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Journal articles on the topic 'Chatwin, Bruce'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Nicholls, Christine. "A Wild Roguery: Bruce Chatwin’s "The Songlines" Reconsidered." Text Matters, no. 9 (November 4, 2019): 22–49. http://dx.doi.org/10.18778/2083-2931.09.02.

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This article revisits, analyzes and critiques Bruce Chatwin’s 1987 bestseller, The Songlines, more than three decades after its publication. In Songlines, the book primarily responsible for his posthumous celebrity, Chatwin set out to explore the essence of Central and Western Desert Aboriginal Australians’ philosophical beliefs. For many readers globally, Songlines is regarded as a—if not the—definitive entry into the epistemological basis, religion, cosmology and lifeways of classical Western and Central Desert Aboriginal people. It is argued that Chatwin’s fuzzy, ill-defined use of the word

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2

Schönström, Rikard. "Resenären, samlaren, berättaren." K&K - Kultur og Klasse 31, no. 95 (2003): 95–113. http://dx.doi.org/10.7146/kok.v31i95.21178.

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3

Silva de Oliveira, Paulo Cesar. "TRÂNSITOS INTERATLÂNTICOS: THE VICEROY OF OUIDAH, DE BRUCE CHATWIN, EM MÚLTIPLAS LEITURAS." Scripta Uniandrade 19, no. 3 (2021): 188–207. http://dx.doi.org/10.55391/2674-6085.2021.2135.

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Este trabalho é um estudo do romance O vice-rei de Ouidah, de Bruce Chatwin (13/05/1940 –18/01/1989). Investiga um determinado percurso das trocas interatlânticas decorrentes da migração forçada de sujeitos escravizados vindos da África ficcionalizado por Chatwin, com foco em estudos recentes de Laurentino Gomes e em outros já clássicos como os de Alberto da Costa e Silva, Robin Law e Elisée Soumonni, dentre outros. Os impactos desses processos traumáticos representados por Bruce Chatwin nos levam a apontar o trânsito interatlântico como tema essencial na construção de saberes acerca da formaç

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4

López Hernández, Isabel. "El Virrey de Ouidah de Bruce Chatwin:." Analecta Malacitana. Revista de la sección de Filología de la Facultad de Filosofía y Letras 41 (July 24, 2021): 223–39. http://dx.doi.org/10.24310/analecta.v41i.13063.

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El escritor británico Bruce Chatwin (1940-1989) creó El Virrey de Ouidah con el fin de estudiar las consecuencias del asentamiento. El presente artículo analiza la evolución que sufre en la novela su protagonista, el traficante de esclavos brasileño Dom Félix de Souza, al renunciar al mundo nómada.

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5

Youngs, Tim. "Punctuating Travel: Paul Theroux and Bruce Chatwin." Literature & History 6, no. 2 (1997): 73–88. http://dx.doi.org/10.1177/030619739700600206.

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6

Klein, Kelvin Falcão. "A Maleta de Bruce Chatwin, Cifra da História." Anuário de Literatura 19, no. 1 (2014): 121. http://dx.doi.org/10.5007/2175-7917.2014v19n1p121.

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7

Pfister, Manfred. "Bruce Chatwin and the postmodernization of the travelogue." Lit: Literature Interpretation Theory 7, no. 2-3 (1996): 253–67. http://dx.doi.org/10.1080/10436929608580181.

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8

López Hernández, Isabel. "LA OBRA LITERARIA DE BRUCE CHATWIN: DISQUISICIONES ENTORNO A SU CLASIFICACIÓN." ODISEA. Revista de estudios ingleses, no. 19 (September 30, 2019): 35. http://dx.doi.org/10.25115/odisea.v0i19.2064.

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El escritor británico Bruce Chatwin (1940-1989) creó su obra literaria a partir de la indagación filosófica sintetizada en la pregunta ¿por qué viaja el hombre en lugar de quedarse en casa? Ni su trayectoria vital ni su producción intelectual pueden entenderse sin tener presente ese interrogante que le caracterizó y que cuestionó la clasificación de su obra. El presente artículo se propone situar a Chatwin dentro del género de la literatura de viajes y explicar las raíces de su vocación literaria a través de sus motivaciones y la evolución de la literatura de viajes en el siglo XX.

