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Journal articles on the topic 'Charmle'

Author: Grafiati

Published: 9 March 2023

Last updated: 19 July 2025

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1

Howarth, B. "Philip Charles ("Charlie") Smith." BMJ 327, no. 7428 (2003): 1409—f—1409. http://dx.doi.org/10.1136/bmj.327.7428.1409-f.

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2

Charley, Helen. "Charles (“Charlie”) MacKenzie Hendry." BMJ 334, no. 7584 (2007): 101.3–101. http://dx.doi.org/10.1136/bmj.39087.528356.fa.

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3

Barry, Herbert. "Characters Named Charles or Charley in Novels by Charles Dickens." Psychological Reports 101, no. 2 (2007): 497–500. http://dx.doi.org/10.2466/pr0.101.2.497-500.

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12 fictional characters named Charles or Charley are contained in eight of the 14 completed novels by Charles Dickens. Most of the author's namesakes have humorous attributes, an unusually close relationship with one or more other characters, and a happy subsequent life. Three stages of the author's adult life are youthful, mature, and after separation from his wife. The fictional namesakes are most humorous in the author's youthful stage and least humorous after separation from his wife. The 12 fictional namesakes of Charles Dickens are compared with the two fictional namesakes of Jane Austen.

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4

Clark, Alice. "Tribute to the Late Dr. Charles D. Hufford." Molecules 24, no. 3 (2019): 588. http://dx.doi.org/10.3390/molecules24030588.

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This Special Issue is dedicated to the late Dr. Charles (Charlie) D. Hufford, former Professor of Pharmacognosy and Associate Dean for Research and Graduate Studies at the University of Mississippi [...]

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5

III, HERBERT BARRY. "CHARACTERS NAMED CHARLES OR CHARLEY IN NOVELS BY CHARLES DICKENS." Psychological Reports 101, no. 6 (2007): 497. http://dx.doi.org/10.2466/pr0.101.6.497-500.

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6

Bethlehem, Daniel. "The Greening of International Dispute Settlement? Stepping Back a Little." Proceedings of the ASIL Annual Meeting 114 (2020): 225–34. http://dx.doi.org/10.1017/amp.2021.20.

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Thank you, Catherine, for that introduction and welcome. It is a pleasure to be here, most importantly to honor Charles Brower—who I hope and presume is out there, even if he is not immediately visible. I will have more to say about Charlie in just a moment.

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7

Dewey, William, and Michael Borelli. "Charles (Charlie) A. Vidair, Ph.D. 1954–2012." Radiation Research 178, no. 5 (2012): 504. http://dx.doi.org/10.1667/rr00cv.1.

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8

Menezes, Marcos Antonio de. "Melancolia urbana." albuquerque: revista de história 13, no. 26 (2021): 202–7. http://dx.doi.org/10.46401/ardh.2021.v13.14587.

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No final de 2020, a Editora 34 lançou O spleen de Paris, que reúne anedotas, reflexões e epifanias (pequenos poemas em prosa) do francês Charles Baudelaire (1821-1866). O volume conta com tradução primorosa de Samuel Titan Junior e texto de apresentação do escritor e cineasta argentino Edgardo Cozarinsky. Esta obra, do poeta maldito, já recebeu mais de dez edições no Brasil ― a primeira em 1937 ― e com certeza outras virão, mas esta tem todo um charme especial, a começar pela capa que traz o autorretrato de Baudelaire. Petits poèmes en prose (Le spleen de Paris) apareceu pela primeira vez, como edição póstuma, no quarto volume das Obras completas (1869) do poeta, organizadas por Théodore de Banville (1823-1891) e Charles Asselineau (1820-874) e editadas pela Gallimard.

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9

Radin, Dean. "Charles Tart’s Contributions to Parapsychology." Journal of Anomalous Experience and Cognition 3, no. 2 (2023): 248–66. http://dx.doi.org/10.31156/jaex.25229.

