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Dissertations / Theses on the topic 'Characters and characteristics in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Ross, Vika. "La vie à travers un kaléidoscope, suivi de Le personnage, du théorique vers la pratique." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0007/MQ43939.pdf.

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2

Stein, Markus. "Definition und Schilderung in Theophrasts Charakteren." Stuttgart : B. G. Teubner, 1992. http://catalogue.bnf.fr/ark:/12148/cb37093658w.

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3

Seo, Joanne Mira. "Allusive characterization from Apollonius to Statius." [S.l. : s.n.], 2004. http://catalog.hathitrust.org/api/volumes/oclc/174205418.html.

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4

Batch, Julia. "Searching for a Savior." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822805/.

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This collection of essays includes a preference that investigates the role and importance of setting and character in a nonfiction narrative. The preface assesses the writings of four great authors, examining how each author use setting and characterization to further the purpose of their story. This collection focuses on four different issues that the author has wrestled with for two decades. While “Desperado” is an investigation into the problems within her own family, “Being Black Me” highlights the authors struggle against the racial inequality her hometown. “Voices In The Dark”, the autho

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5

Bilatyi, Katy Nomthandazo. "Ukuzotywa kwabalinganiswa ngokwesithako sobunzululwazi bume-ngqondo kwiincwadi zedrama ezikhethiweyo zesiXhosa, ngokweemeko zale mihla." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/9913.

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Olu phando luza kugxila kuphononongo lobume bengqondo ephazamisekileyo yabalinganiswa, lujonga kananjalo izimo zabalinganiswa ngakumbi abatsha, indlela abacinga nabenza ngayo izinto. Olu phando luza kuphicotha obu bume bengqondo baba balinganiswa kusetyenziswa iincwadi zedrama ezilandelayo: uBuzani Kubawo, kaTamsanqa, uAmaza, kaQangule, uLiseza kutshona kaMbobo, u-Uthembisa noMakhaya kaMtywaku, Isikhwakhwa noBessie kaMtywaku kunye noNdiyekeni kaJongilanga. Olu thotho lweencwadi zedrama zikhethiweyo luza kusetyenziswa kwakhona ukubhentsisa ubungqondo-lukhuni lwababhali ekuzobeni abalinganiswa a

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Mvanyashe, Andiswa. "Uphononongo lokuchubeka kwezimo zabalinganiswa kwiincwadi ezichongiweyo zedrama zesiXhosa." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1409.

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Le ngxoxo iza kuthetha ngengcingane yokuchubeka. Phantsi kwengcingane yokuchubeka kuza kuthi kuxoxwe ngezi zinto ziladelayo: ukuchubeka lungileyo kunye nokuchubeka gwenxa, ubuso (imvakalelo), izaci zokuchubeka, ukuchubeka nesini kunye nokuchubeka namandla okanye igunya. Ezi zihloko zingaphantsi ziza kubonakaliswa phantsi kwecandelo lesibini ukuya kwelesine ze isahluko sesihlanu ibe sesokukuqukumbela. Ukuchubeka kufumaneka phantsi kwezifundo zesoshiyolingwistiki. Ingxoxo iza kuthi iqale icacise ngesoshiyolingwistiki. Ukuchubeka kuphuhla kakuhle xa isithethi sisebenzisa amagama entetho-ntshukumo

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7

文秉懿 and Bing-yee Man. "A study of minor comic characters in Yuan drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B3121177X.

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8

Pei, Kong-ngai. "Fictional characters and their names a defense of the fact theory /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/b4020389x.

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9

Pei, Kong-ngai, and 貝剛毅. "Fictional characters and their names: a defense of the fact theory." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B4020389X.

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10

Mai, Alex Chih-Yuan. "Sacrificial forms the libretti in English 1940-2000 /." Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/437/.

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Thesis (Ph.D.) - University of Glasgow, 2008.<br>Ph.D. thesis submitted to the Department of English Literature, University of Glasgow, 2008. Includes bibliographical references. Print version also available.

