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Relevant bibliographies by topics / Chaucer, Geoffrey, Deception in literature

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Academic literature on the topic 'Chaucer, Geoffrey, Deception in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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Journal articles on the topic "Chaucer, Geoffrey, Deception in literature"

1

Ridley, Florence H. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Beverly Boyd." Speculum 64, no. 3 (1989): 682–84. http://dx.doi.org/10.2307/2854206.

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Brosnahan, Leger. "The Riverside Chaucer. Geoffrey Chaucer , Larry D. Benson." Speculum 63, no. 3 (1988): 641–45. http://dx.doi.org/10.2307/2852650.

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Baird-Lange, Lorrayne Y. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Helen Storm Corsa." Speculum 64, no. 4 (1989): 931–33. http://dx.doi.org/10.2307/2852880.

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Brown,, Emerson. "Geoffrey Chaucer. Robert O. Payne." Speculum 63, no. 1 (1988): 210–12. http://dx.doi.org/10.2307/2854375.

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Burnley, J. D. "Chaucer, USK, and Geoffrey of Vinsauf." Neophilologus 69, no. 2 (1985): 284–93. http://dx.doi.org/10.1007/bf00414000.

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Wawn, Andrew, Larry D. Benson, F. N. Robinson, Geoffrey Chaucer, and Ian Bishop. "The Riverside Chaucer. Based on the Works of Geoffrey Chaucer." Modern Language Review 85, no. 4 (1990): 910. http://dx.doi.org/10.2307/3732662.

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Fyler, John M. "Geoffrey Chaucer: The Canterbury Tales.Winthrop Wetherbee." Speculum 68, no. 2 (1993): 575–76. http://dx.doi.org/10.2307/2864624.

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Seymour, M. C., Janet Cowen, and George Kane. "Geoffrey Chaucer: 'The Legend of Good Women'." Modern Language Review 92, no. 3 (1997): 690. http://dx.doi.org/10.2307/3733402.

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9

Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.0.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.

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Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.1.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.

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Dissertations / Theses on the topic "Chaucer, Geoffrey, Deception in literature"

1

Van, Heyde Genevieve Lynn. "Miscommunication and Deception in Chaucer's "Franklin's Tale"." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1208533049.

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2

Wheeler, Lyle Kip. ""Of pilgrims and parables" : the influence of the Vulgate parables on Chaucer's Canterbury tales /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3024538.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 242-261). Also available for download via the World Wide Web; free to University of Oregon users.

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Walts, Dawn Simmons. "Time's reckoning time, value and the mercantile class in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1185814575.

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4

Youmans, Karen DeMent. "Chaucer and the Rhetorical Limits of Exemplary Literature." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279341/.

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Though much has been made of Chaucer's saintly characters, relatively little has been made of Chaucer's approach to hagiography. While strictly speaking Chaucer produced only one true saint's life (the Second Nun's Tale), he was repeatedly intrigued and challenged by exemplary literature. The few studies of Chaucer's use of hagiography have tended to claim either his complete orthodoxy as hagiographer, or his outright parody of the genre. My study mediates the orthodoxy/parody split by viewing Chaucer as a serious, but self-conscious, hagiographer, one who experimented with the possibilities o

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5

Jauquet-Jessup, Marilee. "Chaucer: An Understanding of the Sexes." Xavier University / OhioLINK, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352140691.

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6

Fruoco, Jonathan. "Evolution narrative et polyphonie littéraire dans l'oeuvre de Geoffrey Chaucer." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENL003/document.

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Geoffrey Chaucer, grand traducteur, rhétoricien et poète courtois, fut longtemps considéré par la critique comme le père de la poésie anglaise. Or, un tel positionnement a non seulement tendance à occulter tout un pan de l'histoire de la littérature anglo-saxonne, mais également à mettre de côté les spécificités mêmes du style de Chaucer. Le but de cette étude est ainsi de démontrer que sa contribution à l'histoire de la littérature est bien plus importante qu'on ne le pensait. Car en décidant d'écrire en moyen-anglais à une époque où l'hégémonie du latin et du vieux-français était incontestée

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7

Ganze, Alison. "Seeking Trouthe in Chaucer's Canterbury tales /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3153784.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-194). Also available for download via the World Wide Web; free to University of Oregon users.

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Pugh, William W. Tison. "Play and game in Sir Gawain and the Green Knight and Troilus and Criseyde /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978260.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 228-242). Also available for download via the World Wide Web; free to University of Oregon users.

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9

Keller, Wolfram R. "Selves & nations : the Troy story from Sicily to England in the Middle Ages." Heidelberg Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3059423&prov=M&dokv̲ar=1&doke̲xt=htm.

