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Dissertations / Theses on the topic 'Charley Chaplin'

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Published: 4 June 2021
Last updated: 28 July 2025

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1

Bordat, Francis. "Chaplin cinéaste." Paris 10, 1992. http://www.theses.fr/1992PA100001.

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Chaplin ne fut pas qu'un clown de génie, mais aussi un grand cinéaste, ce que, paradoxalement, la critique lui reconnait le moins. Fondée sur une lecture magnétoscopique de ses quatre-vingts films, cette thèse met en valeur la créativité spécifiquement cinématographique du réalisateur (scénograhie, cadrage, découpage-montage, mouvements d'appareil, photo, son, musique) et montre comment la mise en scène conditionne la comédie, voire même le personnage. La première partie s'interroge sur l'intégrité des copies que nous voyons aujourd'hui, et propose une description statistique de l'oeuvre. La s
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2

Rundell, Jack T. "The Chaplin craze : Charlie Chaplin and the emergence of mass-amusement culture." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/7918/.

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This thesis explores the relationship between Charlie Chaplin’s early career and films (1914-1916) and the emergent mass-amusement culture of the late nineteenth and early twentieth centuries in America. It combines empirical research into massamusement history with close readings of Chaplin’s early films in order to illuminate the close and previously minimally explored relationship between Chaplin’s filmmaking and popularity on the one hand, and the broader early twentieth-century history of mass-amusement culture on the other. The thesis approaches its subject through the specific phenomeno
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3

Sanches, Everton Luis [UNESP]. "Charles Chaplin: confrontos e intersecções com seu tempo." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/93305.

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Sanches, Everton Luis. "Charles Chaplin: confrontos e intersecções com seu tempo /." Franca : [s.n.], 2003. http://hdl.handle.net/11449/93305.

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5

Ramozzi-Doreau, Mariange Gardies André. "Charlot au coeur de l'écriture cinématographique de Chaplin." [S.l.] : [s.n.], 2000. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2000/ramozzi-doreau_m.

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6

Ramozzi-Doreau, Mariange. "Charlot au coeur de l'écriture cinématographique de Chaplin." Lyon 2, 2000. http://theses.univ-lyon2.fr/documents/lyon2/2000/ramozzi-doreau_m.

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Cette thèse a pour objet un questionnement sur l'écriture cinématographique de Chaplin, donc sur son oeuvre de cinéaste qui compte quatre-vingts films de 1914 à 1967. La critique ayant trop souvent négligé le travail du réalisateur proprement dit, il nous est apparu judicieux de nous interroger sur la manière dont Chaplin concevait sa démarche et composait ses films à partir de la figure qu'il invente : Charlot. L'exceptionnelle carrière de Chaplin, qui débute quasiment avec l'histoire du cinématographe, lui permet d'en connaître une évolution révolutionnaire : le passage du muet au parlant. C
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7

Stein, Lisa K. "The travel narrative as spin : mitigating Charlie Chaplin's public persona in My trip abroad and "A comedian sees the world" /." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1126298170.

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8

Sanches, Everton Luis [UNESP]. "O pensamento humanitário de Charles Chaplin: os interlocutores não-excluídos." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/103111.

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Made available in DSpace on 2014-06-11T19:32:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-11-12Bitstream added on 2014-06-13T21:04:16Z : No. of bitstreams: 1 sanches_el_dr_fran.pdf: 2965019 bytes, checksum: c5a8a94f3a531688f5974767207d5a82 (MD5)<br>Este trabalho procura identificar o pensamento humanitário de Charles Chaplin usando a seqüência que encerra o seu filme “O grande ditador” (The great dictator, 1940 – EUA) como principal fonte de estudo. Propõe-se ainda confrontar o pensamento do ator e cineasta com o “Humanismo Integral” de Jacques Maritain, bem como com a Declaraçã
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9

Sanches, Everton Luis. "O pensamento humanitário de Charles Chaplin : os interlocutores não-excluídos /." Franca : [s.n.], 2008. http://hdl.handle.net/11449/103111.

