Relevant bibliographies by topics / Character-writer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Character-writer'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Character-writer"

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Noreiko, Stephen F. "Philippe Djian: the character of the writer and the writer as character." French Cultural Studies 2, no. 5 (1991): 183–97. http://dx.doi.org/10.1177/095715589100200505.

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WonDu Chang, Keunsoo Yun, and Jungpil Shin. "Text-independent and Character-dependent Online Writer Verification." Journal of Convergence Information Technology 7, no. 16 (2012): 161–68. http://dx.doi.org/10.4156/jcit.vol7.issue16.19.

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Manggalasari, Dwi Sakti, and Dian Luthfiyati. "AN ANALYSIS THE CHARACTER OF FORREST GUMP MOVIE BY ROBERT ZEMECKIS VIEWED FROM BIG FIVE PERSONALITY TRAITS THEORY." Jurnal ELink 5, no. 2 (2018): 89. http://dx.doi.org/10.30736/e-link.v5i2.65.

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The purpose of this research is to know the character and characterization of Forrest Gump as main character in the movie by analyzing the evidence from the dialogues and his actions in the movie. To know what the character and characterization of Forrest, the writer used the method descriptive-qualitative. The writer employs himself to collect the data by reading script, watching the movie and classifying them. The writer focused the dialogues of the movie, and then followed by classifying and analyzing the character and characterization through the big five personality theory The writer found that The Character in the movie are Forrest as Protagonist Character and Forrest as mayor Character. The Forrest character in the movie viewed the Big Five personality, Forrest have all the type of the character such as Openness, Contentiousness, Extraversion or Introversion, Agreeableness, and Neuroticism, but the dominate of Forrest character is Agreeableness. Forrest have high agreeableness, he have the character flexible, trusting, cooperative, forgiving, empathic, soft-hearted, tolerant. Keywords: Character, big five personality
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Angraini, Yuli. "The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler." ANGLO-SAXON: Jurnal Ilmiah Program Studi Pendidikan Bahasa Inggris 6, no. 2 (2016): 139. http://dx.doi.org/10.33373/anglo.v7i2.503.

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The writer chose one of literary works—film entitled “The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler” to be anlyzed. The writer interested to analyze the main character in this film—Louis who used all people around him for the sake of his own intention. He even did not care if people whom he used finally dead. He even recorded the murded scene as calm as it was nothing just casual events that could happen anytime. The purpose of this study was to analyze the types of sociopath character in Louis Bloom and to describe how it can affect his perspective towards his goal. The method of this study was a descriptive. The writer watched Nightcrawler movie to observe the main chharacter and he manipulated people to smooth his way. The writer also read the movie script to understand Louis’ character deeper.To analyze the sociopath of main character, the writer used the psychological approach of Grossman’s theory of psychoanalysis Keywords: sociopath character and psychological approach
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Abu-Ain, Tarik A. H., Waleed A. H. Abu-Ain, Siti Norul Huda Sheikh Abdullah, and Khairuddin Omar. "Off-line Arabic Character-Based Writer Identification – a Survey." International Journal on Advanced Science, Engineering and Information Technology 1, no. 2 (2011): 161. http://dx.doi.org/10.18517/ijaseit.1.2.35.

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Kutzner, Tobias, Carlos Pazmiño-Zapatier, Matthias Gebhard, Ingrid Bönninger, Wolf-Dietrich Plath, and Carlos Travieso. "Writer Identification Using Handwritten Cursive Texts and Single Character Words." Electronics 8, no. 4 (2019): 391. http://dx.doi.org/10.3390/electronics8040391.

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One of the biometric methods in authentication systems is the writer verification/identification using password handwriting. The main objective of this paper is to present a robust writer verification system by using cursive texts as well as block letter words. To evaluate the system, two datasets have been used. One of them is called Secure Password DB 150, which is composed of 150 users with 18 samples of single character words per user. Another dataset is public and called IAM online handwriting database, and it is composed of 220 users of cursive text samples. Each sample has been defined by a set of features, composed of 67 geometrical, statistical, and temporal features. In order to get more discriminative information, two feature reduction methods have been applied, Fisher Score and Info Gain Attribute Evaluation. Finally, the classification system has been implemented by hold-out cross validation and k-folds cross validation strategies for three different classifiers, K-NN, Naïve Bayes and Bayes Net classifiers. Besides, it has been applied for verification and identification approaches. The best results of 95.38% correct classification are achieved by using the k-nearest neighbor classifier for single character DB. A feature reduction by Info Gain Attribute Evaluation improves the results for Naïve Bayes Classifier to 98.34% for IAM online handwriting DB. It is concluded that the set of features and its reduction are a strong selection for the based-password handwritten writer identification in comparison with the state-of-the-art.
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Zafar, Muhammad Faisal, Dzulkifli Mohamad, and Razib M. Othman. "Writer Independent Online Handwritten Character Recognition Using a Simple Approach." Information Technology Journal 5, no. 3 (2006): 476–84. http://dx.doi.org/10.3923/itj.2006.476.484.

