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Dissertations / Theses on the topic 'Chen, Yi, Piano music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Li, Xiaole. "Chen Yi's piano music Chinese aesthetics and Western models /." Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=1&did=764745631&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233346924&clientId=23440.

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2

Li, Songwen. "East meets West, nationalistic elements in selected piano solo works of Chen Yi." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2001. http://www.library.unt.edu/theses/open/20012/li%5Fsongwen/index.htm.

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3

Billock, Rebecca. "Selected intermediate piano pieces by seven women of the twentieth century : Marion Bauer, Germaine Tailleferre, Ruth Crawford Seeger, Sofia Gubaidulina, Emma Lou Diemer, Chen Yi, and Karen Tanaka /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11367.

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4

Yeung, Hin-Kei. "Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2006. http://www.unt.edu/etd/all/Dec2006/Restricted/yeung_hin-kei/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 22, 2003, Apr. 27, 2003, Oct. 7, 2004, and Oct. 16, 2006. Includes bibliographical references (p. 89-90).

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5

Melfi, Cheryl Ann. "An investigation of selected works by Chen Yi." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/290161.

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The purpose of this study is to examine Monologue (Impressions on The True Story of Ah Q and Feng, two works by the composer Chen Yi (b. 1953) with regard to four important elements in her music. These elements are eclecticism in pitch materials, numerically-based rhythmic and formal constructions, original approach to timbre, and original approach to texture. Chapter one consists of a brief biography of the composer, including a description of the compositional movement known as the New Wave. Chapter two summarizes several analytical approaches to Chen's music, with special attention to the m

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6

Monroe, J. Carlton IV. "A Conductor's Guide to the Choral Works of Chen Yi." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250544823.

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7

Wan, Mengying. "“INSTANTS D’UN OPERA DE PEKIN” FOR SOLO PIANO BY QIGANG CHEN." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/132.

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My monograph focuses on the Instants d’un Opera de Pekin by the contemporary Chinese composer Qigang Chen in particular how he incorporates Chinese musical elements with Western compositional techniques. The main focus of this study is an analysis with emphasis on performance issues. A brief introduction to Chinese music elements is provided to establish a context. This document provides brief information about Chinese scale modes and instruments.

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8

Teng, Chi-Chuan. "\"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978856.

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9

Shaw, Chih-Suei. "Discourses of identity in contemporary East Asian music : Chen Yi, Unsuk Chin and Karen Tanaka." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ba190cc6-08ee-407d-a507-b4d2c23e619a.

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Discourses of identity in East Asian new music are often limited to tracing ethnographic materials or conceptual influences from the composers' cultures of origin. Existing analytical approaches tend to look for the musical features that are emblematic of the cultures in question, and to map relationships between the contemporary and traditional musical aspects. Composers who resist employing their native traditions as musical tropes, however, problematise discussions of their identity and are consequently overlooked in studies of identity politics. This thesis therefore examines questions of

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10

Stulman, Timothy A. "A Cultural Analysis of Chen Yi's Si Ji (Four Seasons) For Orchestra." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276884003.

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11

Li, Jingbei. "The Preludes in Chinese Style: Three Selected Piano Preludes from Ding Shan-de, Chen Ming-zhi and Zhang Shuai to Exemplify the Varieties of Chinese Piano Preludes." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574682375531785.

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12

Galu, Ioana. "The Solo Violin Works of Samuel Adler, Chen Yi, and Shulamit Ran: A Performer's Perspective." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1337712284.

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13

Shin, Eun Young. "A Study of Selected Compositional Techniques Found in Young Ja Lee's Variations Pour Piano "Umma ya, Nuna ya" (1996)." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062878/.

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Young Ja Lee (b. 1931) is regarded as one of the most important living female composers in Korea. She leads and contributes to the Korean classical music society as a gifted composer and a dedicated educator. This study focuses on how she has combined Western compositional techniques with elements of Eastern traditional music in some of her compositions, in particular, her Variations pour piano "Umma ya, Nuna ya." An interpretation of her Variations pour piano "Umma ya, Nuna ya" reveals that the composition features many of the particular and sublime aspects of Western compositional techniques

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14

Cho, Eun. "Geonyong Lee's Violin Works, Rhapsody for Violin and Piano and Heoten Garak: A Study of Compositional Style and Stylistic Influences." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157559/.

