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Dissertations / Theses on the topic 'Chicana feminists'
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1
Hernandez, Lisa Justine. "Chicana feminist voices in search of Chicana lesbian voices from Aztlán to cyberspace /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037497.
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Ayala, Rebecca. "A Path Towards Visibility: Chicana Feminist Organizing During the 1970s." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1945.
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During the late 1960s and early 1970s, Chicanas gradually began to politically organize. Through a significant focus on the political life of Francisca Flores and the CFMN, this thesis analyzes the specific political organizing tools she and other Chicana feminist leaders used during the decade between 1970 and 1980. Rather than evaluate the success or failure of the organizations, it instead examines the political methods they used including individual leadership, coalition building, community engagement, and art. It attempts to demonstrate that prominent Chicana feminist activists such as Flores, NietoGomez of Las Hijas de Cuauhtémoc and later Encuentro Femenil, former Brown Beret Gloria Arellanes, and Los Angeles based artist Judy Baca all used these methods in specific ways in order to promote the visibility of Chicana feminism and their communities, which has had an enduring legacy for the movement. Through a comparative analysis of these methods, this thesis illustrates how each of these figures and organizations developed a Chicana feminist movement that balanced grassroots and national organizing with a conscious commitment to visibility of community, rooted in intersectional theory.
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Bruton, Rita Tovar. "A Feminist Rereading of Selected Works by Carlos Morton." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984223/.
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Carlos Morton is a prominent Chicano playwright that has contributed greatly to Chicano theatre, creatively and academically, since in 1970s. This thesis offers a feminist analysis of the gender representation in three of his works: Lilith (1977), La Malinche (1984), and Dreaming on a Sunday in the Alameda (1992). The female characters in these three plays possess a unique agency that allows them to challenge oppressive patriarchal standards imposed on their gender identity. The second chapter explores Morton's Lilith, a play based on a Jewish creation myth. In the play, Lilith possesses agency of her gender identity and forms a bond with Eve to fight the patriarchal gender norms used to restrict women in Chicano culture. La Malinche is an adaptation of Eurpides's Medea set in post-Conquest New Spain. Chapter three focuses on the agency displayed by La Malinche through her indigenous roots to fight for her own form of motherhood and freedom from patriarchy. The final play analyzed in this thesis is Dreaming on a Sunday in the Alameda, a dream-like play that is based on Diego Rivera's mural by the same name. Several female characters in the play demonstrate agency through their androgynous sexual identities as they unite to resist male character's sexualized perceptions and expectations of females within Mexican and Chicano culture.
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Cordova, Amanda Jo. "Chicana Feminism Informs Educational Trajectories and Leadership| Graduate Student Testimonios from Nepantla." Thesis, The University of Texas at San Antonio, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10928787.
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This qualitative testimonio study centered the voices of two Chicana graduate students and two doctoral students of an Educational Leadership and Policy Studies Program to examine how they interpret the positioning of their intersectionality as well as how these interpretations influenced their college trajectories and conceptualization of educational leadership. Chicana Feminist Epistemology grounded the investigation to claim research as a site of equality where collaborators participated fully in data collection and data analysis. Methods of plática and reflexión were employed to engage collaborators in a critical reflection of their lived experiences relevant to their intersectionality with the aim of translating these reflections into individual testimonios. Specifically, a Mestiza Methodology Framework was introduced as a model in which collaborators integrated data collection and data analysis to yield a synthesis, analysis, and interpretation of their testimonios presented in the format of a collective testimonio.
Findings demonstrated by interrogating the imposition of dualities that split the intersections of their identity, collaborators located Nepantla, the space between these dualities to excavate knowledge from El Cenote, the intersection of dualities. From El Cenote findings revealed the family as an intersection of identity with the largest influence on initial educational trajectories defined at the undergraduate level. In addition, overall educational experiences fragmented Chicana intersectionality operating to threaten their academic survival. Lastly, the search for the healing and reconciliation of a fragmented identity reset educational trajectories towards advanced degrees in Educational Leadership framed by a praxis of social justice.
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Solis, Sandra Ellen. ""To preserve our heritage and our identity": the creation of the Chicano Indian American Student Union at The University of Iowa in 1971." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1180.
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The 1960s and 1970s represent a pivotal period in US history and there is a growing body of critical research into how the massive changes of the era (re)shaped institutions and individuals. This dissertation furthers that research by focusing its attention on the creation of the Chicano Indian American Student Union (CIASU) at The University of Iowa in 1971 from an Interdisciplinary perspective. CIASU as the subject of study offers a site that is rich in context and content; this dissertation examines the ways in which a small group of minority students was able to create an ethnically defined cultural center in the Midwest where none had existed prior and does this by looking at the intersection of ethnic identity and student activism. Covering the years 1968-1972, this work provides a "before" and "after" snapshot of life for Chicano/a and American Indian students at Iowa and does so utilizing only historical documents as a way of better understanding how much more research needs to be done.
I explore the way in which various social movements such as the Anti-War Movement, the Chicano Movement, the American Indian Movement, the Women's Movement and the cause of the United Farm Workers influenced founding members Nancy V. "Rusty" Barceló, Ruth Pushetonequa and Antonio Zavala within their Midwestern situatedness as ethnic beings. My dissertation draws from and builds upon the work of Gloria Anzaldua in Borderlands/La Frontera by interrogating the ways in which CIASU and its "House" acted as a self-defined "borderlands" for the Chicano/a and American Indian students. I examine the ways in which the idea of "borderlands" is not limited to any one geographical area but is one defined by context and necessity. Also interrogated is how performativity of ethnic identity worked as both cultural comfort and challenge to the students themselves as well as to the larger University community through the use of dress and language, especially "Spanglish".
This dissertation examines the activism of CIASU within the University context and out in the Chicano/a and American Indian communities as liberatory practice and working to affect change. Specifically, presenting alternatives for minority communities through actions such as Pre-School classes and performances of El Teatro Zapata and Los Bailadores Zapatista and recruitment of Chicano/a and American Indian high school students. On campus, activism through publication is examined; El Laberinto as the in-house newsletter provides insight into the day-to-day concerns of the students and Nahuatzen, a literary magazine with a wider audience that focused on the larger political questions of the day, taking a broader view of the challenges of ethnic identity as a way to educate and inform. This dissertation views CIASU as a "bridge"; the students worked to create alliances between themselves and the larger University population as well as Chicano/a and American Indian communities. With the recent fortieth anniversary of CIASU it is evident the founding members' wish "to preserve our heritage and our identity" (Daily Iowan, November, 1970) continues and the organization they founded, now known as the Latino Native American Cultural Center, still serves the needs of Latino and American Indian students at Iowa.
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Garcia, Alesia 1962. "Aztec Nation: History, inscription, and indigenista feminism in Chicana literature and political discourse." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282854.
