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Journal articles on the topic 'Chicago, judy, 1939-'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Björk, Ulf Jonas. "Race War Flares Up: Chicago’s Swedish Press, the Great Migration, and the 1919 Riots." American Studies in Scandinavia 51, no. 1 (2019): 3–22. http://dx.doi.org/10.22439/asca.v51i1.5788.

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This study of the three large Swedish-language weeklies in Chicago examines how they covered the city’s African-American community during the latter half of the 1910s, a time when blacks migrated to the North in huge numbers. In Chicago, the result was that the African-American population almost tripled between 1910 and 1920. Little of that was visible in the columns of the weeklies, however, with only a handful of items telling readers that blacks were arriving in record numbers. What news there was about African-Americans, moreover, tended to portray them as criminals. Consequently, the riot

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2

Love, Lauren. "Performing Jewish Nationhood: The Romance of a People at the 1933 Chicago World's Fair." TDR/The Drama Review 55, no. 3 (2011): 57–67. http://dx.doi.org/10.1162/dram_a_00095.

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In July 1933, thousands gathered during Chicago's World's Fair to witness the spectacular Zionist pageant, The Romance of a People. Boldly, The Romance figured Jewish redemption as central to humanity's upward climb. Thus, Jews were presented in the pageant as civilizing agents, bringing Western progress to empty Eastern space.

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Krasiński, Edward, and Joanna Samborska. "Warszawski hołd Madame 1909." Zarządzanie w Kulturze 25, no. 1-2 (2024): 99–118. http://dx.doi.org/10.4467/20843976zk.24.014.20132.

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Helena Modrzejewska (1840–1909) was a luminary of the stage, captivating audiences in Cracow (1865–1869) and Warsaw (1869–1876). Yet, her brilliance transcended national borders. From 1877 she soared to the zenith of American theatre history, her talent resonating across the globe. In 1880–1882 and 1885, she graced the stages of London and around Great Britain. Following Helena Modrzejewska’s passing on 8 April 1909 on Bay Island in Newport Beach, California, many articles, biographical entries, memories, and press notes flooded the Warsaw newspapers. Correspondents meticulously detailed funer

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Cubukcu, Suat, Emirhan Darcan, and Gokhan Aksu. "Residential Time Spent and Homicide during the COVID-19 Pandemic." International Journal of Criminology and Sociology 12 (November 28, 2023): 198–208. http://dx.doi.org/10.6000/1929-4409.2023.12.16.

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The United States has witnessed a significant upsurge in homicide rates during the COVID-19 pandemic (NCHS, 2021). While multiple theories attempt to account for this increase, our study examines the impact of changes in human mobility resulting from stay-at-home and social distancing measures on variations in homicide incidents. We conducted a fixed-effects Poisson regression analysis using panel data that encompasses the day of the week and week collected from Chicago between February 2020 and July 2021. Our findings indicate that the increased time spent in residential settings due to stay-

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Krochmal, Anna. "Źródła do odbudowy państwa polskiego w archiwach polonijnych w USA." Teka Komisji Historycznej 15 (2018): 111–36. http://dx.doi.org/10.18290/teka.2018.15-9.

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The article discusses the role of Polish and Polish diaspora organizations in the USA, and the role of their archives, libraries, and museum deposits in the study of the first years of the independent Polish state. The most important ones, created in the USA in the 19th and the 20th century by Polish immigrants, are the Józef Piłsudski Institute of America (located in New York), the Polish Institute of Arts and Sciences of America (located in New York), the Polish Army Veterans’ Association in America (located in New York), the Polish Museum of America (located in Chicago), the Polish Archive

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6

Welland, Sasha Su-Ling. "Camouflaged Histories." positions: asia critique 28, no. 1 (2020): 87–119. http://dx.doi.org/10.1215/10679847-7913067.

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Lei Yan 雷燕, whose artistic practice was shaped by a decades-long career in the Chinese military, began a period of transition through participation in a 2002 restaging of the Communist Red Army’s 1934 Long March as a multi-sited international art project. Her resulting encounter with US feminist art icon Judy Chicago raised questions about the potential neocolonial influence of global feminist art. The work Lei subsequently produced performs an autoethnographic excavation of the sociohistorical categories—woman soldier, military artist, and woman artist—that made her as both artist and woman.

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Nazemtseva, Elena. "The 1929 Conflict on the China-Eastern Railway in the Coverage of the Foreign Press (based on the materials of the Archive of Foreign Policy of the Russian Federation)." Metamorphoses of history, no. 26 (2022): 0. http://dx.doi.org/10.37490/s230861810023627-9.

