Relevant bibliographies by topics / Charley Chaplin

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Charley Chaplin'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Charley Chaplin"

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Radigales, Jaume. "El naixement de la màscara chapliniana." Tripodos, no. 37 (June 4, 2025): 151–65. https://doi.org/10.51698/tripodos.2015.37.151-165.

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El 1914, la productora cinematográfica Keystone va exhibir als cinemes dels Estats Units les primeres pel·lícules protagonitzades (i poc després dirigides) per Charles Chaplin, que treballa en diverses pel·lícules slapstick sota la mirada de directors com Mack Sennett i actors i actrius com Ford Sterling, Mack Swain o Mabel Normand, entre d’altres. Els genuïns artífexs de la comèdia muda van ser els primers testimonis de l’evolució de Chaplin com a arquetipus, heretat de les màscares de la Commedia dell’Arte. A més, l’actor britànic començava a través de les seves primeres aparicions en pantal
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Silion, Bogdan George. "Limbajul şi corpul cinematografului. Funcţia Chaplin şi aporiile lui Zenon." Annals of “Dunarea de Jos” University of Galati. Fascicle XVIII: Philosophy 12, no. 1 (2023): 69–78. https://doi.org/10.35219/philosophy.2022.04.

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Charles Spencer Chaplin has meant for cinematography, as much as, let’s say, Van Gogh for painting. Contemporary with the beginning of “the art of moving images”, the director, the producer, the composer and the actor Chaplin is the creator of the first cinema character, Charlot, the one who made the first movie viewers smile. Yet, beyond the aspects related to the aesthetics of the cinema and the emotions transmitted by the inhabitants of the shadows behind the screen, the movie brings about a language, a body, a brain. The Chaplin function represents the ontological, space-time coordinates a
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Wang, Qilong. "Analysis of the Unique Styles of Chaplin’s Films in the 1920s-1930s." International Journal of Education and Humanities 13, no. 2 (2024): 127–29. http://dx.doi.org/10.54097/n4eek308.

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Charles Chaplin is recognised as a master of comedy, and his unique film style is widely discussed. However, the formation of his style went through a long process. This article uses the documentary research method to gather and review relevant information on the two films, “City Lights” and “Modern Times”, analyse Chaplin’s unique film styles of the 1920s-1930s, and examine the sources of these styles. This article concludes that his films in the 1920s-1930s formed a mixed story style of sorrow and joy, contained themes with personal views, and expanded visual styles for the theme. Chaplin’s
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Pita, César, and Juan Carlos Martínez. "Dossier: Charles Chaplin (1900-1983)." CineScrúpulos 7, no. 1 (2021): 31–58. https://doi.org/10.19083/cinescrupulos.v7i1.1426.

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Nadie fue tan amado y tan odiado como Charles Chaplin. Por el público, por los críticos, por sus hijos y por sus mujeres. Artista indiscutible, creador del primer personaje estrictamente cinematográfico y defensor de causas justas. Pero también perfeccionista hasta grados enfermizos y una persona muy difícil de tratar, según cuentan muchos de sus allegados. Así son los genios.
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Gómez Alemany, Joan. "Música y sonido en el cineasta-compositor Charles Chaplin." Itamar. Revista de investigación musical: territorios para el arte, no. 9 (July 4, 2023): 216. http://dx.doi.org/10.7203/itamar.9.27005.

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Introducimos la reflexión con el análisis de la relación de Charles Chaplin con los compositores de música clásica de su tiempo. Examinamos las múltiples influencias y estilos en los que Chaplin se apoya para componer la música de sus películas. Eso incluye el sonido en el más amplio sentido: ruido, sonido electrónico y vocal. Abordamos la conexión entre cine mudo y sonoro. Finalizamos con el análisis de tres películas importantes en su filmografía: Tiempos Modernos, en la que realiza una crítica de las tecnologías y la economía política. El gran dictador, mediante el uso de la música de Wagne
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Facini, Diogo Rossi Ambiel. "Chaplin e a tradução intersemiótica: uma reflexão sobre “Em Busca do Ouro”." Tradterm 31 (December 3, 2018): 164–86. http://dx.doi.org/10.11606/issn.2317-9511.v31i0p164-186.

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Neste artigo, são discutidas as duas versões do filme Em Busca do Ouro (The Gold Rush), de Charles Chaplin. A primeira, de 1925, com as características do cinema silencioso, sobretudo a ausência de falas, e a segunda, de 1942, com o acréscimo de falas (realizado por Chaplin), efeitos sonoros, música e alterações na montagem. Reflito sobre essas versões a partir do conceito de Tradução Intersemiótica, proposto por Jakobson (1959) e desenvolvido por Plaza (2010). Também são abordadas teorias relacionadas ao cinema e mais especificamente à obra de Chaplin. Neste artigo, é discutida a possibilidad
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Marcondes, Ciro Inácio. "Poesia e violência no berço da linguagem silenciosa: o caso de Chaplin." Intexto, no. 48 (January 1, 2020): 304–24. http://dx.doi.org/10.19132/1807-8583202048.304-324.

