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Journal articles on the topic 'Cherokeen women'

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1

Roberts, Alaina E., Julie L. Reed, Karen Shade-Lanier, and Melissa Payne. "“We Are Cherokee”: Exhibiting Material Culture as an Act of Reconciliation, a Roundtable." Journal of the Civil War Era 15, no. 2 (2025): 211–29. https://doi.org/10.1353/cwe.2025.a961122.

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Abstract: In this roundtable, convened by Alaina E. Roberts, historian Julie L. Reed and two Cherokee Nation employees, Melissa Payne and Karen Shade-Lanier, discuss the groundbreaking exhibit “We Are Cherokee: Cherokee Freedmen and the Right to Citizenship.” One of the five Southeastern tribes to enslave Black women and men in the 1700s and 1800s, the Cherokees also spent decades after emancipation discriminating against their former slaves, eventually illegally disenfranchising them. “We Are Cherokee” is the first exhibit by the tribe to truly represent the humanity and marginalization of Bl
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2

Moulder, M. Amanda. "Cherokee Practice, Missionary Intentions: Literacy Learning among Early Nineteenth-Century Cherokee Women." College Composition & Communication 63, no. 1 (2011): 75–97. http://dx.doi.org/10.58680/ccc201117248.

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This article discusses how archival documents reveal early nineteenth-century Cherokee purposes for English-language literacy. In spite of Euro-American efforts to depoliticize Cherokee women’s roles, Cherokee female students adapted the literacy tools of an outsider patriarchal society to retain public, political power. Their writing served Cherokee national interests and demonstrated female students’ concerns with the fate of the Cherokee people.
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3

Adams-Campbell, Melissa. "Locating Sacajawea." Studies in American Indian Literatures 35, no. 1 (2023): 63–83. http://dx.doi.org/10.1353/ail.2023.a908065.

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Abstract: “Locating Sacajawea” traces how three Native women authors— Monique Mojica (Kuna-Rappahonnock), Mary Kathryn Nagle (Cherokee Nation of Oklahoma), and Diane Glancy (Cherokee and German descent)— incorporate archival found text and Indigenous community concerns to challenge US myths surrounding Sacajawea’s participation in the Lewis and Clark expeditions. In retelling Sacajawea’s story, these authors reconnect her to Native communities and concerns.
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4

Fowler, Catherine S. "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry:Weaving New Worlds: Southeastern Cherokee Women and Their Basketry." American Anthropologist 101, no. 1 (1999): 167–68. http://dx.doi.org/10.1525/aa.1999.101.1.167.

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5

Perdue, Theda. "Cherokee Women and the Trail of Tears." Journal of Women's History 1, no. 1 (1989): 14–30. http://dx.doi.org/10.1353/jowh.2010.0030.

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6

Riccetti, Sara. "Decolonizing Justice: Indigenous Feminist Activism in Mary Kathryn Nagle’s Sovereignty." Review of International American Studies 17, no. 2 (2024): 195–217. https://doi.org/10.31261/rias.17559.

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This article offers an analysis of the 2018 play Sovereignty by Cherokee playwright, lawyer, and activist Mary Kathryn Nagle. First performed at the Arena Stage Theatre in Washington DC, Sovereignty unfolds over two parallel timelines: present-day Oklahoma and the early 1800s in the southern Appalachians. In the present day, young Cherokee lawyer Sarah Ridge Polson and Cherokee Attorney General Jim Ross defend the inherent jurisdiction of the Cherokee Nation under the Violence Against Women Act in a pivotal case before the US Supreme Court. This modern struggle is juxtaposed with scenes from t
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7

Jr., Arthur H. DeRosier, and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." Journal of American History 87, no. 2 (2000): 639. http://dx.doi.org/10.2307/2568788.

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8

Connell-Szasz, Margaret, and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." American Historical Review 104, no. 5 (1999): 1659. http://dx.doi.org/10.2307/2649389.