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The article analyzes the materials of the foreign press (European countries, USA) deposited in the Archive of the Foreign Policy of the Russian Federation concerning the Soviet-Chinese conflict of 1929 on the Chinese Eastern Railway. The documents are abstracts of articles from periodicals (newspapers &quot;Kölnische Zeitung&quot;, &quot;Berliner Tageblatt&quot;, &quot;Manchester Guardian&quot;, &quot;Chicago Daily News&quot;, &quot;New York Times&quot;), news agencies (&quot;United Press&quot;, &quot;Internews&quot;). These materials cov

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8

BARAN, Zoya. "National question in Poland: according to the survey of the Warsaw periodical Kurjer Polski (1924)." Problems of slavonic studies 70 (2021): 43–64. http://dx.doi.org/10.30970/sls.2021.70.3736.

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Background. At the beginning of the 1920’s, after establishing the borders of the restored Polish State, its eastern territories were dominated by the Ukrainian, Belarusian and Lithuanian populations, and in the western part, a significant percentage were Germans. Accordingly, the state faced the problem of developing a constructive policy towards national minorities. Purpose. The article analyzes the attitude of the Polish intellectual elite to the prob-lem of national minorities, whose opinions were partially reflected in a poll conducted in July and August 1924 by the liberal Warsaw newspap

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9

Das, Jolly. "A.K. Ramanujan’s Insightful Observations on Various Aspects of the United States of America. Looking Briefly at the Diary Entries." Review of International American Studies 17, no. 1 (2024): 87–103. http://dx.doi.org/10.31261/rias.16199.

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Attipat Krishnaswamy Ramanujan (16 March 1929-13 July 1993) travelled extensively in peninsular India, collecting folktales from rural regions. Since he was already on the move, as a folklorist and as a teacher who taught in several colleges in South India consecutively, it wasn’t difficult for him to set sail for the United States of America when he received the Fulbright Travel Fellowship and Smith-Mundt Grant in 1959, to continue with his studies in linguistics. On 1 July 1959 he boarded the Strathaird in Bombay and undertook a land-journey through France to reach Southampton where he board

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Giovanelli, Alison, Christina F. Mondi, Arthur J. Reynolds, and Suh-Ruu Ou. "Evaluation of Midlife Educational Attainment Among Attendees of a Comprehensive Early Childhood Education Program in the Context of Early Adverse Childhood Experiences." JAMA Network Open 6, no. 6 (2023): e2319372. http://dx.doi.org/10.1001/jamanetworkopen.2023.19372.

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ImportanceEducational attainment is a key social determinant of health and can be particularly consequential for racial and ethnic minority populations. Although the consequences of adverse childhood experiences (ACEs) are well established, there is little research on protective factors and policy-relevant strategies to mitigate ACE-related inequities.ObjectiveTo examine associations between early ACEs, comprehensive early intervention, and midlife educational attainment in a cohort of predominantly Black participants.Design, Setting, and ParticipantsThe Chicago Longitudinal Study is a prospec

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11

Ahmad, Mumtaz. "Professor Fazlur Rahman." American Journal of Islam and Society 5, no. 1 (1988): 1–2. http://dx.doi.org/10.35632/ajis.v5i1.2875.

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On Dhu al Hijjah 12, 1408 AH, July 26, 1988 Professor Fazlur Rahmanbreathed his last as a result of post-cardiac surgery complications at the BillingsHospital in Chicago. At the time of his death he was the Harold H. SwiftDistinguished Service Professor of Islamic Thought at the University ofChicago where he had taught for about two decades. Born in Punjab (Pakistan)in 1332 AH / 1919 AC, Professor Fazlur Rahman was educated at theuniversities of Punjab and Oxford. He also taught at Durham (England) andMcGill (Canada) and served as director, Central Institute of Islamic Researchin Pakistan.A pr

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Васеха, М. В. "День Ивана Купалы в Новосибирске: праздник между «городом» и «деревней»". Вестник антропологии (Herald of Anthropology), № 2022 № 1 (25 лютого 2022): 70–83. http://dx.doi.org/10.33876/2311-0546/2022-1/70-83.

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Работа включает культурно-антропологический анализ конкретного сибирского обычая – празднования дня Ивана Купалы в городском пространстве крупнейшего сибирского города – Новосибирска. Оказавшись в хорошую жаркую погоду 7 июля в полуторамиллионном Новосибирске, непосвященный человек может решить, что стал жертвой хулиганства, поскольку есть вероятность, что его обольют водой без всяких предупреждений – на улице, в городском транспорте, собственном авто. Для новосибирцев такая ситуация представляется вполне естественной, поскольку все жители осведомлены, что «на Купалу нужно обливаться». В перио

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13

"Mathematical physicist par excellence." Notes and Records of the Royal Society of London 47, no. 2 (1993): 322–24. http://dx.doi.org/10.1098/rsnr.1993.0044.