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A carreira de Charles Chaplin, especialmente em sua fase na Keystone, tem um fundamento na violência. Ou em duas violências: a primeira, a violência física das trombadas e pontapés que seu personagem Carlitos desfere em seus antagonistas; e a segunda, a violência motora, do movimento incessante pelo campo cinematográfico e através dos planos. Propomos uma análise desta dupla valência da violência em Chaplin como princípio fundador da poesia cinematográfica silenciosa: como esta violência motora e física se transforma em balé? Será analisada a trajetória de Chaplin em seus primeiros curtas por
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Gutierrez Bracho, Carlos. "Chaplin y el exilio: análisis comparativo desde la visión de Hannah Arendt y María Zambrano." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 1 (November 30, 2017): 210–25. http://dx.doi.org/10.15366/actionova2017.1.010.

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Los ensayos «Charlot o el histrionismo» y «Charlie Chaplin: el sospechoso», de María Zambrano y Hannah Arendt, respectivamente, dan origen a una reflexión sobre la condición del exiliado en el siglo XX, a partir del arte de Charles Chaplin. En él, las autoras hacen un análisis de la propuesta artística del actor, basada en el hombre marginado por la sociedad, pero reflejada en la suya propia. Charlot se convierte en objeto de la mirada para discutir sobre exilio, las razones del arte y el valor de la palabra frente al silencio
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Paragis, María Paula, and Florencia González Pla. "El Seminario de la Ética a través del cine." Ética y Cine Journal 7, no. 2 (2017): 55. http://dx.doi.org/10.31056/2250.5415.v7.n2.18979.

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Reseña de "El Seminario de la Ética a través del cine. Lecturas lacanianas de Charles Chaplin, Jules Dassin, Federico Fellini, Woody Allen, Alfred Hitchcock, Vince Gilligan, Krzysztof Kieslowski, George Stevens, Pedro Almodóvar y los hermanos Marx"
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Schmitt, Johannes. "Charles Chaplin und die US-amerikanische Slapstick-Comedy." Maske und Kothurn 49, no. 3-4 (2003): 155–78. http://dx.doi.org/10.7767/muk.2003.49.34.155.

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Dissertations / Theses on the topic "Charley Chaplin"

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Bordat, Francis. "Chaplin cinéaste." Paris 10, 1992. http://www.theses.fr/1992PA100001.

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Chaplin ne fut pas qu'un clown de génie, mais aussi un grand cinéaste, ce que, paradoxalement, la critique lui reconnait le moins. Fondée sur une lecture magnétoscopique de ses quatre-vingts films, cette thèse met en valeur la créativité spécifiquement cinématographique du réalisateur (scénograhie, cadrage, découpage-montage, mouvements d'appareil, photo, son, musique) et montre comment la mise en scène conditionne la comédie, voire même le personnage. La première partie s'interroge sur l'intégrité des copies que nous voyons aujourd'hui, et propose une description statistique de l'oeuvre. La s
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Rundell, Jack T. "The Chaplin craze : Charlie Chaplin and the emergence of mass-amusement culture." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/7918/.

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This thesis explores the relationship between Charlie Chaplin’s early career and films (1914-1916) and the emergent mass-amusement culture of the late nineteenth and early twentieth centuries in America. It combines empirical research into massamusement history with close readings of Chaplin’s early films in order to illuminate the close and previously minimally explored relationship between Chaplin’s filmmaking and popularity on the one hand, and the broader early twentieth-century history of mass-amusement culture on the other. The thesis approaches its subject through the specific phenomeno
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Sanches, Everton Luis [UNESP]. "Charles Chaplin: confrontos e intersecções com seu tempo." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/93305.

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Made available in DSpace on 2014-06-11T19:26:34Z (GMT). No. of bitstreams: 0 Previous issue date: 2003Bitstream added on 2014-06-13T19:13:38Z : No. of bitstreams: 1 sanches_el_me_fran.pdf: 462232 bytes, checksum: 7f6d49d2139684abab3d2faa8c6d6f35 (MD5)
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Sanches, Everton Luis. "Charles Chaplin: confrontos e intersecções com seu tempo /." Franca : [s.n.], 2003. http://hdl.handle.net/11449/93305.