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Klerks, Suzanne (Suzanne Elizabeth) Carleton University Dissertation English. "The Making of a monster; the female grotesque in Chaucer's Canterbury Tales." Ottawa, 1992.

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Books on the topic "Chaucer, Geoffrey, Deception in literature"

1

Harold, Bloom. Geoffrey Chaucer. Bloom's Literary Criticism, 2008.

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2

Mann, Jill. Geoffrey Chaucer. Harvester Wheatsheaf, 1991.

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Mann, Jill. Geoffrey Chaucer. Humanities Press International, 1991.

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4

Geoffrey Chaucer: The Canterbury tales. 2nd ed. Cambridge University Press, 2004.

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5

Wetherbee, Winthrop. Geoffrey Chaucer: The Canterbury tales. Cambridge University Press, 1989.

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6

The Canterbury tales, by Geoffrey Chaucer. Salem Press, 2010.

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7

H, Fisher John, and Allen Mark, eds. The complete Canterbury Tales of Geoffrey Chaucer. Thomson Higher Education, 2006.

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8

Pérez, Ma Beatriz Hernández. Voces prologales: Juan Ruiz y Geoffrey Chaucer. Página Ediciones, 2003.

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9

King, Pamela M. The miller's prologue and tale, Geoffrey Chaucer: Note. York Press, 2000.

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10

Wright, Claire. The general prologue to the Canterbury tales: Geoffrey Chaucer. Letts Educational, 1995.

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Book chapters on the topic "Chaucer, Geoffrey, Deception in literature"

1

Whitehead, Christiania. "Geoffrey Chaucer." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch10.

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2

Galloway, Andrew. "Crossing the Threshold: Geoffrey Chaucer, Adam Smith, and the Liminal Transactionalism of the Later Middle Ages." In Money, Commerce, and Economics in Late Medieval English Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71900-9_11.

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Olson, Glending. "Geoffrey Chaucer." In The Cambridge History of Medieval English Literature. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521444200.026.

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4

"Geoffrey Chaucer." In English Literature in the Age of Chaucer. Routledge, 2014. http://dx.doi.org/10.4324/9781315836669-10.

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5

Barrington, Candace. "Geoffrey Chaucer." In The Cambridge Companion to Medieval English Law and Literature. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316848296.011.

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Scanlon, Larry. "Geoffrey Chaucer." In The Cambridge Companion to Medieval English Literature 1100–1500. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521841672.013.

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7

"Chaucer’s Literature." In An Introduction to Geoffrey Chaucer. University Press of Florida, 2013. http://dx.doi.org/10.2307/j.ctvx078tm.7.

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8

Davis, Alex. "‘A Very Perfect Forme of a Will’." In Imagining Inheritance from Chaucer to Shakespeare. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851424.003.0002.

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In the late medieval and early modern periods, the last will and testament was not just a legal document; it was also a kind of literature. A range of poems and prose that engaged with the conventions of the legal last will became a feature of writing in English from the fourteenth century onwards. Sometimes fictional testaments exist as free-standing pieces of writing; often they are found embedded within larger literary texts. They focus on a range of imaginary testators, ranging from figures from myth and history, through notorious contemporaries, and animals, to the devil himself. Bequests were similarly various, including curses, farts, abstract qualities such as peace, and even the body of the testator. This chapter discusses fictional testaments by (amongst others) Geoffrey Chaucer, William Langland, Robert Henryson, George Gascoigne, and Isabella Whitney.

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"Chapter Six. Domestic Violence in Medieval and Early-Modern German, French, Italian, and English Literature (Marie de France, Boccaccio, and Geoffrey Chaucer)." In The Power of a Woman's Voice in Medieval and Early Modern Literatures. De Gruyter, 2007. http://dx.doi.org/10.1515/9783110897777.187.

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Jaurretche, Colleen. "Book III." In Language as Prayer in Finnegans Wake. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066370.003.0004.

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This chapter envisions the Wake as part of the tradition of dream vision literature. Beginning with the first critical writing on the Wake that sought to contextualize the book as such, and reassessing more contemporary views that the Wake is not part of the genre, the chapter lays out the tradition from the origins of English poetry and demonstrates Joyce’s adaptation and conformity with it. Part of the chapter engages Giordano Bruno’s extensive writings on dreaming and sight. The chapter takes into consideration the end result of dreaming—awakening—and situates the Wake as an aubade as well as an example of dream vision. In so doing it connects Joyce’s work to possible sources of inspiration, such as Gerard Manley Hopkins, John Bishop, Geoffrey Chaucer, The Dream of the Rood, and Richard Rolle, and looks into the criticism of Derek Attridge, Edmund Wilson, and John Bishop.

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