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Orientador: Pedro Geraldo Tosi<br>Banca: Jorge Luis Mialhe<br>Banca: Alcides Freire Ramos<br>Banca: Marisa Saenz Leme<br>Banca: Lélio Luiz de Oliveira<br>Resumo: Este trabalho procura identificar o pensamento humanitário de Charles Chaplin usando a seqüência que encerra o seu filme "O grande ditador" (The great dictator, 1940 - EUA) como principal fonte de estudo. Propõe-se ainda confrontar o pensamento do ator e cineasta com o "Humanismo Integral" de Jacques Maritain, bem como com a Declaração Universal dos Direitos Humanos, estabelecendo relações entre as partes<br>Abstract: This work try to
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10

Ly, Thanh Huê. "Le reveil dans tous ses etats : une approche clinique et litteraire." Paris 7, 1999. http://www.theses.fr/1999PA070102.

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La thematique du reveil est nee d'une recherche clinique sur le vieillissement. Nous avons tente d'en elaborer la notion sur un mode << laique et clinique <<avec les donnees conceptuelles freudiennes et lacaniennes et de la degager d'une approche mystique. Le reveil apparait etre issu d'un long travail de deuil. Ses causes trouvent origine dans les figures diverses de la castration. L' issue du reveil s'avere plus univoque et 1 "experience apparait s'ouvrir sur un certain rire et sur le mouvement et l'ouverture du desir. La mise a l'epreuve de cette construction conceptuelle s'est faite a trav
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11

Jourdren, Morgane. "Rêve américain, rêve d'Amérique à travers l'oeuvre cinématographique de Charlie Chaplin." Angers, 2005. http://www.theses.fr/2005ANGE0036.

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L’image du Rêve Américain dans les films de Charlie Chaplin est essentiellement celle d’un Rêve dévoyé. Aussi, l’œuvre du cinéaste est-elle parfois perçue comme une attaque contre le dogme de ‘l’exception américaine’. Mais l’œuvre de Chaplin, loin d’être révolutionnaire, s’inscrit dans le discours d’une Amérique protestataire, qu’elle soit Progressiste ou qu’elle fasse sienne l’héritage d’Emerson ou de Thoreau. Ce n’est pas tant une démystification du Rêve Américain qu’une relecture de celui-ci qui émerge de l’œuvre du cinéaste. Au-delà des considérations politiques et sociales, le propos chap
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12

Silveira, dos Santos Daniela. "El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/286040.

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Esta tesis investiga los orígenes arquetípicos de la comedia a través del personaje Charlot y busca dibujar y estructurar el imaginario mítico del cine de Charles Chaplin alrededor del arquetipo del niño. El estudio identifica tres grandes epifanías míticas en la obra de Chaplin –el Charlot burlesco, el Charlot angélico y Monsieur Verdoux– que revelan la dinámica interna coherente de su imaginario, a la vez que iluminan de diferentes maneras la esencia arquetípica del género cómico. Demostramos, por un lado, cómo el himno homérico a Hermes se configura como el relato que funda la comedia en la
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13

Freitas, Luciano Diogo Oliveira. "O estranhamento (Verfremdungseffekt) e o Gestus brechtiano nos filmes de Charlie Chaplin." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/8574.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2018-06-12T17:55:32Z No. of bitstreams: 2 Dissertação - Luciano Diogo Oliveira Freitas - 2017.pdf: 2722679 bytes, checksum: 2df1afd541bddfe8347398892d5a5c66 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-06-13T10:45:15Z (GMT) No. of bitstreams: 2 Dissertação - Luciano Diogo Oliveira Freitas - 2017.pdf: 2722679 bytes, checksum: 2df1afd541bddfe8347398892d5a5c66 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998
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14

Düring, Annelie, and Fanny Liljeqvist. "Charlie Chaplins Berättartekniker : Det tidiga 1900 talets berättartekniker för komedifilm möter 2010 talets Sverige." Thesis, Blekinge Tekniska Högskola, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-12176.

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I det här arbetet studeras Charlie Chaplins berättartekniker, både sagoberättande, visuellt och audiellt i ett försök att komma fram till huruvida de berättartekniker som Chaplin använde sig av fortfarande kan fungera i komiska produktioner idag. Vi kommer i texten titta närmare på hur han använde kameran både när han filmade och klippte, hur han strukturerade upp sina ljudkompositioner, hur han använde kontraster, hur han skrev sina berättelser för att antalet skämt skulle bli just rätt, samt hur han förde sig både framför och bakom kameran för att sedan applicera detta på en kortfilm i vårt
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15

Watson, Clare. "Gauging Charlie : the Circulation and Reception of Charles Chaplin's Early Comedies in Britain From Cinema to Super 8." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520427.