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Komarov, A. S. "Interpersonality Communication of Writer, Character and Reader in Belles-Lettres." MGIMO Review of International Relations, no. 5(26) (October 28, 2012): 215–20. http://dx.doi.org/10.24833/2071-8160-2012-5-26-215-220.

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The article is devoted to intercourse between the writer, the character and the reader, their roles in the process, the characteristics and nature of interpersonal relations between them. The author describes the two types of interpersonal relations: manipulative intercourse and communicative intercourse. Manipulative intercourse is looked upon as a process of depriving one participant of their individuality by the other. Special attention is paid to the nature, sources, and differences between these types of relations, their manifestation in belles-lettres, ways of transforming communication into manipulation.
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Sutrisno, Selvie M. S. "The personality of Krystal Weedon in J.K Rowling’s the casual vacancy : a psychoanalysis study." COMMICAST 2, no. 1 (2021): 29. http://dx.doi.org/10.12928/commicast.v2i1.2732.

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The writer discuss about the personality of the main character, Krystal Weedon, in The Casual Vacancy. The writer focuses on the personality of Krystal Weedon by using psychoanalysis approach. In this research, the writer used qualitative research method. Quality refers to the what, how, when, and where of a thing its essence and ambience. This novel described a unique personality of Krystal Weedon as a teenager that has many problems in her life. By means of the background above, the writer would like to analyze the novel The Casual Vacancy using psychoanalysis study to reveal the personality of the main character in this novel.
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Xiong, Yu-Jie, Li Liu, Shujing Lyu, Patrick S. P. Wang, and Yue Lu. "Improving Text-Independent Chinese Writer Identification with the Aid of Character Pairs." International Journal of Pattern Recognition and Artificial Intelligence 33, no. 02 (2018): 1953001. http://dx.doi.org/10.1142/s021800141953001x.

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Text-independent Chinese writer identification does not depend on the text content of the query and reference handwritings. In order to deal with the uncertainty of the text content, text-independent approaches usually give special attention to the global writing style of handwriting, rather than the properties of each individual character or word. Thanks to the existence of high-frequency characters, some characters probably appear in both the query and reference handwritings in most cases. If character images in the query handwriting are similar to those in the reference handwriting, this query handwriting and the corresponding reference handwriting are very likely to be written by the identical writer. In this paper, we exploit the above characteristic to improve the performance of Chinese writer identification. We first present an identification scheme using edge co-occurrence feature (ECF). Then, we detect the character pairs in the query and reference handwritings using a two-step framework and propose the displacement field-based similarity (DFS) to determine whether a character pair is written by the identical writer. The character pairs help to re-rank the candidate list obtained by text-independent ECF-based similarity and finally decide the writer of the query handwriting. The proposed method is evaluated on the HIT-MW and CASIA-2.1 datasets. Experimental results demonstrate that our proposed method outperforms the existing ones, and its Top-1 accuracy on the two datasets reaches 97.1% and 98.3%, respectively.
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Dissertations / Theses on the topic "Character-writer"

