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1

Crnogorska drama: Traganje za identitetom. Podgorica: CID, 2006.

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2

Aliens and Englishness in Elizabethan drama. New York: Cambridge University Press, 2009.

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3

Tassara, Marcelo Luis. El drama cultural argentino: O por qué no somos un país en serio. Buenos Aires: Dunken, 2005.

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4

Fàbregas, Xavier. Els orígens del drama contemporani. Barcelona: Edicions 62, 1995.

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5

Pine, Richard. Brian Friel and Ireland's drama. London: Routledge, 1990.

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6

Pine, Richard. Brian Friel and Ireland's drama. London: Routledge, 1990.

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7

1952-, Womack Peter, ed. English drama: A cultural history. Oxford, Eng: Blackwell Publishers, 1996.

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8

Das Drama der Identität im Film. Marburg: Schüren, 2012.

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9

Jain, Jasbir. Deconstructing character: Transformation in postmodernist American drama. Jaipur: Rawat Publications, 1997.

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10

Kankoku dorama, ai no hōteishiki. Tōkyō: Popurasha, 2004.

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11

1828-1906, Ibsen Henrik, ed. The further adventures of Hedda Gabler. New York, NY: Dramatists Play Service, 2008.

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12

Images of Englishmen and foreigners in the drama of Shakespeare and his contemporaries: A study of stage characters and national identity in English Renaissance drama, 1558-1642. Rutherford [N.J.]: Fairleigh Dickinson University Press, 1992.

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13

National biases in French and English drama. New York: Garland Pub., 1990.

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14

Female characters in modern Assamese drama, 1857-1977. Delhi: B.R. Pub. Corp., 2004.

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15

Rogal, Samuel J. A companion to the characters in the fiction and drama of W. Somerset Maugham. Westport, Conn: Greenwood Press, 1996.

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16

Gruber, William E. Missing persons: Character and characterization in modern drama. Athens, Ga: London, 1994.

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17

Gruber, William E. Missing persons: Character and characterization in modern drama. Athens [Ga.]: University of Georgia Press, 1994.

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18

Dramaturgii︠a︡ na bŭlgarskoto: Nat︠s︡ionalnata identichnost vŭv vŭzrozhdenskata drama. Sofii︠a︡: Izdatelstvo "Kralit︠s︡a Mab", 2012.

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19

Theatre and globalization: Irish drama in the Celtic Tiger era. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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20

Von Cowboys bis True west: Sam Shepards Drama : Dokumente einer amerikanischen Phantasie. Frankfurt am Main: P. Lang, 1986.

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21

Vicchio, Stephen. Ivan & Adolph: The last man in hell. Baltimore, Md: Woodholme House Publishers, 1997.

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22

Bauch, Marc. Canadian self-perception and self-representation in English-Canadian drama after 1967. Köhn: WiKu, 2012.

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23

Ojrzyñska, Katarzyna. 'Dancing as if language no longer existed': Dance in contemporary Irish drama. Oxford: Peter Lang, 2015.

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24

Buffoonery in Irish drama: Staging twentieth-century post-colonial stereotypes. New York: Peter Lang, 2009.

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25

Dixon, Victor. Characterization in the comedia of seventeenth-century Spain. Manchester: Department of Spanish and Portuguese, University of Manchester, 1994.

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26

Nian shi ji chu Zhongguo su qu chang shu ren wu. Taibei Shi: Li ren shu ju, 2011.

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27

Duicu, Serafim. Dicționar de personaje dramatice. București: Editura Iriana, 1994.

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28

Vital contradictions: Characterization in the plays of Ibsen, Strindberg, Chekhov, and O'Neill. Bruxelles: P.I.E.-P. Lang, 2002.

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29

38. Montréal: Dramaturges Éditeurs, 1996.

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30

Zaragoza, Georges. Le personnage de théâtre. Paris: Armand Colin, 2006.

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31

Zaragoza, Georges. Le personnage de théâtre. Paris: A. Colin, 2006.

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32

Wunderlich, Heidi. Dramatis persona: (exit.): Die Auflösung der dramatischen Figur als produktive Überschreitung. Berlin: Logos, 2001.

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33

Zur Dramaturgie der Nebenfigur in Theater und Film. Marburg: Tectum, 2000.

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34

Cavoret, Anne Bouvier. Le personnage. Paris: Ophrys, 2004.

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35

Lach, Roman. Characters in motion: Einbildungskraft und Identität in der empfindsamen Komödie der Spätaufklärung. Heidelberg: Universitätsverlag Winter, 2004.

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36

Teatro, história, contexto: Identidade nacional e tempo de mediação no drama histórico português (1898 a 1924). Lisboa: Edições Colibri, 2012.

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37

English Renaissance drama and the specter of Spain: Ethnopoetics and empire. Philadelphia: University of Pennsylvania Press, 2009.

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38

A general drama of pain: Character and fate in Hardy's major novels. New Brunswick, N.J: Transaction Publishers, 2012.

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39

Put yourself in my shoes 2: Bible characters dramatically portrayed for study, discussion and meditation in the weeks around Christmas. Peterborough: Methodist Publishing, 1997.

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40

The politics of identity in Irish drama: W.B. Yeats, Augusta Gregory and J.M. Synge. New York: Routledge, 2009.

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41

Character: Acting and being on the pre-modern stage. London: Macmillan, 1990.

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42

Edward, Burns. Character: Acting and being on the pre-modern stage. New York: St. Martin's Press, 1990.

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43

Trusting performance: A cognitive approach to embodiment in drama. New York: Palgrave Macmillan, 2011.

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44

Ojhā, Tuḷasī. Oḍiā nātakara caritra. Purī: Nijasva Prakāśana, 1998.

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45

Bāṃlā nāṭake apradhāna caritra. Kalikātā: Eyālāẏeḍa Buka Ejensī, 1987.

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46

Michael, Bogdanov, and García Lorenzo Luciano, eds. El personaje dramático: Ponencias y debates de las VII [i.e., VI] Jornadas de Teatro Clásico Español : (Almagro, 20 al 23 de septiembre, 1983). Madrid: Taurus, 1985.

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47

Jhā, Indirā. Ādhunika Maithilī nāṭaka me caritra sr̥shṭi. Paṭanā: Svātī Prakāśana, 1987.

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48

Wu tai shang di li shi ren wu. Taibei Shi: Taiwan shang wu yin shu guan, 1986.

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49

Bāṃlā nāṭake caritra citraṇa. Kalikātā: Śarat̲ Buka Hāusa, 1987.

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50

Bināʼ al-shakhṣīyah fī al-ʻarḍ al-masraḥī al-muʻāṣir. Irbid: Dār al-Kindī lil-Nashr wa-al-Tawzīʻ, 2004.

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