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Journal articles on the topic 'Charlie's angels'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2024

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1

Sari, Andika Kartika. "Studi Cara Pandang Perempuan Dalam Film Charlie’s Angels." Populis : Jurnal Sosial dan Humaniora 7, no. 2 (2022): 332. http://dx.doi.org/10.47313/pjsh.v7i2.1854.

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<p><em><span lang="EN-US">Film is a medium for delivering messages through moving images. However, often in film narratives, there is a point of view of the dominance of male characters as subjects and active characters while women as passive characters or objects. Thus, women are often seen as a group that is vulnerable to violence, both sexual and symbolic violence. This article aimed to find a woman's point of view in Charlie's Angels, where women are seen as the dominant subject and not a vulnerable group. This research employed a descriptive-qualitative research method w
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2

Mogilevich, Mariana. "Charlie's Pussycats." Film Quarterly 55, no. 3 (2002): 38–44. http://dx.doi.org/10.1525/fq.2002.55.3.38.

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The recent films Charlie's Angels and Josie and the Pussycats, filmic remakes of 1970s television series, and furthermore of each other, may be indicative of a new direction for film, which is precisely the direction of television. These new films serve as indexes of each other and of the popular culture from which they have been compiled. As remakes become more common and films rely ever more on our familiarity with other forms of mass media, the vast cultural-industrial complex Theodor Adorno denounced a half-century ago seems to be at its most effective.
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Hong, Qiwen. ""Don't Call Me Angel": The Construction of Female Representation from a Postfeminist Perspective." Lecture Notes in Education Psychology and Public Media 40, no. 1 (2024): 18–23. http://dx.doi.org/10.54254/2753-7048/40/20240686.

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Charlie's Angels (2019) is considered a feminist film, dedicated to promoting women's empowerment and gender equality related discourse. Don't Call Me Angel is the theme song of Charlie's Angels, co-performed by Ariana Grande, Miley Cyrus and Lana Del Rey, which advocates women's control over the body, eliminating gender stereotypes, bold self-expression as well as encouraging sisterhood. This article critically discusses the construction of female images in this pop music video from a postfeminist perspective, which means that this study adopts a qualitative method of social semiotics to draw
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4

White, Rosie. "Lipgloss Feminists: Charlie's Angels and The Bionic Woman." Storytelling: A Critical Journal of Popular Narrative 5, no. 3 (2006): 171–83. http://dx.doi.org/10.3200/stor.5.3.171-183.

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5

Ais Navila, Sekarayu Nuringtyas,. "WOMEN’S LANGUAGE FEATURES ON UTTERANCES OF CHARLIE’S ANGELS MOVIE." Jurnal Penelitian Humaniora 23, no. 1:Februari (2022): 12–20. http://dx.doi.org/10.23917/humaniora.v23i1.18064.

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The study entitled Women's Language Features on Utterances of Charlie's Angels Movie seeks to examine women's language features and the reasons of using the features by the three main women character. The data was taken from the utterances of the Charlie's Angels (2019) movie. The researchers used Lakoff's hypothesis to investigate women's language features. Lakoff (1975) suggested ten language features for women, but this analysis only found nine features in this movie, namely lexical hedges or fillers, intensifiers, tag question, emphatic stress, rising intonation on declaratives, avoidance
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Nuringtyas, Sekarayu, and Ais Navila. "WOMEN’S LANGUAGE FEATURES ON UTTERANCES OF CHARLIE’S ANGELS MOVIE." Jurnal Penelitian Humaniora 23, no. 1 (2022): 12–20. http://dx.doi.org/10.23917/humaniora.v23i1.19162.

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The study entitled Women's Language Features on Utterances of Charlie's Angels Movie seeks to examine women's language features and the reasons of using the features by the three main women character. The data was taken from the utterances of the Charlie's Angels (2019) movie. The researchers used Lakoff's hypothesis to investigate women's language features. Lakoff (1975) suggested ten language features for women, but this analysis only found nine features in this movie, namely lexical hedges or fillers, intensifiers, tag question, emphatic stress, rising intonation on declaratives, avoidance
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7

Yolanda, Thalia, I. Nyoman Udayana, and Novita Mulyana. "Negative Politeness Strategies Applied in the Movie Charlie’s Angels 2019." Devotion: Journal of Community Service 3, no. 7 (2022): 670–80. http://dx.doi.org/10.36418/dev.v3i7.162.

