: Sterling Children's Books, 2013.

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14

George, Elizabeth. Playing for the ashes. New York: Bantam Books, 1994.

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15

George, Elizabeth. Playing for the ashes. Thorndike, Me., USA: Thorndike Press, 1994.

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16

George, Elizabeth. Playing for the ashes. New York: Bantam Books, 2008.

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17

George, Elizabeth. Playing for the ashes. London: Bantam, 1994.

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18

Playing with bones. London: Piatkus, 2009.

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19

Peter, Robinson. Playing with Fire. New York: HarperCollins, 2006.

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20

Playing with fire. Toronto: McClelland & Stewart, 2004.

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21

Peter, Robinson. Playing with fire. London: BCA, 2003.

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22

Playing with fire. New York: William Morrow, 2004.

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23

Robinson, Peter. Playing with fire. London: Macmillan, 2004.

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24

Peter, Robinson. Playing with fire. Toronto: M&S, 2004.

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25

Peter, Robinson. Playing with fire. New York: W. Morrow, 2004.

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26

Playing Lear. London: Nick Hern, 2003.

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27

Playing dead: A Hollywood mystery. New York: William Morrow and Co., 1999.

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28

Playing with fire: A Sarah Fortune mystery. New York]: Witness Impulse, 2014.

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29

Cat playing cupid: A Joe Grey mystery. Thorndike, Me: Center Point Pub., 2009.

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30

editor, Dunnicliffe Neil, ed. Playing together: A Bing story book. London: HarperCollins Children's Books, 2015.

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31

Playing with fire: An Inspector Banks mystery. London: Pan, 2004.

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32

Dooley, Ann. Playing the hero: Reading the Irish saga Táin bó Cúailnge. Toronto: University of Toronto Press, 2006.

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33

Rankin, Ian. The falls. London: Orion, 2001.

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34

Rankin, Ian. The falls: A condensation of the book. London: Reader's Digest Select Editions, 2001.

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35

Violets are blue: A novel. Boston: Little, Brown, 2001.

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36

Rankin, Ian. The falls. New York: St. Martin's Minotaur, 2001.

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37

Rankin, Ian. The falls. New York: St. Martin's Minotaur, 2001.

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38

Playing for real: Actors on playing real people. New York: Palgrave Macmillan, 2010.

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39

Marie, Robertson Eleanor. Playing the odds. Waterville, Me: Thorndike Press, 2004.

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40

Mahood, M. M. Playing bit parts in Shakespeare. London: Routledge, 1998.

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41

Mahood, M. M. Playing Bit Parts in Shakespeare. London: Taylor & Francis Inc, 2002.

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42

Sykes, Armin. Gurps Character Assistant. 4th ed. Steve Jackson Games, 2005.

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43

Exalted: Character Sheet Pad (Exalted). 2nd ed. White Wolf Publishing, 2006.

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44

Little, Jean. Cat Playing Cupid. New York: HarperCollins, 2009.

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45

Gibbons, William. Playing Chopin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190265250.003.0010.

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This chapter explores two video games that feature the nineteenth-century pianist and composer Frédéric Chopin as the main character: the Japanese role-playing game Eternal Sonata and the mobile game Frederic: Resurrection of Music. The chapter begins by examining three mythic identities that have shaped audience’s understandings of Chopin and his music and that play a role in Eternal Sonata and Frederic: the salon composer, the Romantic composer, and the Slavic composer. To address the challenges of creating a compelling video game narrative about a real-world composer, both games employ innovative but problematic narrative strategies to transform Chopin into a more stereotypically heroic character. Moreover, both games include his music in ways designed to reinforce its musical greatness and increase the music’s appeal to younger audiences.
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46

George, Elizabeth. Playing for the Ashes. Hodder & Stoughton Ltd, 2004.

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47

George, Elizabeth. Playing for the Ashes. Bt Bound, 1999.

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48

Playing for the Ashes. New York: Random House Publishing Group, 2008.

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49

George, Elizabeth. Playing for the Ashes. Random House Audio, 2001.

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50

Robinson, Peter. Playing with Fire. imusti, 2016.

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