Academic literature on the topic 'Children's literature, Croatian'

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Journal articles on the topic "Children's literature, Croatian"

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Kos-Lajtman, Andrijana, and Damir Radić. "THE EMPEROR'S NEW CLOTHES, A STORY BY HANS CHRISTIAN ANDERSEN AND A FILM BY ANTE BABAJA: INTERMEDIAL STORYTELLING AS AN OBSTACLE COURSE FOR POLITICAL ALLEGORY." Folia linguistica et litteraria XIII, no. 39 (2022): 147–65. http://dx.doi.org/10.31902/fll.39.2022.8.

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The Emperor's New Clothes (1837) by Hans Christian Andersen is a classic of children's literature, but also holds an emblematic position in the sphere of world literature and culture in general – it is one of the most translated stories/fairy tales, published in numerous languages all around the world and transposed into various media, but it is also a story with a rich semantic potential which allows for diverse and stratified interpretations. The focus of this paper is the comparative analysis of the famous Andersen story, and the eponymous feature film by the Croatian and Yugoslav director
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Ślawska, Magdalena. "Zwierzęcy bohaterowie w powieści Crobinhoodovi Dunji Kalilić. Na tropie stereotypów." Poznańskie Studia Slawistyczne, no. 20 (September 22, 2021): 175–93. http://dx.doi.org/10.14746/pss.2021.20.10.

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This article analyses how animal characters were presented in the novel Crobinhoodovi by Dunja Kalilić, which belongs to the trend called ratni dječji roman in Croatian literature and shows the Serbian aggression against Croatia. The attention was paid in particular to the issue of stereotypes. The work consists of six parts. The first one is dedicated to the development of Croatian children’s animal studies. The second part shows the ways of portraying the war in Croatian literature for the youngest. The third part focuses on stereotypes about animals, the fourth one describes the stereotypic
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Majhut, Berislav, and Dubravka Težak. "Chronology of Croatian Children’s Literature until 1918." Libri et Liberi 6, no. 2 (2018): 281–320. http://dx.doi.org/10.21066/carcl.libri.2017-06(02).0006.

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Narančić Kovač, Smiljana. "THE STATUS OF ILLUSTRATIONS IN CROATIAN TRANSLATIONS OF CHILDREN’S CLASSICS." Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 63, no. 3-4 (2020): 211–30. http://dx.doi.org/10.22210/ur.2019.063.3_4.05.

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THE STATUS OF ILLUSTRATIONS IN CROATIAN TRANSLATIONS OF CHILDREN’S CLASSICS The paper presents a study of the visual discourses of Croatian editions of children’s classics translated from English into Croatian. It focuses on trends in using the original illustrations from the source texts or providing new illustrations in individual publications of target texts and on finding and interpreting semantic shifts in images provided by Croatian artists, in comparison with the illustrations in the first editions of the source texts. Interlingual translators adopt various strategies to cope with cultu
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Butković, Matea, and Ester Vidović. "Representation of racial diversity in picturebooks in teacher education programs in the Republic of Croatia." Journal of Literary Education, no. 4 (July 31, 2021): 66. http://dx.doi.org/10.7203/jle.4.21012.

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In the Republic of Croatia, the importance of intercultural education and competence-oriented curricula has gained momentum in the last decade, with children’s literature being perceived as an invaluable source of intercultural learning and a fruitful tool for an exploration of global cultural diversity. Given that empirical data indicate the importance of children’s age for selecting age-appropriate intervention methods that would help combat discriminatory and prejudicial views, especially during the period between early and late childhood, this paper explores the choice of authors and pictu
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Ivon, Katarina, and Sanja Vrcić-Mataija. "Regional Literary models and the Contemporary Canon of Croatian Children’s Literature." Croatica et Slavica Iadertina 15, no. 1 (2020): 209–34. http://dx.doi.org/10.15291/csi.2975.

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Balansirajući između ideologija i estetskih vrijednosti, književni se kanon, iako primarno označava određen p(r)opis, razumijeva kao “imaginarni totalitet” (Guillory 1993) te permanentno aktivan društveno uvjetovan proces (Bourdieu 1993). Na tom su tragu rasprave i propitivanja kanona hrvatske dječje književnosti i hrvatski teoretičari dječje književnosti koji fokus usmjeravaju društveno-povijesnom i ideološkom kontekstu i promjenama koje su se odražavale i na sustav poželjnih društvenih vrijednosti, a time i na oblikovanje dječjega književnog kanona, za što se hrvatska dječja književnost zbog
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Majhut, Berislav. "Fifty Years in Curricula: The First Croatian Course in Children’s Literature." Libri et Liberi 1, no. 1 (2012): 11–28. http://dx.doi.org/10.21066/carcl.libri.2012-01(01).0045.

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Majhut, Berislav, and Sanja Lovrić Kralj. "Eighty years of The Paul Street Boys in Croatian children’s literature." Studia Slavica Academiae Scientiarum Hungaricae 61, no. 2 (2016): 397–416. http://dx.doi.org/10.1556/060.2016.61.2.11.

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9

Badić, Edin. "An Analysis of Paratexts in the (Re)translations of Oliver Twist into Croatian." Libri et liberi 9, no. 1 (2020): 37–59. http://dx.doi.org/10.21066/carcl.libri.2020.1.3.

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The aim of the present study is to analyse paratextual elements in Croatian (re)translations of Charles Dickens’ classic social novel Oliver Twist; or, The Parish Boy’s Progress (1837–1839). We will explore the level of paratextual (in)visibility of translators in the (re)translations of Oliver Twist and observe how their (in)visibility might affect the reading and interpretation of the novel. The fact that Oliver Twist has been on the reading lists for Croatian primary schoolers ever since the early 1950s may account for the intense interest in the novel on the part of Croatian publishers. Th
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Zalar, Diana, and Ana-Marija Trepšić. "Zagonetke Aljoše Vukovića kao poveznica s tradicijom." Magistra Iadertina 14, no. 2 (2020): 119–36. http://dx.doi.org/10.15291/magistra.3150.

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The paper focuses attention on the riddle as a special poetic species, which in the twentieth century captured the attention of researchers (Jolles, Crnković, Kekez, Valand). First it is talked about its characteristics, and then the tradition of appearance throughout the history of Croatian children’s literature, from a comparative point of view in relation to the creativity of several Croatian poets (Vitez, Halovanić, Luketa, Videk, etc.). The central part of the work is dedicated to the puzzles of Aljoša Vuković, a Croatian poet who draws on the tradition and work of past writers for childr
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