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Academic literature on the topic 'Children's stories, Austrian'
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Journal articles on the topic "Children's stories, Austrian"
1
Robinson, Kerry H., Criss Jones Díaz, and Cris Townley. "Constructions of knowledge and childhood: Addressing current affairs with children with a focus on parents’ practices and children’s news media." Contemporary Issues in Early Childhood 20, no. 4 (2019): 324–36. http://dx.doi.org/10.1177/1463949119888483.
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This paper examines the ways in which current affairs related to diversity and difference, nationally and globally, are represented to Australian children in children’s digital news media and through family discussions. The discussion is based on qualitative research that explores parents’ views and practices in addressing news media and diversity and difference issues with their children. In addition, this project includes a discursive analysis of stories found in Behind The News ( BTN), the primary digital news media source for Australian children, aged 8–13 years, from 2015–2018. The news stories are related to three significant topics: the marriage equality debate, refugees and terrorism. Within feminist post-structuralist, post-developmentalist and critical theorist frameworks, a focus is given to examining the dominant discourses that prevail in the stories, which provide insight into how childhood and children’s access to certain types of knowledge is viewed and regulated through media and family practices. Drawing on thematic and Foucaultian discursive analyses, the pilot study findings demonstrate that children’s news media is closely scrutinised and regulated, with major news stories framed within dominant discourses of childhood innocence, as well as the agenda and particular interests of the producers of children’s new media. These topics, which have dominated news in recent years, are frequently considered by some adults as inappropriate or difficult topics to discuss with children.
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Smith, Michelle J. "Imagining Colonial Environments: Fire in Australian Children's Literature, 1841–1910." International Research in Children's Literature 13, no. 1 (2020): 1–14. http://dx.doi.org/10.3366/ircl.2020.0324.
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This article examines children's novels and short stories published in the late nineteenth and early twentieth centuries that feature bushfires and the ceremonial fires associated with Indigenous Australians. It suggests that British children's novels emphasise the horror of bushfires and the human struggle involved in conquering them. In contrast, Australian-authored children's fictions represent less anthropocentric understandings of the environment. New attitudes toward the environment are made manifest in Australian women's fiction including J. M. Whitfield's ‘The Spirit of the Bushfire’ (1898), Ethel Pedley's Dot and the Kangaroo (1899), Olga D. A. Ernst's ‘The Fire Elves’ (1904), and Amy Eleanor Mack's ‘The Gallant Gum Trees’ (1910). Finally, the article proposes that adult male conquest and control of the environment evident in British fiction is transferred to a child protagonist in Mary Grant Bruce's A Little Bush Maid (1910), dispensing with the long-standing association between the Australian bush and threats to children.
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Booth, Emily, and Rebecca Lim. "The Picture of Privilege: Examining the Lack of Diverse Characters in 2018 Australian Children’s Picture Books." Jeunesse: Young People, Texts, Cultures 14, no. 1 (2022): 65–83. http://dx.doi.org/10.3138/jeunesse-14.1.02.
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This article explores the findings from the first “diversity count” of Australian children’s picture books, conducted in 2019 in partnership with advocacy group Voices from the Intersection (VFTI). Specifically, this article explores the eighty-three percent of 2018 Australian children’s picture books that did not feature a marginalized protagonist: namely, those that featured human characters who could not be identified as marginalized in any way, animals, and inhuman protagonists. We propose that the Australian publishing industry, rather than suffering from a “diversity deficit,” instead overrepresents a narrow demographic of human experiences and non-human protagonists. We suggest that the oversaturation of the local children’s picture book market with such similar stories disadvantages all children, who are denied a rich and diverse reading experience, as well as the opportunity to see themselves and their peers depicted. This article provides greater insight into the current debates about diversity and inclusion in children’s media.
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Loads, Matthew. "Transmedia Television Drama: Proliferation and Promotion of Extended Stories Online." Media International Australia 153, no. 1 (2014): 41–52. http://dx.doi.org/10.1177/1329878x1415300106.
