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Journal articles on the topic 'Chaste romance'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Graybill, Beth E. "Thrill of the Chaste: The Allure of Amish Romance Novels." Nova Religio 18, no. 2 (2014): 103–5. http://dx.doi.org/10.1525/nr.2014.18.2.103.

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2

Llewellyn, Dawn. "Thrill of the Chaste: The Allure of Amish Romance Novels." Journal of Contemporary Religion 30, no. 1 (2014): 178–80. http://dx.doi.org/10.1080/13537903.2015.987015.

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Frear, Sara S. "Book Review: Thrill of the Chaste: The Allure of Amish Romance Novels." Christianity & Literature 63, no. 3 (2014): 409–12. http://dx.doi.org/10.1177/014833311406300314.

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Schwarz, Kathryn. "Chastity, Militant and Married: Cavendish's Romance, Milton's Masque." Publications of the Modern Language Association of America 118, no. 2 (2003): 270–85. http://dx.doi.org/10.1632/003081203x67668.

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This essay takes up the issue of chaste intentionality in John Milton's A Mask Presented at Ludlow Castle and Margaret Cavendish's Assaulted and Pursued Chastity. Each of these narratives presents a female protagonist who simultaneously embodies and theorizes sexual virtue, creating a problem of will: when women intentionally participate in the ideological structures that constrain their acts, whose agency is at stake? The essay locates this question in the context of early modern conduct manuals and other prescriptive codifications of feminine sexuality, in which the performance of chastity,

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5

Garland, Lynda. "‘Be Amorous, But Be Chaste: Sexual morality in Byzantine learned and vernacular romance." Byzantine and Modern Greek Studies 14, no. 1 (1990): 62–120. http://dx.doi.org/10.1179/byz.1990.14.1.62.

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6

Stork, Sarah Jasmine. "Thrill of the Chaste: The Allure of Amish Romance Novels By Valerie Weaver-Zercher." Journal of Amish and Plain Anabaptist Studies 2, no. 1 (2014): 155–59. http://dx.doi.org/10.18061/1811/59683.

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Sauble-Otto, Lorie. "Thrill of the Chaste: The Allure of Amish Romance Novels by Valerie Weaver-Zercher." Rocky Mountain Review 68, no. 2 (2014): 251–52. http://dx.doi.org/10.1353/rmr.2014.0051.

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Sadykhova, Arzu. "ИСТОРИЯ О КАЙСЕ И ЛЮБНЕ В СРЕДНЕВЕКОВОМ АРАБСКОМ ФОЛЬКЛОРЕ". Проблемы исторической поэтики 18, № 4 (2020): 38–66. http://dx.doi.org/10.15393/j9.art.2020.8702.

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Medieval Arabic literature is rich in love stories about Bedouin poets who lived in pre-Islamic and Islamic times. By the end of the 9 century AD, these tales have formed an independent genre that followed certain aesthetic principles and norms. One of these stories — the romance of Qays ibn Ḏarīḥ and his beloved Lubnā — is unique, for it has a number of unusual features, including two versions of an ending — tragic and happy. This article attempts to trace the process of the story formation to clarify the reason for the existence of two ending versions and discuss its other peculiarities. The

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Hoyos Mazuera, María Ximena. "Sexualidad y control social en la novela colombiana del siglo XIX." La Manzana de la Discordia 7, no. 1 (2016): 81. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v7i1.1575.

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Resumen: Se estudia la sexualidad vigilada delas mujeres en la sociedad colombiana del siglo XIXmediante el análisis de dos novelas decimonónicascolombianas: Manuela (1854) de Eugenio Díaz Castroy Tránsito (1880) de Luís Segundo Silvestre. Se observandos discursos amorosos para los dos tipos de mujeresque cortejaban los varones de la burguesía: un discursovelado y casto para la mujer con la que se casaba y por lotanto, paría los hijos de la nueva patria, y otro discursoadornado y seductor para las mujeres subalternas a lasque podían acceder sexualmente. Se establecen algunascomparaciones con l

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10

Marchal, Matthieu. "Figures of Secular Saints: the Portraits of Female Heroines in the vraye histore de la belle Flourence de Romme and 15th-Century Burgundian Prose Romance." Visages de femmes dans la littérature bourguignonne (XIVe-XVIe siècles), no. 36 (October 1, 2021): 167–94. http://dx.doi.org/10.54563/bdba.226.