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This research is a pragmatic study of the use of negative politeness strategies. This study aims to identify negative politeness strategies used by characters in films and to analyze why characters in films use negative politeness strategies in their speech. This study will use a qualitative method in utilizing the study of negative politeness strategies by describing the problem as clearly as possible. The data will be taken from a film called Charlie's Angels 2019. The theory that will be used in this research is the theory proposed by Brown and Levinson's negative politeness strategy in 199
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8

Situmorang, Renita Krisdayanti, and Herman Herman. "AN ANALYSIS OF SLANG LANGUAGE STYLES USED IN CHARLIE’S ANGELS MOVIE." Journal of English Educational Study (JEES) 4, no. 1 (2021): 21–29. http://dx.doi.org/10.31932/jees.v4i1.820.

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This study was focused on determine the types of use slang language style. The types of slangs were analyzed from “Charlie’s Angels” movie. Theories used in this research were Sumarsono (2007) about the types of slang language style and Zhou & Fan (2013) about the functions of slang language. This study was conducted using a descriptive qualitative method.This research is the kind of content analysis study based on the way to do qualitative research. The way to collects the data are; downloading movie, watching movie and downloading movie subtitle. The data were from a movie entitled “Char
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9

Triana, Defa Ayu, Prawinda Putri Anzari, and Nanda Harda Pratama Meiji. "Representasi Girl Power dan Perlawanan Domestifikasi Perempuan dalam Film Charlie’s Angel (2019." SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial Dan Humaniora 7, no. 2 (2021): 39–48. http://dx.doi.org/10.30738/sosio.v7i2.10235.

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Various gender-biased films still place women as weak and only occupy tasks in the domestic sphere. There is still a public perception that women cannot carry out significant tasks in the public sector. This study aims to represent girl power and the resistance to female domestication through film media based on these problems. This study uses a qualitative method of John Fiske's semiotic analysis, including the code level of reality, representation, and ideology. The study results show that the power of women in the Charlie's Angel (2019) movie has intellectual abilities. They can become a le
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10

Ciornei, Laurențiu. "Ambasadorul englez al României sălbatice, Charlie Ottley: ”Legea silvică în sine nu este rea, dar nu există voință sau finanțarea necesară pentru aplicarea acesteia”." Bucovina Forestiera 19, no. 2 (2019): 189–92. http://dx.doi.org/10.4316/bf.2019.024.

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Jurnalistul britanic Charlie Ottley este, de aproape un deceniu, unul dintre cei mai perseverenți ambasadori ai imaginii României în lume. Fascinat de frumusețea și naturalitatea țării noastre, Charlie face emisiuni de televiziune, scrie editoriale și reportaje pentru cele mai prestigioase canale media din lume, necontenind să laude măreția și sălbăticia munților Carpați sau biodiversitatea. Născut în urmă cu 49 de ani la Winchester, în Anglia, Charlie a devenit prieten al României după de a colindat lumea în lung și-n lat spre a descoperi frumuseți. Mereu a fost omul încercat de focul cunoașt
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11

Paradkar, Harshil, and Anu Shrivastava. "Significance of the Audio Element ‘Pitch’, in Representation of the Emotion ‘Love’ (With Special Reference to Charlie Chaplin’s ‘The Kid’)." Journal of Communication and Management 2, no. 02 (2023): 118–23. http://dx.doi.org/10.58966/jcm2023228.

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A film is a collective interpretation of various elements like lighting, visuals, Camera angles, set design, costumes, acting of the actors involved in the film and last but not least the sound.To list out there are several elements that create sound of a film. The list includes sound quality, continuity of sound, timing, diegetic and non-diegetic sound, pace, level and pitch of sound.The presence of these audio elements in a certain manner represents a particular emotion depicted in a scene of a film.This paper tries to explore the significance of the audio element ‘Pitch’, in the representat
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12

Ulin, David L. "There it is. Take it." Boom 3, no. 3 (2013): 28–37. http://dx.doi.org/10.1525/boom.2013.3.3.28.