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16

BEZERRA, Hallyson Alves. "Luzes das cidades chaplinianas: as recepções das URBS representadas na obra de Charles Chaplin (1914 -1957)." Universidade Federal de Campina Grande, 2018. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/1090.

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Submitted by Lucienne Costa (lucienneferreira@ufcg.edu.br) on 2018-07-02T19:49:21Z No. of bitstreams: 1 HALLYSON ALVES BEZERRA – DISSERTAÇÃO (PPGH) 2018.pdf: 5589915 bytes, checksum: 539dff2adbe56676e0ae48f95af6ee4a (MD5)<br>Made available in DSpace on 2018-07-02T19:49:21Z (GMT). No. of bitstreams: 1 HALLYSON ALVES BEZERRA – DISSERTAÇÃO (PPGH) 2018.pdf: 5589915 bytes, checksum: 539dff2adbe56676e0ae48f95af6ee4a (MD5) Previous issue date: 2018-03<br>Capes<br>Charles Spencer Chaplin é um dos precursores da indústria cinematográfica hollywoodiana, deixando como legado, aproximadamente, oitenta f
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17

Lenk, Erika 1978. "Carlitos : história de vida e obra de Chales Chaplin." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/250941.

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Orientador: Ana Angélica Medeiros Albano<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-20T22:09:34Z (GMT). No. of bitstreams: 1 Lenk_Erika_M.pdf: 1109074 bytes, checksum: c0b843e8e4bfece1b0e1a378606a9bc5 (MD5) Previous issue date: 2012<br>Resumo: Esta dissertação percorre a trajetória de vida do célebre ator e cineasta inglês Charles Spencer Chaplin (1889-1977), o imaginativo criador de Carlitos, cuja graça e lirismo marcaram fortemente a arte do século XX. Sua obra ridiculariza os padrões culturais da sociedade es
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18

Giunta, Carolyn Sara. "A question of listening : Nancean resonance and listening in the work of Charlie Chaplin." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/cc5a1d72-c86a-4569-9432-ffddbfa4b7e0.

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In this thesis, I use a close reading of the silent films of Charlie Chaplin to examine a question of listening posed by Jean-Luc Nancy, “Is listening something of which philosophy is capable” (Nancy 2007:1)? Drawing on the work of Nancy, Jacques Derrida and Gayatri Spivak, I consider a claim that philosophy has failed to address the topic of listening because a logocentric tradition claims speech as primary. In response to Derrida’s deconstruction of logocentrism, Nancy complicates the problem of listening by distinguishing between <em>l’e´coute</em> and <em>l’entente</em>. <em>L’e´coute </em
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19

Sebasti?o, Maria L?cia. "Corpo e expressividade no cinema de Charles Chaplin: notas sobre o conhecimento da Educa??o F?sica." PROGRAMA DE P?S-GRADUA??O EM EDUCA??O F?SICA, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/22152.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-02-22T19:17:31Z No. of bitstreams: 1 MariaLuciaSebastiao_DISSERT.pdf: 1870160 bytes, checksum: 471dba2f8d4e1bb27c2bf1e272ca9c1f (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-03-06T23:34:29Z (GMT) No. of bitstreams: 1 MariaLuciaSebastiao_DISSERT.pdf: 1870160 bytes, checksum: 471dba2f8d4e1bb27c2bf1e272ca9c1f (MD5)<br>Made available in DSpace on 2017-03-06T23:34:29Z (GMT). No. of bitstreams: 1 MariaLuciaSebastiao_DISSERT.pdf: 1870160 bytes, checksum: 471dba2f8d4e1bb27c2b
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Lau, Chi-chung. "Speed and immobility in urban space and cinema." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B41508762.

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21

Hart, Anne Glenisla. "Selling the American Dream: The Comic Underdog in American Film." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6313.

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Placing archetypal "underdogs" or "losers" in the roles of protagonists allows and encourages the viewer to identify with them or understand them as an idealized Other, though the audience may differ from the failure protagonist in social class, gender, or any other condition. In film, one of the most persuasive and ubiquitous media of the 20th century, underdog and weakling characters germinated in early popular comedies such as those by Charlie Chaplin and the other silent clowns. Using Chaplin's filmography to illustrate the underdog's ironic supremacy, this thesis aims to unravel the initi
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Lomitola, Lisa M. "Ritual Use of the Human Form: A Contextual Analysis of the "Charlie Chaplin" Figure in the Maya Lowlands." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5407.