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La chanson d’aventures Florence de Rome a connu en 1454 un remaniement en prose à la cour de Bourgogne sous le règne de Philippe le Bon. Réputée dès sa jeunesse pour sa beauté, sa sagesse et sa clergie, Florence représente une figure de souveraine exemplaire, héritière légitime du pouvoir, auquel elle accède pleinement à la mort de son père. Toutefois, sa beauté exceptionnelle la rend victime des attaques répétées d’hommes fous de désir pour elle et c’est en gagnant un pouvoir thaumaturgique qu’elle acquiert le statut de sainte dans le siècle. La comparaison entre la chanson source et la mise

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BROEK, MICHAEL. "Hawthorne, Madonna, and Lady Gaga: The Marble Faun's Transgressive Miriam." Journal of American Studies 46, no. 3 (2012): 625–40. http://dx.doi.org/10.1017/s0021875812000047.

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AbstractMost criticism of Nathaniel Hawthorne's Novel The Marble Faun has focussed on its many images of domestic containment, its supposed argument in favor of Christian idealism, as well as Hawthorne's apparent “castration” of the American sculptor Kenyon – just another in a long list of the author's male protagonists who succumb to a mixture of self-doubt (Dimmesdale, in The Scarlet Letter), narcissism (Coverdale, in The Blithedale Romance), and the allure of the chaste virgin (Holgrave, in The House of the Seven Gables). This essay, however, argues that Miriam, the novel's chief female pro

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12

De Gaia, Susan. "Thrill of the Chaste: The Allure of Amish Romance Novels. Valerie Weaver-Zercher. Baltimore: Johns Hopkins University Press, 2013. 315 pp. $24.95." Journal of Popular Culture 47, no. 2 (2014): 401–3. http://dx.doi.org/10.1111/jpcu.12127.

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13

Zarei, Narges. "The Postmodern Analysis of Marry Me : A Romance in Terms of Form." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 1 (2019): 24–37. http://dx.doi.org/10.33258/birle.v2i1.183.

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This article is a qualitative one and the researcher by depicting one novel of John Updike: Marry Me, published for the first time in 1976, attests that romances at present are not written to cultivate imagination but they are created in order to embellish reality with fantasy, to reconcile imagination with objective presentation of reality. This is done by the artist to attain the reality effect, an effect that ends and culminates in a moral lesson. Updike in day by day record of the life of the Americans in his novel tries to create an effect that is permanent. The objective of romance and r

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14

Georgescu, Simona. "Esp. (y gall.-ptg.) buscar: una aproximación etimológica apoyada en los datos panrománicos." Zeitschrift für romanische Philologie 137, no. 1 (2021): 99–122. http://dx.doi.org/10.1515/zrp-2021-0003.

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Abstract A Pan-Romance analysis of Sp. buscar ~ provides sufficient data to reconstruct a Proto-Romance etymon */ˈbʊsk-a-/ ~ */ˈbusk-a-/ (assigned to Italo-Occidental continental Proto-Romance), whose meaning can be reconstructed as ‘to go into the forest’ (with various purposes). Although the meaning ‘to look for’ seems to be restricted to Ibero-Romance buscar, the other Romance reflexes show strong links with this semantic area. A considerable number of Gallo-Romance and Italo-Romance verbs carry the meanings ‘to hide’ as well as the opposite, ‘to chase (someone) from their refuge’, ‘un-cove

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15

Prota, Mariateresa. "Tessitrici di seta in due romanzi oitanici duecenteschi: rifunzionalizzazione di un motivo cristianiano?" Studi Francesi 202 (LXVIII | I) (2024): 135–44. http://dx.doi.org/10.4000/11wi5.

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The episode of the Chastel de Pesme Aventure, in Chrétien de Troyes’s Le Chevalier au lion, is well known for the presence of a passage that is the subject of a debate among critics: three hundred women, underpaid and malnourished, are condemned to weave silk. Chrétien was the first to introduce the motif of forced weaving into the romance genre, but it has been accepted by a small number of epigonic romans: up to now, it has only been recognized in the Continuation Gauvain, the Merveilles de Rigomer and the Jaufre. However, while introducing changes, these three romances continue to insist on

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16

Tomc, Sandra. "A Change of Art: Hester, Hawthorne, and the Service of Love." Nineteenth-Century Literature 56, no. 4 (2002): 466–94. http://dx.doi.org/10.1525/ncl.2002.56.4.466.