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9

Chatwin, Jonathan. "Under the Sun: The Letters of Bruce Chatwin, edited by Elizabeth Chatwin and Nicholas Shakespeare." Studies in Travel Writing 15, no. 3 (2011): 339–40. http://dx.doi.org/10.1080/13645145.2011.595936.

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10

Piercy, Laurence. "Bruce Chatwin, W.G. Sebald and the Red-Brown Skin." Holocaust Studies 17, no. 2-3 (2011): 283–304. http://dx.doi.org/10.1080/17504902.2011.11087289.

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11

Quintais, Luís. "Do canto: uma leitura de Songlines de Bruce Chatwin." Revista de História das Ideias 33 (2012): 47–55. http://dx.doi.org/10.14195/2183-8925_33_4.

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12

Lindsay, Claire. "LUIS SEPÚLVEDA, BRUCE CHATWIN AND THE GLOBAL TRAVEL WRITING CIRCUIT." Comparative Literature Studies 43, no. 1-2 (2006): 57–78. http://dx.doi.org/10.2307/25659505.

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13

Lindsay, Claire. "LUIS SEPÚLVEDA, BRUCE CHATWIN AND THE GLOBAL TRAVEL WRITING CIRCUIT." Comparative Literature Studies 43, no. 1-2 (2006): 57–78. http://dx.doi.org/10.2307/complitstudies.43.1-2.0057.

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14

Lindsay, Claire. "Luis Sepulveda, Bruce Chatwin and the Global Travel Writing Circuit." Comparative Literature Studies 43, no. 1 (2006): 57–78. http://dx.doi.org/10.1353/cls.2006.0035.

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15

Duarte, João Oliveira. "Figura do Colecionador." rth | 24, no. 2 (2021): 64–74. http://dx.doi.org/10.5216/rth.v24i2.71171.

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Partindo das reflexões de Walter Benjamin e do romance Utz de Bruce Chatwin, iremos tentar delinear a relação que uma figura como a do coleccionador mantém com a sua época - uma relação, acima de tudo, de atrito -, mas, igualmente, a estranha e particular ligação que existe entre este e a colecção. Nesta medida, iremos mostrar que esta última só encontra o seu sentido final na destruição.

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16

López Hernández, Isabel. "Bruce Chatwin: Utz, su novela sobre el mundo del arte." Revista humanidades 10, no. 2 (2020): e41806. http://dx.doi.org/10.15517/h.v10i2.41806.

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El escritor británico Bruce Chatwin (1940-1989) convierte a un coleccionista compulsivo en eje central de su novela Utz. A través de su protagonista, reflexiona acerca del mundo del arte, rememorando su pasado cuando trabajaba en la casa de subastas Sotheby´s. Su experiencia allí le proporcionó unos conocimientos y una mirada que determinarían su vida, aprendió a estudiar una obra de arte, a describirla en pocas palabras y valorar su precio en el mercado. Todo ello se percibe en su estilo narrativo, donde persigue la precisión de las descripciones típicas de los catalogadores. Desarrolló un es

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17

Cupillard, Dominique. "Bruce Chatwin , La sagesse du nomade , Correspondance . Grasset, 2012, 536 pages, 22 €." Études Tome 417, no. 10 (2012): VI. http://dx.doi.org/10.3917/etu.4174.0404f.

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18

Oliveira, Paulo César. "Interseções transculturais no Atlântico Negro: o caso Francisco Félix de Souza." Via Atlântica, no. 25 (July 24, 2014): 131. http://dx.doi.org/10.11606/va.v0i25.69548.

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<p>O artigo parte das teorias de Paul Gilroy, em <em>O Atlântico Negro,</em> especialmente quando trata, no "Prefácio" á edição brasileira, dos "Padrões de fluxo e mobilidade que se caracterizam a aventura extranacional e a criativaidade intercultural", para estabelecer dfiálogos entre o romance <em>The Viceroy of Ouidah, </em> de Bruce Chatwin, e outras obras que veem no brasileiro Francisco Féliz de Souza uma personagem decisiva na configuração da presenaça brasileira na África daomeana.</p>

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19

Iurcev, Gabriela. "Aspectos da épica na vida literária de Francisco Félix de Souza em The viceroy of Ouidah (1980), de B. Chatwin e Cobra Verde (1987), de W. Herzog." Revista Épicas 11, jun22 (2022): 63–83. http://dx.doi.org/10.47044/2527-080x.2022v11.6383.