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In this Festschrift in honor of Charles Tart, I originally intended to focus on how Charley – as his friends call him – influenced the discipline of parapsychology from his entry into the field in the 1960s to the present day. That turned out to be an overly ambitious goal because Charley has made so many influential contributions, and in so many facets of parapsychology, that it is not possible to cover them all without writing a lengthy monograph. So instead, I offer a few words about how Charley influenced my own involvement in the field, then I mention four topics that continue to shape the way I think about and approach the study of psi phenomena, and I finish my tribute with an edited transcript of a delightful chat I had with him in preparation for writing this article.

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10

Bostwick, Richard C. "In Memoriam: Charles “Charlie” B. Ward (1930–2013)." Rocks & Minerals 88, no. 4 (2013): 381–82. http://dx.doi.org/10.1080/00357529.2013.796760.

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11

Stockton, Jim, and Charlie W. Starr. "The Unpublished Letters of C.S. Lewis to C.T. Onions." Journal of Inklings Studies 10, no. 1 (2020): 1–22. http://dx.doi.org/10.3366/ink.2020.0059.

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Housed in the Charles Talbut Onions Archive within the Cadbury Research Library (Special Collections) at the University Birmingham are twelve unpublished letters from C.S. Lewis to his friend and colleague Charles T. Onions, one of Oxford's most renowned etymologists and long-time editor of the Oxford English Dictionary. The letters, about a third of which are dated, seem to have been composed between 1929 and the 1950's. Their bulk is given to Lewis's work on medieval literature, offering new insights into his reading, particularly of Milton and Aquinas. The correspondence is published her for the first time, accompanied by approximate datings of undated material (by Lewis handwriting expert Charlie W. Starr) and brief commentaries offering content analysis, textual and historical context, and indications for future research.

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12

Åslund, Arnfinn. "Bluesen og dens lyrikk: Charley Patton og Charlie McCoy." Agora, no. 01-02 (September 4, 2013): 5–34. http://dx.doi.org/10.18261/issn1500-1571-2013-01-02-02.

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13

Sant'Angelo, Derek B. "Recollections of Charlie: Dr. Charles Alderson Janeway, Jr. (1943-2003)." Journal of Experimental Medicine 197, no. 10 (2003): 1231–32. http://dx.doi.org/10.1084/jem.20030709.

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14

Gutierrez Bracho, Carlos. "Chaplin y el exilio: análisis comparativo desde la visión de Hannah Arendt y María Zambrano." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 1 (November 30, 2017): 210–25. http://dx.doi.org/10.15366/actionova2017.1.010.

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Los ensayos «Charlot o el histrionismo» y «Charlie Chaplin: el sospechoso», de María Zambrano y Hannah Arendt, respectivamente, dan origen a una reflexión sobre la condición del exiliado en el siglo XX, a partir del arte de Charles Chaplin. En él, las autoras hacen un análisis de la propuesta artística del actor, basada en el hombre marginado por la sociedad, pero reflejada en la suya propia. Charlot se convierte en objeto de la mirada para discutir sobre exilio, las razones del arte y el valor de la palabra frente al silencio

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15

Lederman, Michael M. "Charlie van der Horst (1952-2019)." Pathogens and Immunity 4, no. 1 (2019): 161. http://dx.doi.org/10.20411/pai.v4i1.305.