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11

Chinappi, Franco. "Character culture : the cultural bargain between ownership and appropriation." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33884.

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This thesis is about the cultural bargain; the balancing relationship between author monopoly and user affect desires, as applying to the ambiguity of characters. Character culture is a hybrid of the characters that are created and sold by authors with artistic and legal concerns, and the character-affect-relationship of the audience users of those characters. This study examines the law and industry practices in the United States and Canada as it relates to character and the limited scope of the law in defining just what exactly a character is. Also, I examine the major issues in the cultural

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12

Price, Matthew L. "A tale of sight and smell signifying death : Benjy Compson revisited /." Electronic version (PDF), 2005. http://dl.uncw.edu/etd/2005/pricem/matthewprice.pdf.

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13

Lenihan, Elizabeth. "Drawing the reader in : a collection of short stories." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61240.

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Why do people tell stories? Whether it be the oft repeated, endlessly varied fairy tales passed from one generation to the next, the carefully patterned and strictly worded epics of the ancients or tall-tales told around the kitchen table, people have been telling stories to themselves or others since the day someone uttered the first words ever heard on this planet. In the following essay story-telling is called narrativity and is discussed as a function of the desire to impose meaning on experience. The six stories of Drawing the Reader In are about story-telling and how people fail or succe

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14

Roy, Yannick 1971. "La révelation inachevée : le personnage à l'épreuve de la vérité romanesque." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115642.

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Long suspected of being frivolous, of cultivating bad taste and of encouraging its reader's chimerical daydreams, the novel, at least after Cervantes, curiously turned against itself in the name of the reality it was once accused of fleeing. In doing so, it changed radically, of course, since it separated itself from the old idealistic romances which it now named as its enemies; but it also remained, more discreetly perhaps, faithful to its origins, i.e. to the lies and illusions whose profound and secret necessity novelists have never ceased to reaffirm.<br>This dissertation is a meditation o

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15

Anker, Willem P. P. "Die idioot : spieël en skadu ; Sirkus (roman)." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53373.

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Thesis (MA)- Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: In fulfilment of the degree of Magister in Creative Writing: Afrikaans, a novel titled Sirkus (Circus) is presented in which the main character figures as an idiot. It is accompanied by a perspicacious formal essay which maintains the relationship between theory and novel. The essay titled "Die idioot: spieël en skadu" (The idiot: mirror and shadow) reflects on the problematics concerning the representation of the idiot in literary texts. The essay investigates the phenomenon of the idiot in literature according to well-kn

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16

Dubaux, Liliane. "La caricature littéraire (1830-1870) : l'example de Balzac et de Hugo." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63969.

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17

Monroe, Suzanne Stolz. "Images of Native American female protagonists in children's literature, 1928-1988." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184580.

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The purpose of this study has been to determine prevalent images of Native American female protagonists in Children's Literature from 1928-88, and to note trends in images during the past 60 years. A content analysis of 60 picture books and chapter books has been completed and presented in a descriptive and interpretative format. The most prevalent image of Native American female protagonists in children's literature is a traditional one. This image is consistent throughout the literature from 1928-88, and appears to be represented by both Native American and non-Native American authors and il

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18

La, Breche Pamela. "A methodology for the analysis of characterization in Old Testament narrative." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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19

Ericksen, Stefanie Lyn. "The multicultural aspects of a major publisher's literature offerings." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206123604.

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Corwin, Harney James. "Reading with empathy : the effect of self-schema and gender-role identity on readers' empathic identification with literary characters /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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21

Carlile, Solfa. "Characterisation in contemporary opera and music theatre." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:dd3468ba-dba6-49c2-88d4-82c2bb23af5c.

