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Books on the topic 'Charles, Ray, 1930-'

Author: Grafiati

Published: 13 December 2022

Last updated: 27 January 2023

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1

Ray Charles. London: Taylor & Francis Group Plc, 2004.

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Lydon, Michael. Ray Charles. London: Taylor & Francis Inc, 2004.

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Ray Charles. San Diego, Calif: Lucent Books, 2005.

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4

Charles, Ray. Brother Ray: Ray Charles' own story. New York: Da Capo Press, 1992.

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5

Ray Charles: Man and music. New York: Riverhead, 1998.

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6

Turk, Ruth. Ray Charles: Soul man. Minneapolis: Lerner, 1996.

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Ray Charles: Man and music. New York: Routledge, 2004.

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8

Lydon, Michael. Ray Charles: Man and music. New York: Riverhead, 1998.

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9

Lydon, Michael. Ray Charles: Man and music. Edinburgh: Payback, 1999.

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10

Mike, Evans. Ray Charles: The birth of soul. London: Omnibus, 2006.

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11

1945-, Hackford Taylor, and Sunshine Linda, eds. Ray: A tribute to the movie, the music, and the man. New York: Newmarket Press, 2004.

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12

Gospel, raj, and swaraj: The missionary years of C.F. Andrews, 1904-14. Frankfurt am Main: P. Lang, 1990.

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13

Roth, Philip A. The plot against America. Leicester: W.F. Howes, 2005.

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14

Roth, Philip A. Il complotto contro l'America. Torino: Einaudi, 2005.

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15

Roth, Philip A. The Plot Against America. Waterville, ME, USA: Thorndike Press, 2005.

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16

Roth, Philip A. The plot against America. Waterville, Me: Thorndike Press, 2005.

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17

Roth, Philip A. La conjura contra América. 4th ed. Barcelona: Mondadori, 2005.

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18

Lydon, Michael. Ray Charles. Taylor & Francis Group, 2020.

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19

Mathis, Sharon Bell. Ray Charles. Lee & Low Books, 2006.

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20

Brother Ray: Ray Charles' Own Story. Da Capo Press, 2003.

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21

RAY CHARLES: MAN AND MUSIC. Mojo Books, 2000.

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22

Lydon, Michael. Ray Charles: Man and Music. Taylor & Francis Group, 2004.

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23

Ray Charles: Man and Music. Riverhead Trade, 2000.

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24

Lydon, Michael. Ray Charles: Man and Music, Updated Commemorative Edition. Taylor & Francis Group, 2004.

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25

Lydon, Michael. Ray Charles: Man and Music, Updated Commemorative Edition. Taylor & Francis Group, 2004.

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26

Lydon, Michael. Ray Charles: Man and Music, Updated Commemorative Edition. Taylor & Francis Group, 2004.

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27

Lydon, Michael. Ray Charles: Man and Music, Updated Commemorative Edition. Taylor & Francis Group, 2004.

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28

Ray Charles (Rock & Roll Hall of Famers). Rosen Central, 2002.

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29

Parker, Maceo. 98% Funky Stuff: My Life in Music. Chicago Review Press, Incorporated, 2013.

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30

Parker, Maceo. 98% Funky Stuff: My Life in Music. Chicago Review Press, Incorporated, 2013.

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31

Parker, Maceo. 98% Funky Stuff: My Life in Music. Chicago Review Press, Incorporated, 2013.

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98% Funky Stuff: My Life in Music. Chicago Review Press, 2016.

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Parker, Maceo. 98% Funky Stuff: My Life in Music. Chicago Review Press, Incorporated, 2013.

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34

Van Leuven, Holly. Ray Bolger. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639044.001.0001.