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In this essay I argue that the 1950s and 1960s formulations of the American "romance" by such critics as Richard Chase and Leslie Fiedler were inflected by the simultaneous debasement in those same years of the term "romance" with respect to women's commercial fiction. I go on to consider how Nathaniel Hawthorne's The Scarlet Letter (1850), which of course includes the author's famous definition of "romance," has helped to prop up and perpetuate a cultural hierarchy premised on the derogation of narratives of heterosexual women's desire. I argue that in his search for a modern privatized autho

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17

Stillwaggon, James, and David Jelinek. "Legal, Tender: The Deferred Romance of Pedagogical Relation in The Paper Chase." Studies in Philosophy and Education 30, no. 1 (2010): 1–17. http://dx.doi.org/10.1007/s11217-010-9201-z.

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18

Forestier, Louis. "Chasse et imaginaire dans les contes de Maupassant." Romantisme 35, no. 129 (2005): 41–60. http://dx.doi.org/10.3406/roman.2005.6621.

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Desportes, Matthieu. "Qui va à la chasse? Sur le saint l'Hospitalier de Flaubert." Romantisme 35, no. 129 (2005): 31–40. http://dx.doi.org/10.3406/roman.2005.6620.

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20

Thomas, Kerstin. "La mise en scène du sauvage : Gustave Courbet et la chasse." Romantisme 35, no. 129 (2005): 79–96. http://dx.doi.org/10.3406/roman.2005.6623.

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21

Olivares Pedreño, Juan Carlos. "El dios cazador céltico y los dioses de la guerra de Britannia y Gallia : sincretismo religioso y evolución iconográfica." Dialogues d'histoire ancienne 50/1, no. 1 (2024): 101–20. http://dx.doi.org/10.3917/dha.501.0101.

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Résumé Résumé : Dans cet article, nous étudions le fait paradoxal qu’un type iconographique précis d’une divinité liée à la guerre n’a pas été attesté dans les régions celtiques du territoire romain. À partir d’un ensemble dispersé de représentations gravée provenant de Bretagne et de Gaule, on suppose qu’elles représentent une divinité celtique liée à la guerre et à la chasse, dont les attributs iconographiques ne correspondent pas à ceux de Mars, la divinité romaine de la guerre. Dans la vie des communautés celtes, les individus engagés dans des activités guerrières étaient aussi les plus ex

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22

Defraeye, Julien. "Vers un devenir-proie ? Chasse et oppression dans Le Lièvre d’Amérique (2020) de Mireille Gagné1." Études littéraires 53, no. 2 (2024): 185–97. https://doi.org/10.7202/1114701ar.

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Dans Le Lièvre d’Amérique (2020), dont le titre pointe vers le récit de chasse mythique L’Élan d’Amérique (1972) d’André Langevin, Mireille Gagné narre la métamorphose quelque peu kafkaïenne de sa protagoniste : celle-ci ne se change non pas en « monstrueux insecte », à l’instar de Gregor Samsa, mais en lièvre – ou en hase, la femelle du lièvre –, à la suite d’une procédure d’altération de son génome, dans un futur transhumaniste que l’on nous présente comme prochainement envisageable. Dans ce roman / journal, la plupart des entrées sont datées par rapport au jour J de l’intervention, balise t

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23

Claudionor, Ramalho Santana1. "A FORMA ROMANESCA EM COMO SE ESTIVÉSSEMOS EM PALIMPSESTO DE PUTAS." Revistaft 27, no. 122 (2023): 165. https://doi.org/10.5281/zenodo.7988165.