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David L. Ulin's essay finds William Mulholland doubly generous—he gave LA both water and a motto to live by. Ulin begins with the Los Angeles Aqueduct's inauguration photographs taken in November 1913. Here is where Mulholland said the five words that Ulin proposes as LA's manifesto. As Ulin reports, within the last one hundred years many (in)famous Angelenos, like oil baron Edward Doheny, studio head Louis B. Mayer, and gambling kingpin Charlie Crawford, followed Mulholland's prescription. For popular writers Raymond Chandler and James M. Cain, "There it is. Take it" describes their license t
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13

Hwang, Ren-yo. "Don't Count on Us Dying: Carceral Accuracy and Trans-of-Color Life Beyond Hate Crimes." QED: A Journal in GLBTQ Worldmaking 9, no. 3 (2022): 77–108. http://dx.doi.org/10.14321/qed.9.issue-3.0077.

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Abstract This article explores the phenomenon of “carceral accuracy” in order to index how minoritarian participation into state antiviolence measures continues to reproduce and prioritize social scientific, criminological, and quantitative data-driven efforts to rationalize crime and punishment as a necessity for disrupting bias-motivated violence. In Los Angeles from 2014 to 2015, in the span of just five months the premature and violent deaths of three transgender women of color would exacerbate longstanding political rifts in the trans and queer community. These rifts formed along the line
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14

Harris, Pauline. "WHAT NO “RUG TIME” SHARING MEANS: REVISIONING CHILDREN’S OPPORTUNITY TO ENACT LITERATE IDENTITIES THROUGH THE LENS OF POSITIONING THEORY." Trabalhos em Linguística Aplicada 59, no. 1 (2020): 10–41. http://dx.doi.org/10.1590/010318136068715912020.

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ABSTRACT This paper provides a telling case account of how a child called Charlie was positioned and (re)positioned himself within and across different situational types of classroom literacy encounters in his first-grade classroom. This telling case is based on a re-analysis of an originating study conducted by the author (HARRIS, 1989); and is founded on a history of research based on revisioning archived data records as new theories develop. Providing a profile of different ways in which a child positions self and is positioned by the teacher, the system and peers, this telling case present
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15

Gatebe, Charles K., Michael D. King, Alexei I. Lyapustin, G. Thomas Arnold, and Jens Redemann. "Airborne Spectral Measurements of Ocean Directional Reflectance." Journal of the Atmospheric Sciences 62, no. 4 (2005): 1072–92. http://dx.doi.org/10.1175/jas3386.1.

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Abstract The Cloud Absorption Radiometer (CAR) was flown aboard the University of Washington Convair 580 (CV-580) research aircraft during the Chesapeake Lighthouse and Aircraft Measurements for Satellites (CLAMS) field campaign and obtained measurements of bidirectional reflectance distribution function (BRDF) of the ocean in July and August 2001 under different illumination conditions with solar zenith angles ranging from 15° to 46°. The BRDF measurements were accompanied by concurrent measurements of atmospheric aerosol optical thickness and column water vapor above the airplane. The method
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16

Norgard, Robert J., Pratha Budhani, Sarah O'Brian, et al. "Abstract B23: Combination of SOS1::KRAS inhibitor with a MEK inhibitor reconfigures the immune tumor microenvironment of KRASG12D pancreatic ductal adenocarcinomas and sensitizes to immunotherapy." Cancer Immunology Research 10, no. 12_Supplement (2022): B23. http://dx.doi.org/10.1158/2326-6074.tumimm22-b23.

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Abstract KRAS is most frequently mutated in pancreatic adenocarcinomas (PDAC) with more than 90% of cases having a KRAS mutation. This leads to constitutive activation of the downstream signaling pathways, driving tumor cell proliferation whilst co-opting the tumor microenvironment (TME) to promote tumorigenesis and immune escape. The mutant specific KRASG12C inhibitor (AMG510) has been shown to suppress tumor growth and reconfigure the immune TME. However, covalent binding KRASG12C inhibitors have no efficacy on other KRAS alleles, such as G12D and V, the majority of KRAS mutations in PDAC (3
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17

Van Belle, Jono, Jasmine Lietaert, and Stijn Joye. ""I think women can do anything": Postfeminist Sensibilities and the Male Gaze in Charlie's Angels (2019)." Observatorio (OBS*) 17, no. 2 (2023). http://dx.doi.org/10.15847/obsobs17220232287.