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This doctoral research comprises a practitioner-based reflective enquiry to bridge the gap between theory and practice and enhance my compositional output. In tandem with the composition of my chamber opera, The Exile, I have undertaken research into characterisation within the context of opera and musical theatre, with a focus on both the delineation of individual characters and the context in which they appear. Parameters of the work are discussed in comparison with canonic works of both opera and music theatre. Contemporary uses of leitmotif, representation of speech and folk music within o

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Melia, Francine. "The self at play? : a case study of reification and dereification in the play environment of American college theatre." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397643.

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This case study aims to better understand the process through which a college theatre actor creates and presents a dereified reified "self' (the character(s) they are portraying) in a play environment, and to consider to what extent this process is conscious. In essence, the actor attempts to take nothing for granted, taking apart and examining assumptions and their cultural context. This study posits that the actor is consciously aware of and is able to recognize and manipulate culture to construct a "self' (the character) within a "play universe." This study is unique as it focuses on the ac

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23

Bender, Ashley Brookner Pettit Alexander. "Personal properties stage props and self-expression in British drama, 1600-1707 /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12081.

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24

Schuller, Kyla C. "Sentimental science and the literary cultures of proto-eugenics." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356443.

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Thesis (Ph. D.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-329).

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Crosier, Erik R. "Character development through non-linear story format : its creation, use, and applications." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1390655.

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The purpose of this creative project is to explore the concept of character development as it appears in non-linear story formats. These formats are those of relatively recent technological advances that have paved the way for stories to be related to an audience in ways that are completely unique to each individual audience member. This project specifically is a murder mystery story, told in such a non-linear fashion. The story is capable of being viewed in a completely unique manner by each individual audience member. From this story, viewer's opinions have been examined, and conclusions hav

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26

Shishkin, Timur. "Marginalized Characters in Contemporary American Short Fiction." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.

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The focus of the present research work is the contemporary American short stories that bring up issues of compulsory norm and the conflict between marginalized characters and their environment. This research was based on those short stories that seemed to represent the idea of being "different" in the most complex and multilayered way, and its goal was to unfold new aspects of the conflict between "normal" and "abnormal"/"different". Variations of norm as well as diversity within the marginalized raise a number of questions about the reasons for their inability to coexist peacefully. The close

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27

Piaceski, Daiana Patrícia Follman Pasquim. "Fios de roca e tramas sentimentais: personagens tecelãs em O Continente, Os Sinos da Agonia e O Voo da Guará Vermelha." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2422.

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Na roca, no tear, no entrelaçar de fios para a construção de uma tessitura (como ninar e contar histórias aos filhos) pousa, quase sempre, as mãos das mulheres; extrapolando o entendimento literal dos atos de costurar, coser, tecer, fiar, o texto literário apresenta-os, muitas vezes, metaforicamente, como um artifício feminino para ultrapassar ou subverter a ordem patriarcal vigente, assunto espinha dorsal em alicerce teórico empreendido nesta pesquisa. Como corpus teórico, busca-se fundamentação para este trabalho em História das Mulheres do Brasil, Histórias íntimas, Casa Grande & Senzala, U

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28

Kastner, Marianne Sue. "Iktomi: A Character Traits Analysis of a Dakota Culture Myth." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/896.

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This qualitative study comparing three separate English-language versions of a single Dakota cultural myth "Iktomi" presents a novel systematic approach for analyzing Native American folk tales to understand how stories function as tools of transmission of cultural information and knowledge. The method involved coding character traits according to type with regard to representation, ability, or attribute to ascertain patterns among the codes and elucidate character roles and relationships, reorganizing the coded traits into paired polarized correspondences to clarify relationships among traits

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29

Flynn, Warren Flynn Warren. "Fragments of the moon (novel) : and "Body, space, ideas of home : cross-cultural perspectives" (dissertation) /." Connect to this title, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0073.

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30

Dokolwane, Kutala Primrose. "Characterization in selected Xhosa novels of the 90's." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52160.