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Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Peten region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Cha
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23

Soares, Eduardo de Souza. "A máscara e o rosto de Chaplin: o anticomunismo na repercussão da filmografia política de Carlitos em Porto Alegre (1936–1949)." Pontifícia Universidade Católica do Rio Grande do Sul, 2008. http://hdl.handle.net/10923/3838.

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Made available in DSpace on 2013-08-07T18:58:35Z (GMT). No. of bitstreams: 1 000403506-Texto+Completo-0.pdf: 6033445 bytes, checksum: 4b1668c6effaab534a642f3a50dbf3e8 (MD5) Previous issue date: 2008<br>In this dissertation, we intend to analyze in what circumstances the anticommunism and its main subjects were incorporated by the most emphasize agencies of the press of the “gaúcha” capital during the repercussion of the politic filmography of Charlie Chaplin in Porto Alegre. Considering the period comprised among 1936 and 1949, marked by a succession of manifestations adversed to the sovieti
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Lima, Gabriel Bordignon de. "Charlie Chaplin - laboratório subversivo e sabotagens industriais: um estudo de A casa de penhores (1916) e Tempos Modernos (1936)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-22032019-121314/.

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Lançado em 1916, A casa de penhores é uma síntese dos curtas-metragens de Chaplin e funciona como um laboratório cômico, no qual o artista e sua equipe desenvolvem experimentos subversivos, desafiando valores burgueses. O primeiro capítulo desta dissertação apresenta uma análise de A casa de penhores, seu contexto e suas afinidades eletivas com o surrealismo francês, a biomecânica desenvolvida por Meyerhold e o teatro épico de Brecht, mostrando o potencial revolucionário do cinema num tempo de crescentes conflitos entre capital e trabalho. Essa análise detalhada fornece outra perspectiva para
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Stein, Lisa K. "The Travel Narrative as Spin: Mitigating Charlie Chaplin’s Public Persona in My Trip Abroad and “A Comedian sees the World”." Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1126298170.

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Pita, César. "CineScrúpulos (Año 7. Número 19. Diciembre de 2018)." Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/625033.

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Los textos de CineScrúpulos son elaborados por los alumnos, profesores y colaboradores de la Facultad de Comunicaciones de la UPC. Las imágenes utilizadas son de distintas páginas web. El uso de las mismas se inscribe en lo estrictamente académico y divulgativo.<br>se ha convertido en un referente cinematográfico por derecho propio. La figura que se aleja como danzando, dueña de su propio futuro incierto, es una de las odas más hermosas al optimismo y a la sonrisa permanente, a pesar de las adversidades que afronta. Porque no debemos olvidar que Charlot es pobre pero digno, a pesar de que
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Goldman, Jonathan E. "The modernist author in the age of celebrity /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174610.

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Soares, Eduardo de Souza. "A m?scara e o rosto de Chaplin : o anticomunismo na repercuss?o da filmografia pol?tica de Carlitos em Porto Alegre (1936 1949)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2008. http://tede2.pucrs.br/tede2/handle/tede/2258.

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Made available in DSpace on 2015-04-14T13:46:33Z (GMT). No. of bitstreams: 1 403506.pdf: 6033445 bytes, checksum: 4b1668c6effaab534a642f3a50dbf3e8 (MD5) Previous issue date: 2008-07-24<br>Nesta disserta??o, pretendemos analisar em que medida o anticomunismo e seus principais argumentos foram incorporados pelos mais destacados ?rg?os de imprensa da capital ga?cha durante a repercuss?o da filmografia pol?tica de Charles Chaplin em Porto Alegre. Considerando o per?odo compreendido entre 1936 e 1949, marcado por uma s?rie de manifesta??es contr?rias ? influ?ncia sovi?tica nos planos nacional e i
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Benediktsson, Gunnar. "Angels of history: reception, distraction and resistance." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/640.

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A key term in the cultural criticism of Walter Benjamin is his notion of "reception in distraction" as an antidote to ideology's domination over the mass society in the modern age. This dissertation attempts to illuminate this idea by offering case studies of three projects that summon into existence a new kind of reader, one capable of a trained apperception we may describe as "distracted."; One objective of the mass society according to a Frankfurt model of culture is the erasure of the subject; reception in distraction serves at once to create a space for the social dream and to re-inscribe
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Ellis, Erin. "The "German" and "Nazi" in Chaplin's The great dictator, Capra's The Nazis strike and Hitchcock's Lifeboat." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1241211595.