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O romance enquanto forma artística é apontado, por Lukács (2009), como herdeiro das epopeias, caracterizado como problemático, reflexo do mundo em que surge. Outra contribuição é a ênfase dada à ação da narrativa, propondo que existem três tipos: primeiro, focado na ação, mas que deixa um pouco de lado a subjetividade da personagem, tornando o mundo mais vasto que a alma; segundo, narrativas mais focadas na subjetividade, que criam um espaço limitado, uma vez que o mundo intimo é mais

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24

Antoine, Jean-Louis, Pierre-Alain Capt, Mélanie Cornelis, Céline Hermans, and Annick Lepot. "Archéologie expérimentale et reconstitution. Une collaboration autour d’un vase à scène de chasse d’époque romaine." Les cahiers de Mariemont 43, no. 1 (2021): 129–31. https://doi.org/10.3406/camar.2021.1745.

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25

SILVA, Suênio Stevenson Tomaz da. "A Ficção Climática Como Meio De Debate Para Mitigar Os Riscos Do Antropoceno." Revista Ecologias Humanas 10, no. 12 (2024): 111–24. https://doi.org/10.5281/zenodo.13730547.

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É seguro afirmar que um dos maiores riscos da contemporaneidade concerne às mudanças climáticas. O assunto permeia os noticiários do mundo inteiro, uma vez que o aumento da temperatura do planeta compromete a sobrevivência de seres humanos e não humanos. Diante disso, esta proposta de trabalho pretende discutir as mudanças climáticas a partir de textos literários, mais especificamente com o foco no gênero Cli-fi, ou ficção climática, como é mais conhecida em língua portuguesa. Para tal

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26

Fiant, Clément, Emmanuel Ghesquière, and Sébastien Lepetz. "Chasse antique aux blaireaux en bordure d’une voie romaine à Cairon « Rue des Écureuils 2 » (Calvados)." Revue archéologique de l'Ouest, no. 33 (December 31, 2016): 191–208. http://dx.doi.org/10.4000/rao.3394.

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27

Laporte, Jean-Pierre. "À la découverte des stèles libyques figurées de Kabylie." Études et Documents Berbères N° 51, no. 1 (2025): 111–50. https://doi.org/10.3917/edb.051.0111.

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La vallée du Sebaou (wilaya de Tizi-Ouzou) a livré une série de stèles libyques figurées, dont la plus emblématique reste la stèle d’Abizar (RIL 851). D’autres exemplaires découverts progressivement un peu plus loin, mais dans la même zone, dans les wilayate adjacentes de Bejaia et de Boumerdès, complètent sensiblement la vision de cet ensemble Outre les découvreurs, que nous citons avec chaque stèle, nous remercions de leur aide et renseignements : Djamil Aissani, Soraya Boudjou, Gabriel Camps (†), Salem Chaker, Lionel Galand (†), Farid Kherbouche.. Les stèles libyques figurées de Kabylie pré

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Kenasri, Priscila Asoka, and Lidwina Mutia Sadasri. "Romanticized Abusive Behavior by Media Narrative Analysis on Portrayal of Intimate Partner Violence Romanticism in Korean Drama." Jurnal Humaniora 33, no. 3 (2021): 202. http://dx.doi.org/10.22146/jh.68104.

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Intimate relationships are often depicted in terms of a beautiful idealism, especially in the mass media. However, the evidence shows a vast number of women while in such a relationship have been subjected to physical, emotional, and/or sexual violence by their partner. Media plays an important part in shaping and reflecting social life, resulting in audience consumption of romanticized abusive behaviour. Its audiovisual content can perpetuate the point of view that some violence is normal – even romantic. Such a point of view can be found in Korean dramas, which have been popular with its Ind

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29

EASTON, ALISON. "Samuel Chase Coale, Mesmerism and Hawthorne: Mediums of American Romance (Tucaloosa and London: University of Alabama Press, 1998, $34.95). Pp. 197. ISBN 0 8173 0896 2." Journal of American Studies 33, no. 3 (1999): 519–86. http://dx.doi.org/10.1017/s0021875899276232.

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30

Vincent, Nadine. "Arrêt ou stop ? Retour sur près d’un siècle de débat dans la presse écrite au Québec." Francophonies d'Amérique, no. 42-43 (November 26, 2018): 23–45. http://dx.doi.org/10.7202/1054034ar.