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Thesis (MA)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: This study examines the portrayal of characters in four Xhosa novels of the 1990s. The objective is to found out whether or not characterization in the Xhosa novels of the 1990s improves. This is done with the view that past studies of characterization done before 1990 by Jafta (1978; 1996), Satyo (1978), Sirayi (1989) and Dlali (1992) gave the picture that a high percentage of writers portray characters as archetypes because of thematic concerns. This often renders characterization poor in the sense that the reader is a

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31

Heuschkel, Pamela D. "The use of character names by Benito Perez Galdos in the first series of Episodios Nacionales." Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1654488681&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Souza, Vanessa Fátima Moraes de. "Mulheres machadianas e os círculos de poder." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2602.

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A ordem patriarcal está presente em muitos romances escritos a partir do século XIX, nos quais existe a frequente representação do homem branco em papel de destaque e da mulher em papel inferior, de clara ou velada submissão. Entre essas obras figuram A mão e a luva (1874), Helena (1876) e Iaiá Garcia (1878), escritas por Machado de Assis. Este trabalho se detém nesses três romances para analisar a presença de marcas patriarcais em personagens que pertencem às camadas burguesas da sociedade, sobretudo as figuras femininas, que, de acordo com a ótica aqui adotada, muitas vezes surgem nessas nar

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33

Driehuis, Raymond. "Man makes man : a study of uplifting and upbuilding in the novels of Joseph Furphy." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1226.

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In a letter to Kate Baker, circa November 1910, Furphy wrote, '[b]ut ain't it anomalous that the erratic G.H [Grant Hervey], the saintly Dr. Strong, and the perverse T.C. [Tom Collins] should be working strenuously toward the same goal, namely, the uplifting and upbuildlng of Australia' (In Barnes and Hoffmann, eds, 1995:259. My Italics). This thesis is an Investigation of the ideas of uplifting and upbuildlng, and their relevance to Tom Collins and his concerns. The reason for Furphy waiting so long to lay bare his designs can only be speculated. Rather than accepting the general critical sta

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34

Bean, Joann Ruth MacLachlan. "From Thraso to Herod : Hrotsvitha meets the bragging soldier /." *McMaster only, 1999.

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Schroeder, Sally Louise. "Allegory as rhetoric: Faulkner's trilogy." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1416.

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36

Bender, Ashley Brookner. "Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12081/.

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This dissertation examines the role of stage properties-props, slangily-in the construction and expression of characters' identities. Through readings of both canonical and non-canonical drama written between 1600 and 1707-for example, Thomas Middleton's The Revenger's Tragedy (1607), Edward Ravenscroft's adaptation of Titus Andronicus (1678), Aphra Behn's The Rover (1677), and William Wycherley's The Plain Dealer (1677)-I demonstrate how props mediate relationships between people. The control of a character's props often accords a person control of the character to whom the props belong. Prop

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37

Chappell, Shelley Bess. "Werewolves, wings, and other weird transformations fantastic metamorphosis in children's and young adult fantasy literature /." Doctoral thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/226.

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Thesis (PhD)--Macquarie University, Division of Humanities, Department of English, 2007.<br>Bibliography: p. 239-289.<br>Introduction -- Fantastic metamorphosis as childhood 'otherness' -- The metamorphic growth of wings : deviant development and adolescent hybridity -- Tenors of maturation: developing powers and changing identities -- Changing representations of werewolves: ideologies of racial and ethnic otherness -- The desire for transcendence: jouissance in selkie narratives -- Conclusion -- Bibliography -- Appendix: "The great Silkie of Sule Skerry": three versions.<br>My central thesis

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Veras, Gléssia Juliany Brasiliano. "Bárbara e Dona Redonda: de Murilo Rubião a Dias Gomes, realismo maravilhoso e retextualização." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21121.