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In the United States in the mid-1960's, Chicano cultural nationalists mobilized a generation by recuperating the history and mythology of the pre-conquest Aztecs as strategies of political resistance. Claiming themselves la Raza de Bronce the Bronze race) in their art, literature, and political discourse, Chicano activists and intellectuals distinguished themselves racially from white America and worked toward reunifying an indigenous culture that had been fragmented by colonization and diaspora. This discursive practice of reinscribing Mexican Indian ancestry is a political act that I refer to as narrating the Aztec Nation. Indigenous movement activists across the Americas have often reclaimed their pre-colonial histories. "Aztec Nation" examines the impact of Chicano cultural nationalist revisions of Mexican indigenismo (politics and aesthetics of the post-1910 indigenous movement) upon race, class, gender, and sexuality in contemporary Chicano and Chicana literature and political discourse. In my analysis of Chicano and Chicana political manifestos, graphic art, poetry, essays, and novels, I trace various Chicano cultural nationalist expressions of indigenista ideology throughout el movimiento (the Chicano movement). In particular, I develop critical approaches for rereading Chicana literature and activist journalism published in Chicano/a movement newspapers and journals between 1969 and 1979 that emphasize Chicana faminist reinventions of indigenismo as a transnational alternative to ideological limitations within the Chicano cultural nationalist and second wave white American feminist movements. I offer a new critical term: "Chicana indigenista feminism," which recognizes a distinct Chicana feminist discourse that is characterized by an ongoing negotiation of mestiza (mixed blood) identity. My investigation begins with analyses of Chicano cultural nationalist literature and political documents from 1964 and ends with a reevaluation of chicana indigenista feminist theories posited as recently as 1994.
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Holmes, Christina M. "Chicana Environmentalisms: Deterritorialization as a Practice of Decolonization." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282104799.
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Móntez, Melissa I. "Let Your Panza be Your Guide: Decolonizing Fat in Chicanx Art and Literature." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/856.
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Representations of Chicana bodies in dominant popular culture have historically been contested by Chicana feminists’ own self-representations through art and literature. However, few works examine representations of fat Chicana bodies in literature by Chicana feminists. Through a literary analysis of The Panza Monologues and Real Women Have Curves, as well as an artistic analysis of Laura Aguilar’s photography and through the lenses of Chicanx, queer, and fat studies, my research bridges a gap between Chicana feminist work and fat studies. It looks at how fatness is constructed through the self-representation of women’s bodies. Ultimately, I argue that these art objects are sites of fat Chicana artivism—activism through the use of art—that call for body liberation, respond to the “normative body” required by a colonial legacy of symbolic and physical violence against Chicanx women, and pave the way for further creative artistic and literary work centered on fat Chicanxs to be done.
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Buckles, Christina Marie. "The transnational feminist literature of Helena Maria Viramontes." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3269.
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In this thesis, I am interested in transnational feminist scholarship and dialogue. Through close readings of Helena Maria Viramontes's texts, I place her writing in conversation with several transnational feminist scholars and themes. I begin with home, a frequently discussed topic within transnational feminism, as the experiences of diasporic and migrant populations challenge the notion of home. I locate the multiple homes presented in Viramontes's texts, arguing that these homes are unreliable spaces for their residents. I then consider male characters and masculinity in Viramontes's stories, as these men significantly influence the homes of women. In Viramontes's later texts, some of these characters support the women in their lives, as well as embrace the multiplicity of masculinity. I also explore invisibility and hypervisibility, two themes which figure prominently within transnational feminism and Viramontes's texts. Viramontes makes visible women, workers, and youth, challenging their invisibility and hypervisibility. In my analysis, I include Viramontes's two novels, Under the Feet of Jesus (1995) and Their Dogs Came With Them (2007), as well as two short stories, "Growing" (1983) and "The Jumping Bean" (1992). By analyzing these works, which were published over a period of twenty four years, we can more intricately see Viramontes's exploration of transnational feminist themes.
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Giles, Sally M. "Sandra Cisneros as Chicana storyteller : fictional family (hi)stories in Caramelo /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd946.pdf.
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Giles, Sally Marie. "Sandra Cisneros as Chicana Storyteller: Fictional Family (Hi)Stories in Caramelo." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/584.
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My thesis discusses the ways in which Sandra Cisneros makes historical claims from a Chicana perspective by telling fictional family stories in Caramelo. Not only have Chicanas traditionally been marginalized ethnically by the Anglo mainstream, they have also suffered disenfranchisement as women in their own male-dominated cultural community. Both elements have contributed to the cultural silencing of Chicanas outside of domestic spaces, and particularly in historical discourse. Cisneros introduces storytelling as a means of empowering Chicanas through language that allows them to speak historically and still signify culturally. By telling stories from the site of the family, she ingeniously utilizes a culturally allotted authority over the domestic sphere to branch out and discuss historical issues as they inform the lives of her Chicana narrator's family members. Thus, she succeeds in breaking the traditions of her culture that would silence Chicanas while allowing them to maintain their cultural identities. Presenting her historical assertions through fiction allows Cisneros to avoid the pitfalls of post-Enlightenment epistemological modes in historical discourse, introduce new perspectives on historical events, and invite historical discussion rather than shutting it off. Because all historical accounts are narratives that have been constructed by biased individuals, history and story are essentially the same. Cisneros calls attention to this concept as she conflates history and story in her novel. Empirically minded historians of the past insisted on one true version of history and thus ignored "other" viewpoints. Fiction creates a new space for discussion that does not disregard alternative viewpoints because it does not pretend to be fact. In addition, Cisneros employs an abundance of Chicano pop cultural references in Caramelo to create a cultural mythology for the Chicano community. Chicanos are alienated by the mainstream cultures on both sides of the border, and thus they generally feel culturally invalidated. By invoking pop cultural forms, primarily the telenovela, Cisneros fosters collectivity among Chicanos who can all relate to the signs of pop culture, which makes itself available to everyone regardless of class, race, gender, or geographic position. She asserts new views of history through the lens of pop culture, and strengthens the ability of Chicanos to enter historical discourse by strengthening cultural cohesiveness. Cisneros is helping to redefine American literature by calling attention to at least one of the marginal voices that are rapidly becoming the center in the United States.
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Lara, Mayra Alejandra. "Navigating the Sexual Politics on the High School Campus| Testimonios of Young Chicana/Latinas." Thesis, Loyola Marymount University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10931464.
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By employing pláticas y encuentros, this qualitative study examined the testimonios of Chicana/Latina youth and their experiences with navigating the sexual politics on the high school campus. Six young Chicana/Latinas, all of whom graduated from the same high school in South East Los Angeles, participated in the study. The study used two frameworks: Chicana/Latina feminist theory and critical pedagogy to analyze the young women’s testimonios. Findings speak of their daily struggle with adults policing, objectifying, and containing their bodies; as well as the benefit of a third space, counterspaces, for self-actualization. This study contributes to this field by identifying how Chicana/Latina youth experience schooling and what they believe must happen in order to ensure that the school community and larger society is more responsive to their experiences with navigating sexual politics in and outside of the educational context.
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Watts, Brenda. "Historical transgressions : the creation of a transnational female political subject in works by Chicana writers /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978603.
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Thesis (Ph. D.)--University of Oregon, 2000.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 314-323). Also available for download via the World Wide Web; free to University of Oregon users.
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Griffin, Lara. "The Chicago Women's Liberation Union: White Socialist Feminism and Women's Health Organizing in the 1970s." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1438529943.
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Larsen, Devon P. "Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001540.
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Burford, Arianne. "Between Women: Alliances and Divisions in American Indian, Mexican American, and Anglo American Literatures of Protest to Colonialism." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195349.