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Ray Bolger: More Than a Scarecrow is the first book-length biography of the American eccentric dancer and popular culture figure, best known for his role in the 1939 film musical The Wizard of Oz. The book traces Bolger’s career from repertory and vaudeville into New York movie houses, Broadway, nightclubs, the major film studios, Las Vegas resorts, and television programs. Bolger’s dance lineage is also traced through eccentric dancers like Fred Stone and “Irish prince” soft-shoe dancers like George Primrose and Jack Donahue. Special attention is given to Bolger’s involvement in the nascent United Service Organizations (USO) Camp Shows, including his participation in the first ever camp show unit, which went to the Caribbean in November 1941, and later the first unit to entertain in the South Pacific. An entire chapter is dedicated to the creation and performance of Where’s Charley?, Bolger’s most important show and the one for which he earned a Tony Award for Best Featured Actor in a Musical. The Where’s Charley? material explores Bolger’s collaboration with his wife, Gwendolyn Rickard Bolger, who became the first female producer of a musical comedy on Broadway with her contributions to the production. Bolger’s later life as a political spokesperson, a television guest star, and a pop culture personality are also explored.

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35

Eller, Jonathan R. Early Mentors: Hamilton, Williamson, and Brackett. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0011.

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This chapter focuses on three mentors that influenced Ray Bradbury as a writer: Edmond Hamilton, Jack Williamson, and Leigh Brackett. Bradbury was in the early stages of a process of literary education that began roughly from 1934 and lasted until 1953. During the early 1940s, his own maturing reading interests were enriched from time to time by friends like Henry Kuttner, who introduced him to the fiction of writers such as Sherwood Anderson, Eudora Welty, Charles Jackson, William Faulkner, Thorne Smith, and John Collier. This chapter examines how Brackett and Hamilton broadened Bradbury's reading and writing horizons throughout the early 1940s, citing in particular Brackett's influence on Bradbury's science fiction and Hamilton's introduction of Bradbury to authors such as Samuel Johnson, Alexander Pope, and Emily Dickinson. The chapter also considers Bradbury's fascination with Williamson's fantasy and horror tales, including the werewolf novel, Darker than You Think.

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36

Eller, Jonathan R. Exploring the Human Mind. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0017.

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This chapter examines Ray Bradbury's growing interest in the human mind during the war years and how it reflected in his writings. As he embarked on an exploration of personality disorders, Bradbury discovered Karen Horney's The Neurotic Personality of Our Time (1937). Horney's book enabled Bradbury to understand the often destructive cycle of anxiety and hostility that underlies all neuroses. His characters, both in his genre fiction and in the broader fantasy fiction that followed, represent the full range of neurotic behavioral manifestations. This chapter discusses Bradbury's readings related to psychology, including Charles Jackson's The Lost Weekend, recommended to him by Henry Kuttner. It also considers Bradbury's incorporation of a wide range of psychoanalytical scenes into his stories and novels as he continued to search for answers to two questions: how do we know what is real, and how do we know what is human?

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37

Roba, Jean. BELGEN IN DE RAF-2: Deel 2. Charles Delcour and Christian Deffontaine (Belgie in Oorlog). De Krijger, 2002.

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38

Roba, Jean. LES BELGES DANS LA RAF: Tome 2 : Charles Delcour and Christian Deffontaine. De Krijger, 2002.

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39

Parsons, Anne E. From Asylum to Prison. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640631.001.0001.

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To many, insane asylums are a relic of a bygone era. State governments took steps between 1950 and 1990 to minimize the involuntary confinement of people in mental hospitals, and many mental health facilities closed down. Yet, as this book reveals, the asylum did not die during deinstitutionalization. Instead, it returned in the modern prison industrial complex as the government shifted to a more punitive, institutional approach to social deviance, mental illness, and people with disabilities. Focusing on Pennsylvania, the state that ran one of the largest mental health systems in the country, the author tracks how the lack of community-based services, a fear-based politics around mental illness, and the economics of institutions meant that closing mental hospitals fed a cycle of incarceration that became an epidemic. This groundbreaking book recasts the political narrative of the late twentieth century, as the book charts how the history of asylums and prisons were inextricably intertwined. It argues that the politics of mass incarceration shaped the deinstitutionalization of psychiatric hospitals and social welfare policy, and vice versa. The book offers critical insight into how the prison took the place of the asylum and shaped the rise of the prison industrial complex and creating new forms of social marginality.