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The purpose of this study is to research the music of Geonyong Lee (이건용), one of the most recognized active Korean composers, while determining Lee's intent to compose with influences from both Western and traditional Korean music. This paper analyses Lee's violin works Rhapsody for Piano and Violin and Heoten Garak, and explains the cultural and historical significance surrounding both works in terms of traditional Korean music. Lee asserts that his primary influence Rhapsody for Piano and Violin was Nongac (농악), a traditional form of Korean farming music. Similarly, Heoten Garak dis

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15

"The Complete Solo Piano Works of Chen Yi: A Recording, Analysis, and Interpretation." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.15884.

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abstract: This dissertation focuses on seven solo piano works written by contemporary Chinese-American composer Chen Yi. It is presented in the form of a recording project, with a written analysis of each recorded composition. The seven recorded pieces are Variations on "Awariguli", Duo Ye, Guessing, Two Chinese bagatelles: Yu Diao and Small Beijing Gong, Ba Ban, Singing in the Mountain, and Ji-Dong-Nuo. They were written between 1978 and 2005, presenting a wide range of Chen Yi's compositional style. The written portion consists of five chapters. After the introductory chapter, a sketch of Ch

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16

"Liu Yintong’s Duet for Cello and Piano “Memorial II”." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53774.

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abstract: In an interview with the composer Liu Yintong, she shared her thoughts regarding her inspiration to compose the duet Memorial II. Liu studied under Chen Yi, who is a leading female contemporary composer. She has won many honors and awards worldwide, in addition to performing with major symphonies and musicians, including Yo-Yo Ma, Evelyn Glennie, the Cleveland Orchestra, the British Broadcasting Company (BBC), and Los Angeles Philharmonic. Chen Yi’s Percussion Concerto combines Eastern and Western music styles and also includes Chinese poetry, and elements of Beijing opera. Similarl

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17

"The Fusion of Cantonese Music with Western Composition Techniques: Tunes from My Home Trio for Violin, Cello, and Piano by Chen Yi." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.46265.

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abstract: ABSTRACT The purpose of this study is to analyze Tunes from My Home, a Trio for Violin, Cello, and Piano by Chinese-American composer Chen Yi (b. 1953), as well as to provide a performance guide from a collaborative pianist's perspective. Of Cantonese origin herself, Chen Yi composed several works inspired by Cantonese music, including this trio. Chen Yi composed this trio between 2007 and 2008 and dedicated it to her long time friend pianist Pan Xun, who is also of Cantonese origin. Inspired by this shared Cantonese heritage, Chen Yi incorporated within this work three well-kn

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18

Chen, Yi-Yin, and 陳怡穎. "Yi-Yin Chen Piano Recital ( with Supporting Paper : The Integration of Music and Literature - A Performer''s Study on Schumann''s Papillon Op.2)." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/56230872988130386437.

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碩士<br>國立交通大學<br>應用藝術所<br>88<br>This supplementary material aims mainly to examine the integration of music and literature in Schumann’s "Papillon". Schumann, whose style had been deeply influenced by romanticism, regarded literary works as the framework of his music. Through observing the interrelation between music and novels, the article aims to understand "Papillon", an everchanging fantastical set of character pieces, as well as delving into the timing and characterization issues in performance interpretation.

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19

Chen, Yi-Ling, and 陳怡伶. "Yi-Ling Chen Master Degree Piano Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/07589507309270844773.

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碩士<br>國立新竹教育大學<br>音樂學系碩士班<br>98<br>1. F. Mendelssohn: Piano Sonata in B-flat Major, Op.106 2. C. Debussy: Four Selections from Etudes 3. A. Copland: Passacaglia 4. S. Rachmaninoff: Piano Sonata No.2 in B-flat Minor, Op.36

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20

He, Xiang. "Selected works for violin and piano by Chen Yi Western influences on the development of her compositional style /." 2010. http://proquest.umi.com/pqdweb?did=1998622011&sid=2&Fmt=2&clientId=14215&RQT=309&VName=PQD.

