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Journal articles on the topic 'Children's Fiction'

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1

DELMAR, ROSALIND. "CHILDREN'S FICTION." History Workshop Journal 28, no. 1 (1989): 172–78. http://dx.doi.org/10.1093/hwj/28.1.172.

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2

Michaels, Wendy, and Donna Gibbs. "Fictional Fathers: Gender Representation in Children's Fiction." Papers: Explorations into Children's Literature 12, no. 3 (December 1, 2002): 35–45. http://dx.doi.org/10.21153/pecl2002vol12no3art1300.

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3

Bushey, Tahirih, and Richard Martin. "Stuttering in Children's Literature." Language, Speech, and Hearing Services in Schools 19, no. 3 (July 1988): 235–50. http://dx.doi.org/10.1044/0161-1461.1903.235.

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In this paper, the authors present brief reviews of 20 works of children's fiction in which a character stutters. The purposes of the reviews were (a) to provide speech-language clinicians with synopses of most of the currently available children's fiction involving characters who stutter, and (b) to explore how the authors of children's fiction portray certain aspects of stuttering, such as symptomatology, causation, and treatment.
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4

Nikolajeva, Maria. "Recent Trends in Children's Literature Research: Return to the Body." International Research in Children's Literature 9, no. 2 (December 2016): 132–45. http://dx.doi.org/10.3366/ircl.2016.0198.

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Twenty-first-century children's literature research has witnessed a material turn in strong response to the 1990s perception of childhood and the fictional child as social constructions. Cultural theories have generated fruitful approaches to children's fiction through the lenses of gender, class, race and sexual orientation, and psychoanalytically oriented theories have explored ways of representing childhood as a projection of (adult) interiority, but the physical existence of children as represented in their fictional worlds has been obscured by constructed social and psychological hierarchies. Recent directions in literary studies, such as ecocriticism, posthumanism, disability studies and cognitive criticism, are refocusing scholarly attention on the physicality of children's bodies and the environment. This trend does not signal a return to essentialism but reflects the complexity, plurality and ambiguity of our understanding of childhood and its representation in fiction for young audiences. This article examines some current trends in international children's literature research with a particular focus on materiality.
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5

Grieve, Ann. "Metafictional Play in Children's Fiction." Papers: Explorations into Children's Literature 8, no. 3 (December 1, 1998): 5–15. http://dx.doi.org/10.21153/pecl1998vol8no3art1369.

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6

Koger, Ellen. "Subject Headings for Children's Fiction." Technical Services Quarterly 2, no. 1-2 (August 29, 1985): 13–18. http://dx.doi.org/10.1300/j124v02n01_03.

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7

Gilliver, John. "Religious values and children's fiction." Children's Literature in Education 17, no. 4 (December 1986): 215–25. http://dx.doi.org/10.1007/bf01131445.

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8

Smith, Michelle J. "Imagining Colonial Environments: Fire in Australian Children's Literature, 1841–1910." International Research in Children's Literature 13, no. 1 (July 2020): 1–14. http://dx.doi.org/10.3366/ircl.2020.0324.

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This article examines children's novels and short stories published in the late nineteenth and early twentieth centuries that feature bushfires and the ceremonial fires associated with Indigenous Australians. It suggests that British children's novels emphasise the horror of bushfires and the human struggle involved in conquering them. In contrast, Australian-authored children's fictions represent less anthropocentric understandings of the environment. New attitudes toward the environment are made manifest in Australian women's fiction including J. M. Whitfield's ‘The Spirit of the Bushfire’ (1898), Ethel Pedley's Dot and the Kangaroo (1899), Olga D. A. Ernst's ‘The Fire Elves’ (1904), and Amy Eleanor Mack's ‘The Gallant Gum Trees’ (1910). Finally, the article proposes that adult male conquest and control of the environment evident in British fiction is transferred to a child protagonist in Mary Grant Bruce's A Little Bush Maid (1910), dispensing with the long-standing association between the Australian bush and threats to children.
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9

Mawanti, Cholis, Nensy Megawati Simanjuntak, Suyatno, and Darni. "Implementation of Directive Functions in Children's Literature Written by Authors of Children Aged 7-12 Years." Indonesian Journal of Contemporary Multidisciplinary Research 2, no. 3 (May 30, 2023): 315–20. http://dx.doi.org/10.55927/modern.v2i3.3860.