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Charlie van der Horst, an emeritus professor at the University of North Carolina and a friend of Pathogens and Immunity, disappeared from sight on Friday, June 14 during a marathon swim in the Hudson River. His death was confirmed. Few who knew him would call him Charles as formality was not his strong-suit. Charlie was born in Holland to a Dutch father and a Polish Holocaust survivor mother. His family moved to the Buffalo, New York area and sent Charlie to school at Andover. He attended Duke University where he captained the varsity swim team in 1973-74. He remained a powerful swimmer, competing often in national Masters’ competitions. He received his MD degree from Harvard in 1979 and trained in medicine at Montefiore Medical Center and Infectious Diseases at the University of North Carolina. He was an expert in the management of fungal diseases and when the AIDS epidemic began, he knew he had to commit his career to AIDS research and care. He led a highly successful AIDS Clinical Trials Unit at the University of North Carolina and was a respected leader in this national consortium who gained international recognition and respect for his work. More than most anyone else I know, Charlie was driven to fight for justice, anywhere, any time. At the 2000 IAS meeting in Durban, South Africa he recognized that the greater AIDS need was in the developing world and he redirected his entire career towards the development of research and care programs in Africa. When Ebola hit West Africa, Charlie rushed to Liberia to help. In the U.S., Charlie was on the front lines urging his state legislature to deal fairly with all North Carolinians, working hard to fight for equity in health care. He was beloved by so many, respected for his talents, admired for his decency. He was, as my grandmother would have said—a mentsch—and more. Our world is lucky to have had him and is diminished by his loss.

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16

Rudensky, Alexander (Sasha I), and Alexander (Sasha II) Chervonsky. "A goodbye to Charlie Janeway: Charles A. Janeway Jr (1943–2003)." Trends in Immunology 24, no. 8 (2003): 403. http://dx.doi.org/10.1016/s1471-4906(03)00201-1.

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17

François, Cécile. "omenaje a Chaplin y al cine burlesco en la trilogía novelesca de Jardiel Poncela." Cuadernos de Investigación Filológica 43 (November 28, 2017): 167. http://dx.doi.org/10.18172/cif.3004.

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Este artículo analiza la influencia del cine burlesco de los años 20 en la trilogía novelesca de Enrique Jardiel Poncela en la que se multiplican las referencias y alusiones a Charles “Charlie” Chaplin y al personaje mítico creado por él. En esta obra se aprecia el afán del escritor madrileño por adaptar el gag chapliniano al ámbito de la novela e intentar proponer una versión femenina de Charlot. Este homenaje a Chaplin pone de manifiesto el vínculo entre las ideas estéticas de Enrique Jardiel Poncela y las del maestro del cine cómico al que los vanguardistas de principios de siglo consideraban un icono de la modernidad.

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18

Roper, Jonathan. "Charms, Change and Memory: Some Principles Underlying Variation." Folklore: Electronic Journal of Folklore 09 (1998): 51–70. http://dx.doi.org/10.7592/fejf1998.09.charm.

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19

Giles, Keith. "Everybody’s Artist Photographer: Collaborators and creative influences in the work of Charles Peet Dawes." Back Story Journal of New Zealand Art, Media & Design History, no. 7 (December 1, 2019): 73–93. http://dx.doi.org/10.24135/backstory.vi7.50.

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When 1670 glass plate negatives taken by Kohukohu photographer Charles Peet Dawes were gifted to Auckland Libraries in 2018, it was immediately obvious from annotations on the negative envelopes that established ideas of how and when Charlie took up photography needed to be re-examined. Charlie’s notes also revealed the names of some previously unsuspected Hokianga visitors and residents who influenced and assisted him in his artistic endeavours. In addition, buried in the collection was a unique record of the 1898 Dog Tax Rebellion together with invaluable and historically important photographs of the people and communities of the Hokianga at the end of the nineteenth century and the beginning of the twentieth.

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20

Ferreira, William Duarte, and Mirian Santos Ribeiro de Oliveira. "Literatura queer e latina nos Estados Unidos: a interseccionalidade entre etnia, gênero e sexualidade em dois contos." Revista Odisseia 3, no. 1 (2018): 74. http://dx.doi.org/10.21680/1983-2435.2018v3n1id13334.

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Este artigo tem como objetivo analisar de que maneira se dá a construção de personagens queer na literatura quando suas identidades são constituídas de maneira interseccional à identidade latina nos Estados Unidos. Para isso, foram selecionados dois contos da coletânea From macho to mariposa: new gay latino fiction (2011), organizada por Charles Rice-González e Charlie Vázquez. Verificou-se, assim, de que maneira a interseccionalidade étnica que compõe a identidade desses sujeitos, a saber, a ascendência latino-americana, afeta suas vivências enquanto sujeitos queer, além de discutir o modo pelo qual esses sujeitos, já segregados devido a questões étnicas e culturais, sofrem um novo processo de marginalização em função de sua expressão de gênero e/ou sexualidade.