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Vasconcelos, Fernanda de Paula. "Escritor-personagem / personagem-escritor: Daniel Galera e o projeto Amores Expressos." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7386.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>Diante da recorrência da criação de personagens-escritores nas obras brasileiras de ficção publicadas a partir dos anos 1990, foi escolhida a produção de Daniel Galera como estudo de caso. O personagem-escritor foi observado como estratégia para discutir questões relativas à cena literária contemporânea. Foi delimitado como corpus dessa pesquisa o blog criado durante a estada de Daniel Galera em Buenos Aires, ao participar do projeto Amores Expressos, e o romance Cordilheira (2008), escrito como fruto dessa experiência. Tendo em vista a trajetória de sua carreira em constante relação com a internet, foi analisada a construção do escritor-personagem no blog hospedado no site do projeto, em contraponto à figura do personagem-escritor no romance. Para tanto, foram utilizados textos sobre a autoficção, a performance e a autoria. Na comparação dos textos de ambos os suportes, foram evidenciadas semelhanças e diferenças nas problematizações a respeito da formação do autor. Foi investigada a inserção de trechos do blog no romance como estratégia que oferece complexidade nos espelhamentos das imagens e enriquece os efeitos de leitura do romance<br>Given the recurrence of the creation of characters as writers in Brazilian fiction works published since the 1990s, it was chosen the Daniel Galeras production as a case study. The character as writer was seen as a strategy to discuss issues concerning the contemporary literary scene. The research corpus was defined by a blog created during the Daniel Galeras stay in Buenos Aires, when he participated in Amores Expressos project, and the novel Cordilheira (2008), written as a result of that experience. By the trajectory of his career in a constant relation with the internet, it was analyzed the construction of writer as character in a blog hosted on the project site, in contrast to the figure of character as writer in the novel. For that, texts on autofiction, performance and authoring were used. Comparing the texts of both supports, similarities and differences in problematizations regarding the authors formation were found. The inclusion of excerpts from the blog in the novel was seen as a strategy that offers complexity of mirroring images and enhances the effects from the novel reading
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Mohon, Pamela E. "Alexandra leaving an exploration into Sherlock Holmes and the writer, reader, character relationship /." Connect to resource, 2008. http://hdl.handle.net/1811/32233.

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Gomes, Antônio Egno do Carmo. "“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4030.

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Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-01-30T10:59:36Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Antônio Egno do Carmo Gomes - 2014.pdf: 2169920 bytes, checksum: 61507a60ee0b84092ffb70cc36652af0 (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-30T13:31:19Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Antônio Egno do Carmo Gomes - 2014.pdf: 2169920 bytes, checksum: 61507a60ee0b84092ffb70cc36652af0 (MD5)<br>Made available in DSpace on 2015-01-30T13:31:19Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Antônio Egno do Carmo Gomes - 2014.pdf: 2169920 bytes, checksum: 61507a60ee0b84092ffb70cc36652af0 (MD5) Previous issue date: 2014-07-01<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Following a general trend of the human sciences, the arrival of post-modernity in literary studies has culminated in the so-called “death of the author”. With resonances that can be noted in some theorists as Roland Barthes (2004), Michel Foucault (2006, 1996), Umberto Eco (2005, 2003, 2004, 2001, 1986), Stanley Fish (2003, 1990) and Linda Hutcheon (2000; 1991; 1984), the post-modern distrust in meaning and the conviction that what a literary work means not only does not depend on the author but also finds in him an obstacle to the reader’s creativity are widely disseminated notions that have found their place in the metafiction theory by means of Hutcheon (1991; 1984), and Patrícia Waugh (1984). However, in this thesis, based on the assumptions of the hermeneutic realism theory, an interpretive approach according to which the meaning of a text is prior to its reading and is in many respects does not dependent on it, I propose to review the role of the author in metafictional novels, searching for appropriate readings for such novels. My theory is that author and writer are separate entities and that, among the four sources of enunciation of a novel (writer, author, narrator and character), the author is the one responsible for opening the work, activating the reading and actualizing the metafictionality. By means of a dialogue with theorists from several fields of the human sciences, I seek to defend the author from his opponents and show that, in the relationships he establishes with the character in novels of protagonist writer (as in A Rainha dos cárceres da Grécia, Bufo & Spallanzani and O Chalaça), the metafictional author addresses us, making communicative calls to us, and calling our attention to the fictionality of the text. So, what I do in this thesis is to show that since the attacks to the notions of person, intention and interpretive authoritarianism may even relate to the writer , but never to the author, he cannot and should not be killed. The author, I seek to prove, is a constitutive element of fictional language and is also the other with whom we communicate in reading metafictional novels. The result is that our interaction with such aesthetic person is essential in order that, through the distinction of the voices of the writer, narrator and character, we may be able to read these novels without making problematic interpretations.<br>Seguindo uma tendência geral das ciências humanas, a chegada da pós-modernidade nos estudos literários culminou na chamada “morte do autor”. Com ressonâncias que podem ser percebidas em teóricos como Roland Barthes (2004), Michel Foucault (2006; 1996), Umberto Eco (2005; 2004; 2003; 2001; 1986), Stanley Fish (2003; 1990) e Linda Hutcheon (2000; 1991; 1984), a descrença pós-moderna no significado e a convicção de que o que uma obra literária significa não só independe do autor como até encontra neste um obstáculo à criatividade por parte do leitor encontram-se amplamente divulgadas, tendo aportado na teoria da metaficção via Hutcheon (1991; 1984) e Patrícia Waugh (1984). No entanto, partindo do realismo hermenêutico, linha interpretativa segundo a qual o sentido de um texto é anterior à leitura e, sob muitos aspectos, independente dela, neste trabalho me proponho a rever o papel do autor em romances metaficcionais, em busca de leituras adequadas para tais romances. Minha teoria é a de que autor e escritor são pessoas distintas e que, dentre as quatro fontes enunciativas de um romance (escritor, autor, narrador e personagem), o autor é aquela responsável por abrir a obra, ativar a leitura e efetivar a metaficcionalidade. Dialogando com teóricos de vários campos das ciências humanas, procuro defender o autor de seus adversários e evidenciar que, nas relações que estabelece com a personagem em romances de protagonista escritor (como A Rainha dos cárceres da Grécia, Bufo & Spallanzani e O Chalaça) o autor metaficcional se dirige a nós, fazendo-nos apelos comunicativos e chamando nossa atenção para a ficcionalidade do texto. Assim, o que faço nesta tese é mostrar que, uma vez que os ataques às noções de pessoa, intenção e autoritarismo interpretativo podem até dizer respeito ao escritor, mas jamais ao autor, este não pode nem deveria ser morto. O autor, busco provar, é um elemento constitutivo da linguagem ficcional e é também o outro com o qual nos comunicamos na leitura de romances metaficcionais. O resultado é que nossa interação com tal pessoa estética é fundamental para que, distinguindo as vozes do escritor, do narrador e da personagem, sejamos capazes de ler tais romances sem fazer interpretações problemáticas.
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Jacques, Amanda Farriá. "A escrita de si e as representações do escritor em Cristovão Tezza." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7137.