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Submitted by Marlene Aparecida de Souza Cardozo (mcardozo@pucsp.br) on 2018-06-12T12:20:23Z No. of bitstreams: 1 Gléssia Juliany Brasiliano Veras.pdf: 2337734 bytes, checksum: 70bfe3249723af7d4d7adafa57740794 (MD5)<br>Made available in DSpace on 2018-06-12T12:20:23Z (GMT). No. of bitstreams: 1 Gléssia Juliany Brasiliano Veras.pdf: 2337734 bytes, checksum: 70bfe3249723af7d4d7adafa57740794 (MD5) Previous issue date: 2018-03-12<br>The present research aims at developing a study on the similarities between the character Dona Redonda, in the telenovela Saramandaia (1976/original version and 2013/

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Piccino, Evandro Avelino. "A persistência de Jeca Tatuzinho: igual a si e a seu contrário." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21141.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-06-13T12:28:21Z No. of bitstreams: 1 Evandro Avelino Piccino.pdf: 12216617 bytes, checksum: da32029ff1987313324df47abc05729b (MD5)<br>Made available in DSpace on 2018-06-13T12:28:21Z (GMT). No. of bitstreams: 1 Evandro Avelino Piccino.pdf: 12216617 bytes, checksum: da32029ff1987313324df47abc05729b (MD5) Previous issue date: 2018-04-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The central idea of this dissertation is that a significant portion of the explanation of permanence of Jeca Tatu as an inte

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Toumsy, Salima. "Entre la clarté et la nuit: Jean-Pierre Monnier, écrivain suisse romand." Doctoral thesis, Universite Libre de Bruxelles, 1999. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211855.

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Flynn, Warren. "Fragments of the moon (novel) ; and." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0073.

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Fragments of the Moon is a novel set mostly in South Korea, examining relationships between people, interpersonal spaces, architectural spaces and landscape through a cross-cultural context. Matt, a graduate architect from Perth, Australia, finds himself increasingly vulnerable to cultural confusion as he adjusts to life away from his home and friends. Having initially assumed that Seoul's western facade echoes its social dynamic, Matt increasingly discovers that the Confucianism which underpins much of contemporary Korean society makes all relationships far more complex than his assumptions h

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42

Lavoie, Marie-Renée. "Maria Chapdelaine, part II, la fiction contre le mythe." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0004/MQ44692.pdf.

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Lemon, Joanne Vivian. "The concept of human nature in five vernacular writers of the French Renaissance." Thesis, University of Wales Trinity Saint David, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683177.

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Sano, Yoshinori. "Characters' storytelling in the Homeric epics." Thesis, University of Oxford, 1997. https://ora.ox.ac.uk/objects/uuid:610b75ea-1651-4909-8c9c-2dde9bb84bca.

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This thesis is a study of the stories told by characters in the Iliad and the Odyssey. Recent studies have revealed that these stories, which were once generally regarded as mere summaries of lost 'sources', contain various correspondences to their respective contexts, and are thereby integrated into the main narrative of each epic. These stories also contribute to the characterization of principal figures. Thus characters' storytelling should be regarded as an important component of the composition of the Homeric epics. In Part 1, the stories told by characters in the Iliad are divided into f

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Holmes, Jonathan H. "On the Surface of Shakespeare's Characters." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480666230697794.

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Grimshaw, Vicki. "The portrayal of female characters in Hellenistic literature." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396600.

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Koch, Kimberly Jean. "Negotiating triple consciousness for August Wilson's female characters." Click here for download, 2009. http://proquest.umi.com.ps2.villanova.edu/pqdweb?did=1934736101&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Wyko, Mary E. "That Besetting Sin: How George Eliot Punishes Her Ambitious Female Characters." Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1263604143.

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Kilicci, Esra. "J.D. Salinger's characters as existential heroes encountering 1950s America /." Open access to IUP's theses and dissertations, 2008. http://hdl.handle.net/2069/103.

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Neithardt, Leigh Anne Neithardt. "Narrative Progression and Characters with Disabilities in Children’s Picturebooks." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500310695900109.

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