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Between Women: Alliances and Divisions in American Indian, Mexican American, and Anglo American Literatures of Protest to Colonialism investigates nineteenth- and twentieth-century women writers' negotiation of women's rights discourses. This project examines the split between nineteenth-century women's rights groups and the Equal Rights Association to assess how American Indian, Mexican American, Anglo women, and, more recently, Chicana writers provide theoretical insights for new directions in feminisms. This study is grounded historically in order to learn from the past and continue efforts toward "decolonizing feminisms," to borrow a phrase from Chandra Mohanty. To that end, current feminist theories about alliances and solidarity are linked to ways that writers intervene in feminisms to simultaneously imagine solidarity against white male colonialist violence and object to racism on the part of Anglo women. Like all the writers in this study, Sarah Winnemucca's Life Among the Piutes: Their Wrongs and Claims (1883) challenges Anglo women to not be complicit with Anglo male colonialist violence. Winnemucca's testimony illuminates the history of alliances between Anglo and Native women and current debates amongst various Native women activists regarding feminism. Between Women traces how Anglo American writer Helen Hunt Jackson's Ramona (1884) protests effects of U.S. colonialism on Luiseno people and her negotiation of feminisms compared with Winnemucca's writing and Maria Amparo Ruiz de Burton's The Squatter and the Don (1885) and Who Would Have Thought It? (1872), novels that protest the effects of U.S. colonialism on Mexican Americans, particularly women. It then compares Ruiz de Burton's writing to Helena Maria Viramontes's Under the Feet of Jesus (1995) and Cherrie Moraga's Heroes and Saints (1994), texts that acknowledge the difficulties of forming alliances between women in the context of exploitation, pesticide poisoning of Chicanas/os, and border policies. The epilogue points to Evelina Lucero's Night Sky, Morning Star (2000), demonstrating how an understanding of the history that Winnemucca engages elucidates American Indian literature in the twenty-first century. By looking deeply at how nineteenth-century conflicts effect us in the present, scholars and activists might better assess tactics for feminisms in the twenty-first century that enact an anti-colonialist feminist praxis.
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Pecero, Veronica Flores. "Rise Up: Exploring the First Year Experiences of Latina Doctoral Students at Predominantly White Institutions." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480646788839175.
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Haro, Zelda. "Narratives of Successful Navigation: A Sociocultural Study of Self-identified Latin@ Undergraduate Students." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20699.
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Narratives of successful navigation are the personal stories of 13 Latin@ undergraduate students who navigated the public school system and completed high school in the United States. Their words recount their individual journeys resulting in their enrollment at a 4-year research university in the Pacific Northwest as opposed to a 2-year community college. More than half of the study respondents begun their postsecondary studies at a community college. The navigation of these particular individuals were experienced differently than those respondents whose trajectory led them straight into the university. Three categories corresponding to the study’s three research questions were analyzed. First, common challenges produced two themes, low social economics status (SES) and ethnic identity. Second, the category on persistence characteristics formulated only one construct, academic self-efficacy. Third, three interlocking themes of supportive factors fostering academic success were identified, the support of parents/ family members/peers, non-familial agents in the form of teachers, and lastly college readiness including AP or honors coursework. The thematic analysis of the respondents’ stories was influenced by the literature that documents challenges historically impeding Latin@ academic achievement and by the research on both persistence and supportive factors. The analyses of the individual navigational experience of the study participants found similarities within their experiences, but it also revealed the complexity of their own singular stories. The study centered more on the aspirations of Latin@ students rather than the damaging effects of their schooling experiences. While some of the respondents’ stories contain examples of challenges, the premise was in representing examples of successful navigation of the Chican@/Latin@ education pipeline (Solórzano, 1998).
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Wendt, Höjer Fanny. "Staden som f(r)iktion : En maktanalys av rumsliga gestaltningar." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-65976.
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Den här uppsatsen undersöker gestaltningar av rumslighet i Yxta Maya Murrays roman Locas och i Helena María Viramontes novell ”The Cariboo Cafe”. Utifrån en lefebvriansk förståelse av det sociala rummets produktion görs en feministisk, postkolonial läsning av rummets betydelse i texterna. Med utgångspunkt i detta teoretiska ramverk diskuteras tematiseringen av plats, rum och identitet i berättelserna. Vidare används en narratologisk analys av texternas användning av deixis och fokalisering för att visa hur språket fungerar som en granskande skildring av olika platsers och rums villkor. En sådan läsning tillåter texterna att träda fram som avslöjare av specifika maktordningar och som kritik mot dessa.This essay examines the spatial descriptions in Yxta Maya Murray’s novel Locas and in Helena María Viramontes’ short story “The Cariboo Café”. Based on Henri Lefebvre’s understanding of the production of social space, a post-colonial, feminist reading of the texts’ spaces is executed. Rooted in this theoretical framework, the texts’ thematization of space, place and identity is discussed. Furthermore, a narratological analysis is added to the investigation through a scrutiny of the usage of deixis and focalization. It is shown how the usage of language in the texts functions to further expose different bodies’ divergent access to different spaces. This reading permits the texts to appear both as revealers of specific power systems, and as critics of them.
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Castañón-Ramirez, Sandra J. "Chicanas Completing the Doctorate in Education: Providing consejos de la mesa de poder." Scholarly Commons, 2020. https://scholarlycommons.pacific.edu/uop_etds/3706.
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This qualitative study described four testimonios from Chicanas who have successfully completed a doctorate in education degree, both Ph.D. and Ed.D. The literature reviewed three important areas of study. The first is a review of the systemic challenges that Chicanas must hurdle; cheap labor, segregation of schools and neighborhoods, being silenced through English-only education, and deficit thinking. The second area of review focused on ways that Chicanas create strategies for success to overcome these challenges. The third was a review of the theoretical literature through a distinctly and relevant Chicana feminist lens.
Chicanas’ strategies for success were collected as testimonios. These lived stories are shared using a narrative approach and were analyzed through a Chicana feminist lens, allowing the researcher to connect with indigenous roots. Findings include cultural intuition, reflexión, máscaras, nepantla, and La Virgen de Guadalupe as themes that enable an understanding of the strategies used by these successful women. This study sought to understand how gender and race impact graduate scholarship among a unique population and adds to the body of knowledge on doctoral education and Latina (specifically Chicana) education in particular.
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Woodard, Davon Teremus Trevino. "FRAMES OF DIGITAL BLACKNESS IN THE RACIALIZED PALIMPSEST CITY: CHICAGO, ILLINOIS AND JOHANNESBURG, SOUTH AFRICA." Diss., Virginia Tech, 2008. http://hdl.handle.net/10919/104658.
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The United States and South Africa, exemplars of "archsegregation," have been constituted within an arc of historical racialized delineations which began with the centering, and subsequent overrepresentation, of European maleness and whiteness as the sole definition of Man. Globally present and persistent, these racialized delineations have been localized and spatially embedded through the tools of urban planning. This arc of racialized otherness, ineffectively erased, continues to inform the racially differentiated geospatial, health, social, and economic outcomes in contemporary urban form and functions for Black communities. It is within this historical arc, and against these differentiated outcomes, that contemporary urban discourse and contestation between individuals and institutions are situated.
This historical othering provides not just a racialized geo-historical contextualization, but also works to preclude the recognition of the some of the most vulnerable urban community members. As urbanists and advocates strive to co-create urban space and place with municipalities, meeting the needs of these residents is imperative. In order to meet these needs, their lived experiences, and voices must be fully recognized and engaged in the processes and programs of urban co-creation, including in digital spaces and forums. Critical to achieving recognition acknowledging and situating contemporary digital discourses between local municipalities, Black residents, and Black networks within this historically racialized arc is necessary. In doing so, explore if, and how, race, specifically Blackness, is enacted in municipal digital discourse, whether these enactments serve to advance or impede resident recognition and participation, and how Black users, as residents and social network curators, engage and respond to these municipal discursive enactments.
This exploratory research is a geographically and digitally multi-sited incorporated comparison of Chicago, Illinois, and Johannesburg South Africa. Using Twitter and ethnographic data collected between December 1, 2019, and March 31, 2020, this research layers digital ethnographic mixed methods and qualitive mixed methods, including traditional ethnographic, digital ethnographic, grounded theory, social change and discourse analysis, and frame analysis to explore three research goals.