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Esta dissertação se detém em duas das principais características da literatura brasileira contemporânea: a profusão de escritas de si e a recorrência de personagens-escritores na produção romanesca. Nesse contexto, a discussão concentra-se em algumas das obras de um dos mais consagrados escritores brasileiros da atualidade: Cristovão Tezza. Em se tratando das escritas de si, discutimos a respeito do premiado romance O filho eterno (2007), por ser uma narrativa que congrega elementos factuais e criação ficcional. Nesse sentido, fazer da relação com o próprio filho Down a matéria-prima de um romance significa enveredar pelos caminhos dos gêneros autobiográficos, estabelecendo um novo paradigma em relação a suas obras anteriores, já que, até então, nenhum espaço para a abordagem de elementos referenciais havia sido aberto. Na discussão dessa obra, consideramos que, apesar de se inclinar à autobiografia, o autor lhe distribui índices de ficcionalidade que colocam em xeque a veracidade do discurso, o que impossibilita a delimitação do gênero entre autobiografia e romance. Nesse caso, o que passa a estar em jogo é a ficcionalização do eu frente à criação literária. Num segundo momento, refletimos sobre a inserção de personagens-escritores na escrita tezziana, recurso amplamente utilizado pelo autor em diversas obras ficcionais, investigando os motivos e implicações dessa recorrência. Para empreender tal análise, recorremos às noções de metaficção e gesto literário, visto que a tematização do universo íntimo do escritor na esfera ficcional evidencia o ato de escrever e seu caráter problematizador. Por último, fazemos uma leitura comparada entre o romance de matiz biográfico O filho eterno e a autobiografia literária O espírito da prosa, tendo por premissa que esta pode funcionar como peça-chave na recepção daquele<br>This work wants to look for two main characteristics of the brazilians contemporary literature: profusion of written of the self and the recurrence of writer-character in the romanesque production. In this context, the discussion focus in some works of the most acclaimed brazilian news writers: Cristovão Tezza. Talking about it writings, it discusses about the prizewinner romance O filho eterno (2007), cause it is a narrative which brings together factual elements and fictional creation. In that case, makes the relationship with his own son Down's syndrome the base material of a romance means engage the ways of autobiographical genres, establishing a new paradigm autobiographical between his previous works, since until then any space for approach of referential elements had been opened. The discussion of this work consider that despite lean the autobiography, the author distributive indices of functionality that puts in check the veracity of the speech, making it impossible for the delimitation of the genus between the autobiography and romance. Thus, what is at stake is the fictionalization of I front of literary creation. In another moment, we have established a discussion on inserting the writer-character in tezziana writing, widely used resource by author in various fictional works, investigating the reasons and implications of this recurrence. To undertake such analysis, we resort to notions of metafiction and literary gesture. Since the thematization of the intimate universe of the writer in the fictional ball highlights evidence the act of write and its inquisitive character. Last but not least, do a comparative reading between romance of hue biographical O filho eterno e O espírito da prosa, once the autobiography works as a key at the front desk of the fictional narrative
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Cruz, Talita Mochiute. "A ficção australiana de J. M. Coetzee: o romance autorreflexivo contemporâneo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-10092015-160114/.

