Academic literature on the topic 'Chicago, judy, 1939-'

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Journal articles on the topic "Chicago, judy, 1939-"

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Björk, Ulf Jonas. "Race War Flares Up: Chicago’s Swedish Press, the Great Migration, and the 1919 Riots." American Studies in Scandinavia 51, no. 1 (2019): 3–22. http://dx.doi.org/10.22439/asca.v51i1.5788.

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This study of the three large Swedish-language weeklies in Chicago examines how they covered the city’s African-American community during the latter half of the 1910s, a time when blacks migrated to the North in huge numbers. In Chicago, the result was that the African-American population almost tripled between 1910 and 1920. Little of that was visible in the columns of the weeklies, however, with only a handful of items telling readers that blacks were arriving in record numbers. What news there was about African-Americans, moreover, tended to portray them as criminals. Consequently, the riot
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Love, Lauren. "Performing Jewish Nationhood: The Romance of a People at the 1933 Chicago World's Fair." TDR/The Drama Review 55, no. 3 (2011): 57–67. http://dx.doi.org/10.1162/dram_a_00095.

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In July 1933, thousands gathered during Chicago's World's Fair to witness the spectacular Zionist pageant, The Romance of a People. Boldly, The Romance figured Jewish redemption as central to humanity's upward climb. Thus, Jews were presented in the pageant as civilizing agents, bringing Western progress to empty Eastern space.
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Krasiński, Edward, and Joanna Samborska. "Warszawski hołd Madame 1909." Zarządzanie w Kulturze 25, no. 1-2 (2024): 99–118. http://dx.doi.org/10.4467/20843976zk.24.014.20132.

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Helena Modrzejewska (1840–1909) was a luminary of the stage, captivating audiences in Cracow (1865–1869) and Warsaw (1869–1876). Yet, her brilliance transcended national borders. From 1877 she soared to the zenith of American theatre history, her talent resonating across the globe. In 1880–1882 and 1885, she graced the stages of London and around Great Britain. Following Helena Modrzejewska’s passing on 8 April 1909 on Bay Island in Newport Beach, California, many articles, biographical entries, memories, and press notes flooded the Warsaw newspapers. Correspondents meticulously detailed funer
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Cubukcu, Suat, Emirhan Darcan, and Gokhan Aksu. "Residential Time Spent and Homicide during the COVID-19 Pandemic." International Journal of Criminology and Sociology 12 (November 28, 2023): 198–208. http://dx.doi.org/10.6000/1929-4409.2023.12.16.

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The United States has witnessed a significant upsurge in homicide rates during the COVID-19 pandemic (NCHS, 2021). While multiple theories attempt to account for this increase, our study examines the impact of changes in human mobility resulting from stay-at-home and social distancing measures on variations in homicide incidents. We conducted a fixed-effects Poisson regression analysis using panel data that encompasses the day of the week and week collected from Chicago between February 2020 and July 2021. Our findings indicate that the increased time spent in residential settings due to stay-
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Krochmal, Anna. "Źródła do odbudowy państwa polskiego w archiwach polonijnych w USA." Teka Komisji Historycznej 15 (2018): 111–36. http://dx.doi.org/10.18290/teka.2018.15-9.

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The article discusses the role of Polish and Polish diaspora organizations in the USA, and the role of their archives, libraries, and museum deposits in the study of the first years of the independent Polish state. The most important ones, created in the USA in the 19th and the 20th century by Polish immigrants, are the Józef Piłsudski Institute of America (located in New York), the Polish Institute of Arts and Sciences of America (located in New York), the Polish Army Veterans’ Association in America (located in New York), the Polish Museum of America (located in Chicago), the Polish Archive
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Welland, Sasha Su-Ling. "Camouflaged Histories." positions: asia critique 28, no. 1 (2020): 87–119. http://dx.doi.org/10.1215/10679847-7913067.