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Thesis (D.M.A.)--University of Nebraska-Lincoln, 2010.<br>Title from title screen (site viewed July 8, 2010). PDF text: vi, 76 p. : ill., music ; 19 Mb. UMI publication number: AAT 3397140 . Includes bibliographical references. Also available in microfilm and microfiche formats.

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21

CHEN, YI-PING, and 陳羿萍. "Chen, Yi-Ping Piano Recital Program Introduction,Analysis and Interpretation." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/vatg77.

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碩士<br>國立屏東大學<br>音樂學系碩士班<br>105<br>This thesis consists of two parts: (1) the program notes of the“SoloRecital”written by the researcher (2) the program notes of the“PerformanceRecital”written by the researcher. The program of the Solo Recital includes:〈D.Scarlatti《Piano sonata in C Major, k. 159》、《Piano sonata in E Major, k. 380》〉、〈L. v. Beethoven《Sonata in D Major, Opus 10, No. 3》〉、〈C. Debussy《Prelude, Book I, No. 2, Voiles》、《Prelude, Book I, No. 8, La fille aux cheveux de lin》、《Prelude, Book II, No. 5, Bruyères》〉、〈F. Poulenc 《Three Novelettes》〉、〈F.Chopin《Ballade No.3》〉。 The program of the Pe

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22

CHEN, YI-LIN, and 陳宜琳. "Chen, Yi-Lin Piano Recital Program Introduction,Analysis and Interpretation." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/70708236439824869714.

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碩士<br>國立屏東大學<br>音樂學系碩士班<br>105<br>This thesis consists of two recital program notes. The two recital are a Solo Recital for piano music and a Performance Recital for chamber music. The Programs are listed as following: 1. The Solo Recital E. Grieg：Sonata Opus7 F. Chopin：Ballade Opus38 L.v. Beethoven：Polonaise Opus89 F. Poulenc：Melancolie F. Lizst：Legende Nr.2 (St. Francis of Paola Walking On The Waves) 2. The Performance Recital E. Grieg：Piano Concerto in A minor Opus16 C. Franck：Sonata in A major For Violin and Piano

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23

Liu, Yi-Chen, and 劉怡辰. "Liu, Yi-Chen Piano Recital Program Intrduction, Analysis and Interpretation." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/15349667061507783091.

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碩士<br>國立屏東教育大學<br>音樂學系碩士班<br>101<br>This thesis consists of three parts：1.the program notes of the Solo Recital. 2. the program notes of the Performance Recital written. 3. the conference paper. The program notes of the Solo Recital includes：J. S. Bach: Toccata in g minor, BWB 915、Beethoven: Piano Sonata in E^b Major 0p. 81a、Maurice Ravel: Le Tombeau de Couperin. The program notes of the Performance Recital include：Mozart；Piano Concerto in C major, K.467、Antoni Dvorak：Piano for Four Hands, op.59. The object of study in this paper is Forlan from Le tombeau de Couperin composed by Maurice Rav

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24

"Recurrence as identity in Chen Yi's music." 2007. http://library.cuhk.edu.hk/record=b5893241.

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Wong, Hoi yan.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2007.<br>Includes bibliographical references (leaves 149-159).<br>Abstracts in English and Chinese.<br>Abstract --- p.ii<br>Abstract (Chinese Translation) --- p.iii<br>Acknowledgements --- p.iv<br>Chapter Chapter 1 --- Background --- p.1<br>Chapter 1.1 --- Chen Yi and Her Music --- p.1<br>Chapter 1.2 --- Western Music in China --- p.5<br>Chapter 1.3 --- Institutionalization of Music Education in China --- p.7<br>Chapter 1.4 --- Key Figures in Music Education --- p.10<br>Chapter Chapter 2 --- Literature Review and Scop

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25

CHEN, YI-RU, and 陳怡如. "Amoeba Shuttled To Decorative Music Space – The Creation Discuss of Chen﹐Yi Ru." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/fbwspw.