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Esta dissertação propõe uma leitura da chamada ficção australiana de J. M. Coetzee composta por Elizabeth Costello (2003), Homem lento (2005) e Diário de um ano ruim (2007). Esses romances da fase madura do autor compartilham um núcleo de questões estéticas e éticas, configurando um conjunto significativo marcado pela inflexão autorreflexiva. O trabalho acompanha a constituição e a trajetória dos escritores-personagens Elizabeth Costello e Señor C, discutindo como a inserção do recurso do duplo do escritor desestabiliza as noções de autor, personagem e narrador, além de borrar os limites entre ficção e não ficção. A dramatização do processo criativo no centro das obras é outro foco da análise, com o objetivo de entender a encenação da impossibilidade do romance nos moldes do realismo formal. O estudo ainda tenta sugerir a resposta de Coetzee sobre a validade do romance no mundo contemporâneo.<br>This dissertation presents a reading of J. M. Coetzees so-called Australian fiction comprising the works Elizabeth Costello (2003), Slow Man (2005), and Diary of a Bad Year (2007). These novels, belonging to the authors late prose, share core aesthetic and ethical issues. They are meaningful works characterized by self-reflexive inflection. This study follows Elizabeth Costello and Señor C in their writer-characters constitution and journey to discuss how the presence of the writers double, as literary device, destabilizes the notions of author, character, and narrator, as well as it blurs the boundaries between fiction and non-fiction. The dramatization of the creative process in the center of Coetzees works is another focus of analysis aiming to understand the impossibility of staging the novel in formal realism patterns. This work also attempts to suggest Coetzees response on the validity of the novel in the contemporary world.
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CAMARGO, Flávio Pereira. "A dicção ensaístico-ficcional do personagem-escritor na narrativa brasileira contemporânea." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tde/2845.

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Made available in DSpace on 2014-07-29T16:29:28Z (GMT). No. of bitstreams: 1 FLAVIO PEREIRA CAMARGO.pdf: 1480039 bytes, checksum: 36569b5479da5d28b954010a35fed89b (MD5) Previous issue date: 2012-08-24<br>In our research, we propose initially to rescue some of the current trends of contemporary Brazilian prose fiction in order to introduce the reader to some of its main lines of force, especially a metafictional narrative, produced in the late twentieth century and early twenty-first century. To accomplish this bibliographical study, we chose to divide it into two parts. In the first part, entitled A narrativa brasileira contemporânea, comprising two chapters, we have made some considerations about the concept of contemporary literature, as we did a rescue of the critical reception of Brazilian literature produced in recent decades, followed by an extensive discussion on the issues constituent of metafictional narrative. In the second part, titled A encenação do fazer literário na prosa de ficção brasileira contemporânea, we propose to effectively analyze narrative and discursive strategies employed by Sérgio Sant'Anna, Antonio Fernando Borges and Rubem Fonseca in the preparation of his metafictional novels, respectively: Um crime delicado (1997), Braz, Quincas & Cia (2002), e Diário de um fescenino (2003), dedicating to each of these works a specific chapter in which we seek to highlight the discursive and narrative strategies employed by the authors in the construction process and elaboration of his novels, in order to explain the different manifestations of the contemporary metafictional narrative.<br>Em nossa pesquisa, nos propomos, inicialmente, a resgatar algumas das tendências da prosa de ficção brasileira contemporânea com o objetivo de apresentar ao leitor algumas de suas principais linhas de força, com destaque para a narrativa metaficcional, produzida no final do século XX e início do século XXI. Para realizar esse estudo de cunho bibliográfico, optamos por dividi-lo em duas partes. Na primeira parte, intitulada A narrativa brasileira contemporânea, composta por dois capítulos, tecemos algumas considerações acerca do conceito de contemporâneo em literatura, assim como faremos um resgate da recepção crítica da literatura brasileira produzida nas últimas décadas, seguido de uma ampla discussão sobre os aspectos constitutivos da narrativa metaficcional. Na segunda parte, intitulada A encenação do fazer literário na prosa de ficção brasileira contemporânea, nos propomos a analisar efetivamente as estratégias narrativas e discursivas empregadas por Sérgio Sant Anna, Antonio Fernando Borges e Rubem Fonseca na elaboração de seus romances metaficcionais, respectivamente: Um crime delicado (1997), Braz, Quincas & Cia (2002), e Diário de um fescenino (2003), dedicando a cada uma dessas obras um capítulo específico nos quais procuramos evidenciar as estratégias narrativas e discursivas empregadas pelos autores no processo de construção e de elaboração de seus romances, de modo a explicitar as distintas manifestações da narrativa metaficcional na contemporaneidade.
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Books on the topic "Character-writer"