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This article reports on a study of additional transmedia content that is available online in relation to all Australian television drama productions and high rating international drama productions in a five-month period, between January and June 2012. In particular, it asks what additional material exists, and develops a typology of different types of content in order to further explain the current state of play in Australian production. The study examines extended storytelling texts developed specifically for the internet, like ‘webisodes’. It also considers other video and further content that can be based on extending the story world of a program. This article presents and examines the results of the study, arguing that this material can be seen to support the idea of an industry in transition. It finds that there are differences in approach to this type of content between public, free-to-air commercial and subscription broadcasters. Children's television programs are seen to offer the most sophisticated approach online at this time.
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O'Keefe, Elizabeth J., and Robert T. Solman. "The Influence of Illustrations on Children's Comprehension of Written Stories." Journal of Reading Behavior 19, no. 4 (1987): 353–77. http://dx.doi.org/10.1080/10862968709547611.
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In Australian schools, comparisons were made of the story recall of 70 average readers in grade five under five picture-text conditions: the absence of a picture; two conditions in which three normal, related pictures were presented before or after related text; and two conditions in which three composite, related pictures were presented before or after related text. Recalls were scored according to Frederiksen's (1975) system of text analysis. An observable trend in group means, suggesting that pictures aided recall, did not reach significance, and neither picture placement nor picture composition influenced comprehension. The absence of an advantage for the picture conditions may have been due to the ability of grade five readers to extract sufficient information from the text alone. The second study made similar comparisons with 48 younger grade three children. Again, an observed advantage for the picture conditions did not reach significance. An experiments-by-conditions analysis over both studies indicated that illustrations did significantly improve performance, but that picture placement (before or after related text) did not affect recall. A final experiment examined the influence of further picture-text relationships on comprehension ( N=80). Variables examined were the number of pictures (three or eight) and the type of picture (normal or composite). In contrast to the previous studies, pictures were situated adjacent to related text. While there were clear differences in recall favouring the picture groups, there was no advantage for the number of pictures or the type of picture. It was concluded that the influence of illustrations on comprehension was small for children of normal reading ability and depended to a large extent on their placement adjacent to related textual material.
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Cantero, Hervé. "The ANZAC Tribulations at Gallipoli in Recent Australian Children’s Literature." Australia, no. 28/3 (January 15, 2019): 85–96. http://dx.doi.org/10.7311/0860-5734.28.3.08.
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Generations of Australian children have been presented with iconic figures and values associated with the events of 1915 at Gallipoli and involved in the ritual practices of remembrance exemplified by Anzac Day ceremonies throughout a corpus of children’s literature which ranges from picture books for pre-schoolers to young adult fiction. This paper aims to broadly identify the narrative strategies at work in a selection of recent stories of brave animals helping the Aussie boys under fire or paeans to the duty of personal and communal remembrance and to examine them in a larger context of national self-representation.
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Stephens, Wendy. "Young Voices from the Field and Home Front: World War II as Depicted in Contemporary Children’s Literature." Children and Libraries 15, no. 3 (2017): 28. http://dx.doi.org/10.5860/cal.15.3.28.
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Promoting support for Allied Forces was a central theme of contemporary children’s literature in the eve of and during World War II; the body of work captures a surprisingly complex and conflicted view of armed conflict and nationhood.Amid the expected imperatives that American children scavenge scrap metal for war bonds and cozy stories of English children evacuated to safety in North America, there is nostalgia for pastoral Russia and an unabashed celebration of the Soviet collective effort. In one of the most charged depictions, a pair of dachshunds forced to wear Nazi uniforms outwit their master. An Austrian refugee, the creation of a refugee writer, pointedly informs a naïve French peasant boy: “There are a great many Germans who hated the Nazis, didn’t you know that?”1 before revealing his father was a prisoner at Dachau.
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Wilson, Jacqueline Z. "Beyond the Walls: Sites of Trauma and Suffering, Forgotten Australians and Institutionalisation via Punitive ‘Welfare’." Public History Review 20 (January 4, 2014): 80–93. http://dx.doi.org/10.5130/phrj.v20i0.3748.