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Ramozzi-Doreau, Mariange Gardies André. "Charlot au coeur de l'écriture cinématographique de Chaplin." [S.l.] : [s.n.], 2000. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2000/ramozzi-doreau_m.

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Ramozzi-Doreau, Mariange. "Charlot au coeur de l'écriture cinématographique de Chaplin." Lyon 2, 2000. http://theses.univ-lyon2.fr/documents/lyon2/2000/ramozzi-doreau_m.

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Cette thèse a pour objet un questionnement sur l'écriture cinématographique de Chaplin, donc sur son oeuvre de cinéaste qui compte quatre-vingts films de 1914 à 1967. La critique ayant trop souvent négligé le travail du réalisateur proprement dit, il nous est apparu judicieux de nous interroger sur la manière dont Chaplin concevait sa démarche et composait ses films à partir de la figure qu'il invente : Charlot. L'exceptionnelle carrière de Chaplin, qui débute quasiment avec l'histoire du cinématographe, lui permet d'en connaître une évolution révolutionnaire : le passage du muet au parlant. C
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Stein, Lisa K. "The travel narrative as spin : mitigating Charlie Chaplin's public persona in My trip abroad and "A comedian sees the world" /." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1126298170.

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Sanches, Everton Luis [UNESP]. "O pensamento humanitário de Charles Chaplin: os interlocutores não-excluídos." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/103111.

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Made available in DSpace on 2014-06-11T19:32:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-11-12Bitstream added on 2014-06-13T21:04:16Z : No. of bitstreams: 1 sanches_el_dr_fran.pdf: 2965019 bytes, checksum: c5a8a94f3a531688f5974767207d5a82 (MD5)<br>Este trabalho procura identificar o pensamento humanitário de Charles Chaplin usando a seqüência que encerra o seu filme “O grande ditador” (The great dictator, 1940 – EUA) como principal fonte de estudo. Propõe-se ainda confrontar o pensamento do ator e cineasta com o “Humanismo Integral” de Jacques Maritain, bem como com a Declaraçã
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Sanches, Everton Luis. "O pensamento humanitário de Charles Chaplin : os interlocutores não-excluídos /." Franca : [s.n.], 2008. http://hdl.handle.net/11449/103111.

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Orientador: Pedro Geraldo Tosi<br>Banca: Jorge Luis Mialhe<br>Banca: Alcides Freire Ramos<br>Banca: Marisa Saenz Leme<br>Banca: Lélio Luiz de Oliveira<br>Resumo: Este trabalho procura identificar o pensamento humanitário de Charles Chaplin usando a seqüência que encerra o seu filme "O grande ditador" (The great dictator, 1940 - EUA) como principal fonte de estudo. Propõe-se ainda confrontar o pensamento do ator e cineasta com o "Humanismo Integral" de Jacques Maritain, bem como com a Declaração Universal dos Direitos Humanos, estabelecendo relações entre as partes<br>Abstract: This work try to
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Ly, Thanh Huê. "Le reveil dans tous ses etats : une approche clinique et litteraire." Paris 7, 1999. http://www.theses.fr/1999PA070102.

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La thematique du reveil est nee d'une recherche clinique sur le vieillissement. Nous avons tente d'en elaborer la notion sur un mode << laique et clinique <<avec les donnees conceptuelles freudiennes et lacaniennes et de la degager d'une approche mystique. Le reveil apparait etre issu d'un long travail de deuil. Ses causes trouvent origine dans les figures diverses de la castration. L' issue du reveil s'avere plus univoque et 1 "experience apparait s'ouvrir sur un certain rire et sur le mouvement et l'ouverture du desir. La mise a l'epreuve de cette construction conceptuelle s'est faite a trav
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Books on the topic "Charley Chaplin"

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Davis, Phillips. Charles Chaplin. Edimat Libros, 1998.

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Davis, Phillips. Charles Chaplin. Edimat Libros, 1998.

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Museum of Modern Art (New York, N.Y.), ed. Charles Chaplin: An appreciation. Museum of Modern Art, 1989.

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Robert, Downey, Chaplin Geraldine, Aykroyd Dan, et al., eds. Chaplin. Live Entertainment, 1992.

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Bessy, Maurice. Charlie Chaplin. Thames and Hudson, 1985.

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Lopez, Nanuel Villegas. Charles Chaplin, el genio del cine. Ediciones JC, 1990.

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López, Manuel Villegas. Charles Chaplin: El genio del cine. Ediciones Folio, 2003.

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López, Manuel Villegas. Charles Chaplin, el genio del cine. Edicionesc JC, 1990.

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López, Manuel Villegas. Charles Chaplin: El genio del cine. Ediciones JC Clementine, 1998.