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9

Scott, Elizabeth M., and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." William and Mary Quarterly 56, no. 1 (1999): 209. http://dx.doi.org/10.2307/2674611.

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10

Jacobs, Margaret, and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." Journal of Southern History 66, no. 1 (2000): 105. http://dx.doi.org/10.2307/2587442.

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11

Murphy, Lucy Eldersveld, and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." Western Historical Quarterly 30, no. 2 (1999): 218. http://dx.doi.org/10.2307/970499.

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12

Groat, Bridget. "Voices of Cherokee Women. By Carolyn Ross Johnston." Oral History Review 44, no. 2 (2017): 405–8. http://dx.doi.org/10.1093/ohr/ohx056.

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13

Osburn, Katherine M. B., and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." Journal of the Early Republic 19, no. 1 (1999): 145. http://dx.doi.org/10.2307/3124938.

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14

Anderson, William L., and Theda Perdue. "Cherokee Women: Gender and Culture Change, 1700-1835." American Indian Quarterly 22, no. 3 (1998): 412. http://dx.doi.org/10.2307/1184831.

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15

Bullock, Katherine. "The Veil Unveiled." American Journal of Islam and Society 19, no. 4 (2002): 118–21. http://dx.doi.org/10.35632/ajis.v19i4.1900.

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Finally, the study ofhijab has come of age. After Shirazi's book, no one willbe able to argue that "the" hijab means any one thing divorced from its context.In six chapters, Shirazi investigates the "semantic versatility of theveil" in western popular culture, Saudi advertising, Iranian and Indian poetryand films, and for Iranian, Iraqi, and UAE women soldiers. Not surprisingly,the veil means different things in different contexts, and Shirazi'sbook is a rich study of this diversity. She reinforces her arguments by thewealth of photographs that depict veiled women in multiple contexts.Just how
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16

Palencia, Elaine Fowler. "The Cherokee Beloved Woman/War Woman: Then and Now." Appalachian Heritage 15, no. 3 (1987): 24–31. http://dx.doi.org/10.1353/aph.1987.0090.

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17

Bragdon, Kathleen. "The Ojibwa Woman.; Southern Ute Women: Autonomy and Assimilation on the Reservation, 1887-1934.; Cherokee Women: Gender and Culture Change, 1700-1835.:The Ojibwa Woman.;Southern Ute Women: Autonomy and Assimilation on the Reservation, 1887-1934.;Cherokee Women: Gender and Culture Change, 1700-1835." American Anthropologist 101, no. 2 (1999): 456–57. http://dx.doi.org/10.1525/aa.1999.101.2.456.

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18

Awiakta, Marilou. "Cherokee Woman on the Moon, and: Halloween." Appalachian Heritage 20, no. 4 (1992): 15. http://dx.doi.org/10.1353/aph.1994.0016.

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19

Tiya Miles. "The Narrative of Nancy, A Cherokee Woman." Frontiers: A Journal of Women Studies 29, no. 2-3 (2008): 59–80. http://dx.doi.org/10.1353/fro.0.0011.

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20

Hall, Sarah. "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry." Woman's Art Journal 21, no. 1 (2000): 63. http://dx.doi.org/10.2307/1358889.

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21

Anderson, William L., and Sarah H. Hill. "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry." Journal of Southern History 64, no. 4 (1998): 714. http://dx.doi.org/10.2307/2587518.

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22

Braund, Kathryn E. Holland, and Sarah H. Hill. "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry." American Historical Review 103, no. 5 (1998): 1683. http://dx.doi.org/10.2307/2650110.

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23

Tiya Miles. ""Circular Reasoning": Recentering Cherokee Women in the Antiremoval Campaigns." American Quarterly 61, no. 2 (2009): 221–43. http://dx.doi.org/10.1353/aq.0.0078.

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24

Carpenter, Cari. "Indian Territory Reimagined: Ora Eddleman Reed's Twin Territories." American Periodicals: A Journal of History & Criticism 33, no. 2 (2023): 136–51. http://dx.doi.org/10.1353/amp.2023.a911653.