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碩士<br>國立高雄師範大學<br>美術學系<br>104<br>Beginning with the discussion from the fountainhead of pain- family, friendship and love; “art treatment” is the way by listening to favorite classical music to get mood and emotions balanced, the emotions can find out the exit with the name of music and the soul can be released while facing these painful entanglement. Painting the creations in connection with music after cured by the treatment then suddenly gets the mood enlightened. Expounding the features of own paintings and making the comparison with similar examples: such as the body shape of amoeba-

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26

Carter, Subaiou Zhang. "Integration of Chinese traditional music in contemporary violin works by Ma Sicong, Chen Yi, and Bright Sheng." Thesis, 2021. https://hdl.handle.net/2144/42462.

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This dissertation is a study on the integration of Chinese traditional musical elements in Western-style compositions for the violin by contemporary Chinese composers. As background, the development of musical synthesis in Chinese New Music since the 1930s is reviewed, and essential aspects of the musical language and aesthetics of Chinese Traditional Music are surveyed. Through detailed analyses of three representative compositions by contemporary composers Ma Sicong (1912-1987), Chen Yi (b. 1953), and Bright Sheng (b.1955), their different approaches to the synthesis of Chinese traditional a

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27

"“When East Meets West,” Chen Yi’s From Old Peking Folklore: The Merging of Chinese and Western Musical Idioms." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.62976.

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abstract: This project serves as a performance guide for Chen Yi’s work From Old Peking Folklore for violin and piano. The primary source material for the document is derived from six hours of interviews and musical coaching that the writer undertook in March 2020 with Chen Yi at her residence in Missouri. The work is heavily influenced by Chinese Opera, and a brief examination of the history of Chinese Opera is included to provide context to the performer. Elements of performance practice on traditional Chinese instruments and their influence on the work are also explored, with detailed expla

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28

Wu, Yi-Chen, and 吳宜蓁. "Electroacoustic Music Compositions by Yi-Chen Wu (with a Supporting Paper: A Study on Compositional Techniques and Ideas of Electroacoustic Music)." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/50136728041813024319.

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碩士<br>國立交通大學<br>音樂研究所<br>96<br>In recent years we have seen growing importance placed on research in computer music composition, and we also have seen increased attention being given to Research Papers in the literature about electroacoustic music; this is because musical creation has integrated the computer into performance and composition. As a result, it has given us new opportunities and challenges to explore new discoveries. This thesis contains two parts: one is the electroacoustic music works, the other is the discussion of the compositional idea and the analysis of compositional t

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29

"Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms." Doctoral diss., 2015. http://hdl.handle.net/2286/R.I.36477.

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abstract: In an interview with the author, composer Chen Yi shared thoughts regarding her inspiration to compose the piece As in a Dream. She composed the first version in 1988 for soprano, violin, and cello. Left unpublished, this work was re-done in 1994 with the Chinese instruments zheng and pipa in place of the violin and cello. As in a Dream is a setting of two linked poems of six lines each by Qingzhao Li, one of the earliest female poets in China. Chen Yi kept the voice part the same in the two versions, but adapted the accompaniment to suit the Chinese instruments. This study of As in

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30

Lee, Yi-Chen, and 李易真. "Yi-Chen Lee Cello Recital (with a supporting paper: Modern or Traditional ? Miaskovsky's Mixing Style in Light of Russian Modernism：Analysis and Interpretation of Sonata No.1 for Cello and Piano, Op.12)." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/15957971958243459236.

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碩士<br>國立交通大學<br>音樂研究所<br>94<br>This paper is focused on Nikolai Yakovlevich Miaskovsky’s Sonata for Cello and Piano, op.12 (1911). The Sonata exemplifies Miaskovsky’s exploration of modernism with an inclination toward late romantic traditions. This paper discusses the aesthetic origins and compositional philosophy of Miaskovsky’s early style in the first decade of the twentieth century. In particular, this paper shows his struggle to establish a personal musical style and demonstrates his remarkable craftsmanship, accompanied with a detailed analysis of the stylistic practice and musical stru

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