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Kameshwar C. Wali, Chandra: A Biography of S. Chandrasekhar . Chicago: University of Chicago Press, 1991. Pp. x + 341, £13.50. ISBN 0226-87055-3 One of the passengers on board the steamship Lloyd Triestino that left Bombay on 31 July 1930 bound for London was a young Indian expecting to register as a Ph.D. student at Cambridge in the Michaelmas Term, to work under the supervision of the eminent mathematical physicist R.H. Fowler (see the paper by W.H. McCrea, Notes Rec. R. Soc. Lond . 47, 61-78, 1993). Not yet 20, the young man had already shown his brilliance as a mathematician and his intere

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14

Gallas, Austin. "“Companionship and a Little Fun”: Investigating Working Women’s Leisure Aboard a Hudson River Steamboat, July 1919." Lateral 11, no. 2 (2022). http://dx.doi.org/10.25158/l11.2.4.

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This article provides an in-depth consideration of a single report penned on the night of July 27, 1919 by a private detective employed by New York City's Committee of Fourteen (1905–1932), an influential anti-vice and police reform organization. A close reading of the undercover sleuth's account, which details his experiences, subjective judgments, and general observations regarding moral and social conditions while aboard the Benjamin B. Odell, a palatial Hudson River steamboat, enables us to enrich our grasp of the courtship and pleasure-seeking practices popular among working women and men

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15

Wade, Nicholas J. "Looking at Buswell's pictures." Journal of Eye Movement Research 13, no. 2 (2020). http://dx.doi.org/10.16910/jemr.13.2.4.

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In 1935 Guy Buswell, an educational psychologist at Chicago University, published How People Look at Pictures. In it he recorded photographically the eye movements of 200 observers when looking at a wide variety of pictures. He analysed the overall distribution of fixations on pictures, compared the first few fixations on a picture to the last few, measured the durations of fixations made early in viewing and those made near the end of viewing, examined how fixation duration changed with viewing time, recorded the consistency between different observers when viewing the same picture and he loo

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16

Kosenko, Oxana, and Igor J. Polianski. "“My Death Was in a Kiss”: Theatrical Propaganda Against Sexually Transmitted Infections in the Early Soviet Union and the United States in the 1920s–1930s." American Journal of Public Health, July 7, 2022, e1-e8. http://dx.doi.org/10.2105/ajph.2022.306933.

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We analyze key historical anti–sexually transmitted infection (STI) theatrical performances in the Soviet Union and the United States that were staged to disseminate knowledge and awareness of STIs among the population. The phenomenon of theatrical hygiene propaganda emerged in the USSR after the October Uprising of 1917. The so-called sanitary plays, mock trials, revues, and Living Newspapers addressed important public health issues, one of which was STIs. The Soviet experience provided inspiration for the Federal Theater Project in the United States, which produced socially relevant performa

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17

Grandinetti, Justin Joseph. "A Question of Time: HQ Trivia and Mobile Streaming Temporality." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1601.

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One of the commonplace and myopic reactions to the rise of televisual time-shifting via video-on-demand, DVD rental services, illegal downloads, and streaming media was to decree “the death of the communal television experience”. For many, new forms of watching television unconstrained by time-bound, regularly scheduled programming meant the demise of the predominant form of media liveness that existed commercially since the 1950s. Nevertheless, as time-shifting practices evolved, so have attendant notions of televisual temporality—including changing forms of liveness, shared experience, and t

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18

Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar

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19

Hawkes, Martine. "Transmitting Genocide: Genocide and Art." M/C Journal 9, no. 1 (2006). http://dx.doi.org/10.5204/mcj.2592.

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   In July 2005, while European heads of state attended memorials to mark the ten year anniversary of the Srebrenica genocide and court trials continued in The Hague at the International Criminal Tribunal for the former Yugoslavia (ICTY), Bosnian-American artist Aida Sehovic presented the aftermath of this genocide on a day-to-day level through her art installation in memory of the victims of Srebrenica.  Drawing on the Bosnian tradition of coming together for coffee, this installation, ‘Što te Nema?’ (Why are you not here?), comprised a collection of tiny white p

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20

Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

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21

Weigel, Margaret. "Mastering the 'Visual Groove'." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1973.

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The implications of digital media have been partly responsible for re-energizing debates concerning multiples, repetition and loops. But in fact, looping media dates back to the days of revolving stereoscopes and other mechanized Victorian amusements first employed as laboratory tools. In the following article I suggest that, much like grooves in music, the repetitious nature of an animated electronic bulb sign's "visual groove" can, over time, encourage a certain level of cognitive mastery of the material. Furthermore, since such signs are wedded to their environment, they can become both an

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Flowers, Arhlene Ann. "Swine Semantics in U.S. Politics: Who Put Lipstick on the Pig?" M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.278.