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A work of fiction made by a child is an extraordinary gift. The child's ability to imagine and put that imagination into a series of stories is an invaluable value of the archipelago's wealth. A work made by children aged 6-12 years became one of the riches of Indonesian literature which eventually developed and was called children's literature. Children's literature is rich in values and messages. Children's literature is also rich in directive functions. This study found that in children's literature there are many directive functions conveyed by the author through his work. The various directive functions contained in children's fiction are representations of real life experienced by characters or writers in their daily routines. The richer the directive function in children's fiction, the richer the message conveyed by the author, implicitly or explicitly
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10

Hurst, Mary Jane, and John Stephens. "Language and Ideology in Children's Fiction." Language 70, no. 1 (March 1994): 218. http://dx.doi.org/10.2307/416784.

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11

Gannon, Susan R. "Children's Fiction: Who Speaks? Who Listens?" Children's Literature Association Quarterly 19, no. 4 (1994): 190–92. http://dx.doi.org/10.1353/chq.0.1065.

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12

Khorana, Meena. "Apartheid in South African Children's Fiction." Children's Literature Association Quarterly 13, no. 2 (1988): 52–56. http://dx.doi.org/10.1353/chq.0.0521.

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13

Veldhuizen, Vera Nelleke. "The Curious Case of Children's Detective Fiction: Analysing the Adaptation of the Classic Detective Formula for a Child Audience." Crime Fiction Studies 4, no. 2 (September 2023): 162–78. http://dx.doi.org/10.3366/cfs.2023.0096.

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The popularity of the children's detective genre defies an apparent clash between the nature of the genre, specifically its reliance on readerly ability and capital crime, and children's literature's specific group of readers, and thus invites investigation. It is therefore peculiar that children's detective fiction has not enjoyed much scholarship, particularly in the English language. While the detective genre is usually discussed under the umbrella term of ‘crime literature’ when it enjoys an adult readership, in children's literature scholarship it is usually tucked into the categories of the ‘adventure’ or ‘mystery’ story. This article aims to address the relative lack of scholarship on children's detective fiction by analysing how the classic detective is adapted for child readers. 1
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14

Rusli, Devi, and Ali Arben. "PENGARUH BUKU FIKSI TERHADAP THEORY-OF-MIND ANAK PRASEKOLAH." Jurnal RAP (Riset Aktual Psikologi Universitas Negeri Padang) 14, no. 2 (December 19, 2023): 144. http://dx.doi.org/10.24036/rapun.v14i2.124769.

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Fiction books are learning media that can be used to introduce various experiences about other people's views and emotions to preschoolers through story characters. At preschool age, children already have a need to interact with other people, especially with their peers. Children's understanding of the desires and feelings of other people known as theory of mind (ToM) helps them to be more accepted and adjust when playing with their friends. The effect of fiction books on the ToM development of preschoolers was tested through experimental research on 44 (forty four) preschoolers (23 boys and 21 girls). Two experimental groups read fiction and non-fiction books and one control group (coloring). Based on the results of data analysis, it is known that there is an average difference between the 3 groups. It is known that the fictional experimental group has a better ToM score than the non-fiction experimental group and the control group with a significant p value <0.05 (Ⅹ² = 7.07 , p = 0.029 ). In conclusion, fiction books have an influence on the ToM development of preschoolers.
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15

Yaakob, Nor Azuwan, Awang Sariyan, and Syed Nurulakla Syed Abdullah. "Application of Syntactic Analysis in Children's Fiction Essays by Slow Learner Students in Primary School: Focus on Sentence Building." Jurnal Bahasa 22, no. 2 (October 29, 2022): 299–328. http://dx.doi.org/10.37052/jb22(2)no6.

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This study focuses on the application of syntactic analysis in the aspect of sentence building in children's fiction essays by slow learner students in primary school in Selangor and Putrajaya, Malaysia. The objectives of this study are: to analyze the structure of syntactic elements produced in children's fiction essays by a selected sample; to associate the structure analysis of the syntactic elements with the ability of the study sample in the writing of children's fiction essays from a language point of view; as well as to recommend teaching and learning (PdP) strategies in the aspect of writing for slow learner students. The syntactic aspect selected for the analysis of this study is the build-up of the sentence, which includes a single sentence, a combined compound sentence, a plural sentence of spikes and a mixed compound sentence. The construction aspect of a sentence is a basic aspect of syntax that needs to be mastered in order to convey information. The syntactic analysis model used is a model highlighted by Awang (2015), which is an adaptation of the Short and Leech Models (1981, 2007) in the fictional prose analysis method. From the analysis, it was found that the sample of this study consists of slow learner students who are able to apply syntactic analysis to produce sentences in syntactic hierarchies, from single sentences (the simplest sentences) to more complex sentences (combined compound sentences and spike compound sentences).
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16

Gilead, Sarah. "Magic Abjured: Closure in Children's Fantasy Fiction." PMLA 106, no. 2 (March 1991): 277. http://dx.doi.org/10.2307/462663.