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ABSTRACT: Twin Territories was a newspaper in Indian Territory from 1898 to 1905 that included the latest regional news, historical information about various tribes, and the column "What the Curious Want to Know." It also incorporated a variety of photographs of American Indian women, portraits of officials, and landmarks. The newspaper actively sustained a national audience. Ora Eddleman Reed understood her role as an editor in Indian Territory in part as a responsibility to correct inaccurate, dangerous representations of Natives people in the US. In addition to countering stereotypes of wom
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25

Rogers, Anne Frazer. "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry (review)." NWSA Journal 11, no. 3 (1999): 200–202. http://dx.doi.org/10.1353/nwsa.1999.0046.

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26

Giddens, Elizabeth. "Voices of Cherokee Women ed. by Carolyn Ross Johnston (review)." Appalachian Journal 41, no. 3-4 (2014): 348–50. https://doi.org/10.1353/apl.2014.a955402.

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27

Gaul, Theresa Strouth. "Locating Women in Male-Authored Archives: Catharine Brown, Cherokee Women, and the ABCFM Papers." Tulsa Studies in Women's Literature 33, no. 2 (2014): 203–15. http://dx.doi.org/10.1353/tsw.2014.a564235.

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28

Beadling, Laura L. "Cherokee film as Cherokee storytelling: Randy Redroad’s The Doe Boy (2001) as filmic Deer Woman story." New Cinemas: Journal of Contemporary Film 18, no. 1 (2020): 3–18. http://dx.doi.org/10.1386/ncin_00018_1.

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Rather than the stereotypical nineteenth-century leathers-and-feathers warriors familiar from countless Hollywood Westerns, many Native filmmakers focus their films on contemporary Native communities. In contrast, Native filmmakers create very different representations of Native life and especially Native masculinity. Along with the foundational Smoke Signals (Eyre 1998), Randy Redroad’s The Doe Boy (2001) was one of the first Native-created films that helped initiate a cluster of Native American films that centre on masculinity and male‐male relationships. Indigenous masculinity is often a si
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29

McCullough, Morgan. ""Periodical Habits": Native American Women, Movement, and Menstruation in the Eighteenth-Century Southeast." Journal of Women's History 37, no. 1 (2025): 20–37. https://doi.org/10.1353/jowh.2025.a952543.

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Abstract: This article approaches Native American women's menstruation in the eighteenth-century Southeast by centering women as historical actors. Relying on the movements of Cherokee, Chickasaw, Creek, and Choctaw women, rather than white outsider's descriptions of menstruation, reveals a diversity of Indigenous experiences. Eighteenth-century colonists described Native practices of strict seclusion in menstrual huts. Yet Native American women traveled hundreds of miles away from menstrual huts on a regular basis. These women's movements mean alternate practices of menstrual care existed. Me
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30

Gregory D. Smithers. "Diasporic Women: Wahnenauhi, Narcissa Owen, and the Shifting Frontiers of Cherokee Identity." Frontiers: A Journal of Women Studies 38, no. 1 (2017): 197. http://dx.doi.org/10.5250/fronjwomestud.38.1.0197.

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31

Parins, James W. "Sallie Watie and Southern Cherokee Women in the Civil War and After." Native South 2, no. 1 (2009): 51–67. http://dx.doi.org/10.1353/nso.0.0009.

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32

Smithers, Gregory D. "Diasporic Women: Wahnenauhi, Narcissa Owen, and the Shifting Frontiers of Cherokee Identity." Frontiers: A Journal of Women Studies 38, no. 1 (2017): 197–224. http://dx.doi.org/10.1353/fro.2017.a653266.

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33

Reese, Linda W., and Carolyn Ross Johnston. "Cherokee Women in Crisis: Trail of Tears, Civil War, and Allotment, 1838-1907." Western Historical Quarterly 36, no. 2 (2005): 232. http://dx.doi.org/10.2307/25443173.