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Cet article retrace les débats dont le panneau d’arrêt obligatoire a été l’objet dans les journaux francophones québécois, depuis son apparition vers 1920 jusqu’à aujourd’hui. Dès le départ, l’ajout du mot arrêt au mot stop a paru redondant à certains chroniqueurs linguistiques, irrités de voir le Québec se différencier de la France sur la question. Le Québec marquait alors son appartenance aux Amériques, où les autres peuples de langue romane ont aussi opté pour d’autres mots que stop pour indiquer l’arrêt obligatoire. Par la suite, l’imposition du seul mot arrêt après l’adoption de la Charte

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31

Sobieraj, Jerzy. "Samuel Chase Coale, In Hawthorne's Shadow: American Romance from Melville to Mailer (Lexington: The University Press of Kentucky, 1985, $24.00). Pp. ix + 245. ISBN 0 8131 1545 0." Journal of American Studies 20, no. 3 (1986): 465–66. http://dx.doi.org/10.1017/s0021875800012810.

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32

Clebsem, Lelis Pereira. "LIMA BARRETO E SEU ESCRIVÃO." KU'RY'TYBA – Revista Científica do Colégio Militar de Curitiba 2 (December 1, 2010): 109–25. https://doi.org/10.5281/zenodo.8231613.

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O presente artigo aborda a possibilidade de leitura de uma das principais obras do escritor Lima Barreto, sua ligação com o contexto histórico e social do Brasil no início do século XX e a visão perspicaz do autor com relação à literatura e à crítica social.

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33

McCarthy, John F. "Using community led development approaches to address vulnerability after disaster: Caught in a sad romance." Global Environmental Change 27 (July 2014): 144–55. http://dx.doi.org/10.1016/j.gloenvcha.2014.05.004.

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34

Jacques, Cheyronnaud. "Dramaturgie vocale et ritual de la messe Vocal dramaturgy and Ritual of the mass." Música Oral del Sur, no. 9 (December 3, 2012): 29–42. https://doi.org/10.5281/zenodo.4633157.

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Resumen: On s’intéressera à la messe (catholique) comme «format cultuel» procurant des expériences musicales, et plus particulièrement au chant à temporalité rituelle tel qu’il pouvait être pratiqué dans des paroisses françaises au XIXème siècle, avant la généralisationl’ensemble de la catholicité romaine d’un nouveau modèle de «chant sacré» à partir de 1903, plus connu sous le nom de «chant grégorien».   A

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35

Taloș, Ion. "Folclor literar și istorie. Pe marginea unor studii recente." Anuarul Muzeului Etnograif al Transilvaniei 32 (December 20, 2018): 165–86. http://dx.doi.org/10.47802/amet.2018.32.10.

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Dans le présent article, nous nous proposons de montrer que les recherches consacrées à l’oralité roumaine représentent une contribution indispensable au patrimoine culturel national, à côté de l’archéologie, de l’histoire ou de la philologie. Proches l’une de l’autre, ces trois disciplines partagent parfois certaines méthodes d’analyse, poursuivant en fin de compte un but commun : l’acquisition d’un savoir approfondi du passé comme du présent des Roumains. Ainsi, dans la ballade Miorița, comme d’ailleurs dans d’autres ballades, plaintes et contes roumains, on retrouve un rite funéraire ignoré

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36

Woolf, Greg. "Only connect? Network analysis and religious change in the Roman Empire." Revista Hélade http://www.helade.uff.br/ ISSN 1518:2541 2, no. 2 (2016): 43–58. https://doi.org/10.5281/zenodo.3533365.

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The emergence during the Roman Empire of new religious forms and groups alongside the collective cults of the city and ruler worship invites analysis in terms of various kinds of network theory. Some of the main versions of network theory currently in use are examined, and their applicability to ancient material is discussed and assessed. Network thinking turns out to be very useful, but the problems in conducting a more formal network analysis are formidable. Network theory does allow us to approach religious change from new directions and two models of change in current use - conversion as c

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37

Dekayir, Abdelilah, Marc Amouric, Juan Olives, et al. "Structure et caractérisation des matériaux utilisés dans la construction d'une mosaı̈que romaine de la cité de Volubilis (Maroc)." Comptes Rendus Geoscience 336, no. 12 (2004): 1061–70. http://dx.doi.org/10.1016/j.crte.2004.03.007.

