Relevant bibliographies by topics / Charcoal drawing – 20th century – Exhibitions

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Academic literature on the topic 'Charcoal drawing – 20th century – Exhibitions'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Charcoal drawing – 20th century – Exhibitions"

1

Fomicheva, Daria Vladimirovna. ""Picturesque graphics": three pencil technique, multi-layered charcoal drawing." Secreta Artis, no. 1 (July 11, 2021): 16–46. http://dx.doi.org/10.51236/2618-7140-2021-4-1-16-46.

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The article describes methods of achieving painterly qualities while drawing with soft materials, which include: 1) creation of a polychrome image effect using an extremely limited color palette (white, black and red chalk (sanguine)); 2) thorough work on a multi-layer charcoal drawing employing techniques similar to those of multi-layer watercolor, oil and pastel painting, as well as papier-pelle drawing. The study was first conducted by analyzing drawing manuals, catalogs of manufacturers and suppliers of art materials from France, Great Britain, Germany, USA and Russian Empire in the second
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Ponamarchuk, Igor. "Kyiv Association of Artists in the context of consolidation of the artistic forces of Kyiv in turn of the 19-20th cc." Text and Image: Essential Problems in Art History, no. 2 (2018): 68–83. http://dx.doi.org/10.17721/2519-4801.2018.2.04.

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The article is based on the statutory materials and catalogs of the exhibitions of artistic works which were held in Kyiv in the late nineteenth and early twentieth centuries. It reveals the basic principles of activity of the Kyiv artistic associations. The author focuses his attention on the main trends in the development of the exhibition activities in Kyiv during the specified period. In this article we can see the preconditions of the unifying processes in the local artistic environment, the role of the Peredvizhniki (“The Wanderers”) as well as exhibition events of the Kyiv Drawing Schoo
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Ani Margaryan. "The General Image of the Armenian Merchant Projected Through the Sino-Armenian Socio-cultural Relations and the Case Study of the Revival of Merchant Traditional Costume." Journal of Information Systems Engineering and Management 10, no. 29s (2025): 48–57. https://doi.org/10.52783/jisem.v10i29s.4446.

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Armenian communities have had a notable historical presence in various regions of China since the 16th century, with particularly thriving settlements in Canton, Macao, Shanghai, and Hong Kong. During the 17th and 18th centuries, Armenians in China occupied influential positions, receiving endorsement from Chinese authorities. Their impact on Chinese society and East-West commerce is evidenced through their active promotion and patronage of Chinese-manufactured visual art objects. Notably, Jesuit preachers seeking unrestricted access to the country adopted Armenian attire as a strategic approa
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Peoples, Sharon Margaret. "Fashioning the Curator: The Chinese at the Lambing Flat Folk Museum." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1013.

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IntroductionIn March 2015, I visited the Lambing Flat Folk Museum (established 1967) in the “cherry capital of Australia”, the town of Young, New South Wales, in preparation for a student excursion. Like other Australian folk museums, this museum focuses on the ordinary and the everyday of rural life, and is heavily reliant on local history, local historians, volunteers, and donated objects for the collection. It may not sound as though the Lambing Flat Folk Museum (LFFM) holds much potential for a fashion curator, as fashion exhibitions have become high points of innovation in exhibition desi
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Webb, Damien, and Rachel Franks. "Metropolitan Collections: Reaching Out to Regional Australia." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1529.

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Special Care NoticeThis article discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the processes of colonisation. Content within this article may be distressing to some readers. IntroductionThis article looks briefly at the collection, consultation, and digital sharing of stories essential to the histories of the First Nations peoples of Australia. Focusing on materials held in Sydney, New South Wales two case studies—the object known as the Proclamation Board and the George Augustus Robinson Papers—explore how materials can be shared with Aboriginal people
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Books on the topic "Charcoal drawing – 20th century – Exhibitions"

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Graphisches Kabinett Kunsthandel Wolfgang Werner, ed. Strictly drawings: 20th century masters. Helen Serger/La Boetic, Inc., 1985.

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Kentridge, William. William Kentridge. Electa, 2006.

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Internationale Triennale der Zeichnung (3rd 1985 Kunsthalle Nürnberg). 3. Internationale Triennale der Zeichnung: Bildhauerzeichnung : Abakanowicz, Chillida, Serra, Tinguely : Kunsthalle Nürnberg, 11.10.85-16.2.86 : Neue Galerie der Stadt Linz/Wolfgang-Gurlitt-Museum, Oberösterreichisches Landesmuseum, Linz, 20.3.86-11.5.86. Edited by Horn Wolfgang. Kunsthalle Nürnberg, 1985.

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Whitney Museum of American Art. 20th century drawings from the Whitney Museum of American Art. Whitney Museum of American Art, 1987.

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Antonia, Hoerschelmann, Weiermair Peter, Graphische Sammlung Albertina, Kunstforum Wien, and Frankfurter Kunstverein, eds. From Schiele to Wotruba: Works on paper 1908 to 1938. Edition Stemmle, 1995.

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Graphisches Kabinett Kunsthandel Wolfgang Werner, ed. Strictly drawings: 20th century masters : in collaboration with Kunsthandel Wolfgang Werner KG, Bremen : October-December 1985. Helen Serger/La Boetie, 1985.

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Museum of Contemporary Art (Los Angeles, Calif.), ed. Afterimage: Drawing through process. Museum of Contemporary Art, 1999.

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Bazhenova, Inna. French works on paper from the 16th to the 20th century: Collection of Inna Bazhenova. In Artibus Foundation, 2021.

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Véronique, Wiesinger, and Musée de la coopération franco-américaine., eds. Dessins américains des collections nationales de 1760 à 1945 =: American drawings in the French national collections from 1760 to 1945. Editions de la Réunion des musées nationaux, 1991.

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Woodrow, Ross. William Dobell: Hard drawing. Newcastle Region Art Gallery, 2007.

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Conference papers on the topic "Charcoal drawing – 20th century – Exhibitions"

1

Schultz, Anne-Catrin. "Telling Stories from Academia, Design, Construction, and Life – Carlo Scarpa through the Voices of his Collaborators." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.51.

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The Italian architect Carlo Scarpa has received attention from scholars and critics throughout the 20th century and the beginning of the 21st Century. Explorations frequently focus on the poetry apparent in his projects, on his strong interest in expanding the local craftsmanship of the Veneto region, and on the tectonic dimensions of his details. Scarpa’s work processes and reinterprets several 20th-century tenden¬cies without fitting into any of them exclusively. Research related to Scarpa’s design process goes far beyond analyzing his buildings and exhibitions or the archives of his drawing
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