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34

Vaughn, Courtney, and Devon A. Mihesuah. "Cultivating the Rosebuds: The Education of Women at Cherokee Female Seminary, 1851-1909." American Historical Review 99, no. 3 (1994): 974. http://dx.doi.org/10.2307/2167922.

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35

Osburn, Katherine M. B., and Carolyn Ross Johnston. "Cherokee Women in Crisis: Trail of Tears, Civil War, and Allotment, 1838-1907." Journal of Southern History 71, no. 2 (2005): 440. http://dx.doi.org/10.2307/27648755.

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36

Bishop, Alex, Tonya Finchum, and Melinda Heinz. "RECONSTRUCTING CULTURAL IDENTITY: THE ORAL NARRATIVES OF CENTENARIAN DESCENDANTS OF INDIGENOUS ANCESTRY." Innovation in Aging 8, Supplement_1 (2024): 119. https://doi.org/10.1093/geroni/igae098.0384.

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Abstract This study examined storytelling narratives of indigenous centenarians from the Oklahoma 100 Year Life Project. Qualitative content analysis was conducted using oral history narratives of N = 16 centenarian descendants (n = 5 men; n = 11 women) of American Indian ancestry (n = 8 White/Caucasian; n = 4 African-American; n = 4 Indigenous). Of interest was identifying themes reflecting cultural influences. Analyses resulted in four thematic classifications. The first theme included “transmission of historical trauma,” and involved resettlement, slavery, and race relations. One centenaria
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37

Adams, David W., and Devon A. Mihesuah. "Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909." History of Education Quarterly 34, no. 4 (1994): 493. http://dx.doi.org/10.2307/369285.

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38

Shoemaker, Nancy, and Devon A. Mihesuah. "Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909." Western Historical Quarterly 24, no. 4 (1993): 572. http://dx.doi.org/10.2307/970727.

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39

Reyhner, Jon, and Devon A. Mihesuah. "Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909." American Indian Quarterly 18, no. 3 (1994): 431. http://dx.doi.org/10.2307/1184765.

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40

Messer, Lynne, Allan Steckler, and Mark Dignan. "Early Detection of Cervical Cancer among Native American Women: A Qualitative Supplement to a Quantitative Study." Health Education & Behavior 26, no. 4 (1999): 547–62. http://dx.doi.org/10.1177/109019819902600411.

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The North Carolina Native American Cervical Cancer Prevention Project was a 5-year (1989-1995) National Cancer Institute–funded, community-based, early detection of cervical cancer intervention implemented among two Native American tribes in North Carolina: the eastern band of the Cherokee Indians and the Lumbee. The initial quantitative analysis of the intervention showed modest effects and found that the intervention had different effects in the two communities. Due to the equivocal findings, a retrospective qualitative study was conducted. The qualitative study found that two types of facto
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41

Sudiro, Suryo, Sayit Abdul Karim, and Juhansar Juhansar. "US CIVIL WAR MENURUT FORREST CARTER." Adabiyyāt: Jurnal Bahasa dan Sastra 4, no. 1 (2020): 116. http://dx.doi.org/10.14421/ajbs.2020.04106.

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A novel may reflect the political interests and actions of the author. The author can make a story that is purposed to alter common consciousness. This article uses historicism as an interpretation theory. Historicism is used to avoid careless interpretation. With historicism, the story written in the novel is matched with historical events written in some history books. Forrest Carter writes a lot about US Civil War. He, in purpose, does not write about slavery that is commonly read as the cause of the US Civil War. He writes a lot about the murder of women and children by the northern US arm
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42

Klein, Laura F. ":Cherokee Women in Crisis: Trail of Tears, Civil War, and Allotment, 1838–1907.(Contemporary American Indian Studies.)." American Historical Review 110, no. 5 (2005): 1537–38. http://dx.doi.org/10.1086/ahr.110.5.1537a.

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43

LOMAWAIMA, K. TSIANINA. "Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909. DEVON A. MIHESUAH." American Ethnologist 22, no. 2 (1995): 444–45. http://dx.doi.org/10.1525/ae.1995.22.2.02a00430.