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21

Bezerra, João Cícero Teixeira. "A modernidade de Memórias da Rua do Ouvidor: o teatro e a moda." O Eixo e a Roda: Revista de Literatura Brasileira 26, no. 1 (2017): 141–70. http://dx.doi.org/10.17851/2358-9787.26.1.141-170.

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O presente artigo investiga o processo de modernização da cidade do Rio de Janeiro através do fenômeno do teatro e da moda como apresentado na obra Memórias da Rua do Ouvidor (1878), de Joaquim Manuel de Macedo. Para isso, discutem-se pontos de vista teóricos e historiográficos distintos sobre a modernidade a partir de pensadores e críticos de matrizes marxistas e da história cultural e das artes (como Roberto Schwarz, Luiz Felipe de Alencastro, Christophe Charle e Jonathan Crary), examinando o livro de Macedo já referido, com o objetivo de alcançar a complexidade da experiência ali exposta, propondo angulações teóricas distintas para a análise do fenômeno e, por fim, pensando um contraste entre a modernidade periférica brasileira e a francesa através do ensaio “O pintor da vida moderna” (1863), de Charles Baudelaire, em comparação com Memórias da Rua do Ouvidor,de Joaquim Manoel de Macedo.

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22

Auxier, John W. "A Charlie Brown Religion: Exploring the Spiritual Life and Work of Charles M. Schulz." Journal of Religion and Popular Culture 31, no. 3 (2019): 250–51. http://dx.doi.org/10.3138/jrpc.2017-0068.

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23

Stoermer, Eugene F., and J. Patrick Kociolek. "Charlie: A tribute to Dr. Charles W. Reimer (14 May 1923—30 November 2008)." Diatom Research 24, no. 2 (2009): 521–36. http://dx.doi.org/10.1080/0269249x.2009.9705821.

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24

Launius, Roger D., and G. Michael Green. ""Charlie Finley Has Soured My Stomach for Baseball": Charles O. Finley versus His Players." NINE: A Journal of Baseball History and Culture 16, no. 2 (2008): 1–18. http://dx.doi.org/10.1353/nin.2008.0010.

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25

Ling, Yuan-jie, Shu-lian Xie, and Anders Langangen. "Charales of China." Nova Hedwigia 71, no. 1-2 (2000): 69–94. http://dx.doi.org/10.1127/nova/71/2000/69.

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26

Siegelman, Peter. "The Problems of Lustration: Prosecution of Wrongdoers by Democratic Successor Regimes." Law & Social Inquiry 20, no. 01 (1995): 1–6. http://dx.doi.org/10.1111/j.1747-4469.1995.tb00680.x.

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This issue went to press almost exactly four years after the death of Charles Gillespie, in whose honor I wish to dedicate the lustration symposium. A political scientist at the University of Wisconsin with a broad range of comparative interests, Charlie's major work chronicled the reemergence of democracy in Uruguay. He would doubtless have been a contributor to this issue were he still alive, and there were many times during the course of working on it when I wished I could have asked for his advice. In addition to his passion for democracy, I remember Charlie for his learning and his humor, both of which he wore with an elegant English grace. Throughout his long illness, he never lost his appreciation for the silly; his life was proof that stoicism and courage need not be cold virtues, and the world is a much poorer place in his absence.

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27

Coleman, Gerald D. "My Name Was Charlie Gard." Ethics & Medics 42, no. 11 (2017): 1–4. http://dx.doi.org/10.5840/em2017421118.