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This article aims to investigate the epic aspects that permeate the literary life of Francisco Félix de Souza, a central figure in the transatlantic slave trade in the first half of the 19th century, both in the work The Viceroy of Ouidah (1982), by the English writer Bruce Chatwin, as well as in its adaptation for Cobra Verde (1987), a cinematographic product written and directed by Werner Herzog. Exploring the “literary” level, the focus of the investigation is to identify the presence of the hybrid character of the “historical” and “wonderful” levels present in the adaptations, in addition

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20

López Hernández, Isabel. "Bruce Chatwin y su viaje a Patagonia: El nómada que se convierte en escritor." Grove - Working Papers on English Studies 27 (December 14, 2020): 41–56. http://dx.doi.org/10.17561/grove.v27.a3.

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El escritor británico Bruce Chatwin (1940-1989) partió hacia Patagonia en busca de una respuesta a la pregunta que marcó su creación literaria: ¿por qué viaja el hombre en lugar de quedarse en casa? El resultado de ese periplo fue el análisis del espíritu nómada que le impulsaba a emprender el camino de manera obsesiva. El presente artículo se propone estudiar el despertar de su pasión por el nomadismo e indagar en cómo su aventura en Patagonia le transformó en un viajero literario herido por la nostalgia de un pasado nómada. Se había convertido en un héroe que emprendía un camino de carácter

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21

Silva de Oliveira, Paulo Cesar. "As ficções migrantes de Bruce Chatwin, Bernardo Carvalho, Edmund White e David Leavitt." Revista Letras Raras 9, no. 4 (2020): 227. http://dx.doi.org/10.35572/rlr.v1i1.1769.

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O artigo investiga a produção de quatro escritores contemporâneos, Bernardo Carvalho, Bruce Chatwin, Edmund White e David Leavitt. Abrigamos sua produção nas rubricas de ficções migrantes e ficções de tribo. As ficções migrantes dizem respeito a obras cujos autores se colocam na condição de migrantes, seja pelo autoexílio ou por outras condições que os levam à diáspora. Já o conceito de tribo é apropriado de Dominique Maingueneau (2001) e trata de grupos de escritores reunidos por afinidades temáticas, teóricas e/ou reflexivas. O trabalho tem como objetivo central teorizar a questão das afinid

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22

Castay, Marie-Thérèse. "On the Black Hill de Bruce Chatwin et le monde des marches galloises." Caliban 27, no. 1 (1990): 35–46. http://dx.doi.org/10.3406/calib.1990.1237.

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23

Cardoso Ribas, Maria Cristina, and Mariana Castro de Alencar. "O romance O vice-rei de Uidá, de Bruce Chatwin, e o filme Cobra verde, de Werner Herzog:." ALCEU 18, no. 36 (2018): 36–53. http://dx.doi.org/10.46391/alceu.v19.ed36.2018.103.

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Este artigo tem como proposta compreender a relação entre as obras O Vice-Rei de Uidá (1980), romance do autor inglês Bruce Chatwin, e sua respectiva adaptação cinematográfica, Cobra Verde (1987), do cineasta alemão Werner Herzog, produtos artísticos potentes, resultantes do processo artístico de sujeitos transgressores em suas vidas e em seus modos de operar. E ao observar as escolhas feitas por Herzog no processo de transposição midiática do livro para o filme, analisar as estratégias de ressignificação do texto fonte e também os novos sentidos e ganhos mútuos advindos da relação entre liter

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24

Palmer, A. "'IN THE SHADE OF A GHOST GUM': BRUCE CHATWIN AND THE RHETORIC OF THE DESERT." English 60, no. 231 (2011): 311–35. http://dx.doi.org/10.1093/english/efr033.