First, explore the digital discursive practices and frames employed by municipalities to inform, communicate with, and engage Black communities, and, if and how, these frames are situated within a historically racialized arc. Second, identify the ways in which Black residents, in dual discursive engagements with local municipalities and their own social networks, interact and engage with the municipal frames centering on Blackness. Third, through ethnographic narratives, acknowledge the marginalized residents of the Central Business District of Johannesburg, South Africa as "agents of knowledge," with critical and valuable knowledge claims which arise from their lived experiences anchored within racialized place and space. In doing so, support the efforts of these residents in recentering the validity of their knowledge claims in the co-creation of urban place and space. Additionally, in situating the city within a historically racialized arc develop novel frameworks, the racialized palimpsest city and syndemic segregation, through which to explore contemporary urban interactions and engagements.Doctor of Philosophy
The United States and South Africa, exemplars of "archsegregation," have been constituted within an arc of historical racialized delineations which began with the centering, and subsequent overrepresentation, of European maleness and whiteness as the sole definition of Man. Globally present and persistent, these racialized delineations have been localized and spatially embedded through the tools of urban planning. This arc of racialized otherness, ineffectively erased, continues to inform the racially differentiated geospatial, health, social, and economic outcomes in contemporary urban form and functions for Black communities. It is within this historical arc, and against these differentiated outcomes, that contemporary urban discourse and contestation between individuals and institutions are situated. This historical othering provides not just a racialized geo-historical contextualization, but also works to preclude the recognition of the some of the most vulnerable urban community members. As urbanists and advocates strive to co-create urban space and place with municipalities, meeting the needs of these residents is imperative. In order to meet these needs, their lived experiences, and voices must be fully recognized and engaged in the processes and programs of urban co-creation, including in digital spaces and forums. Critical to achieving recognition acknowledging and situating contemporary digital discourses between local municipalities, Black residents, and Black networks within this historically racialized arc is necessary. In doing so, explore if, and how, race, specifically Blackness, is enacted in municipal digital discourse, whether these enactments serve to advance or impede resident recognition and participation, and how Black users, as residents and social network curators, engage and respond to these municipal discursive enactments. This exploratory research is a geographically and digitally multi-sited incorporated comparison of Chicago, Illinois, and Johannesburg South Africa. Using Twitter and ethnographic data collected between December 1, 2019, and March 31, 2020, this research layers digital ethnographic mixed methods and qualitive mixed methods, including traditional ethnographic, digital ethnographic, grounded theory, social change and discourse analysis, and frame analysis to explore three research goals. First, explore the digital discursive practices and frames employed by municipalities to inform, communicate with, and engage Black communities, and, if and how, these frames are situated within a historically racialized arc. Second, identify the ways in which Black residents, in dual discursive engagements with local municipalities and their own social networks, interact and engage with the municipal frames centering on Blackness. Third, through ethnographic narratives, acknowledge the marginalized residents of the Central Business District of Johannesburg, South Africa as "agents of knowledge," with critical and valuable knowledge claims which arise from their lived experiences anchored within racialized place and space. In doing so, support the efforts of these residents in recentering the validity of their knowledge claims in the co-creation of urban place and space. Additionally, in situating the city within a historically racialized arc develop novel frameworks, the racialized palimpsest city and syndemic segregation, through which to explore contemporary urban interactions and engagements.
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Woodard, Davon Teremus Trevino. "Frames of Digital Blackness in the Racialized Palimpsest City: Chicago, Illinois and Johannesburg, South Africa." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/104658.
Full textAbstract:
The United States and South Africa, exemplars of "archsegregation," have been constituted within an arc of historical racialized delineations which began with the centering, and subsequent overrepresentation, of European maleness and whiteness as the sole definition of Man. Globally present and persistent, these racialized delineations have been localized and spatially embedded through the tools of urban planning. This arc of racialized otherness, ineffectively erased, continues to inform the racially differentiated geospatial, health, social, and economic outcomes in contemporary urban form and functions for Black communities. It is within this historical arc, and against these differentiated outcomes, that contemporary urban discourse and contestation between individuals and institutions are situated.
This historical othering provides not just a racialized geo-historical contextualization, but also works to preclude the recognition of the some of the most vulnerable urban community members. As urbanists and advocates strive to co-create urban space and place with municipalities, meeting the needs of these residents is imperative. In order to meet these needs, their lived experiences, and voices must be fully recognized and engaged in the processes and programs of urban co-creation, including in digital spaces and forums. Critical to achieving recognition acknowledging and situating contemporary digital discourses between local municipalities, Black residents, and Black networks within this historically racialized arc is necessary. In doing so, explore if, and how, race, specifically Blackness, is enacted in municipal digital discourse, whether these enactments serve to advance or impede resident recognition and participation, and how Black users, as residents and social network curators, engage and respond to these municipal discursive enactments.
This exploratory research is a geographically and digitally multi-sited incorporated comparison of Chicago, Illinois, and Johannesburg South Africa. Using Twitter and ethnographic data collected between December 1, 2019, and March 31, 2020, this research layers digital ethnographic mixed methods and qualitive mixed methods, including traditional ethnographic, digital ethnographic, grounded theory, social change and discourse analysis, and frame analysis to explore three research goals.
First, explore the digital discursive practices and frames employed by municipalities to inform, communicate with, and engage Black communities, and, if and how, these frames are situated within a historically racialized arc. Second, identify the ways in which Black residents, in dual discursive engagements with local municipalities and their own social networks, interact and engage with the municipal frames centering on Blackness. Third, through ethnographic narratives, acknowledge the marginalized residents of the Central Business District of Johannesburg, South Africa as "agents of knowledge," with critical and valuable knowledge claims which arise from their lived experiences anchored within racialized place and space. In doing so, support the efforts of these residents in recentering the validity of their knowledge claims in the co-creation of urban place and space. Additionally, in situating the city within a historically racialized arc develop novel frameworks, the racialized palimpsest city and syndemic segregation, through which to explore contemporary urban interactions and engagements.Doctor of Philosophy
The United States and South Africa, exemplars of "archsegregation," have been constituted within an arc of historical racialized delineations which began with the centering, and subsequent overrepresentation, of European maleness and whiteness as the sole definition of Man. Globally present and persistent, these racialized delineations have been localized and spatially embedded through the tools of urban planning. This arc of racialized otherness, ineffectively erased, continues to inform the racially differentiated geospatial, health, social, and economic outcomes in contemporary urban form and functions for Black communities. It is within this historical arc, and against these differentiated outcomes, that contemporary urban discourse and contestation between individuals and institutions are situated. This historical othering provides not just a racialized geo-historical contextualization, but also works to preclude the recognition of the some of the most vulnerable urban community members. As urbanists and advocates strive to co-create urban space and place with municipalities, meeting the needs of these residents is imperative. In order to meet these needs, their lived experiences, and voices must be fully recognized and engaged in the processes and programs of urban co-creation, including in digital spaces and forums. Critical to achieving recognition acknowledging and situating contemporary digital discourses between local municipalities, Black residents, and Black networks within this historically racialized arc is necessary. In doing so, explore if, and how, race, specifically Blackness, is enacted in municipal digital discourse, whether these enactments serve to advance or impede resident recognition and participation, and how Black users, as residents and social network curators, engage and respond to these municipal discursive enactments. This exploratory research is a geographically and digitally multi-sited incorporated comparison of Chicago, Illinois, and Johannesburg South Africa. Using Twitter and ethnographic data collected between December 1, 2019, and March 31, 2020, this research layers digital ethnographic mixed methods and qualitive mixed methods, including traditional ethnographic, digital ethnographic, grounded theory, social change and discourse analysis, and frame analysis to explore three research goals. First, explore the digital discursive practices and frames employed by municipalities to inform, communicate with, and engage Black communities, and, if and how, these frames are situated within a historically racialized arc. Second, identify the ways in which Black residents, in dual discursive engagements with local municipalities and their own social networks, interact and engage with the municipal frames centering on Blackness. Third, through ethnographic narratives, acknowledge the marginalized residents of the Central Business District of Johannesburg, South Africa as "agents of knowledge," with critical and valuable knowledge claims which arise from their lived experiences anchored within racialized place and space. In doing so, support the efforts of these residents in recentering the validity of their knowledge claims in the co-creation of urban place and space. Additionally, in situating the city within a historically racialized arc develop novel frameworks, the racialized palimpsest city and syndemic segregation, through which to explore contemporary urban interactions and engagements.