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My name was Charles Gard, but everyone called me Charlie. I was eleven months old when my parents decided to end a contentious legal fight and allow me to die. I was born in West London on August 4, 2016. My dad, Chris, is a postman and my mom’s name is Connie. They are still young, only in their thirties. At birth, I seemed to be developing normally, but by October, it was apparent that I was not gaining weight. I was then admitted to the neonatal intensive care unit at London’s Great Ormond Street Hospital, one of the world’s leading children’s hospitals, and treated for encephalomyopathic mitochondrial DNA depletion syndrome, a rare genetic condition which prevents cells from producing sufficient energy to maintain normal bodily functions. Experts on my form of MDDS, called RRM2B, unanimously agreed that there was no cure or treatment. At the time of my death on July 27, 2017, it was thought that only sixteen children globally have this condition.

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28

Rakotobe D’Alberto, Noro. "L’ écriture autobiographique de Charles Juliet." Mnemosyne, no. 8 (October 15, 2018): 14. http://dx.doi.org/10.14428/mnemosyne.v0i8.13883.

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Charles Juliet découvre à sept ans qu’il est un enfant adopté. Il a une autre mère dont il ne verra jamais le visage. Il en a été séparé à l’âge de trois mois et elle meurt avant qu’il ne puisse jamais la revoir. Il ne verra que son cercueil lors de l’enterrement et ultérieurement, on lui montrera des photographies. Les premières failles dont rendent compte des œuvres comme Lambeaux ou La Fracture proviennent de cette rupture première avec la mère. De nombreuses questions vouées à rester sans réponse en découlent. Chaque question est vécue comme une déchirure. C’est l’écriture autobiographique qui est chargée de faire renaître la mère. Cette accession à une parole propre, à la reconstruction et à la reconquête imaginaire de l’origine fait de Juliet un écrivain. Accoucher de la mère le fait naître à son tour puisqu’il engendre une œuvre centrée autour de cette quête de l’absente insaisissable. Cette production marquée par la fragmentation et le désir du neutre se caractérise par sa modernité.

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29

Rosenfeld, L. "Margaret and Charley: The Personal Story of Dr. Charles Best, the Co-Discoverer of Insulin." JAMA: The Journal of the American Medical Association 291, no. 15 (2004): 1903–4. http://dx.doi.org/10.1001/jama.291.15.1903.

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30

Guilhem, Dorothée. "Le charme féminin chez les Peuls Djeneri du Mali." Plasticité et actualité de l’expérience ethnographique 32 (February 19, 2009): 11–17. http://dx.doi.org/10.7202/000200ar.

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Résumé La notion de charme soulève une confusion de sens, car elle est souvent utilisée dans un sens commun et dans une perspective occidentale. Le charme a été défini comme une qualité naturelle et s’oppose à la séduction, qui est une stratégie du paraître. Cette distinction reprend celles de l’inné et de l’acquis, comme du naturel et du culturel ou socialement construit. Les représentations du charme féminin des Peuls Djeneri du Mali montrent que le charme n’est pas un don naturel ou inné. Il relève des représentations sociales du corps, du symbolisme humoral et des normes esthétiques. Il s’appuie sur un savoir-faire gestuel, sur le code d’expression des émotions et sur l’incorporation de valeurs sociales qui lui donnent un sens. Le charme met donc en relation différents ordres, le biologique, le social et le culturel.

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31

Hartbrich, Iestyn. "Spröder Charme." VDI nachrichten 75, no. 04 (2021): 22. http://dx.doi.org/10.51202/0042-1758-2021-04-22.

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32

Lundgreen-Nielsen, Flemming. "Ulæselighedens charme." Magasin fra Det Kongelige Bibliotek 7, no. 3 (1992): 27–37. http://dx.doi.org/10.7146/mag.v7i3.66304.

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33

Biehl, Bernd. "Charme-Schläger." Lebensmittel Zeitung 75, no. 40 (2023): 23–24. http://dx.doi.org/10.51202/0947-7527-2023-40-023.