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This article considers Mulvey's male gaze in today's postfeminist media culture in the latest remake of Charlie's Angels. Male gaze is analyzed as form, as production ecology, and as narrative. Since the inception of Charlie's Angels in the 1970s, the TV and feature film franchise has tried to balance feminist concerns with notions of femininity, in more and less successful ways. Although the 2000 remake of Charlie's Angels could be considered as an exemplar of objectifying and sexualizing women, the 2019 film barely presents such instances. Instead, it offers a male gaze directed at a female
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18

Kehoe, Katie, Sherry Shultz, Fran Fiocchi, et al. "Abstract 388: Quality Improvement in the Outpatient Setting: Observations from the PINNACLE Registry® 2009 Q4-2013 Q1." Circulation: Cardiovascular Quality and Outcomes 7, suppl_1 (2014). http://dx.doi.org/10.1161/circoutcomes.7.suppl_1.388.

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Title: Quality Improvement in the Outpatient Setting: Observations from the PINNACLE Registry® 2009 Q4-2013 Q1 Authors: Katie Kehoe BSN, MS 1 ; Sherry Shultz RN, BSN, CIO 2 ; Fran Fiocchi MPH 1 ; Qiong Li PhD 1 ; Thomas Shields 1 ; Charlie Devlin MD FACC, FACP, FASNC 2 ; Nathan T Glusenkamp, MA 1 ; J. Brendan Mullen 1 ; Angelo Ponirakis, PhD 1 ; 1 American College of Cardiology, Washington, DC 2 South Carolina Heart Center, Columbia SC Background: The PINNACLE Registry® at the American College of Cardiology is the first outpatient practice-based quality improvement program in the United States
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19

Marshall, P. David. "Fame's Perpetual Moment." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2401.

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There was a moment just after September 11, 2001, that many commentators heralded the end of our celebrity obsessions and the emergence of a new sobriety in politics and culture. We had the mediated version of atonement when the famous presented their most serious sides for television specials in support of the families of the victims of the September 11 attacks. But within a matter of weeks the celebrity industry was back on its old track – salacious rumors about J-Lo and her movement through the entertainment industry A-List, further debates about the propriety of Michael Jackson’s behaviour
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20

Goldman, Jonathan E. "Double Exposure." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2414.

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I. Happy Endings Chaplin’s Modern Times features one of the most subtly strange endings in Hollywood history. It concludes with the Tramp (Chaplin) and the Gamin (Paulette Goddard) walking away from the camera, down the road, toward the sunrise. (Figure 1.) They leave behind the city, their hopes for employment, and, it seems, civilization itself. The iconography deployed is clear: it is 1936, millions are unemployed, and to walk penniless into the Great Depression means destitution if not death. Chaplin invokes a familiar trope of 1930s texts, the “marginal men,” for whom “life on the road is
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21

Mercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1361.

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Music from Another Time – One Perth Night in 2009The following extract is taken from fieldwork notes from research into the enduring Northern Soul dance scene in Perth, Western Australia.It’s 9.30 and I’m walking towards the Hyde Park Hotel on a warm May night. I stop to talk to Jenny, from London, who tells me about her 1970s trip to India and teenage visits to soul clubs in Soho. I enter a cavernous low-ceilinged hall, which used to be a jazz venue and will be a Dan Murphy’s bottle shop before the year ends. South West Soul organiser Tommy, wearing 34-inch baggy trousers, gives me a Northern
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22

Matthews, Nicole, Sherman Young, David Parker, and Jemina Napier. "Looking across the Hearing Line?: Exploring Young Deaf People’s Use of Web 2.0." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.266.

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IntroductionNew digital technologies hold promise for equalising access to information and communication for the Deaf community. SMS technology, for example, has helped to equalise deaf peoples’ access to information and made it easier to communicate with both deaf and hearing people (Tane Akamatsu et al.; Power and Power; Power, Power, and Horstmanshof; Valentine and Skelton, "Changing", "Umbilical"; Harper). A wealth of anecdotal evidence and some recent academic work suggests that new media technology is also reshaping deaf peoples’ sense of local and global community (Breivik "Deaf"; Breiv
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23

Phillips, Jennifer Anne. "Closure through Mock-Disclosure in Bret Easton Ellis’s Lunar Park." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.190.

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In a 1999 interview with the online magazine The AV Club, a subsidiary of satirical news website, The Onion, Bret Easton Ellis claimed: “I’ve never written a single scene that I can say took place, I’ve never written a line of dialogue that I’ve heard someone say or that I have said” (qtd. in Klein). Ten years later, in the same magazine, Ellis was reminded of this quote and asked why most of his novels have been perceived as veiled autobiographies. Ellis responded:Well, they are autobiographical in the sense that they reflect who I was at a particular moment in my life. There was talk of a me
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