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17

Krips, Valerie. "A Notable Irrelevance: Class and Children's Fiction." Lion and the Unicorn 17, no. 2 (1993): 195–209. http://dx.doi.org/10.1353/uni.0.0171.

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18

Wojtasik, Aneta. "The pleasures for adults in children's fiction." New Review of Children's Literature and Librarianship 7, no. 1 (January 2001): 205–11. http://dx.doi.org/10.1080/13614540109510654.

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19

Світлана Тітаренко. "FORMATION OF ELEMENTARY ASTRONOMIC PERCEPTIONS IN OLDER PRESCHOOL CHILDREN BY MEANS OF LITERATURE AND FOLK ART." Collection of Scientific Papers of Uman State Pedagogical University, no. 3 (September 4, 2020): 160–66. http://dx.doi.org/10.31499/2307-4906.3.2020.219118.

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The article substantiates the relevance of the problem of formation of senior preschool children's elementary astronomical representations. The analysis of psychological and pedagogical researches on the problem of formation of senior preschool children’s elementary astronomical ideas has been carried out. The influence of literature and oral folk art on the formation of senior preschool children's elementary astronomical ideas has been substantiated. The level of formation of senior preschool children’s elementary astronomical ideas has been determined. A system of work on the formation of senior preschool children’s elementary astronomical representations by means of fiction and oral folk art has been proposed and its effectiveness has been checked.The purpose of the research is theoretical substantiation and experimental study of the literature and folk art influence on the formation of senior preschool children’s elementary astronomical ideas. To solve this goal, the following research methods were used: analysis to determine the status and isolation of problems of astronomical education in the institution of preschool education; observing the educational process of astronomy in the institution of preschool education in order to identify its shortcomings and identify prospects for improvement; questionnaires, surveys to reveal the level of preschool children’s knowledge in astronomy; current and final control to determine the level of formation of elementary astronomical representations. It is determined that the positive prerequisite for the formation of astronomical ideas in senior preschoolers is the usage of fiction in its different variations.
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20

YU, CHEN-WEI. "Power and its Mechanics in Children's Fiction: The Case of Roald Dahl." International Research in Children's Literature 1, no. 2 (December 2008): 155–67. http://dx.doi.org/10.3366/ircl.2008.0004.

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This article looks from a Foucauldian perspective at the exercise of power in children's fiction. Roald Dahl's novels are examined as the paradigmatic product of social discourses; and power operates through their circulation. It is argued that Dahl's narratives reflect the author's personal struggle against discourses, which construct both the author himself and his readers as subjects. The article then turns to some critical responses to the novels. It suggests that the author and critics further reprise the roles of fictional child and adult characters, in a constantly shifting dynamic of power relations.
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21

O’ktamovna, Navro’zova Gulrux. "CHARACTERISTICS AND SPECIAL FEATURES OF CHILDREN'S LITERATURE." International Journal Of Literature And Languages 03, no. 02 (February 1, 2023): 49–56. http://dx.doi.org/10.37547/ijll/volume03issue02-10.

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This article analyzes children's fiction and its specific features, explores the importance of the literary fairy tale genre and folklore, the concepts of national psyche and psychologism, and the differences between children's literature and adult literature
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22

Zur, Dafna. "Let's Go to the Moon: Science Fiction in the North Korean Children's Magazine Adong Munhak, 1956–1965." Journal of Asian Studies 73, no. 2 (May 2014): 327–51. http://dx.doi.org/10.1017/s0021911813002404.