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44

Harper, Liz, and Adam Thomas. "“Woven into the fabric”: The Legacy and Labor That Built a University." Journal of Appalachian Studies 30, no. 1 (2024): 8–28. http://dx.doi.org/10.5406/23288612.30.1.02.

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Abstract This article examines the crucial roles Black people played in the development of Western Carolina University (WCU) in the mountains of Southern Appalachia, and the university's failure to fully acknowledge the contributions those people have made. After introducing some relevant oral history projects, we focus on the history of the WCU land. We first describe the Indigenous dispossession by which the white Rogers family acquired the land in Cullowhee, North Carolina. We then turn to Harriet, an African American woman enslaved by David Rogers, Sr., considering how her and her children
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45

Guerrero, M. A. Jaimes. "“Patriarchal Colonialism” and Indigenism: Implications for Native Feminist Spirituality and Native Womanism." Hypatia 18, no. 2 (2003): 58–69. http://dx.doi.org/10.1111/j.1527-2001.2003.tb00801.x.

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This essay begins with a Native American women's perspective on Early Feminism which came about as a result of Euroamerican patriarchy in U. S. society. It is followed by the myth of “tribalism,” regarding the language and laws of V. S. coh’ nialism imposed upon Native American peoples and their respective cultures. This colonialism is well documented in Federal Indian law and public policy by the U. S. government, which includes the state as well as federal level. The paper proceeds to compare and contrast these Native American women's experiences with pre-patriarchal and pre-colonialist time
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46

KLEINBERG, S. J. "Race, Region, and Gender in American History." Journal of American Studies 33, no. 1 (1999): 83–88. http://dx.doi.org/10.1017/s0021875898006082.

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Catherine Clinton and Michele Gillespie, The Devil's Lane: Sex and Race in the Early South (New York and London: Oxford University Press, 1997, £28.50). Pp. 274. ISBN 0 19 511242 3.Tera Hunter, To ‘Joy My Freedom’: Southern Black Women's Lives and Labors after the Civil War (Cambridge, Mass.: Harvard University Press, 1997, £19.95). Pp. 311. ISBN 0 674 893 9 3.Theda Perdue, Cherokee Women: Gender and Culture Change, 1700–1835 (Lincoln: University of Nebraska Press, 1998, £38.00). Pp. 252. ISBN 0 8032 3716 2.Vicki L. Ruiz, From Out of the Shadows: Mexican Women in Twentieth-Century America (Oxf
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47

Dignan, M., R. Michielutte, K. Blinson, et al. "Effectiveness of Health Education to Increase Screening for Cervical Cancer Among Eastern-Band Cherokee Indian Women in North Carolina." JNCI Journal of the National Cancer Institute 88, no. 22 (1996): 1670–76. http://dx.doi.org/10.1093/jnci/88.22.1670.

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48

Dowd, Gregory Evans. ":Cherokee Women: Gender and Cultural Change, 1700-1835 . By Theda Perdue ( Lincoln , University of Nebraska Press , 1998 ) 252 pp. $40.00." Journal of Interdisciplinary History 30, no. 3 (1999): 520–21. http://dx.doi.org/10.1162/jinh.1999.30.3.520.

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49

Dowd, Gregory Evans. "Cherokee Women: Gender and Cultural Change, 1700–1835. By Theda Perdue (Lincoln, University of Nebraska Press, 1998) 252 pp. $40.00." Journal of Interdisciplinary History 30, no. 3 (2000): 520–21. http://dx.doi.org/10.1162/jinh.2000.30.3.520.

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50

Miles, T. "Cherokee Women: Gender and Culture Change, 1700-1835. By Theda Perdue (Lincoln and London: University of Nebraska Press, 1998. xi plus 252pp.)." Journal of Social History 33, no. 4 (2000): 1022–24. http://dx.doi.org/10.1353/jsh.2000.0076.

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