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Lei Yan 雷燕, whose artistic practice was shaped by a decades-long career in the Chinese military, began a period of transition through participation in a 2002 restaging of the Communist Red Army’s 1934 Long March as a multi-sited international art project. Her resulting encounter with US feminist art icon Judy Chicago raised questions about the potential neocolonial influence of global feminist art. The work Lei subsequently produced performs an autoethnographic excavation of the sociohistorical categories—woman soldier, military artist, and woman artist—that made her as both artist and woman.
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Nazemtseva, Elena. "The 1929 Conflict on the China-Eastern Railway in the Coverage of the Foreign Press (based on the materials of the Archive of Foreign Policy of the Russian Federation)." Metamorphoses of history, no. 26 (2022): 0. http://dx.doi.org/10.37490/s230861810023627-9.

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The article analyzes the materials of the foreign press (European countries, USA) deposited in the Archive of the Foreign Policy of the Russian Federation concerning the Soviet-Chinese conflict of 1929 on the Chinese Eastern Railway. The documents are abstracts of articles from periodicals (newspapers "Kölnische Zeitung", "Berliner Tageblatt", "Manchester Guardian", "Chicago Daily News", "New York Times"), news agencies ("United Press", "Internews"). These materials cov
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BARAN, Zoya. "National question in Poland: according to the survey of the Warsaw periodical Kurjer Polski (1924)." Problems of slavonic studies 70 (2021): 43–64. http://dx.doi.org/10.30970/sls.2021.70.3736.

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Background. At the beginning of the 1920’s, after establishing the borders of the restored Polish State, its eastern territories were dominated by the Ukrainian, Belarusian and Lithuanian populations, and in the western part, a significant percentage were Germans. Accordingly, the state faced the problem of developing a constructive policy towards national minorities. Purpose. The article analyzes the attitude of the Polish intellectual elite to the prob-lem of national minorities, whose opinions were partially reflected in a poll conducted in July and August 1924 by the liberal Warsaw newspap
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Das, Jolly. "A.K. Ramanujan’s Insightful Observations on Various Aspects of the United States of America. Looking Briefly at the Diary Entries." Review of International American Studies 17, no. 1 (2024): 87–103. http://dx.doi.org/10.31261/rias.16199.

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Attipat Krishnaswamy Ramanujan (16 March 1929-13 July 1993) travelled extensively in peninsular India, collecting folktales from rural regions. Since he was already on the move, as a folklorist and as a teacher who taught in several colleges in South India consecutively, it wasn’t difficult for him to set sail for the United States of America when he received the Fulbright Travel Fellowship and Smith-Mundt Grant in 1959, to continue with his studies in linguistics. On 1 July 1959 he boarded the Strathaird in Bombay and undertook a land-journey through France to reach Southampton where he board
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Giovanelli, Alison, Christina F. Mondi, Arthur J. Reynolds, and Suh-Ruu Ou. "Evaluation of Midlife Educational Attainment Among Attendees of a Comprehensive Early Childhood Education Program in the Context of Early Adverse Childhood Experiences." JAMA Network Open 6, no. 6 (2023): e2319372. http://dx.doi.org/10.1001/jamanetworkopen.2023.19372.

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ImportanceEducational attainment is a key social determinant of health and can be particularly consequential for racial and ethnic minority populations. Although the consequences of adverse childhood experiences (ACEs) are well established, there is little research on protective factors and policy-relevant strategies to mitigate ACE-related inequities.ObjectiveTo examine associations between early ACEs, comprehensive early intervention, and midlife educational attainment in a cohort of predominantly Black participants.Design, Setting, and ParticipantsThe Chicago Longitudinal Study is a prospec
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Books on the topic "Chicago, judy, 1939-"

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Auctions, Los Angeles Modern. California design and fine art. LAMA, 2007.

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Peezlee, Julee. Chicago: July 7-14, 1993. Dyslexic, 1993.