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Science fiction narratives appeared in the North Korean children's magazine Adong munhak between 1956 and 1965, and they bear witness to the significant Soviet influence in this formative period of the DPRK. Moving beyond questions of authenticity and imitation, however, this article locates the science fiction narrative within North Korean discourses on children's literature preoccupied with the role of fiction as both a reflection of the real and a projection of the imminent, utopian future. Through a close reading of science fiction narratives from this period, this article underscores the way in which science, technology, and the environment are implicated in North Korean political discourses of development, and points to the way in which these works resolve the inherent tension between the desirable and seemingly contradictory qualities of the ideal scientist—obedient servant of the collective and indefatigable questioner—to establish the child-scientist as the new protagonist of the DPRK.
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23

Kidd, Kenneth. "Queer Theory's Child and Children's Literature Studies." PMLA/Publications of the Modern Language Association of America 126, no. 1 (January 2011): 182–88. http://dx.doi.org/10.1632/pmla.2011.126.1.182.

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In 2002 Karín Lesnik-Oberstein and Stephen Thomson published an essay entitled “what is queer theory doing with the child?,” addressing work in the 1990s by Michael Moon and the late, great Eve Kosofsky Sedgwick on the “protogay” child. Something inappropriate, even scandalous, was their answer, as one might surmise from the accusatory shape of the question. In their reading, Moon and Sedgwick essentialize rather than interrogate the protogay child, such that said child becomes “an anti-theoretical moment, resistant to analysis, itself the figure deployed as resistance” (36). For Lesnik-Oberstein and Thomson, queer theory is insufficiently alert to the lessons of poststructuralist theory and especially to the ongoing interrogation of “child” and “childhood.” Lesnik-Oberstein and Thomson specialize in childhood studies, and Lesnik-Oberstein is a well-known scholar of children's literature. Her 1994 Children's Literature: Criticism and the Fictional Child extends and takes inspiration from Jacqueline Rose's The Case of Peter Pan; or, The Impossibility of Children's Fiction (1984), which ushered into children's literature studies a powerful and lasting skepticism about “childhood” and “children's literature.”
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24

Nelson, Claudia. "Performance and Adoption in Noel Streatfeild's Children's Fiction." Adoption & Culture 1, no. 1 (2007): 187–203. http://dx.doi.org/10.1353/ado.2007.0004.

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25

Copeland, Marion W. "Talking Animals in British Children's Fiction, 1786–1914." Anthrozoös 20, no. 1 (March 2007): 88–90. http://dx.doi.org/10.2752/089279307780216588.

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26

Liang, Wen-chun. "A Descriptive Study of Translating Children's Fantasy Fiction." Perspectives: Studies in Translatology 15, no. 2 (December 1, 2007): 92. http://dx.doi.org/10.2167/pst008.0.

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27

Grzegorczyk, Blanka. "Contemporary British Children's Fiction and Cosmopolitanism. Fiona McCulloch." International Research in Children's Literature 11, no. 2 (December 2018): 207–9. http://dx.doi.org/10.3366/ircl.2018.0277.

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28

Deane, Paul. "Black Characters in Children's Fiction Series Since 1968." Journal of Negro Education 58, no. 2 (1989): 153. http://dx.doi.org/10.2307/2295589.

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29

Little, Viv, Angela Thorne, Margaret Llewellyn, and Penny Birt. "Historical fiction and children's understanding of the past." Education 3-13 14, no. 2 (September 1986): 3–9. http://dx.doi.org/10.1080/03004278685200151.

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30

Liang, Wen-chun. "A Descriptive Study of Translating Children's Fantasy Fiction." Perspectives 15, no. 2 (April 2007): 92–105. http://dx.doi.org/10.1080/13670050802153830.

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31

Graham, Kathryn V. "The Devil's Own Art: Topiary in Children's Fiction." Children's Literature 33, no. 1 (2005): 94–114. http://dx.doi.org/10.1353/chl.2005.0010.

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32

Price, Danielle E. "Sponsored Silence: Literary Selective Mutism in Children's Fiction." Children's Literature Association Quarterly 47, no. 2 (June 2022): 208–24. http://dx.doi.org/10.1353/chq.2022.0016.

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33

Sultan, Abdelazim, and Deema Ammari. "Children and Adolescents' Voices and Experiences in Climate Fiction." World Journal of English Language 12, no. 8 (November 9, 2022): 420. http://dx.doi.org/10.5430/wjel.v12n8p420.