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Schultz, Yvonne R. "Remediating Rhetorical Room at the 1893 Chicago World's Fair: Lucy Stone, Mary Cassatt, and Ida B. Wells." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292124744.
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Budech, Keiko A. "Missing Voices, Hidden Fields: The Gendered Struggles of Female Farmworkers." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/pitzer_theses/54.
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Known for its fertile soil and ideal climate, California has been one of the most agriculturally productive areas in the world. Often left out of this picture are the farmworkers who make it possible. Within this farmworker community, females are a sub-class that has been even more marginalized. This thesis investigates the gendered aspects of fieldwork and exposes female leadership working towards changing these specific struggles, such as sexual harassment in the fields, domestic abuse, pesticide exposure, and the perpetuation of submissive gender roles in the household and workplace. An in-depth case study of Lideres Campesinas, a community- based grassroots organization, is highlighted in order to share members’ stories and explore how an organization run by women farmworkers addresses gendered issues in the fields. A discourse on these obstacles will begin specifically in the fields of Coachella Valley.
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Villela, Berenice. ""Nudge a Mexican and She or He Will Break Out With a Story": Complicating Mexican Immigrant Masculinities through Counternarrative Storytelling." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/98.
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In this thesis, I explore Latino masculinities and contest their uniformity through transforming an oral history conducted with my father into a collection of short stories. Following storytelling traditions of Latino/Mexican culture, I converted an oral history interviews with my dad into a collection of short stories. From these short stories I extracted themes relating to the micro and macro manifestations of gender policing. Drawing from Judith Butler's Theory of performativity and Gloria Anzaldua's theory of Borderland identities, I rethink masculinity and offer Jose Esteban Munoz's theory of disidentification. With these theories in conversation, I analyze the themes of the short stories I present. In Chapter One, I investigate the potential of verguenza and respeto, or shame and respect, to complicate masculinity. In Chapter Two, I critically analyze my father's interaction with INS officials during his interview to become a U.S. resident. In these two sets of stories, I use disidentification to uncover the third space relationship with masculinity. I see this relationship at the intersections of race, class, gender and ability, the identities which come together to leave my father in the borderlands. Ultimately, I complicate masculinity through these analyses, offering a space for a nonoppressive masculinity.
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Castillo, Muñoz Yénika. "Collective weaving of territories: Exploring diasporic identities with Latin American migrants." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22765.
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Den här interaktionsdesign uppsatsen bidrar till en omgående diskussion på Avkoloniserande design. Särskild genom att utforska identiteter i diaspora med latinamerikanska migranter. Mellan anpassning och total assimilation flera frågor dyker upp, om värderingar, egenskaper och vanor, och de materiella uttryck av dessa aspekter såsom de utmaningarna för interaktionsdesign och deras metoder. Resultatet är en kollektiv territorium uttryckt som en interaktiv karta som kontinuerligt vävas genom en smartphone app. Kartan fylls med minnen, låtar, matrecept och drömmar som förverkliga de identiteterna i diaspora (diasporic situatedness). Kartan är en kritisk fabulering om vad kartorna är och kan bli. Kartan vädjar till uppfattningen av den Pluriversum för att avkolonisera begreppen som hybriditet, identitet och territorium. Forskningen avgår från Chicano- och transnationella feminism, postkoloniala och avkoloniala teorier, epistemologier från Södern och kritisk design. I processens hjärta ligger den kollektiva spekulation, genom codesign metoder för att uppmuntra delade funderingar och diskussioner, med visuella och verbala resurser. En ny metod undersöker de berättande egenskaper av linjer för att väva och vandra den interaktiva kartan.This interaction design thesis contributes to the discussion in Decolonial design, and in particular it explores diasporic identities of Latin American migrants. Between adaptation and assimilation, several questions arise: About traces, values, practices and the materialities of these aspects, as well as the challenges for Interaction design and its methods to address them.The design outcome is the concept of a collective identity territory expressed in an interactive map, that is continuously woven digitally through an app interface. The map is populated with memories, songs, recipes and dreams that materialise the diasporic situatedness. I consider it a critical fabulation on what maps can be. The contribution of the outcome appeals to the notion of the Pluriverse to decolonise the notions of hybridity, identity and territory.The research departs from the notions of Chicano and transnational feminism, postcolonial and decolonial theories, epistemologies of the South and critical design. In the center of the design process is the collective speculation, using codesign methods to encourage shared reflections through visual and verbal resources. A new method explores the narrative qualities of lines to weave and wander the interactive map.
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Torres, Siders Jennifer. "Early Care and Education Testimonios at the Borderlands." Scholarly Commons, 2019. https://scholarlycommons.pacific.edu/uop_etds/3577.
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Latinas represent a large proportion of the United States early care and education workforce, and thus have the potential to wield significant influence over the growth and development of millions of American children. However, the voices of Latina early childhood professionals often are missing in both research and mass media. Instead, social, political, and academic frames cast Latinas as foreign regardless of nationality, uneducated notwithstanding expertise, and passive despite action and influence. This testimonio analysis draws on Chicana feminist epistemology to re-center the perspectives of Latina child care providers and reveal more authentic insights on how they understand and perform their roles within the broader social contexts that define and delimit Latina identity in the United States. The collective account that emerges from their testimonios is one of straddling multiple borders: between influence and invisibility, between the personal and the professional, and between community and isolation.
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Anthony, Tyler Robert Daniel. "Análisis de la representación de la mujer en la serie Las chicas del cable (Netflix 2017-20XX)." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu15556849066262.
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Gardea-Hernández, Myra. "¡CON GANAS TODO SE PUEDE! JOURNEYS OF FIRST-GENERATION LATINA NONTRADITIONAL COMMUNITY COLLEGE STUDENT-MOTHERS / ¡CON GANAS TODO SE PUEDE! VIAJES DE MADRES LATINAS NO TRADICIONAL QUE SON ESTUDIANTES PRIMERA-GENERACION EN COLEGIO COMUNITARIO." Scholarly Commons, 2021. https://scholarlycommons.pacific.edu/uop_etds/3728.
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Nontraditional college student enrollment in the United States is rapidly growing and is predicted to continue to increase. Similarly, female students are currently the majority student population on college campuses. Although numerous studies document college student experiences, few focus on first-generation Latinas who are student-mothers at community colleges. The purpose of this study was to explore the educational experiences of first-generation Latina nontraditional student-mothers enrolled at a community college in California to identify the ways in which grit (ganas) and mindsets influenced their success. This inquiry followed Moustakas’s (1994) transcendental phenomenology research process. Individual interviews of five Latinas were analyzed using Moustakas’s modification of the Van Kaam method of analysis. The findings indicate that each woman had a similar yet unique story based upon their intersectional identities and the space in which they lived in at the time of this study. These stories collectively echoed a phenomenon rooted in cultural pervasiveness and generational continuity, an urgency to break cultural norms, and the grasp on ganas and mindsets that each participant held onto while striving to reach their educational goals. The participants’ stories illuminated an unanticipated connection to my own story as a Latina student-mother in search of a higher education. This connection provided me with a deeper understanding of my educational path and the realization that ganas and mindsets also influenced my educational experiences. The implications from this study offer ways to support this specific group of students both collectively and individually.
