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Books on the topic 'Chekhov, Michael'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Michael Chekhov. London: Routledge, 2003.

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2

Chamberlain, Franc. Michael Chekhov. London: Routledge, 2004.

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3

Chamberlain, Franc. Michael Chekhov. London: Taylor & Francis Inc, 2003.

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4

Chamberlain, Franc. Michael Chekhov. London: Taylor & Francis Group Plc, 2004.

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5

Chamberlain, Franc. Michael Chekhov. 2. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge performance practitioners: Routledge, 2018. http://dx.doi.org/10.4324/9780429485800.

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6

Petit, Lenard. The Michael Chekhov Handbook. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429054716.

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7

A, Smeli͡a︡nskai͡a︡ S., Rossiĭskai͡a︡ gosudarstvennai͡a︡ biblioteka po iskusstvu., and Fond Mikhaila Chekhova, eds. Mikhail Chekhov: Annotirovannyĭ bibliograficheskiĭ ukazatelʹ = Michael Chekov : a bibliography. Moskva: KhPI "Aslan", 1994.

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8

Deshpande Hutchinson, Anjalee, and Kimon Fioretos. Michael Chekhov and Sanford Meisner. Edited by Anjalee Deshpande Hutchinson. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003025825.

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9

The Michael Chekhov handbook: For the actor. New York, NY: Routledge, 2009.

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10

Centre, Dartington Records. Dartington theatre archives: Michael Chekhov : an introductory listing. Dartington: Dartington College of Arts, 1985.

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11

Chekhov, Michael. Michael Chekhov lessons for teachers of his acting technique. Ottawa: Dovehouse Editions, 2000.

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12

Company, Royal Shakespeare. The seagull by Anton Chekhov, translated by Michael Frayn. [Stratford-upon-Avon]: Royal Shakespeare Company, 1990.

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13

Chamberlain, Franc. Michael Chekhov. Routledge, 2004. http://dx.doi.org/10.4324/9780203380475.

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14

Petit, Lenard. The Michael Chekhov Handbook. Routledge, 2009. http://dx.doi.org/10.4324/9780203872307.

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15

Meerzon, Yana, and Marie-Christine Autant-Mathiew. Routledge Companion to Michael Chekhov. Taylor & Francis Group, 2017.

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16

The Routledge Companion to Michael Chekhov. Routledge, 2015.

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17

Autant Mathieu, Marie Christine. The Routledge Companion to Michael Chekhov. Routledge, 2015. http://dx.doi.org/10.4324/9781315716398.

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18

Rushe, Sinéad. Michael Chekhov’s Acting Technique. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781472503459.

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Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe’s book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov's writing in English and French, this book also examines unpublished material from the Dartington Hall archives and features interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov’s approach by referring to Rushe's own productions of Nikolai Gogol's short story Diary of a Madman and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. Michael Chekhov’s Acting Technique is an accessible, comprehensive and contemporary point of reference for those already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it.
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19

The Other Chekhov: A Biography of Michael Chekhov, the Legendary Actor, Director and Theorist. Applause Books, 2004.

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20

Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined. Taylor & Francis Group, 2017.

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21

Hutchinson, Anjalee Deshpande. Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined. Taylor & Francis Group, 2017.

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22

Cornford, Tom, and Cass Fleming. Michael Chekhov Technique in the Twenty-First Century: New Pathways. Bloomsbury Publishing Plc, 2020.

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23

Hutchinson, Anjalee Deshpande. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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24

Hutchinson, Anjalee Deshpande. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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25

Hutchinson, Anjalee Deshpande. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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26

Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training. Taylor & Francis Group, 2020.

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27

Monday, Mark. Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues. Routledge, 2019. http://dx.doi.org/10.4324/9780429329074.

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28

Chekhov, Michael. Michael Chekhov: On Theatre and the Art of Acting: A Guide to Discovery. Applause Books, 2004.

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29

Monday, Mark. Directing with the Michael Chekhov Technique: A Workbook with Video for Directors, Teachers and Actors. Bloomsbury Publishing Plc, 2017.

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30

Monday, Mark. Directing with the Michael Chekhov Technique: A Workbook with Video for Directors, Teachers and Actors. Bloomsbury Publishing Plc, 2017.

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31

Powers, Mala. Michael Chekhov: On Theatre and the Art of Acting: Book/Cassette Package (Applause Acting Series). Applause Books, 2000.

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32

Powers, Mala. Michael Chekhov: On Theatre and the Art of Acting: The Five-Hour Master Class 4 CDs and Booklet. The Working Arts Library/Applause, 2004.

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33

Meerzon, Iana. Actor, stage figure, and dramatic character semiosis in Michael Chekhov's theatre practice and theory. 2003.

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34

The Rhythm Of Space And The Sound Of Time Michael Chekhovs Acting Technique In The 21st Century. Rodopi, 2008.

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35

Ashperger, Cynthia. Rhythm of Space and the Sound of Time: Michael Chekhov's Acting Technique in the 21St Century. Rodopi B.V. Editions, 2008.

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36

The Path of a Character: Michael Chekhov's Inspiered Acting And Theatre Semiotics (Heidelberger Publikationen Zur Slavistik. Reihe B: Literatur). Peter Lang Publishing, 2005.

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37

Meerzon, Yana. The Path of a Character: Michael Chekhov's Inspiered Acting And Theatre Semiotics (Heidelberger Publikationen Zur Slavistik. Reihe B: Literatur). Peter Lang Publishing, 2005.

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