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This article aims to analytically and comparatively examine the representation of children's and adolescents' voices and experiences in a world entirely altered by climate change. The article focuses on two cli-fi novels: Lydia Millet's A Children's Bible (2020) and Tochi Onyebuchi's War Girls (2019). The article looks at how children's and adolescents' voices and experiences are depicted in a climate changed-world. Climate Fiction (cli-fi) writers can serve as a wake-up call for the world to recognize the needs of children during a climatic catastrophe by incorporating children's and adolescents' voices and experiences in their literary works so that readers of all ages will be able to see how children will harvest their fathers' sins, and what actions needed to preserve the Earth from a climatic crisis. Indeed, children and teenage protagonists in climate change literature have something to say about their current situation and the corruption of their social and political structures, which have caused climate change and destroyed their sole home; the Earth.
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34

Sidiq, Bushra Osman, and Ansam Riyadh Abdullah. "Self-Reflexivity and Inter-textuality: A Study of Jostein Gaarder 's Sophie's World as a Meta-fictional Work." JOURNAL OF LANGUAGE STUDIES 7, no. 1 (September 30, 2023): 105–22. http://dx.doi.org/10.25130/jls.7.1.9.

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Jostein Gaarder (1952- ) is a Norwegian thinker and author of a great number of novels, short stories, and children's books among them Sophie's World. This novel deals with a number of issues, and uses a lot of postmodern techniques like meta-fiction. This paper is to explain the use of meta-fiction in the concerned novel to the readers as a postmodern element. Sophie's World, besides being a great philosophical one, it contains several meta-fictional elements like: the story has another story within, commenting on the story while telling it; the narrator exposes himself as both: a character and the narrator, and many more elements. The paper is divided into two sections and a conclusion. Section one deals theoretically with meta-fiction, self-reflexivity and inter-textuality as postmodern techniques. Section two is the analysis of the novel. At the end of the paper is the conclusion which will show the findings of the analysis. The paper end with the works cited.
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35

Joosen, Vanessa. "The Adult as Foe or Friend?: Childism in Guus Kuijer's Criticism and Fiction." International Research in Children's Literature 6, no. 2 (December 2013): 205–17. http://dx.doi.org/10.3366/ircl.2013.0099.

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Compared to the attention that children's literature scholars have paid to the construction of childhood in children's literature and the role of adults as authors, mediators and readers of children's books, few researchers have made a systematic study of adults as characters in children's books. This article analyses the construction of adulthood in a selection of texts by the Dutch author and Astrid Lindgren Memorial Award winner Guus Kuijer and connects them with Elisabeth Young-Bruehl's recent concept of ‘childism’ – a form of prejudice targeted against children. Whereas Kuijer published a severe critique of adulthood in Het geminachte kind [The despised child] (1980), in his literary works he explores a variety of positions that adults can take towards children, with varying degrees of childist features. Such a systematic and comparative analysis of the way grown-ups are characterised in children's texts helps to shed light on a didactic potential that materialises in different adult subject positions. After all, not only literary and artistic aspects of children's literature may be aimed at the adult reader (as well as the child), but also the didactic aspect of children's books can cross over between different age groups.
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36

Burcar, Lilijana. "Traversing and contesting the textuality of gender in mainstream children's fiction." Acta Neophilologica 36, no. 1-2 (December 1, 2003): 153–62. http://dx.doi.org/10.4312/an.36.1-2.153-162.

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The article first outlines the way in which mainstream children's fiction has traditionally sought to address and underrnine the artificiality of oppositional and hierarchical gender paradigms. Pro-ferninist texts that abound in mainstream children's literature have never really extricated themselves from the bonds of gender-related binarisations and hierarchizations because their approach in delineating girl protagonists hasbeen premised primarily upon a mere reverslil of masculine and ferninine defined attributes. By insisting only on the exarnination and reversal of attributes, mainstream children's fiction has fallen short of investigating narrative mechanisms which are essential to the understanding of how subjectivities, regardless of their feminine or masculine inflections, are constituted in the first place. To address this issue, it is argued that children's mainstream literature should embrace such literary devices as metafiction and genre mixing. The article goes on to demonstrate the kind of impact these devices have in challenging and underrnining the socially constructed notions of oppositional and hierarchical gender paradigms on those children who have been subject to traditionalliterary socialization.
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37

Kapkova, S. Yu. "CHARACTONYMS IN MODERN ENGLISH CHILDREN'S LITERATURE." Modern Linguistic and Methodical-and-Didactic Researches, no. 3(38) (December 31, 2022): 77–86. http://dx.doi.org/10.36622/mlmdr.2022.68.29.008.

