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Relevant bibliographies by topics / Chaucer, Geoffrey, English literature

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Academic literature on the topic 'Chaucer, Geoffrey, English literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Chaucer, Geoffrey, English literature"

1

Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.0.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.

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Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.1.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.

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3

Weiskott, Eric. "Early English meter as a way of thinking." Studia Metrica et Poetica 4, no. 1 (2017): 41–65. http://dx.doi.org/10.12697/smp.2017.4.1.02.

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The second half of the fourteenth century saw a large uptick in the production of literature in English. This essay frames metrical variety and literary experimentation in the late fourteenth century as an opportunity for intellectual history. Beginning from the assumption that verse form is never incidental to the thinking it performs, the essay seeks to test Simon Jarvis’s concept of “prosody as cognition”, formulated with reference to Pope and Wordsworth, against a different literary archive.The essay is organized into three case studies introducing three kinds of metrical practice: the hal

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4

Raupp, Edward R. "Teaching the Big Three: Making Sense of Chaucer, Shakespeare, and Milton." Journal of Education in Black Sea Region 6, no. 2 (2021): 44–53. http://dx.doi.org/10.31578/jebs.v6i2.232.

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Arguably, the three most important early writers in the English language – indeed, one might say the founders of the language – are Geoffrey Chaucer (1343-1400), William Shakespeare (1564-1616), and John Milton (1608-1674). Yet our experience at the higher level of education is that students have had little exposure to the life and times of these writers or of their work. Our study shows that, while some Georgian school leavers have been exposed briefly to a bit of Shakespeare, few have chanced to encounter Chaucer and none to Milton. Moreover, while teaching what we might call “The Big Three”

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5

Rothwell, W. "Henry of Lancaster and Geoffrey Chaucer: Anglo-French and Middle English in Fourteenth-Century England." Modern Language Review 99, no. 2 (2004): 313. http://dx.doi.org/10.2307/3738748.

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6

Alexander, M. "The Life of Geoffrey Chaucer." English 42, no. 172 (1993): 88–91. http://dx.doi.org/10.1093/english/42.172.88.

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7

Wicher, Andrzej. "Geoffrey Chaucer’s "The Merchant’s Tale", Giovanni Boccaccio’s "The Tale of the Enchanted Pear-Tree", and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives." Text Matters, no. 3 (November 1, 2013): 42–57. http://dx.doi.org/10.2478/texmat-2013-0025.

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Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong. What makes them conspicuous is no doubt the intensity of the erotic desire presented as the ultimate law which justifies even the most outrageous actions. The cult of eroticism is combined there with a cult of youth, which means disaster for the protagonists, who try to combine eroticism with advanced age. And yet the stories in question have roots in a very different tradition in which overt eroticism is punished and can only reass

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8

Ridley, Florence H. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Beverly Boyd." Speculum 64, no. 3 (1989): 682–84. http://dx.doi.org/10.2307/2854206.

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9

Aldama, Frederick Luis. "What Literature Tells Us about the Pandemic." Journal of Critical Studies in Language and Literature 2, no. 1 (2020): 24–27. http://dx.doi.org/10.46809/jcsll.v2i1.50.

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Literature can play an important role in shaping our responses to the COVID-19 pandemic. It can offer us significant insights into how individuals treated the trauma of pandemics in the past, and how to survive in a situation beyond our control. Considering the changes and challenges that the coronavirus might bring for us, we should know that the world we are living in today is shaped by the biological crisis of the past. This understanding can help us deal with the challenges in the current pandemic situation. Literature can show us how the crisis has affected the lives of infected ind

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10

Brosnahan, Leger. "The Riverside Chaucer. Geoffrey Chaucer , Larry D. Benson." Speculum 63, no. 3 (1988): 641–45. http://dx.doi.org/10.2307/2852650.

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Dissertations / Theses on the topic "Chaucer, Geoffrey, English literature"

1

Walts, Dawn Simmons. "Time's reckoning time, value and the mercantile class in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1185814575.

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2

Pugh, William W. Tison. "Play and game in Sir Gawain and the Green Knight and Troilus and Criseyde /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978260.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 228-242). Also available for download via the World Wide Web; free to University of Oregon users.

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3

McNamara, Rebecca Fields. "Code-switching in medieval England : register variety in the literature of Geoffrey Chaucer, Thomas Usk and Thomas Hoccleve." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669980.

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4

Keller, Wolfram R. "Selves & nations : the Troy story from Sicily to England in the Middle Ages." Heidelberg Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3059423&prov=M&dokv̲ar=1&doke̲xt=htm.

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5

Ward, Rachel. "Completeness and incompleteness in Geoffrey Chaucer's The canterbury tales." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/509.