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Kaum eine Managerkarriere ist in der LZ so gut dokumentiert wie die von Dr. Ernst-Dieter Berninghaus. Seine Statements zeugen regelmäßig von großen Plänen. Seine Ergebnisse bei Rewe, Migros und Signa sind ernüchternd. Bernd Biehl

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34

Shiraishi, Junji, and Pesce Lorenzo L. "In Memory of Dr. Charles E. Metz." Japanese Journal of Radiological Technology 69, no. 2 (2013): 190–207. http://dx.doi.org/10.6009/jjrt.2013_jsrt_69.2.190.

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35

Charllo, Bala Vignesh. "Unlocking AI-Powered Monitoring: Transforming Application Metrics and Logs into Insights." Journal of Artificial Intelligence, Machine Learning and Data Science 1, no. 1 (2022): 1137–42. http://dx.doi.org/10.51219/jaimld/bala-vignesh-charllo/266.

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36

Charllo, Bala Vignesh. "AI-Driven Beauty: The Future of Personalized Cosmetic Innovation." Journal of Artificial Intelligence, Machine Learning and Data Science 1, no. 1 (2022): 1204–8. http://dx.doi.org/10.51219/jaimld/bala-vignesh-charllo/278.

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37

Fedunkiw, Marianne. "Margaret and Charley: The Personal Story of Dr. Charles Best, the Co-Discoverer of Insulin (review)." University of Toronto Quarterly 74, no. 1 (2004): 563–64. http://dx.doi.org/10.1353/utq.2005.0088.

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38

Young, Stephen L., James V. Anderson, Scott R. Baerson, et al. "Agricultural Research Service Weed Science Research: Past, Present, and Future." Weed Science 71, no. 4 (2023): 312–27. https://doi.org/10.1017/wsc.2023.31.

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Young, Stephen L., Anderson, James V., Baerson, Scott R., Bajsa-Hirschel, Joanna, Blumenthal, Dana M., Boyd, Chad S., Boyette, Clyde D., Brennan, Eric B., Cantrell, Charles L., Chao, Wun S., Chee-Sanford, Joanne C., Clements, Charlie D., Dray, F. Allen, Duke, Stephen O., Eason, Kayla M., Fletcher, Reginald S., Fulcher, Michael R., Gaskin, John F., Grewell, Brenda J., Hamerlynck, Erik P., Hoagland, Robert E., Horvath, David P., Law, Eugene P., Madsen, John D., Martin, Daniel E., Mattox, Clint, Mirsky, Steven B., Molin, William T., Moran, Patrick J., Mueller, Rebecca C., Nandula, Vijay K., Newingham, Beth A., Pan, Zhiqiang, Porensky, Lauren M., Pratt, Paul D., Price, Andrew J., Rector, Brian G., Reddy, Krishna N., Sheley, Roger L., Smith, Lincoln, Smith, Melissa C., Snyder, Keirith A., Tancos, Matthew A., West, Natalie M., Wheeler, Gregory S., Williams, Martin M., Wolf, Julie, Wonkka, Carissa L., Wright, Alice A., Xi, Jing, Ziska, Lew H. (2023): Agricultural Research Service Weed Science Research: Past, Present, and Future. Weed Science (Cambridge, England) 71 (4): 312-327, DOI: 10.1017/wsc.2023.31, URL: http://dx.doi.org/10.1017/wsc.2023.31

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39

Tan, Clarisa, and Wulan Purnama Sari. "Self- Representation di Era Digital (Analisis Semiotika Acara TV Black Mirror Episode Nosedive)." Koneksi 3, no. 2 (2020): 384. http://dx.doi.org/10.24912/kn.v3i2.6402.