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Statement of the problem. The objectives of this study include determining the role of the use of charactonymsin multi-genre texts for children written by English classical and modern authors. The first task was to identify the charactonyms in the works of fiction of three English children's writers. The second task is the etymological and lexico-semantic analysis of the charactonyms in the children's works of art under study in order to obtain information about whether the character is positive or negative. The third task of the study was to identify the functions of charactonyms in the works analyzed. Results. The article presents the charactonyms of the characters selected by a continuous sampling method from the works written by English children's writers of different time periods. Further, the etymological analysis of the charactonyms and their decoding in the analyzed works written by R. Dahl, J. K. Rowling and F. Simon and the role of the charactonyms in those works are defined. Conclusion. The study revealed 11 functions of charactonyms in the analyzed works of fiction for children of three British authors. Identifying, comic, style-forming, allusive, genre-forming, onomatopoeic functions were identified, as well as functions characterizing appearance, occupations or professions, behavior, speech and describing character.
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38

Rajabov, Akhtam, and Lola Jalilova. "PECULIARITIES OF MODERN UZBEK CHILDREN`S LITERATURE (ON THE EXAMPLE OF KHUDOIBERDI TOKHTABOYEV`S WORKS)." Scientific Reports of Bukhara State University 5, no. 2 (May 24, 2021): 169–77. http://dx.doi.org/10.52297/2181-1466/2021/5/2/15.

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Introduction. In the Uzbek children's literature of the period of independence, the influence of national pedagogy, oral folk art is traced, which leads to the strengthening of the national color in the works, the awareness of folk wisdom, the upbringing of positive qualities, the enrichment of the speech of children with national concepts and terms. The coverage of spiritual and educational problems of the socio-political environment with the help of human emotions and experiences is observed in the works of Uzbek fiction. Research methods. In order to create fiction, it is necessary to study the child's psyche in depth. In the literature of any nation, knowledge of psychology, understanding it and conveying it to the reader through unique words plays a key role. As a result a large part of child psychology is conveyed to younger readers through fiction. A great feature of children's literature is that it is inextricably linked to the age, history and social environment of the reader.
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39

McNair, Jonda C., Deanna Day, Karla J. Möller, and Angie Zapata. "Children’s Literature Reviews: Memoirs, Magic, and Mutiny: Marvelous Titles to Share in K–8 Classrooms." Language Arts 92, no. 3 (January 1, 2015): 214–22. http://dx.doi.org/10.58680/la201526348.

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This unthemed children's literature reviews column features a selection of some of our favorite recently published titles across several genres. It includes biographies, informational text, contemporary realistic fiction, historical fiction, fantasy, and concept books. Readers will find a range of titles about various topics such as Japanese internment camps, the Vietnam War, lucha libre, colors, and even a newborn elephant.
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40

Gridina, T. A. "SPEECH GENRE POTENTIAL OF LANGUAGE PLAY IN CHILDREN'S FICTION." Philological Class 25, no. 1 (2020): 73–85. http://dx.doi.org/10.26170/fk20-01-07.

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41

Maranga-Musonye. "The Fanon Factor in Ngũgĩ wa Thiong'o's Children's Fiction." Research in African Literatures 50, no. 3 (2019): 51. http://dx.doi.org/10.2979/reseafrilite.50.3.06.

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42

Ladd, Patricia R. "The Availability of Access Features in Children's Non-Fiction." International Journal of Knowledge Content Development & Technology 2, no. 1 (June 30, 2012): 5–16. http://dx.doi.org/10.5865/ijkct.2012.2.1.005.

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43

Athanasiou-Krikelis, Lissi. "Representing Turks in Greek Children's and Young Adult Fiction." International Research in Children's Literature 13, no. 1 (July 2020): 76–91. http://dx.doi.org/10.3366/ircl.2020.0329.