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The author commences with an analysis of the nature of completeness in a variety of situations and media, including visual arts, music, video arts and literature. "Completeness" is determined to be both difficult to define and subject to any individual's personal interpretation. A distinction is made between the 'finished-ness' of works and their completeness as a factor in aesthetic enjoyment. It is noted that some works, though unfinished, are nevertheless complete aesthetically. Various aspects of completeness are defined, discussed, and considered, including absolute, thematic, plot, autho

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6

Bergquist, Carolyn J. "Fictions of belief in the worldmaking of Geoffrey Chaucer, Sir Philip Sidney, and John Milton /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102152.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-185). Also available for download via the World Wide Web; free to University of Oregon users.

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7

Bigley, Michael Erik. "Musicality, subjectivity, and the Canterbury tales." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-05312007-110614.

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8

Magnani, Roberta. "Constructing the father : fifteenth-century manuscripts of Geoffrey Chaucer's works." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54128/.

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This is a study of the multiple constructions and appropriations of Geoffrey Chaucer’s paternitas of the English literary canon. It examines the evidence from the compilatio and ordinatio of fifteenth-century manuscript anthologies containing the poet’s works, and it interrogates the social conditions of production of these codices, as well as the ideology informing their compositional and paratextual programmes. Conceptually, my thesis is underpinned by a broad engagement with manuscript studies, as the codices to which I attend become objects of bibliographical and codicological examination,

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9

Regetz, Timothy. "Lollardy and Eschatology: English Literature c. 1380-1430." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404582/.

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In this dissertation, I examine the various ways in which medieval authors used the term "lollard" to mean something other than "Wycliffite." In the case of William Langland's Piers Plowman, I trace the usage of the lollard-trope through the C-text and link it to Langland's dependence on the Parable of the Wheat and the Tares. Regarding Chaucer's Parson's Tale, I establish the orthodoxy of the tale's speaker by comparing his tale to contemporaneous texts of varying orthodoxy, and I link the Parson's being referred to as a "lollard" to the eschatological message of his tale. In the chapter on T

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Malo, Roberta. "Saints' relics in medieval English literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1186329116.

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Books on the topic "Chaucer, Geoffrey, English literature"

1

Harold, Bloom. Geoffrey Chaucer. Bloom's Literary Criticism, 2008.

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2

Geoffrey Chaucer: The Canterbury tales. 2nd ed. Cambridge University Press, 2004.

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3

Wetherbee, Winthrop. Geoffrey Chaucer: The Canterbury tales. Cambridge University Press, 1989.

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4

H, Fisher John, and Allen Mark, eds. The complete Canterbury Tales of Geoffrey Chaucer. Thomson Higher Education, 2006.

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5

Pérez, Ma Beatriz Hernández. Voces prologales: Juan Ruiz y Geoffrey Chaucer. Página Ediciones, 2003.

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6

King, Pamela M. The miller's prologue and tale, Geoffrey Chaucer: Note. York Press, 2000.

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7

English literature in the age of Chaucer. Longman, 2001.

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8

Simms, Norman Toby. A new Midrashic reading of Geoffrey Chaucer: His life and works. E. Mellen Press, 2004.

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9

1923-, Brewer Derek, ed. A new introduction to Chaucer. 2nd ed. Longman, 1998.

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10

S, Bennett H., ed. Chaucer and fifteenth-century verse and prose. Clarendon, 1990.

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Book chapters on the topic "Chaucer, Geoffrey, English literature"

1

Whitehead, Christiania. "Geoffrey Chaucer." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch10.

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2

Galloway, Andrew. "Crossing the Threshold: Geoffrey Chaucer, Adam Smith, and the Liminal Transactionalism of the Later Middle Ages." In Money, Commerce, and Economics in Late Medieval English Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71900-9_11.

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3

Samson, Anne. "Chaucer and the English Court." In The Knight’s Tale by Geoffrey Chaucer. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08915-4_2.

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Phillips, Helen. "Chaucer and Politics." In Medieval English Literature. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_6.

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5

Allen, Valerie. "Chaucer and the Poetics of Gold." In Medieval English Literature. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_10.

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Tracy, Kisha G. "Chaucer: Romances and the Temporality of Confession." In Memory and Confession in Middle English Literature. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55675-8_5.

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7

Allen, Elizabeth. "Framing Narrative in Chaucer and Lydgate." In False Fables and Exemplary Truth in Later Middle English Literature. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04479-2_4.

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8

Cady, Diane. "My Purse and My Person: “The Complaint of Chaucer to His Purse” and the Gender of Money." In Money, Commerce, and Economics in Late Medieval English Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71900-9_8.

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9

Olson, Glending. "Geoffrey Chaucer." In The Cambridge History of Medieval English Literature. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521444200.026.

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10

"Geoffrey Chaucer." In English Literature in the Age of Chaucer. Routledge, 2014. http://dx.doi.org/10.4324/9781315836669-10.

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