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38

IWATA, Ray. "Parallelisms in lexical changes across languages: Analogical changes in Chinese and French time words." Studies in Geolinguistics 1 (September 27, 2021): 123–41. https://doi.org/10.5281/zenodo.5529335.

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This paper highlights a methodology featured in a larger study called contrastive geo-linguistics, which aims to improve the interpretation of linguistic maps in a way that is unique and distinct from typical methods used in previous research. This study illuminates the observable parallelisms between Chinese and French (Gallo-Romance) time words, focusing on the historical development of words, such as “daytime,” “noon,” “every day,” the days of the week (Tuesday, etc.), and day-specific indicators such as “today” or “tomorrow,” etc.

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Chenet, Marie, Daniel Brunstein, Vincent Jomelli, et al. "10Be cosmic-ray exposure dating of moraines and rock avalanches in the Upper Romanche valley (French Alps): Evidence of two glacial advances during the Late Glacial/Holocene transition." Quaternary Science Reviews 148 (September 2016): 209–21. http://dx.doi.org/10.1016/j.quascirev.2016.07.025.

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40

Elšík, Viktor. "Severogemerský (tzv. šoškárský) dialekt romštiny a jeho fonologická specifika." Romano džaniben 27, no. 1 (2020): 91–134. https://doi.org/10.5281/zenodo.10445629.

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Severogemerský dialekt je soubor blízce příbuzných lokálních variet centrální rom&scaron;tiny, jímž se hovoří na severovýchodě slovenského Gemeru. Dialekt vyniká tím, že prodělal sadu perceptivně výrazných posunů v místě artikulace sibilant (sykavek), které dialekt jasně vymezují oproti sousedním nářečním oblastem a jež zároveň vedly k fonologicky neekonomickému a typologicky řídkému systému sibilant. Vedle

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41

Nitzu, Eugen. "Eretes sticticus (Coleoptera, Dytiscidae) - A new record for the Romanian fauna, and new data regarding the distribution of two rare species - Acinopus ammophilus (Coleoptera, Carabidae) and Sphenoptera (Chilostetha) laportei (Coleoptera, Buprestidae) in Dobrogea (Romania)." Travaux du Muséum National d'Histoire Naturelle "Grigore Antipa" 65, no. (1) (2022): 55–61. https://doi.org/10.3897/travaux.65.e83600.

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The presence of <em>Eretes sticticus</em> in the Romanian fauna, unconfirmed until now, is for the first time accurately recorded and documented with photographs in this article. The presence of other two very rare and little-known species: <em>Acinopus</em> (<em>Osimus</em>) ammophilus and <em>Sphenoptera</em> (<em>Chilostetha</em>) <em>laportei</em> are reconfirmed for the Romanian fauna, in a different geographical area (North Dobrogea), other than that they were previously recorded last century.

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42

Bonnie, Rick. "Studying Stepped Pools and Jewish Water Rituals in Galilee, northern Israel." Fossa: Societas Archaeologiae Classicae Fennica 51, no. 2/3 (2016): 17–25. https://doi.org/10.5281/zenodo.800507.

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Our story begins at Masada, in the Judean desert, near the southeastern fringes of the Roman Empire. On this isolated rock plateau, being besieged by the Roman army, a group of Jewish rebels hid after the First Jewish Revolt (AD 66-70/74) in the remains of Herod the Great’s former palace-fortress. It was here, during its 1964-excavations, that the first archaeological remains of a Jewish ritual bath from antiquity were identified. In a room in Masada’s southern area, a system of three interconnected pools were found that were fed by rainwater, two with steps leading down to the bottom. To see

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"Thrill of the chaste: the allure of Amish romance novels." Choice Reviews Online 50, no. 12 (2013): 50–6639. http://dx.doi.org/10.5860/choice.50-6639.

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Farooqui, Javaria. "Review: Thrill of the Chaste: The Allure of Amish Romance Novels, by Valerie Weaver-Zercher." Journal of Popular Romance Studies 9 (June 4, 2020). http://dx.doi.org/10.70138/dalu6396.