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25

King, Lesley. "Editorial." Ata: Journal of Psychotherapy Aotearoa New Zealand 8, no. 1 (2022): 3–4. http://dx.doi.org/10.9791/ajpanz.2002.01.

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   In his book The Songlines (1988), Bruce Chatwin describes how as a young man he awoke one morning to find himself blind. Understandably he smartly sought a medical consultation. His consultant suggested that he had been en-grossed in examining paintings in fine detail for too long (he was an art expert at Sotheby's), and should take time to explore long horizons. His sight had returned by the time he reached the airport. I read about this in Australia's Northern Territory, a place of long and broad horizons. I was clearing my head, perhaps my vision, after a period o

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26

Alcalá, Fabiola. "Biografías en el cine de lo real de Werner Herzog. Discursos para recordar y pensar el presente." Encartes 6, no. 12 (2023): 113–36. http://dx.doi.org/10.29340/en.v6n12.280.

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El cine de lo real se nutre de la realidad para reflexionar sobre ella. Se distingue del documental tradicional porque no tiene pretensiones de objetividad. Werner Herzog ha realizado más de cincuenta filmes de lo real, entre ellos se encuentran una serie de retratos de personajes extraordinarios. En este texto se analizaran dos de ellos: Meeting Gorbachev y Nomad: In the Footsteps of Bruce Chatwin. Ambas películas pretenden contar una historia biográfica que tiene implicaciones en el presente. Por lo que a través de este análisis se propone reflexionar sobre las formas de recordar, sobre la e

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27

López Hernández, Isabel. "<em>Los trazos de la canción</em>: la biografía espiritual de Bruce Chatwin." Revista de Filología y Lingüística de la Universidad de Costa Rica 48, no. 1 (2021): e48361. http://dx.doi.org/10.15517/rfl.v48i1.48361.

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Los trazos de la canción podría definirse como la biografía espiritual del autor británico Bruce Chatwin (1940-1989). En esta obra vuelca todas sus obsesiones y se da cuenta en ella de que llegó la hora de explicar la naturaleza de su desasosiego, ese impulso inexplicable que le alejaba de casa insistentemente. Publicada dos años antes de su muerte, en ella vierte todas las ideas que habían estado madurando desde su niñez. La aventura de dos hombres explorando los lugares más remotos de la Australia aborigen logró, además, un gran éxito de público y crítica. Encontró en el mito indígena de la

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28

Mulvaney, John. "Bruce Chatwin. The Songlines. 293 pages. 1987. London: Jonathan Cape; ISBN 0-224-02452-3 hardback £10.95." Antiquity 62, no. 234 (1988): 178–79. http://dx.doi.org/10.1017/s0003598x00073701.

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29

Chemla, Yves. "Ouidah – Bahia : de la postmémoire au théâtre mémoriel." Études littéraires africaines, no. 43 (August 25, 2017): 67–81. http://dx.doi.org/10.7202/1040916ar.

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Dans les trois romans étudiés (Le Vice-roi de Ouidah de Bruce Chatwin, Esclaves de Kangni Alem et Les Fantômes du Brésil de Florent Couao-Zotti), le traitement du conflit de mémoire vise à dénouer des fils particulièrement embrouillés dans un récit qui fait la part belle à l’émotion ainsi qu’au ressentiment, au détriment du souci de la vérité. Les deux premiers romans proposent un récit de la transmission depuis le point de vue de certains de ses acteurs : un négrier célèbre, De Souza, dit Chacha, et un esclave, autrefois proche du roi d’Abomey, qui parvient à rentrer de Bahia. Ils remettent e

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30

Spence, Sean A. "Ten books." British Journal of Psychiatry 196, no. 2 (2010): 161–63. http://dx.doi.org/10.1192/bjp.bp.109.067991.

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It is difficult, if not impossible, to systematically identify ten books that have been influential over a professional lifetime, not least since many have probably exerted their influence in long-forgotten ways: part of that semantic sediment laid down by protracted reading (and conversation). However, I do know that George Orwell was the first serious writer whom I read ‘of my own free will’ and I know that I would not wish to be without the works of Anthony Burgess, Albert Camus, Bruce Chatwin, Don DeLillo, Graham Greene, Henning Mankell or W.G. Sebald. I can remember that books on Buddhism

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31

Sá, Luiz Fernando Ferreira. "Vita brevis, ars longa." Revista da Anpoll 54, no. 1 (2023): e1860. http://dx.doi.org/10.18309/ranpoll.v54i1.1860.