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Chicago, Judy. The dinner party: [catalogue of an exhibition held at the Warehouse Gallery, White Lion Street, London]March 1-May 26, 1985. Diehard Productions, 1985.

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Donald, Woodman, ed. The dinner party: From creation to preservation. Merrell, 2007.

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Maurice Spertus Museum of Judaica., ed. Milton Horn, sculptor: 16 March-30 July 1989, Spertus Museum of Judaica, Chicago, Illinois. Spertus College Press, 1989.

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Spencer, Bloch, Dolgachev I, Fulton William 1939-, and US-USSR Algebraic Geometry Symposium (1989 : University of Chicago), eds. Algebraic geometry: Proceedings of the US-USSR symposium held in Chicago, June 20-July 14, 1989. Springer-Verlag, 1991.

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1966-, Bernstein Sheri, Fort Ilene Susan, and Los Angeles County Museum of Art, eds. Made in California: Art, image, and identity, 1900-2000. Los Angeles County Museum of Art, 2000.

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Claudia, Jolles, Institute of Contemporary Arts (London, England), MIT List Visual Arts Center., Newport Harbor Art Museum, and University of Chicago. Renaissance Society., eds. Erik Bulatov, Moscow: Institute of Contemporary Arts, London, February 22-April23, 1989, MIT List Visual Arts Center, Boston, May 6-July 2, 1989, The Newport Harbor Art Museum, Newport Beach, California, July 27-October 1, 1989, The Renaissance Society at the University of Chicago, October 8-November 25, 1989. Parkett Publishers, in collaboration with ICA London, 1989.

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American College of Surgeons Conference on Surgical Resident Education (1989 Chicago, Ill.). Improving efficiency while maintaining emphasis on continuity of care: American College of Sugeons Conference on Surgical Resident Education, Tuesday, July 18, 1989, OʼHare Hilton Hotel, Chicago. The College, 1990.

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United States. Congress. House. Committee on Education and Labor. Hearings on H.R. 2039, the Job Training Partnership Act Amendments of 1989: Hearings before the Committee on Education and Labor, House of Representatives, One Hundred First Congress, first session, hearings held in Washington, DC, June 29 and September 20, 1989; San Francisco, CA, July 7, 1989; Los Angeles, CA, November 3, 1989; and Chicago, IL, January 12, 1990. U.S. G.P.O., 1990.

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Book chapters on the topic "Chicago, judy, 1939-"

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Petro, Anthony M. "Judy Chicago’s The Dinner Party, Feminist Myth, and the Literalism of Sex." In Provoking Religion. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780190938468.003.0003.

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Abstract Across its long career, Judy Chicago’s The Dinner Party has been in turns lauded as a feminist masterpiece, experienced as a spiritual awakening, attacked as a relic of 1970s feminism, and lambasted as pornographic. Focusing on the creation and reception of this work, this chapter argues that Judy Chicago was a feminist mythmaker, weaving together facets of the Goddess movement, Jewish humor, and Christian iconography to create this monument to women’s history. This chapter compares two moments in the history of the work’s reception. Since its debut in 1979, some art critics and femin
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Balto, Simon. "Negro Distrust of the Police Increased." In Occupied Territory. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469649597.003.0003.

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The first chapter opens with scenes from Chicago’s Red Summer race riot in July of 1919. It explores the cascade of white violence that characterized the riot, as well as the armed self-defense that Blacks deployed in response. It also tracks the ways in which both police brutality and police neglect were features of how Black Chicagoans experienced the Chicago Police Department during those awful summer days in which thirty-eight Chicagoans in total were killed. From there, it shifts in the 1920s, when segregation in Chicago became more rigid, and explores how police corruption and political
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"May 1993–July 1994: Chicago and The Hague." In A Man of Many Flags. Hart Publishing, 2020. http://dx.doi.org/10.5040/9781509934522.0055.

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"April 1993–July 1994: The Former Yugoslavia, Geneva, Chicago." In A Man of Many Flags. Hart Publishing, 2020. http://dx.doi.org/10.5040/9781509934522.0035.