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Johnson, Jessica. "Stardom, Spectacle, Show, and Salability: United Artists and the Founding of the Hollywood Blockbuster Model." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/film_studies_theses/3.

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United Artists was an independent film distribution company that Douglas Fairbanks, Charlie Chaplin, D.W. Griffith, and Mary Pickford jointly formed in 1919 to maintain creative autonomy over their work. Without the benefit of block booking practices through studio-owned theater houses, each founding artist established specific economic and aesthetic practices within their respective oeuvres in order to maintain company solvency. The resulting films produced during the company’s formative years (1919-1931) saw increased emphasis and innovation in regard to stardom, spectacle, show, and salabil
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Servel, Charlotte. "Le cinéma burlesque, une autre origine du surréalisme : les pratiques des surréalistes analysées au prisme des films burlesques pendant les années folles." Thesis, Université de Paris (2019-....), 2020. http://www.theses.fr/2020UNIP7081.

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Plusieurs études riches ont documenté la naissance du surréalisme en la reliant pour l’essentiel soit à la découverte de Freud et de l’inconscient, soit aux principales figures poétiques l’ayant précédé. Ce travail vise à compléter ces études par une nouvelle perspective, celle du cinéma burlesque. Cette thèse montre que le cinéma burlesque a joué un rôle dans l’émergence du surréalisme pendant les Années folles. Lorsque l’on relit les textes de cinéma des surréalistes en les associant aux films burlesques, tout en les mettant en perspective avec d’autres documents critiques et scénaristiques
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Kaplan, Stacey Meredith 1973. "The modern(ist) short form: Containing class in early 20th century literature and film." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.

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ix, 182 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulu
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Fanning, Sarah Elizabeth. "Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8524.

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The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptation
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Shen, Wen-Long, and 沈芠. "Early Charles Chaplin and American Film Culture (1914 – 1923)." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/dz99f3.

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碩士<br>國立政治大學<br>歷史學系<br>106<br>Charles Chaplin (1889 – 1977) was an English comedian who became famous and successful in the American film industry. He began his career as a stage actor with Music Hall, and entered the film industry in 1914. Before Chaplin became an “independent actor” in 1923, he worked with four different film companies: Keystone, Essanay, Mutual, and First National. Many modern audiences and scholars believe that Chaplin plays a “tramp” character which represents poor people who struggle in the bottom of society, and expresses his sympathy with low-class people. Some people
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Chen, Hui-Ying, and 陳慧縈. ""The King of Comedy"in China: Charlie Chaplin''s Star Image in Shanghai Newspapers and Film Magazines, 1914-1929." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/77656213827173196811.

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碩士<br>臺灣大學<br>歷史學研究所<br>98<br>This study focuses on Charlie Chaplin’s star image in Shanghai newspapers and film magazines from 1914 to 1929, and his influences on Shanghai’s society, movie industry and popular culture. This thesis bases itself on Chaplin’s image as “The King of Comedy” in Shanghai during this period to explore the construction of Chaplin’s star image. Star image is composed of two essential elements: picture personality and real personality. It is not until the late 1910s that Shanghai newspapers started reviewing Chaplin’s films and reporting his real daily life beyond the s
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Abadie, Karine. "La Cinéologie de l'entre-deux-guerres : les écrivains français et le cinéma." Thèse, 2015. http://hdl.handle.net/1866/13612.

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Cette thèse de doctorat porte sur l’évolution du discours critique et théorique sur le cinéma développé par les écrivains français de l’entre-deux-guerres (1918-1939). À une époque où le cinéma prend de plus en plus de place dans la société, les écrivains s’intéressent à cette nouveauté, y réfléchissent et tentent d’élaborer des canevas à partir desquels peut se former une cinéologie, c’est-à-dire, une écriture sur le cinéma. De très nombreux textes (articles, chroniques, essais, manifestes, préfaces, biographies), issus de publications diverses (revues de cinéma, revues littéraires, revues
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Kolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925." 2020. https://slub.qucosa.de/id/qucosa%3A72577.

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The central role that avant-garde music and dance theatre played in the interplay and synthesis of the arts and media in the 1920s, particularly in Paris, is well known. However, the creative potential of ballet has hardly been recognized in its manifold relationships with film and cinematic-inspired expression. The extent to which especially ballet music interacted with the latest cinematographic principles and techniques and referred to cinematic aesthetics in a variety of ways can instructively be seen regarding the productions of the Ballets Suédois. This is discussed in this article with
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