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The article deals with collecting in Utz (1989), by Bruce Chatwin. I read the fascination with collectors and collecting in the novel from and across two theoretical questions: (1) can objects enfold both a material status and an intangible effect as well as create an alternate narrative that would draw us away from commodification, objectification, and pathology? and (2) can the object confront us more with remnants of human life, with fragments of the representation of desire, and less with the residue of human labor? Kaspar Utz is a great collector of Meissen porcelain who the adverse event

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32

Keller-Schnider, Hans Urs. "Bruce Chatwin, In Patagonien. Reise in ein fernes Land. Reinbek b. Hambürg,Rowohlt, 1981, 267 S. III. (rororo 1280/12836). ISBN 3-499-128-36-5." Gesnerus 48, no. 1 (1991): 140–41. http://dx.doi.org/10.1163/22977953-04801043.

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33

Cowley, Julian. "‘;Pataphysical Patagonia: Bruce Chatwin's Distantly Interrogative Somewhere." Critique: Studies in Contemporary Fiction 37, no. 4 (1996): 301–12. http://dx.doi.org/10.1080/00111619.1996.9937895.

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34

Moran, Joe. "Primitivism and authenticity in Bruce Chatwin's travel writing." Prose Studies 22, no. 3 (1999): 91–104. http://dx.doi.org/10.1080/01440359908586687.

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35

Kuhn, S. "Bruce Chatwins "Utz" und das Schicksal der Prager Sammlung Rudolf Just." KUR - Kunst und Recht 8, no. 2 (2006): 29. http://dx.doi.org/10.15542/kur/2006/2/2.

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36

Fullagar, S. "On restlessness and patience: Reading desire in Bruce Chatwin's narratives of travel." Tourist Studies 4, no. 1 (2004): 5–20. http://dx.doi.org/10.1177/1468797604053076.

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37

Gallien, Claire. "The Politics of the Line in Bruce Chatwin’s and Iain Sinclair’s Travel Narratives." Études britanniques contemporaines, no. 40 (May 31, 2011): 143–60. http://dx.doi.org/10.4000/ebc.2479.

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38

Żmidziński, Jakub. "Images of the Body and Corporeality of Indigenous Australians at the Dawn of the 21st Century (Based on Bruce Chatwin’s Perspective and Selected Films)." Horyzonty Wychowania 22, no. 62 (2023): 21–30. http://dx.doi.org/10.35765/hw.2023.2262.04.

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RESEARCH OBJECTIVE: The research objective of this article is to examine what image of Indigenous Australians emerges from Bruce Chatwin’s well-known novel The Songlines (1987/2008) and selected films produced at the turn of the twentieth and twenty-first centuries also dealing with Australian Aboriginal culture. THE RESEARCH PROBLEM AND METHODS: The analysis of the literary and cinematic work will be carried out here from an anthropological and postcolonial perspective, and is also part of a broadly defined somapoetics. THE PROCESS OF ARGUMENTATION: In the first part, the author f

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39

Porter, Eleanor. "Mother Earth and the Wandering Hero: Mapping Gender in Bruce Chatwin's The Songlines and Robyn Davidson's Tracks." Journal of Commonwealth Literature 32, no. 1 (1997): 35–46. http://dx.doi.org/10.1177/002198949703200104.

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40

Harasztos, Ágnes. "The Cliché of the Melancholy East-Central European in Postmodern British Literature." Freeside Europe Online Academic Journal, no. 12 (2021): 1–19. http://dx.doi.org/10.51313/freeside-2021-2.

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Postmodern British novels about East-Central Europe use the cliché of a melancholy Easterner to characterize this geocultural zone. This literary cliché dates back to Stoker’s Dracula (1897). Among many others, the melancholy cliché reveals the in-betweenness of East-Central Europe which can be understood both on a cultural and on a racial level. The figure of the lonely monster also suggests an objectified existence which is perceived as falling out of the space of linear modern time. Rose Tremain’s The Road Home (2007) and Bruce Chatwin’s Utz (1989) contain melancholy East-Central Europe rep

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41

Stewart, Iain A. D. "The Sincerest form of Flattery: A Note on Bruce Chatwin's "The Estate of Maximilian Tod" as an Imitation of Borges." Modern Language Review 96, no. 3 (2001): 723. http://dx.doi.org/10.2307/3736742.