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"From Screen to Space." In Selected Writings, Volume 2. Duke University Press, 2025. https://doi.org/10.1215/9781478060574-008.

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This chapter is a contribution to the catalog of the exhibition Steve McQueen: Works, 1993–2012, shown at the Art Institute of Chicago and the Schaulager, Basel, between October 2012 and July 2013. It is a survey of the twenty-five films and filmic installations produced by British artist Steve McQueen between 1993 and 2012. It traces connections between installations such as Bear, Drumroll, and Western Deep and acclaimed feature films such as Hunger.
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Guglielmo, Thomas A. "Radicalism, Unionism, and the Depression." In White On Arrival. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195155433.003.0008.

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Abstract In the summer of 1932, with the United States facing its most severe depression ever, a destitute and desperate Nick Colletta left Chicago for Detroit in search of work. By late July, Mr. Colletta, having had little luck, wrote to the Chicago Commons settlement staff: “I haven’t any hope to take work now, because in every place there is worst business. And about the future there is pessimist [sic]. I don’t know what I shall do. . . . I will continue to fight for the life until I can’t fight, and when I shall see that it is impossible and in vain to fight, I shall decide what I should
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Hull, Katy. "The Garden of Fascism." In The Machine Has a Soul. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691208107.003.0006.

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This chapter addresses how American fascist sympathizers used Italo Balbo's 1933 North Atlantic flight to insist on the peaceful intentions of Benito Mussolini's regime. While it had been easy for most Americans to agree with fascist sympathizers' characterizations of Italo Balbo in July of 1933, the claims that Italy represented beauty, transcendence, and peace felt more farfetched as the decade progressed. Balbo alighted in Chicago only a few months after Adolf Hitler assumed dictatorial powers in Germany. The Italian airmen's flight helped to distance Italy under Mussolini — seemingly so be
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"Ida B. Wells 1862–1931." In Milestone Documents of American Leaders. Schlager Group Inc., 2009. https://doi.org/10.3735/9781935306047.book-part-117.

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Ida B. Wells was born a slave in Holly Springs, Mississippi, on July 16, 1862. When her parents and a younger brother died in a yellow fever epidemic in 1878, she accepted the first of several jobs as a rural schoolteacher to help support her six younger brothers and sisters. Success as a freelance writer eventually led to a career as a newspaper journalist and editor. Through newspaper articles and lectures, she quickly gained fame as a crusader against lynching. In addition to numerous newspaper and magazine articles, Wells is known for two pamphlets published in the 1890s—Southern Horrors a
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Ogren, Kathy J. "Introduction: The Significance Of The Jazz Controversy For Twenties America." In The Jazz Revolution. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195074796.003.0001.

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Abstract American class and ethnic tensions had already been unleashed by wartime jingoism, which culminated in the Palmer Raids and Red Scare of 1917—20. America’s civil liberties record was permanently scarred when nonconformists were harassed, and in some cases deported, on the bases of ethnic background or political conviction. American leftists and radicals found their organizations on the defensive following the political repression at home, despite the fact that 900,000 Americans voted for Socialist party candidate Eugene Debs in 1920. Similarly, American labor began the decade with a w
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Berghaus, Günter. "Theatre Performances In Art Galleries." In Italian Futurist Theatre 1909-1944. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198158981.003.0009.

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Abstract The expansion of the Futurist movement into the fine arts was first signalled to the general public through the publication of a number of manifestos: Manifesto of Futurist Painters (II February 19rn), Technical Manifesto of Futurist Painting (II April 19rn), Futurist Sculpture (II April 1912), and Painting of Sounds, Noise and Odours (II August 1913). The first examples of Futurist paintings and sculptures were presented in March/April 19rn in an exhibition of the Famiglia Artistica in Milan, followed by a number of mixed shows in Venice CTuly 19rn) and Milan CTuly 19rn, December 19r
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