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Sabourin, Conrad. Optical character recognition and document segmentation: Character preprocessing, thinning, isolation, segmentation, feature extraction, cursive and multi-font recognition, writer/scriptor identification : bibliography. Infolingua, 1994.

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Roth, Philip A. The ghost writer. Vintage Books, 1995.

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Cavarnos, Constantine. Saint Athanasios Parios: Eminent theologian, philosopher, educator, hymnographer, and writer of lives of saints; an account of his life, character, and teachings, together with a comprehensive list of his writings, discussions of them and selections from them. Institute for Byzantine and Modern Greek Studies, 2006.

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Death of a Sunday writer. Foul Play Press, 1996.

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Death of a Sunday writer. Thorndike Press, 1997.

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Nichols, Joan Kane. Mary Shelley, Frankenstein's creator: First science fiction writer. Conari Press, 1998.

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illustrator, Allen Joy, ed. Cam Jansen and the mystery writer mystery. Puffin Books, 2008.

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Joy, Allen, ed. Cam Jansen and the mystery writer mystery. Viking, 2007.

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Cavarnos, Constantine. Blessed Elder Philotheos Zervakos (1884-1980): Remarkable confessor and spiritual guide, vigorous defender of the Orthodox Christian faith, itinerant preacher, illuminating writer, and for half a century abbot of the holy Monastery of Longovarda on Paros; a comprehensive account of his life, character, thought, and works. Institute for Byzantine and Modern Greek Studies, 1993.

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Triumph of the imagination: The story of writer J.K. Rowling. Chelsea House Publishers, 2002.

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Book chapters on the topic "Character-writer"

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Alonso-Fernandez, Fernando, Julian Fierrez, Javier Galbally, and Javier Ortega-Garcia. "Exploiting Character Class Information in Forensic Writer Identification." In Computational Forensics. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19376-7_3.

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Wang, Yifang, Dexian Zhang, and Wei Luo. "Writer Identification Based on the Distribution of Character Skeleton." In Advanced Technology in Teaching - Proceedings of the 2009 3rd International Conference on Teaching and Computational Science (WTCS 2009). Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-25437-6_43.

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Bag, Soumen, Partha Bhowmick, and Gaurav Harit. "Detection of Structural Concavities in Character Images—A Writer-Independent Approach." In Perception and Machine Intelligence. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-27387-2_33.

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Adachi, Yoshinori, Min Liu, and Masahiro Ozaki. "A New Similarity Evaluation Function for Writer Recognition of Chinese Character." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-30133-2_9.

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Slogrove, Kayleigh J., and Dustin van der Haar. "Dynamic Handwriting Analysis of the Character ‘Y’ for Writer Profiling Using Geometric Principles and Ratios." In Lecture Notes in Electrical Engineering. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-1465-4_22.

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Ozaki, Masahiro, Yoshinori Adachi, and Naohiro Ishii. "Examination of Effects of Character Size on Accuracy of Writer Recognition by New Local Arc Method." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11893004_148.

