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1

Naughton, Gabriel. Chardin. Phaidon Press, 1996.

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2

Rosenberg, Pierre. Chardin. Flammarion, 1999.

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3

Michel, Marianne Roland. Chardin. Thames and Hudson, 1996.

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4

Michel, Marianne Roland. Chardin. Hazan, 1994.

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5

Chardin, Jean Baptiste Siméon. Jean Siméon Chardin, 1699-1779: Werk, Herkunft, Wirkung. Edited by Lüdke Dietmar, Holsten Siegmar, Hempelmann Dorit, and Staatliche Kunsthalle Karlsruhe. Staatliche Kunsthalle Karlsruhe, 1999.

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6

Pierre, Rosenberg, and Chardin, Jean Baptiste Siméon, 1699-1779., eds. Chardin: An intimate art. Thames & Hudson, 2000.

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7

Chardin, Jean Baptiste Siméon. Chardin: Paris, Galeries Nationales du Grand Palais, 7 September-22 November 1999 : Düsseldorf, Kunstmuseum im Ehrenhof, 5 December 1999-20 February 2000 : London, Royal Academy of Arts, 11 March-29 May 2000 : New York, the Metropolitan Museum of Art, 27 June-3 September 2000. Royal Academy of Arts, 2000.

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8

Pierre, Rosenberg, and Museo del Prado, eds. Chardin: 1699-1779. Museo Nacional del Prado, 2011.

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9

Rosenberg, Pierre. Chardin: Suivi du catalogue des oeuvres. Flammarion, 1999.

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10

Pierre, Rosenberg, and Museo del Prado, eds. Chardin: Il pittore del silenzio. Ferrara arte, 2010.

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11

Prigent, Hélène. Chardin: An intimate art. Harry N. Abrams, 2000.

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12

Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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13

Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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14

Soudan, Franck. R: Jean-Baptiste-Siméon Chardin, Verre d'eau et carafe, vers 1760 : huile sur toile, 32,5 x 41 cm, museum of Art, Carnegie institute, Pittsburgh. Université Savoie Mont Blanc, 2018.

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15

Chardin. Skira, 1991.

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16

Chardin, Jean Baptiste Simeon. Chardin. Franklin Classics Trade Press, 2018.

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17

Rosenberg, Pierre, Jean Baptiste Simeon Chardin, and Renaud Temperini. Chardin. Prestel, 2000.

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18

Rosenberg, Pierre. Chardin. Yale University Press, 2000.

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19

Rosenberg, Pierre, Renaud Temperini, and Jean-Baptiste-Siméon Chardin. Chardin. Flammarion, 1999.

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20

Naughton, Gabriel. Chardin: Colour Library (Phaidon Colour Library). Phaidon Press, 1996.

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21

Chardin Material. Sternberg Press, 2011.

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22

Rosenberg, Pierre, and Helene Prigent. Discoveries: Chardin: An Intimate Art (Discoveries (Abrams)). Harry N. Abrams, 2000.

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23

Radisich, Paula. Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects: Looking Smart. University of Delaware Press, 2013.

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24

Radisich, Paula. Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects: Looking Smart. University of Delaware Press, 2016.

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25

Radisich, Paula. Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects: Looking Smart. University of Delaware Press, 2013.

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26

Radisich, Paula. Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects: Looking Smart. University of Delaware Press, 2013.

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27

Radisich, Paula. Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects: Looking Smart. University of Delaware Press, 2013.

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28

Die Experimentalkultur in einer Seifenblase: Das epistemische Potenzial in Chardins Malerei. Fink Wilhelm GmbH + Co.KG, 2017.

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29

al, et, Dorit Hempelmann, and Margaret Klinge-Gross. Jean Simeon Chardin 1699-1779. Hatje Cantz,Germany, 1999.

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30

Soap bubbles. Los Angeles County Museum of Art, 1990.

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31

Goncalves, Jose. Jean-Simeon Chardin: L'Homme Et LA Legende (Poche Couleur). Art Books Intl Ltd, 1999.

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32

Dekker, Jeroen J. H. Children’s Emotions in Europe, 1500–1900. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350150737.

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This book gives you the historical sensation of coming face to face with the bodily expression and regulation of children's emotions over time. The study does this by encouraging you to look through the eyes of well-known artists, like Albrecht Dürer, Domenico Ghirlandaio, Jan Steen, Antony van Dyck, Rembrandt, and Titian in early modern Europe, and Jean-Baptiste Siméon Chardin, Thomas Lawrence,Jean-Honoré Fragonard, Philipp Otto Runge, Willem Bartel van der Kooi, Paul Gauguin, Auguste Renoir, and Jozef Israëls in the late 18th and 19th centuries. These sources are supplemented by works from l
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33

Depiction. Yale University Press, 1998.

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