La inscripción de estudiantes del colegio no tradicionales en los Estados Unidos está creciendo rápidamente y se prevé que continúe aumentando. Del mismo modo, las alumnas son actualmente la población estudiantil mayoritaria en los colegios. Aunque numerosos estudios documentan experiencias de estudiantes de colegio, pocos se centran en latinas de primera generación que son estudiantes-madres en colegios comunitarios. El propósito de este estudio fue explorar las experiencias educativas de las madres Latinas que son estudiantes no tradicionales de primera generación inscritas en un colegio comunitario en California para identificar las maneras en que sus ganas y mentalidades influyeron en su éxito. Este estudio siguió al proceso de investigación de fenomenología trascendental de Moustakas (1994). Las entrevistas individuales de cinco Latinas fueron analizadas utilizando la modificación de Moustakas del método de análisis de Van Kaam. Los hallazgos indican que cada mujer tenía una historia similar pero única basada en sus identidades interseccionales y el espacio en el que vivían en el momento de este estudio. Estas historias hicieron eco colectivamente de un fenómeno arraigado en la omnipresencia cultural y la continuidad generacional, la urgencia de romper las normas culturales y la comprensión de las ganas y las mentalidades que cada participante aferró mientras se esforzaba por alcanzar sus metas educativas. Las historias de los participantes iluminaron una conexión imprevista con mi propia historia como estudiante-madre Latina en busca de una educación superior. Esta conexión me proporcionó una comprensión más profunda de mi camino educativo y la comprensión de que las ganas y las mentalidades también influyeron en mis experiencias educativas. Las implicaciones de este estudio ofrecen maneras de apoyar a este grupo específico de estudiantes tanto colectiva como individualmente.
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Sendejo, Brenda Lee. ""The face of god has changed" : Tejana cultural production and the politics of spirituality in the borderlands." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1613.
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This ethnography of spirituality explores the production of cultural practices and beliefs among a group of Texas Mexican women (Tejanas) of the post-World War II generation. These women have been involved with various social justice initiatives since the 1960s and 1970s in Texas, such as the Chicana feminist and Chicano civil rights movements. This study explains how race, ethnicity, and gender intersect and interact in these women’s geographic and spiritual borderlands to produce a pattern of change in the ways they choose to engage with religion, particularly Catholicism.
While the Tejana spiritual productions examined here are in many ways distinct from the religious practices of these women’s Catholic upbringings, they also recall religious rituals and traditions from their imagined, constructed, and engaged pasts. Some women have left Catholicism for other forms of spiritual fulfillment, including earth-based, indigenous, and/or Eastern religious practices, while others have remained Catholic-identified, yet altered how they practice Catholicism. A common theme in the narratives is that of spiritual agency – the conscious decision women make to reconfigure their spiritual practices and beliefs. I explore the meaning of such acts and what they indicate about the construction of spiritual and religious identities in the borderlands. I argue that because gender structures Tejana religious experiences to such a wide extent, a critical gender analysis of religious and spiritual practices will provide deeper insight into the making of Texas Mexican culture and social relations.
I examine the women’s life experiences through a methodological framework I call mujerista ethnography, which draws on oral history and research methods employed by feminist, indigenous, and Chicana/o Studies scholars. In order to further illustrate how the women’s material and spiritual needs have changed so as to require new forms of spiritual engagement, I engage in a critical self-reflection of my own spiritual journey as a Tejana raised in the Catholic faith through the use of autoethnographic research methods and testimonio.
I argue that these Tejanas have extended the political, feminist, and historical consciousnesses that they cultivated in Mexican American social causes into the religious and spiritual realms. For instance, these women transferred their critique of gender politics and hierarchies of power into the social setting of organized Catholicism with new spiritual practices and understandings, effectively remaking religion and subsequently engaging in processes of self-making by changing the ways they interact with Catholicism and are affected by it. Religion, as a site of social struggle for women, is political, that is, these Tejanas transformed the spiritual into a site of resistance, resolution, and reconciliation where they disrupt and challenge hierarchies of power and create strategies for healing themselves, their communities, and the earth.text
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Zavala, Corina Raquel. "Crystal City women's reflections and stories of the Chicano movement in Crystal City, Texas." Thesis, 2014. http://hdl.handle.net/2152/25039.
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Crystal City, Texas has been a part of the Chicano Movement narrative since the beginning. Crystal City High School like others across the United States held walkouts to protest the lack of respect for the Mexican American culture and for civil rights for Mexican Americans in schools. Crystal City is also the home to one of the original Raza Unida Parties. This rich history has placed Crystal City in a unique position in Chicano history. This study draws from Chicana Feminist epistemology, methodology, and scholarship to disrupt the meta-narrative that is and has been told of the Chicano Movement, and more specifically about Crystal City and its part in the Movement. By creating a counter narrative that is woman centered, this dissertation seeks to disrupt the binary of good/bad views of the Chicano Movement. This is done through the use of oral histories and testimonios of four women who were not directly in the spotlight of the Chicano Movement. This dissertation then briefly examines what stories our four women shared with their youngest child. This was done to investigate what the author has experienced with younger generations of Cristaleños. The experiences can best be described as disillusionment of the Chicano Movement. The major components of this dissertation are the stories the four participants share about the Chicano Movement in Crystal City, Texas. These stories are personal and touching in a way that showcases the use of Chicana Feminist methodology and disrupts the meta-narrative of the Chicano Movement and the binary of the views of the Movement.text
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Peña, Ezequiel Ainslie Ricardo C. "Reconfiguring epistemological pacts a lacanian and post-lacanian discouse analysis of Chicano cultural nationalist, Chicana feminist, and Chicano/a dissident intellectual subject positions /." 2005. http://repositories.lib.utexas.edu/bitstream/handle/2152/2040/penae28922.pdf.
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Peña, Ezequiel. "Reconfiguring epistemological pacts: a lacanian and post-lacanian discouse analysis of Chicano cultural nationalist, Chicana feminist, and Chicano/a dissident intellectual subject positions." Thesis, 2005. http://hdl.handle.net/2152/2040.
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"Lucha por la Dignidad: Espiritualidades y Expresiones Religiosas en la Producción Cultural Chicana, 1960-2014." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.40815.
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abstract: In the last three years, a transition from Catholicism to other religious affiliations has been observed of Hispanic Americans. According to a study by the Pew Research Center in 2013, there are now 24% Hispanics who are now ex-Catholics. This dissertation examines the religious trending away of Chicanas and Chicanos from Catholicism in particular. It contributes to the field of Chicano cultural studies by exploring religious expressions and spiritualities that are an alternative to traditional Catholicism from 1960 to 2014. Chapters One and Two are a foundation to this investigation, as they provide a brief historical contextualization of religiosity in Chicano culture, as well as explain the theoretical framework utilized throughout the dissertation. Chapter Three examines the activism of Reies López Tijerina, a Pentecostal preacher, and Ignacio García, a devout Mormon, in the 1960s and 1970s. Their autobiographies are studied, particularly focusing on how their religion became an integral part to in their awareness as they became involved in the Chicano Movement. Chapter Four explores the representation and relationships between spiritual figures of the Chicana mother in the following works: the artworks Housewife Battles Self (1994) by Max-Carlos Martínez, Tonantzin, the Aztec Earth Goddess (2001) by Dolores Guerrero, and the novels So Far from God (1993) by Ana Castillo and Esperanza’s Box of Saints (1999) by María Amparo Escandón. Finally, Chapter Five presents religious expression and spirituality in the borderlands experience. In this chapter several popular saints are studied, including the Texas curandero, don Pedrito Jaramillo, and the images of Jesús Malverde and la Santa Muerte.Dissertation/Thesis
Doctoral Dissertation Spanish 2016
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Hernandez, Lisa Justine. "Chicana feminist voices : in search of Chicana lesbian voices from Aztlán to cyberspace." 2001. http://hdl.handle.net/2152/10529.