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What do Greek children learn about the Turk-Other from children's literature, and how does this image of the enemy inform their national Self? Has the representation of the Turk-Other remained static or do recent publications demonstrate a change in its portrayal? This article explores such questions in the context of contemporary Greek texts for children and young adults. The image of the Turk-soldier has been and remains overwhelmingly negative. The Turk who represents the Ottoman Empire is the vicious victimiser and ruthless conqueror. The Turk-friend, however, features a more complex conglomeration of attributes, some degrading and others elevating. Fictional histories, that is narratives with a strong inclination towards historical accuracy, are less favourable to the Turk-Other, aiming to preserve a homogenised version of the nation and to justify the deeds of war heroes. These observations persist throughout the twentieth century and do not deviate from the patterns found in adult literature. Nonetheless, in more recent publications the image of the Turk-Other is slightly more positive due to two related factors: the foregrounding of the weaknesses of the national Self and the problematising of the historical representation. By juxtaposing negative portrayals of both Turkish and Greek behaviours and by questioning historical truisms, the image of the Turk is being re-humanised.
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44

Jacqueline Foertsch. "Historicizing Polio's "Happy Ending" in Recent American Children's Fiction." Children's Literature Association Quarterly 34, no. 1 (2009): 21–37. http://dx.doi.org/10.1353/chq.0.1892.

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45

Odejide, Abiola. "The Journey As Training Ground in Nigerian Children's Fiction." Children's Literature Association Quarterly 1986, no. 1 (1986): 102–5. http://dx.doi.org/10.1353/chq.1986.0023.

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46

Anderson, Susan. "Time, Subjectivity, and Modernism in E. Nesbit's Children's Fiction." Children's Literature Association Quarterly 32, no. 4 (2007): 308–22. http://dx.doi.org/10.1353/chq.2007.0046.

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Majaro, Nadine. "Looking for Ideology in Children's Fiction Regarding the Holocaust." New Review of Children's Literature and Librarianship 20, no. 1 (January 2, 2014): 1–14. http://dx.doi.org/10.1080/13614541.2014.863637.

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48

Chaston, Joel D. "American children's fiction of the eighties: Continuity and innovation." Childrens Literature in Education 22, no. 4 (December 1991): 223–36. http://dx.doi.org/10.1007/bf01139477.

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49

Shikhmanter, Rima. "History as Politics: Contemporary Israeli Children's and Young Adults' Historical Fiction and the Israeli–Palestinian Conflict." International Research in Children's Literature 9, no. 1 (July 2016): 83–97. http://dx.doi.org/10.3366/ircl.2016.0184.

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Historical fiction serves as a powerful source for the dissemination of historical images and the determination of collective memory. These roles are of particular significance in the context of severe political conflicts. In these cases historical fiction shapes the narrative of the conflict, explains its source and central events, and therefore forms the readers' political stances towards the conflict and its consequences. This article examines the role contemporary Jewish Israeli historical fiction for young adults plays in presenting the Israeli–Palestinian conflict to young readers. It discusses two of the political perspectives this fiction addresses: the traditional hegemonic narrative and the left-wing narrative. Associated with the right-wing sector of Israeli politics, the former promotes the Zionist myth and seeks to justify the necessity and morality of its premises while ignoring and/or dismissing the legitimacy of the Palestinian narrative. The lack of a consensual Jewish historical narrative that does not negate the Palestinian narrative on the one hand, and the ongoing public delegitimisation of the left-wing on the other, forces historical-fiction authors to place their plots at a historical remove, locating them in other places and times.
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R, Roshini, and Rajasekaran V. "More Than an Invalid: A Comparative Study Addressing Disability Portrayal in Children’s Fiction." Theory and Practice in Language Studies 12, no. 3 (March 1, 2022): 551–57. http://dx.doi.org/10.17507/tpls.1203.15.

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Children's literature or young adult literature is often seen as an elementary and casual genre, but people overlook the powerful tools it acquires in modelling attitudes and shaping children's minds. Various studies point out that society's behaviours and attitudes towards disability and people with disability are primarily based on popular culture and not personal encounters or experiences. Disability has always been an inseparable part of children's movies and stories from the beginning of times, only the magnitude to which it has been revealed has changed. This literature is seen as the most important as it introduces the world to young minds, and hence the impression it creates in children's minds would not easily be eliminated. It is also noted that young children accept differences and generate positive, acceptive attitudes during their early ages as they are less resistant and have little foreknowledge. This paper examines the disability representations in children's literature and traces the changes it has undergone as a genre from the nineteenth century to the twenty-first century. Two children's books are selected for this study, “Heidi” by Johanna Spyri and “Rules” by Cynthia Lord. The differences in the portrayal of disability and disabled characters in these novels are studied through content analysis, character study, comparison and by analyzing the linguistic symbols. This paper also ventures to decipher the norms and societal values the stereotypes were based on, and it also attempts to account for any changes.
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