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López, Manuel Villegas. Charles Chaplin: El genio del cine. Ediciones Folio, 2003.

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Book chapters on the topic "Charley Chaplin"

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Cardullo, R. J. "Charles Chaplin [1889–1977]." In André Bazin, the Critic as Thinker. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-878-5_5.

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Carr, Richard. "Introduction: A very political life." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-1.

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Carr, Richard. "A citizen of the world." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-10.

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Carr, Richard. "Conclusion." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-11.

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Carr, Richard. "Chaplin’s England." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-2.

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Carr, Richard. "To shoulder arms? Charlie and the First World War." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-3.

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Carr, Richard. "Moscow or Manchester? Chaplin’s views on capitalism before the Depression took hold." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-4.

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Carr, Richard. "Sex, morality and a tramp in 1920s America." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-5.

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Carr, Richard. "Between Churchill and Gandhi: A comedian sees the world." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-6.

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Carr, Richard. "Modern Times and the Great Depression." In Charlie Chaplin. Routledge, 2017. http://dx.doi.org/10.4324/9781315201672-7.

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Conference papers on the topic "Charley Chaplin"

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Herrington, Thelma M. "The Surface Potential of Cellulose." In Papermaking Raw Materials, edited by V. Punton. Fundamental Research Committee (FRC), Manchester, 1985. http://dx.doi.org/10.15376/frc.1985.1.165.

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Charge/pH isotherms were determined for various cellulose fibres: cotton linters, bleached sulphate, and unbleached sulphate pulp. The chare was determined as a function of pH in 1.0, 10⁻¹, 10⁻², and 10⁻³ mol dm⁻³ NaCl. The effect of various cations on the charge was also investigated. The surface areas of the fibres were determined by BET nitrogen adsorption; the pulps were initially in a ‘never-dried’ state and for the BET work they were specially prepared using solvent-exchange techniques whereby all the water was replaced by dry pentane. The surface areas of the fibres were also obtained u
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Costa Júnior, Edson Pereira da. "Da sobriedade do gesto: o decoro na figura humana cinematográfica." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4152.

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A figura humana foi submetida a diferentes regimes de representação ao longo da história do cinema. A mudança do período silencioso para o sonorizado demarca claramente dois deles: a passagem do corpo histriônico, potente e ginasta presente nos filmes de Buster Keaton, Charlie Chaplin e outros realizadores para uma figura humana cada vez mais moderada. A voz e a palavra se tornam meios privilegiados para a comunicação dos sentimentos e da vontade dos personagens, relegando ao segundo plano o então exagero da disposição gestual e das expressões fisionômicas típico dos filmes silenciosos.
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Moreno, Daniel A. "Using Temperature Variations to Demonstrate Analogous Carnot Heat Engines for Salinity Gradient Energy via Capacitive Mixing." In ASME 2022 Power Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/power2022-85430.

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Abstract A proof-of-concept electrochemical analog for a Carnot cycle is developed using a capacitive mixing (CapMix) engine to extract electrical energy from a salinity gradient. Here, temperature is allowed to vary to assist in the development of such a cycle. The Gouy-Chapman-Stern model for the electrochemical double layer (EDL) reveals theoretically that approximately a 50 mM concentration difference can be used if the initial concentration is 100 mM. Under transient conditions, this range was further limited to lower than 10 mM, but revealed some interesting trends in the current, flow r
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Moreno, Daniel, and Marta C. Hatzell. "Using Thermodynamics Principles to Optimize Performance of Capacitive Mixing Cycles for Salinity Gradient Energy Generation." In ASME 2019 Power Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/power2019-1902.

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Abstract Understanding the thermodynamics associated with ion mixing and separation processes is important in order to meet the rising demands for clean energy and water production. Several electrochemical-based technologies such as capacitive deionization and capacitive mixing (CapMix) are capable of achieving desalination and energy production through ion mixing and separation processes, yet experimental investigations suggest energy conversion occurs with low second law (thermodynamic) efficiency. Here, we explore the maximum attainable efficiency for different CapMix cycles to investigate
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Moreno, Daniel A. "Employing Variable Current/Voltage Control Schemes to Develop Carnot-Analogous Mixing Engines for Salinity Gradient Energy Extraction." In ASME Power Applied R&D 2023. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/power2023-108772.

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Abstract A capacitive mixing engine is developed which follows four stages of operation analogous to those of a Carnot cycle. This work establishes and evaluates control schemes for cell voltage and current as functions of time to maintain cycling stages where a constant number of ions property (dependent on both cell charge and concentration) can be maintained. The cycle is examined and compared for three different models of the electrochemical double layer in the cell, each of which function best at a different set of concentration ranges: The Gouy Chapman Stern (GCS) model for high concentr
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