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Jiroutová, Kynčlová Tereza. "Chicana Literature: A Feminist Perspective of Gloria Anzaldua's Identity Politics." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-368019.
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Chicana Literature: A Feminist Perspective of Gloria Anzaldúa's Identity Politics Doctoral Thesis Mgr. et Mgr. Tereza Jiroutová Kynčlová 2017 ABSTRACT In the analyses executed in the present doctoral thesis, Chicana literary production emerges as a complex example of a strategic and reflexive instrumentalization of literature in the form of a political and activist tool contributing to Chicanas' gender and cultural emancipation on the one hand. On the other hand, within the Chicana/o context, literature is employed for perfecting the politics of recognition of the marginalized nation typified by the specificity of its geographic, cultural, and social location on the U.S.-Mexico border where a plethora of socially constructed categories interact and intersect. The doctoral thesis further provides a gender analysis of literary representations of Chicana/o lived experience by Chicana feminist writers in general and by Gloria Anzaldúa in particular, and investigates how these representations help shape feminist thought not only in relation to the U.S.-Mexico borderlands, but within and beyond the United States. Moreover, the thesis supplies an interpretation of Anzaldúa's reconceptualization of the border concept as a pertinent means for comprehending Chicanas'/os' socio-cultural context and for forging a...
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Winkler, Helga. "Selected Mexicana and Chicana fiction new perspectives on history, culture and society /." 1991. http://catalog.hathitrust.org/api/volumes/oclc/31204653.html.
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Harris, Amanda Nolacea. "From the movement to the post-Movement : rethinking anti-hegemonic discourses in Chicana feminist thought /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3250253.
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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006.Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0571. Advisers: Debra Castillo; Ronald Sousa. Includes bibliographical references (leaves 163-171) Available on microfilm from Pro Quest Information and Learning.
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Rodriguez, y. Gibson Eliza. "Remembering we were never meant to survive loss in contemporary Chicana and Native American feminist poetics /." 2002. http://catalog.hathitrust.org/api/volumes/oclc/51775831.html.
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Nelson, Patricia Elise. "Rewriting myth : new interpretations of La Malinche, La Llorona, and La Virgen de Guadalupe in Chicana feminist literature /." 2008. http://hdl.handle.net/10288/474.
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Martinez, Melissa Ann. "Traversing literal and figurative borders in South Texas : Mexican Americans and college choice." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1801.
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College choice is often described as a three-stage developmental process where students progress through the following phases: predisposition, search and choice (Cabrera & La Nasa, 2000; Hossler & Gallagher, 1987). Existing research, however, suggests this model does not account for all aspects of Latina/os’ college choice experience (Hurtado, Kurotsuchi, Briggs, & Rhee, 1996; Perna, 2000), warranting further investigation. As such, in-depth phenomenological interviews (Seidman, 2006) were conducted with 20 Mexican American high school seniors from the South Texas Border, an area with postsecondary attainment rates below the state and national average (U.S. Census Bureau, 2008f), to gain a deeper understanding of their college choice experience. Guided by an integrated social capital and Chicana feminist conceptual framework, this study sought to uncover how the intersectionality of students’ social identities shaped their college choice process. Specifically, this study explored how students’ identities influenced their college aspirations and their access to college information, support and assistance via their social networks.
Findings revealed that students negotiated among several social identities (generational college status, sibling identity, academic identity, class identity, racial/ethnic identity, co-curricular identity, regional identity) which influenced the development of their college aspirations and their ability to access college knowledge and support from their social networks in both positive and negative ways within the four main spaces (cultural/familial space, community space, school space, and cyberspace) they occupied on a daily basis. Students’ narratives further indicated that the individuals or entities in their social networks that were influential and/or considered sources of college knowledge and support included immediate and extended family members, various community members such as neighbors or members of students’ religious congregations, school personnel (counselors, teachers, co-curricular sponsors), higher education representatives and institutions, peers, and various college oriented websites found on the Internet. Students also noted, however, various challenges in navigating their college choice process that centered around: 1) parents’ limited college knowledge, 2) attending a local/regional institution or one outside the region, 3) combating negative educational stereotypes of Mexican Americans in general and those in the South Texas Border in particular, and 4) accessing adequate college information and assistance at school.text
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Villalobos, Rocío Del Rosario. ""Se hace puentes al andar" : PODER and the Young Scholars for Justice." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3387.
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Youth of color are routinely dehumanized and treated as objects both in schools and in society. The “banking method” approach to teaching and stringent zero tolerance policies that are prevalent in low-income schools predominantly populated by youth of color serve to push youth out of school and pull them into the school-to-prison pipeline. When students do not meet their school’s standards, the institutional gaze is fixed disapprovingly on the child and the family. The history of segregation and institutionalized oppression that led to a legacy of inadequate and culturally irrelevant schooling and a poor quality of life for communities of color is erased. For the children who grow up in such environments, a historical silence makes it difficult if not impossible to make sense of their present-day conditions and the changes they are witnessing in their communities. People Organized in the Defense of Earth and her Resources (PODER) is an organization that focuses on issues of environmental, economic, and social justice, and strives to facilitate youth empowerment through their Young Scholars for Justice (YSJ) summer program. The youth of color in the program are positioned as knowledgeable researchers and historical actors in their community. The Chicana feminist epistemology of PODER’s staff members creates a nurturing and family-like environment for the youth, which has a significant impact on the females, and enables youth to utilize personal experiences to develop a structural analysis of oppression. As youth acquire a historical conocimiento of East Austin, they also learn about organized resistance to oppression vis-à-vis environmental justice campaigns. In doing so, a spiritual activism blossoms in the youth that is born from their wounds of oppression and rooted in a cultural and historical awareness of their community. The youth engage in a cycle of praxis as their spiritual activism mobilizes them against injustices and ushers in their transformation into subjects. Through participant observation and interviews, I weave together a critical case study of the YSJ program that is informed by the metamorphosis I experienced after participating in the program.text
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Percy, Ruth. "Women or workers? The construction of labour feminism in London and Chicago, 1880s--1920s." 2006. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=449748&T=F.
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López, Patricia Dorene. "The process of becoming : the political construction of Texas’ Lone STAAR system of Accountability and College Readiness." Thesis, 2012. http://hdl.handle.net/2152/28708.
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As systems of accountability and efficiency continue to permeate public education institutions it is important that research engage the various factors that embody how these systems come to be, whose knowledge gains access to informing their designs, and whose interests are served. Texas has long been recognized as a testing ground for such policy designs, although researchers’ points of departure on such systems have solely focused on the outcomes of these policies in practice. Research on the political construction and discourses that define the underlying goals of these systems continue to be ignored by researchers. Analyses of Texas-inspired federal policies have also predominantly taken an outcomes-based approach, or at most have had episodic engagements with political processes peering down from the balcony to observe the interaction of the obvious actors. To this end, this three-year ethnographic study conceptually and methodologically engages the various dimensions—such as race, class, history, interest, power, and agency—that embody the political lineage of Texas’ new system of Accountability and College Readiness across various contexts. This study further contributes to the dearth of literature that examines the role of research and university researchers in policy debates, and the limits and possibilities of politically engaged scholars in such processes.text
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Chang-Ross, Aurora. "Racial queer : multiracial college students at the intersection of identity, education and agency." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1091.