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The rise of technology and information makes it easier for humans to communicate, introducing new aspects about the relationship between individual freedom and technology. Digital technology and social media are very influential in everyday life, communication between family and friends is not limited by geographical challenges. Social media makes it easier to express and understand ourselves through online communities. This research aims to see how self-representation in the digital era is shown through Netflix TV show Black Mirror episode Nosedive by Charlie Brooker. The reasercher conducted a semiotic analysis on the first episode in Season 3, "Nosedive," regarding the self-representation shown and how the relationship was created through social media in all Lacie Pound's relationships. Obsessed with social rankings Lacie must carry out positive interactions and represent herself according to social standards. Rating values in Nosedive make relationships between people seemed fake because they are concerned with the judgments given to each other. All people in the world must follow the existing social standards or they can be exiled because they have low rating. Nosedive mimics the real life problem of obsession with social achievement through cognitive alienation, that tells their current excitement with digital and social connectivity. This study uses Charles Sanders Pierce's semiotics theory with a qualitative research method approach. Researchers collect data by observation and documentation, library research and online sources.Munculnya teknologi dan informasi memudahkan manusia untuk berkomunikasi, memperkenalkan aspek-aspek baru tentang hubungan antara kebebasan individu dan teknologi. Teknologi digital dan media sosial sangat berpengaruh dalam kehidupan sehari-hari, komunikasi antara keluarga dan teman tidak dibatasi oleh tantangan geografis. Media sosial memudahkan mengekspresikan dan memahami diri kita sendiri melalui komunitas online. Penelitian ini bertujuan untuk melihat bagaimana self-representasi di era digital yang ditunjukan dalam acara TV Black Mirror episode Nosedive karya Charlie Brooker. Penulis melakukan analisis semiotika pada episode pertama di Musim 3, "Nosedive," mengenai self-representasi yang ditunjukan dan bagaimana hubungan yang diciptakan terhadap melalui media sosial dalam semua hubungan Lacie Pound. Terobsesi dengan peringkat sosial Lacie harus melakukan interaksi positif dan merepresentasikan dirinya sesuai dengan standar sosial. Peringkat nilai dalam Nosedive membuat hubungan antar masyarakat menjadi palsu karena mereka mementingkan penilaian yang diberikan satu sama lain. Semua masyarakat dalam dunia itu harus mengikuti standar sosial yang ada atau mereka dapat diasingkan karena memiliki penilaian yang rendah. Nosedive meniru masalah kontemporer obsesi prestasi sosial melalui pengasingan kognitif, yang menceritakan kegembiraan mereka saat ini dengan konektivitas digital dan sosial. Penelitian ini menggunakan teori semiotika Charles Sanders Pierce dengan pendekatan penelitian metode kualitatif. Peneliti mengumpulkan data dengan observasi dan dokumentasi, studi pustaka dan sumber online.

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Borysova, Olena, and Alla Gromakova. "A checklist of the Kharkiv region Charales (Charophyta)." Chornomorski Botanical Journal 13, no. 2 (2017): 215–24. http://dx.doi.org/10.14255/2308-9628/17.132/8.

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Alabi, Festus Folorunso, and Mobolanle Ebunoluwa Sotunsa. "SODOMY IN NIGERIA AND THE MEDIA’S INTEREST: A STUDY OF ONDO NORTH SENATORIAL DISTRICT." Cultural Communication and Socialization Journal 5, no. 1 (2024): 28–34. https://doi.org/10.26480/ccsj.01.2024.28.34.

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Sodomy or homosexuality has, for some time now, mainstreamed itself in Europe and America. For instance, Pete Buttigieg – a married gay – is the current America’s Transport Secretary. Bolu Okupe, son of Doyin Okupe, a one-time Nigerian minister, lives in France. He has just come out of his closet to declare that he is gay. This ‘coming out’ has unsettled his Christian father. Besides, Charlie Boy’s daughter is a lesbian. Charlie Boy, whose real name is Charles Okputa, son of to late foremost Nigerian jurist, is a Nigerian music icon. A lot of such stories fill the media as well as the social media. The Law of the land makes sodomy a punishable crime in Nigeria. The implication is that the law – passed in 2013 – is only meant to stem its tide. However, do the rural Nigerian communities have the faintest idea of sodomy, let alone, practise it? This paper aims to fix the problem. The paper adopted the focused interview research methodology, which is principally descriptive. The armchair approach and reliance on the media and social media were jettisoned in favour of direct interviews. This is significant because the West – Europe and America – is using the ‘Stick and Carrot Approach’ to foist Sodomy on the less fortunate and economically vulnerable nations of the world. Unfortunately, Nigeria is home to a vast population of the less fortunate across the globe. Queer, Deconstruction, Agenda-Setting Theories and The Wesley Maclean’s Model guided the research. The result of the fieldwork was transcribed and analysed accordingly. The findings lent credence to the set objectives. The assumption that sodomitic love is congenital is fast becoming a universal myth. The congenital myth (doll theory) of sodomitic love has been largely debunked by this paper. Further and similar research should, therefore, be conducted among other rural dwellers in Nigeria (and other parts of Africa).