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42

Bloech, Michael, Günther Anfang, and Nicole Lohfink. "Die 75. Berlinale." merz | medien + erziehung 69, no. 2 (2025): 82–89. https://doi.org/10.21240/merz/2025.02.18.

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Frischer Wind Michael Bloech Nach dem eher unglücklichen Agieren der beiden vorherigen Leitenden der Filmfestspiele (Mariette Rissenbeek und Carlo Chatrian) standen bei der 75. Berlinale mit der neuen Intendantin, der US-Amerikanerin Tricia Tuttle, einige Veränderungen an. Es galt, die politisch engagierte, weltoffene Berlinale in interessanteres Fahrwasser zu transformieren, ohne ihren Anspruch aufzugeben. Im Vorfeld gelang es Tricia Tuttle erfreulicherweise, den Anteil an Frauen unter den Filmschaffenden entscheidend zu steigern und das Filmangebot im Vergleich zu den vergangenen Jahren zu v

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43

"Bruce Chatwin." Journeys 22, no. 2 (2021): 21–43. http://dx.doi.org/10.3167/jys.2021.220202.

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This article is an attempt to answer the question Bruce Chatwin posed in the title of the last book published during his life: What Am I Doing Here. A critical focus on Chatwin’s masterwork, The Songlines, and its exploration of nomadism paired with wandering, leads to an exploration of his lifelong quest for spiritual renewal and ascension. Part literary criticism, part personal essay, the article makes personal connections with Chatwin’s life and work. Included here are several book lists, featuring an extensive list of books that Chatwin read and references in his own writing, assembled pos

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44

"Bruce Chatwin." Choice Reviews Online 38, no. 01 (2000): 38–0163. http://dx.doi.org/10.5860/choice.38-0163.

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45

"Bruce Chatwin." Choice Reviews Online 31, no. 02 (1993): 31–0789. http://dx.doi.org/10.5860/choice.31-0789.

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46

Chatwin, Elizabeth, Juan Manuel Vial, and Nicholas Shakespeare. "Desvistiendo a Bruce Chatwin (E. Chatwin y N. Shakespeare, eds., Under the Sun. The Letters of Bruce Chatwin)." Estudios Públicos, no. 127 (July 14, 2012). http://dx.doi.org/10.38178/cep.vi127.306.

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47

Carbone, Paola, and Giuseppe Rossi. "Celsus and Chatwin go Walkabout." Pólemos 9, no. 1 (2015). http://dx.doi.org/10.1515/pol-2015-0012.

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48

"The Songlines. by Bruce Chatwin. Cape1987." Aboriginal Child at School 17, no. 4 (1989): 52. http://dx.doi.org/10.1017/s031058220000701x.

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49

Silva de Oliveira, Paulo Cesar. "TERRA EM TRÂNSITO." Revista (Entre Parênteses) 2, no. 9 (2020). http://dx.doi.org/10.32988/rep.v2n9.1216.

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Este artigo é uma apresentação da obra de Bruce Chatwin a partir da ideia de “alternativa nômade”, com a qual o escritor ingês procura definir sua literatura. Com a noção de escrita migrante, analisaremos o pequeno conjunto de narrativas produzido por Chatwin e, sem pretender esgotar a análise de sua produção, nosso objetivo é (re) apresentar o autor para um público brasileiro ainda não familiarizado com seus textos. Propomos algumas conceituações-chave, como escrita migrante; escrita nômade e paixão pelos mapas, retiradas de sua biografia e de sua narrativas. A metodologia adotada é a análise

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Kłaniecki, Beniamin. "Queer stylistics, unqueer politics: revisiting Bruce Chatwin." Studies in Travel Writing, December 26, 2023, 1–17. http://dx.doi.org/10.1080/13645145.2023.2292218.

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