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40

Stuewer, Roger H. Nuclear Electrons and Nuclear Structure. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827870.003.0006.

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Serious contradictions to the existence of electrons in nuclei impinged in one way or another on the theory of beta decay and became acute when Charles Ellis and William Wooster proved, in an experimental tour de force in 1927, that beta particles are emitted from a radioactive nucleus with a continuous distribution of energies. Bohr concluded that energy is not conserved in the nucleus, an idea that Wolfgang Pauli vigorously opposed. Another puzzle arose in alpha-particle experiments. Walther Bothe and his co-workers used his coincidence method in 1928–30 and concluded that energetic gamma rays are produced when polonium alpha particles bombard beryllium and other light nuclei. That stimulated Frédéric Joliot and Irène Curie to carry out related experiments. These experimental results were thoroughly discussed at a conference that Enrico Fermi organized in Rome in October 1931, whose proceedings included the first publication of Pauli’s neutrino hypothesis.

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41

Reinarz, Jonathan, Laurence Totelin, Iona McCleery, Elaine Leong, Lisa Wynne Smith, Jonathan Reinarz, Todd Meyers, and Claudia Stein, eds. A Cultural History of Medicine in the Age of Empire. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474206709.

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Historians describe the ‘long 19th century’ as an age of empire, characterized by expansion and industrialization. The period witnessed the evolution of Western medicine into something uniquely ‘modern’, rooted in the shift to industrial capitalism and encroachment of government monitoring to state health, as well as the colonial mindset that drove overseas travel and encounters with unfamiliar populations, climates and disease. More than ever before, food, drugs, people and sickness circumvented the globe, crossing borders and prompting enormous changes in the way people made sense of health and illness. Novel technologies, from vaccination to x-rays, and ways of organizing medicine and its delivery, increased the reach of medicine and augmented the power of the state and colonizers. Equally, the new medicine answered governments’ growing recognition that health had acquired cultural value and meaning for their domestic populations. Spanning the period from 1800 to 1920, this volume surveys the spatial, experiential, visual and material cultures that shaped authority, mind and body, disease theories and the growing integration of human and animal health. These essays focus on the centrality of the state and hospitals, the growing importance of controlled laboratory experimentation, statistical methods, medical specialization, as well as the impact of war and peace on sick and injured bodies marked by notions of gender, race and class. While documenting the rise of new medical paradigms, this volume also charts the ways in which patients and populations have mediated, contested and shaped medical encounters, as well as the meanings of health and illness. Together these chapters map the contours of recent trends and trajectories in the cultural history of medicine and set an agenda for the self-reflexive critique of medicine’s past in the future.

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42

Roth, Philip A. La Conjura Contra America / The Plot Against America. Mondadori (IT), 2006.

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43

Roth, Philip A. Plot Against America. Penguin Random House, 2015.

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44

Roth, Philip A. The Plot Against America: A Novel. Houghton Mifflin Harcourt, 2020.

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45

Roth, Philip A. The Plot Against America. Blackstone Audio, Inc., 2016.

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46

(Narrator), Ron Silver, ed. The Plot Against America. Recorded Books, 2004.

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47

Roth, Philip A. The Plot Against America. HOUGHTON MIFFLIN CO@, 2004.

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48

The Plot Against America. Boston: Houghton Mifflin Company, 2004.

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49

Roth, Philip A. Verschwörung gegen Amerika. Rowohlt Taschenbuch, 2007.

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50

Roth, Philip A. The Plot Against America: A Novel. Houghton Mifflin, 2004.

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