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Firth, Paul G., and Christine L. Mai. "The evolution of pediatric sedation and anesthesia patient safety: An interview with Dr Charles J. “Charlie” Coté." Pediatric Anesthesia 30, no. 11 (2020): 1183–90. http://dx.doi.org/10.1111/pan.13999.

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Moulin, Léonard. "CHARLE Christophe & SOULIÉ Charles (dir.). La dérégulation universitaire. La construction étatisée des « marchés » des études supérieures dans le monde." Revue française de pédagogie, no. 193 (December 31, 2015): 105–7. http://dx.doi.org/10.4000/rfp.4910.

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Pedron, Aurélie, and Kathy Casey. "Freedom in the Invitation: Lilith & C^ie’s Invisible." Canadian Theatre Review 197 (June 1, 2024): 82–89. http://dx.doi.org/10.3138/ctr.197.016.

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Lilith & Cie’s Invisible is a participatory durational dance piece that aims to “make the intelligence of the collective visible.” Invisible spans three consecutive days and features ten improvising dancers and a charming black dog. In May 2022 at Montreal’s OFFTA, the piece featured dancers Ariane Boulet, Rachel Harris, Emmanuel Jouthe, Abe Simon Mijnheer, Caroline Namts, Charlie Prince, Luce Lainé, Charles Brécard, Zoë Vos, and Silvia Sanchez. The following is an excerpt of a conversation between Invisible’s dramaturg Kathy Casey and choreographer Aurélie Pedron on how they structure the invitation to indirectly influence audience behaviour, balancing freedom with limits. Invisible is almost entirely guided by audience input, inviting participants to feed into the collaborative action and catalyze dancers through rearranging furniture and plants, DJing through our phones, changing the lighting, leafing through show records, or simply listening and witnessing in silence. In order to gently gesture toward both the expansiveness and limitations of this audience participation, Invisible begins when participants enter the show lobby and are presented with a board game and a deck of cards that offer a map and guide to the experience.

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Venne, Jean-François. "Opération de charme." Gestion 45, no. 4 (2020): 90. http://dx.doi.org/10.3917/riges.454.0090.

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Gruber, Rudolf. "Darm ohne Charme." Liquid Biopsy in der Onkologie 19, no. 3 (2021): 184–87. http://dx.doi.org/10.47184/td.2021.03.04.

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Bohler, Sébastien. "Un charme « borderline »." Cerveau & Psycho N° 124, no. 8 (2020): 9. http://dx.doi.org/10.3917/cerpsy.124.0009.

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Mauri, Antonella. "Le charme slave." Babel, no. 11 (December 31, 2004): 213–34. http://dx.doi.org/10.4000/babel.1396.

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KHG. "Assetklasse mit Charme." Bankmagazin 59, no. 7 (2010): 27. http://dx.doi.org/10.1007/bf03231139.

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Nissen, Madeleine. "Die Charme-Offensive." Lebensmittel Zeitung 75, no. 2 (2023): 25–27. http://dx.doi.org/10.51202/0947-7527-2023-2-025.

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Der Weg bis an die Wohnungstür ist für Onlinehändler von Lebensmitteln steinig. Um die Kunden für sich zu gewinnen, setzen die Anbieter von E-Food auf Geschenke und ein Zauberwort: Automatisierung. Madeleine Nissen

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