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Women’s and children’s welfare and institutionalisation are a neglected area of Australian public history, and the historic sites which operated as carceral venues within that field today stand largely forgotten, in many cases derelict. The prime example of such sites is the Parramatta Female Factory Precinct (PFFP). In practice, Australian women’s and children’s welfare was strongly focused on a punitive approach, resulting in many thousands of vulnerable people suffering significant harm at the hands of their ‘carers’. These victims comprise the group known as the ‘Forgotten Australians’. The article discusses the nature of the relationship between the historic sites and the narratives of individuals who were victims of the system, whether actually incarcerated or merely threatened with such. As a form of case study, the author’s own story of State wardship and her encounters with the welfare system is employed to illustrate the connections between the ‘generic’ stories embodied in the sites, the policies underlying the system, and the nature of institutionalisation. It is argued that immersion in the system can induce a form of institutionalisation in individuals even when they are not actually incarcerated. The effective omission of women’s and children’s welfare and the Forgotten Australians from the forthcoming national Australian Curriculum in History is discussed, with a focus on the potential of the PFFP to be developed as a public history venue emphasizing its educational possibilities as an excursion destination, and a source of public information on the field from convict settlement to the present day.
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David, Naomi Nirupa, and Anna Kilderry. "Storying un/belonging in early childhood." Global Studies of Childhood 9, no. 1 (2019): 84–95. http://dx.doi.org/10.1177/2043610619832893.
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Children’s agency and capabilities are often overlooked in the research literature, in particular, when it comes to young children’s reflections on their transnational childhoods and migration experiences. Nestled within an intergenerational family migration story, this article reports on a study that investigated childhood identity, home and belonging. The catalyst for the study came from N.D.’s (then) 6-year-old daughter who asked ‘ Mummy, am I Australian?’ and ‘ Am I more Australian than you?’ Embedded in these seemingly simple questions are complex layers of hegemonic ideology located within broader intergenerational family migration stories. Thus, to gain insight into these questions posed by N.D.’s daughter, a small-scale study was developed taking a postcolonial perspective and using narrative analysis to make sense of the ‘ordinary’ within family narratives. The study found that common themes arose for the participants, these being, nationhood and all the contradictions and challenges that can occur when an ‘outsider’ is ‘othered’ and distinct discourses of un/belonging. The findings of the study add to the growing literature on transnational childhoods. It reiterates the complexities that the child as social actor in their environment mediates and the identity making that young children undertake as agentic citizens in their own right.
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Bradford, Clare, and Kerry Mallan. "Editorial." Papers: Explorations into Children's Literature 18, no. 1 (2008): 3–4. http://dx.doi.org/10.21153/pecl2008vol18no1art1184.
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 The cover of this issue of Papers features an image which appears in the First Book of the Victorian Readers, originally published in 1928. As Jane McGennisken demonstrates in her essay on Australian mythologies of childhood in the Tasmanian and Victorian readers, the literary texts selected for these readers represent Australian children as innocent inhabitants of a young country, a conceit also proposed by Ethel Turner at the beginning of Seven Little Australians: ‘the land and the people are young-hearted together’. McGennisken argues that these imaginings of an innocent Australian childhood are analogous with mythologies of an innocent nation, which act to divert attention from the (less innocent) histories of imperialism fundamental to the nation’s foundation. Another preoccupation of the readers is the idea of the child as leader, in stories about courageous children like Grace Bussell, who in rescuing the victims of a shipwreck demonstrates the qualities of Australian girlhood by exercising a motherly concern. The readers constitute an important component of reading material for Australian children from the late 19th century until the 1940s; the online database AustLit: the Australian Literature Resource now includes a section on the Victorian Readers and the Victorian School Papers, at: http://www.austlit.edu.au/ (go to ’research Communities’, ‘Australian Children’s Literature’ and ‘the Victorian Classroom’).