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張, 嘉蘭. "情真？情貞：論馮夢龍在《三言》中的情愛觀". 人文中國學報, 1 серпня 2005, 511–38. http://dx.doi.org/10.24112/sinohumanitas.112447.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 這篇論文分析馮夢龍《三言》故事中有關貞節與情愛的書寫，以討論明末江南士人圈中，對家庭倫理與“情教”的理解與宣揚。“情教”觀念於十七世紀被馮夢龍正式提出，並通過白話小説與戲曲深入人心。《三言》中的情愛書寫，提供了城市士紳讀者（包括婦女）對才子佳人式的婚姻的期待。一般學者多視馮夢龍爲陽明心學與反道學的李贄的追隨者，本文則認爲，馮夢龍爲程朱理學與“情教”提供了一個接合點。李贄並不反對真道學與禮義，更爲節婦作傳，强調“理即禮也”；馮夢龍也在《情史》序言中明確指出，“六經皆以情教也”。程朱理學視“夫婦”一倫與家庭爲中國社會的基石，馮氏因而通過白話文學的影響力，倡議五倫乃根源於“情”，而“情”則必須以五倫的維繫與實踐爲依歸。這篇論文因此分爲兩部分：第一部分爲文本分析，探討《三言》中的貞節與愛情；第二部分則簡要討論《三言》中失意文人亟於移風易俗的心理焦慮，以及所反映出的晚明思潮與社會史。 This paper analyzes the motif of chaste romance in Feng Menglong’s Sanyan collections — Yushi mingyan, Jinshi tungyan, and Xinshi henyan —

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"In Hawthorne's Shadow: American Romance from Melville to Mailer. Samuel Chase Coale." Journal of Religion 67, no. 4 (1987): 614–15. http://dx.doi.org/10.1086/487708.

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Marc, Isabelle, and Barbara Lebrun. "L’un·e chante, l’autre aussi : une féminisation des musiques populaires en France." Transposition 12 (2024). http://dx.doi.org/10.4000/12fpr.

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Cet article analyse les processus de visibilisation et d’empouvoirement des artistes et des professionnels dans les musiques populaires françaises questionnant le système de genre cis-hétéro-patriarcal en ce début du xxie siècle. Au moyen d’une conception ouverte de la notion de féminisation, non limitée au genre féminin, ce travail met en lumière les nouveaux rôles assumés par les artistes dans leurs rapports avec les transformations culturelles et sociales en matière de genre et de sexualité, en France principalement, mais aussi en Suisse romande et en Belgique wallonne. Il retrace également

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Seghiri, A. "Presentation De La Mosaique Romaine Decouverte A Constantine : Mosaique Representant Le Retour De La Chasse." مجلة العلوم الإنسانية, 2001, 43. https://doi.org/10.34174/0079-000-016-018.

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Ramires, Giuseppe. "Un'eroina nel racconto di Servio : Lucrezia." February 27, 2015. https://doi.org/10.3917/dha.hs41.0061.

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Une héroïne dans le récit de Servius : Lucrèce Lucrèce est la belle et chaste noble dame romaine qui se suicide devant ses proches après avoir été violée par l'un des fils de Tarquin le Superbe. Sa mort trouvera sa vengeance dans le bannissement du dernier roi de Rome. Le récit de cette petite tragédie nous est conservé par Tite-Live, Denys d'Halicarnasse et Ovide, et il est cité par bien d'autres auteurs. Dans son commentaire à l' Enéide , Servius raconte lui aussi l'histoire de Lucrèce, mais en y introduisant certaines variantes qui accentuent aussi bien le caractère tragique que le caractèr

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GORZALCZANY, Amir, and Ram SHOEFF. "Lod Mozaikleri: Lüks Roma Konağından Kentsel ve Sosyal Değişimin Katalizörüne." Journal of Mosaic Research, November 30, 2022, 147–65. http://dx.doi.org/10.26658/jmr.1143741.

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In mid-2021, the Museum and Visitor Centre in the city of Lod, Israel, was inaugurated, housing the remains of the magnificent mosaics discovered in the city, to be finally exhibited to the public. This event, almost 25 years after the beginning of the sporadic excavations of the site by the IAA (Israel Antiquities Authority), seems an appropriate moment to briefly recapitulate on the findings, the history of the research and its scientific and, why not, communal significance. This spectacular site consists of a large Roman domus which includes a lavish colorful mosaic paving a large tricliniu

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