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Berger, Arthur Asa. "Computers: Everyone’s a Writer." In Gizmos or: The Electronic Imperative: How Digital Devices have Transformed American Character and Culture. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1007/978-1-137-56545-7_6.

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Fraeters, Veerle. "From Medieval Dutch Writer to French Film Character." In Doing Double Dutch. Leuven University Press, 2017. http://dx.doi.org/10.2307/j.ctt21c4rzf.8.

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"The semiotic-communicative itinerary of the character between writer and reader or spectator." In Nonverbal Communication across Disciplines. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/z.ncad3.04the.

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De Lozier, Jan. "From Ancient to Digital Situating Blackness in Salambo (Domenico Gaido, 1914)." In Taking and Denying Challenging Canons in Arts and Philosophy. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-462-2/015.

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Abstract:
The Italian production company Pasquali e Compagnia adapts the French writer Gustave Flaubert’s 1862 novel Salammbô into a ‘$100,000 Spectacle’. Despite the grandiose production values, a leading character named Spendius is not identified in the film’s credits. The record of Spendius on film, literally ‘pellicola’ or ‘with a skin’, continues to dissolve as compressed portions of the film reappear as pixels on YouTube. This paper analyses Spendius’ transnational character by situating him in an absent, yet present spectrum of media.
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Conference papers on the topic "Character-writer"

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Devi, S. Sangeetha, and T. Amitha. "Offline handwritten writer independent Tamil character recognition." In 2014 International Conference on Information Communication and Embedded Systems (ICICES). IEEE, 2014. http://dx.doi.org/10.1109/icices.2014.7033838.

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Chan, Siew Keng, Christian Viard-Gaudin, and Yong Haur Tay. "Online writer identification using character prototypes distributions." In Electronic Imaging 2008, edited by Berrin A. Yanikoglu and Kathrin Berkner. SPIE, 2008. http://dx.doi.org/10.1117/12.766400.

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Halder, Chayan, Sk Md Obaidullah, and Kaushik Roy. "Effect of writer information on Bangla handwritten character recognition." In 2015 Fifth National Conference on Computer Vision, Pattern Recognition, Image Processing and Graphics (NCVPRIPG). IEEE, 2015. http://dx.doi.org/10.1109/ncvpripg.2015.7490006.

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Siew Keng Chan, Yong Haur Tay, and Christian Viard-Gaudin. "Online text independent writer identification using character prototypes distribution." In 2007 6th International Conference on Information, Communications & Signal Processing. IEEE, 2007. http://dx.doi.org/10.1109/icics.2007.4449745.

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Wei, Luo, Zhang Dexian, Wang Feng, Gong Zhile, Zhu Min, and Bao Na. "Chinese Writer Identification Based on the Distribution of Character Skeleton." In 2009 International Conference on Computational Intelligence and Natural Computing (CINC). IEEE, 2009. http://dx.doi.org/10.1109/cinc.2009.11.

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Guo Xian Tan, Christian Viard-Gaudin, and Alex C. Kot. "A Stochastic Nearest Neighbor Character Prototype Approach for Online Writer Identification." In ICPR 2008 19th International Conference on Pattern Recognition. IEEE, 2008. http://dx.doi.org/10.1109/icpr.2008.4761670.

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Deng, Wei, Qinghu Chen, Yucheng Yan, and Chunxiao Wan. "Off- Line Chinese Writer Identification Based on Character-Level Decision Combination." In 2008 International Symposiums on Information Processing ISIP. IEEE, 2008. http://dx.doi.org/10.1109/isip.2008.135.

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Izadi, Sara, and Ching Y. Suen. "Online Writer-Independent Character Recognition Using a Novel Relational Context Representation." In 2008 Seventh International Conference on Machine Learning and Applications. IEEE, 2008. http://dx.doi.org/10.1109/icmla.2008.111.

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Soma, Ayumu, and Masayuki Arai. "Writer Identification for Offline Handwritten Kanji without using Character Recognition Features." In 2013 International Conference on Information Science and Technology Applications. Atlantis Press, 2013. http://dx.doi.org/10.2991/icista.2013.19.

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Nasuno, Ryosuke, and Shuichi Arai. "Writer Identification for Offline Japanese Handwritten Character using Convolutional Neural Network." In The 5th IIAE International Conference on Intelligent Systems and Image Processing 2017. The Institute of Industrial Application Engineers, 2017. http://dx.doi.org/10.12792/icisip2017.020.

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