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Racial Queer is a qualitative study of Multiracial college students with a critical ethnographic component. The design methods, grounded in Critical Race Methodology and Feminist Thought (both theories that inform Critical Ethnography), include: 1) 25 semi-structured interviews of Multiracial students, 2) of which 5 were expanded into case studies, 3) 3 focus groups, 4) observations of the sole registered student organization for Multiracial students on Central University’s campus, 5) field notes and 6) document analysis. The dissertation examines the following question: How do Multiracial students understand and experience their racialized identities within a large, public, tier-one research university in Texas? In addition, it addresses the following sub-questions: How do Multiracial students experience their racialized identities in their everyday interactions with others, in relation to their own self-perceptions and in response to the way others perceive them to be? How do Multiracial students’ positionalities, as they relate to power, privilege, phenotype and status, guide their behavior in different contexts and situations?
Using Holland et al.’s (1998) social practice theory of self and identity, Chicana Feminist Theory, and tenets of Queer Theory, this study illustrates how Multiracial college students utilize agency as racial queers to construct and negotiate their identities within a context where identity is both self-constructed and produced for them. I introduce the term, racial queer, to frame the unconventional space of the Multiracial individual. I use this term not to convey sexuality, but to convey the parallels of queerness (both as a term of empowerment and derogation) as they pertain to being Multiracial. In other words, queerness denotes a unique individuality as well as a deviation from the norm (Sullivan, 2003; Warner, 1993; Gamson, 2000).
The primary purpose of this study is to illustrate the agentic ways in which Multiracial college students come to understand and experience the complexity of their racialized identity production. Preliminary findings suggest the need to expand the scope of racial discourses to include Multiracial experiences and for further study of Multiracial students. Their counter-narratives access an otherwise invisible student population, providing an opportunity to broaden critical discourses around education and race.text
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Portillo, Juan Ramon. ""Hips don't lie" : Mexican American female students' identity construction at The University of Texas at Austin." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-08-6189.
Full textAbstract:
While a university education is sold to students as something anyone can achieve, their particular social location influences who enters this space. Mexican American women, by virtue of their intersecting identities as racialized women in the US, have to adopt a particular identity if they are to succeed through the educational pipeline and into college. In this thesis, I explore the mechanics behind the construction of this identity at The University of Texas at Austin. To understand how this happens, I read the experiences of six Mexican American, female students through a Chicana feminist lens, particularly Anzaldúa’s mestiza consciousness. I discovered that if Mexicana/Chicana students are to “make it,” they have to adopt a “good student, nice Mexican woman” identity. In other words, to be considered good students, Mexican American women must also adopt a code of conduct that is acceptable to the white-centric and middle-class norms that dominate education, both at a K-12 level and at the university level. This behavior is uniquely tied to the social construction of Mexican American women as a threat to the United States because of their alleged hypersexuality and hyperfertility. Their ability to reproduce, biologically and culturally, means that young Mexican women must be able to show to white epistemic authorities that they have their sexuality and gender performance “under control.” However, even if they adopt this identity, their presence at the university is policed and regulated. As brown women, they are trespassers of a space that has historically been constructed as white and male. This results in students and faculty engaging in microaggressions that serve to Other the Mexican American women and erect new symbolic boundaries that maintain a racial and gender hierarchy in the university. While the students do not just accept these rules, adopting the identity of “good student, nice Mexican woman” limits how the students can defend themselves from microaggressions or challenge the racial and gender structure. Nevertheless, throughout this thesis I demonstrate that even within the constraints of the limited identity available to the students, they still resist dominant discourses and exercise agency to change their social situation.text
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Flores, Alma Itzé. "Decolonizing minds : the experiences of Latina Mexican American studies majors at a predominately white university." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3564.
Full textAbstract:
The recent attacks on ethnic studies programs both in Arizona with house bill 2281 and locally at the University of Central Texas serve as an urgent call to address how ethnic studies programs impact the educational trajectories of students. Additionally, research done on ethnic studies programs has largely focused on high school programs, overlooking programs in higher education. Therefore, this study addresses the following question: In what ways does being a Mexican American Studies major influence the experiences of Latinas at a predominately White institution (PWI)? Using Chicana feminist thought and Yosso’s (2005) community cultural wealth model as theoretical perspectives this study seeks to; 1) understand an educational approach (ethnic studies) that has shown success with students of color, 2) fill in the gap in the literature of ethnic studies programs in higher education, and 3) look at the gendered experience of Latinas at PWIs. Through a thematic analysis of six in depth interviews and a focus group conducted with six Latina undergraduates the author finds that Mexican American Studies represents a site or process of reclaiming and redefining. Four major themes are identified and discussed; reclaiming knowledge, the self, and space(s) and redefining la mujer. The findings suggest that there is a relationship between student retention and ethnic studies programs, adding epistemic and mestiza capital to Yosso’s community cultural wealth model, and using ethnic studies programs as models of how to best support students of color at PWIs. The author concludes with the suggestion that more research is needed on the experiences of other undergraduate students (White, African American, men, etc.) that are ethnic studies majors in order to further understand the impact, importance, and wealth of potential in these programs.text
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Castro, Villarreal Mario Nicolas. "Fictionalizing Juárez : feminicide, violence, and myth-making in the borderlands." Thesis, 2014. http://hdl.handle.net/2152/26391.
Full textAbstract:
In the early 1990s, a series of gruesome murders of young women in Ciudad Juárez, a city located in the U.S.-Mexico border, shook the political landscape of Mexico. A decade later, the strange and violent murders, known as the feminicides or feminicidios of Juárez, reached international infamy across hemispheres and continents. During this time, the city and the cases became the subjects of an extensive body of scholarship and of any imaginable artistic medium (narrative, poetry, theater, performance, music, and so on). Eventually, the complexity and overexposure of the cases and the sociopolitical conditions of Ciudad Juárez placed them at the center of a paradoxical debate: on one hand, the work of activists, feminists, and scholars of social sciences (like anthropologists and sociologists) studied the murders as a localized example of a larger phenomenon of mysoginistic violence; on the other, journalistic and media investigations of Juárez understood the murders as the products of specific agents (serial killers, murderers, drug cartels, amongst others) and the fractures within the Mexican Nation-State. And yet, despite the expansion and overlapping of these discourses, fictional representations of Juárez remained tangential to this intricate debate. Thus, this research explores the different ways in which writers, artists, and filmmakers deployed and negotiated existent perspectives on the feminicides within fictional environments. As a result of the vast amount of published work available on Ciudad Juárez, I narrowed the objects of my research through a transnational scope. The resulting sample of texts transverses borders (Mexico and the U.S.), continents (Latin America and Europe), genres (fiction and nonfiction), and mediums (literature and film). The first chapter explores the connections of Sergio González Rodríguez’s Huesos en el desierto and Roberto Bolaño’s 2666 through the theoretical framework of the possible worlds of fiction. The second chapter moves to issues of representation, gender, and race through the analysis of two novels written by Chicana scholars: Alicia Gaspar de Alba’s Desert Blood: The Juárez Murders and Stella Pope Duarte’s If I Die in Juárez. Finally, the third chapter focuses on film representations of Juárez and the feminicides in the form of Gregory Nava’s Bordertown and Carlos Carrera’s Backyard/El Traspatio.text