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Swine semantics erupted into a linguistic battle between the two U.S. presidential candidates in the 2008 campaign over a lesser-known colloquialism “lipstick on a pig” reference in a speech by then Democratic presidential candidate, Barack Obama. This resulted in the Republicans sparring with the Democrats over the identification of the “swine” in question, claiming “sexism” and demanding an apology on behalf of then Governor Sarah Palin, the first female Republican vice presidential candidate. The Republican Party, fearful of being criticised for its own sexist and racist views (Kuhn par. 1)

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Child, Louise. "Magic and Spells in <em>Buffy the Vampire Slayer</em> (1997-2003)." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3007.

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Introduction Many examinations of magic and witchcraft in film and television focus on the gender dynamics depicted and what these can reveal about attitudes to women and power in the eras in which they were made. For example, Campbell, in Cheerfully Empowered: The Witch-Wife in Twentieth Century Literature, Television and Film draws from scholarship such as Greene's Bell, Book and Camera, Gibson's Witchcraft Myths in American Culture, and Murphy's The Suburban Gothic in American Popular Culture to suggest connections between witch-wife narratives and societal responses to feminism. Campbell e

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24

Hope, Cathy, and Bethaney Turner. "The Right Stuff? The Original Double Jay as Site for Youth Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.898.

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On 19 January 1975, Australia’s first youth station 2JJ (Double Jay) launched itself onto the nation’s airwaves with a NASA-style countdown and You Only Like Me ‘Cause I’m Good in Bed by Australian band Skyhooks. Refused airtime by the commercial stations because of its explicit sexual content, this song was a clear signifier of the new station’s intent—to occupy a more radical territory on Australian radio. Indeed, Double Jay’s musical entrée into the highly restrictive local broadcasting environment of the time has gone on to symbolise both the station’s role in its early days as an enfant t

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25

Murphy, Ffion, and Richard Nile. "The Many Transformations of Albert Facey." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1132.

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In the last months of his life, 86-year-old Albert Facey became a best-selling author and revered cultural figure following the publication of his autobiography, A Fortunate Life. Released on Anzac Day 1981, it was praised for its “plain, unembellished, utterly sincere and un-self-pitying account of the privations of childhood and youth” (Semmler) and “extremely powerful description of Gallipoli” (Dutton 16). Within weeks, critic Nancy Keesing declared it an “Enduring Classic.” Within six months, it was announced as the winner of two prestigious non-fiction awards, with judges acknowledging Fa

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Larsson, Chari. "Suspicious Images: Iconophobia and the Ethical Gaze." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.393.

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If iconophobia is defined as the suspicion and anxiety towards the power exerted by images, its history is an ancient one in all of its Platonic, Christian, and Judaic forms. At its most radical, iconophobia results in an act of iconoclasm, or the total destruction of the image. At the other end of the spectrum, contemporary iconophobia may be more subtle. Images are simply withdrawn from circulation with the aim of eliminating their visibility. In his book Images in Spite of All, French art historian Georges Didi-Huberman questions the tradition of suspicion and denigration governing visual r

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Lyubchenko, Irina. "NFTs and Digital Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2891.

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Introduction This article is concerned with the recent rise in popularity of crypto art, the term given to digital artworks whose ownership and provenance are confirmed with a non-fungible token (NFT), making it possible to sell these works within decentralised cryptocurrency art markets. The goal of this analysis is to trace a genealogy of crypto art to Dada, an avant-garde movement that originated in the early twentieth century. My claim is that Dadaism in crypto art appears in its exhausted form that is a result of its revival in the 1950s and 1960s by the Neo Dada that reached the current

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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,

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Mahon, Elaine. "Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1011.

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IntroductionFirmly located within the discourse of visible culture as the lofty preserve of art exhibitions and museum artefacts, the noun “curate” has gradually transformed into the verb “to curate”. Williams writes that “curate” has become a fashionable code word among the aesthetically minded to describe a creative activity. Designers no longer simply sell clothes; they “curate” merchandise. Chefs no longer only make food; they also “curate” meals. Chosen for their keen eye for a particular style or a precise shade, it is their knowledge of their craft, their reputation, and their sheer abi

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O'Meara, Radha, and Alex Bevan. "Transmedia Theory’s Author Discourse and Its Limitations." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1366.

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As a scholarly discourse, transmedia storytelling relies heavily on conservative constructions of authorship that laud corporate architects and patriarchs such as George Lucas and J.J. Abrams as exemplars of “the creator.” This piece argues that transmedia theory works to construct patriarchal ideals of individual authorship to the detriment of alternative conceptions of transmediality, storyworlds, and authorship. The genesis for this piece was our struggle to find a transmedia storyworld that we were both familiar with, that also qualifies as “legitimate” transmedia in the eyes of our prospe

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