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1

Browne, Jill Conner. The Sweet Potato Queens' guide to raising children for fun and profit. Simon and Schuster Paperbacks, 2008.

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2

Renfroe, Anita. Don't say I didn't warn you: Kids, carbs, and the coming hormonal apocalypse. Voice/Hyperion, 2009.

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3

Webster, Robin. Dear mom. Thomas Nelson, 1996.

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4

1958-, Sander Jennifer Basye, ed. Why we love moms. Adams Media, 2007.

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5

author, Zoellner Mary Ann, and Clune Erin author, eds. Sh*tty mom for all seasons: Half-@ssing it all year long. 2016.

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6

The Sweet Potato Queens' Guide to Raising Children for Fun and Profit. Simon & Schuster, 2008.

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7

Don't Say I Didn't Warn You. Hyperion, 2009.

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8

L, Whitman Thomas, ed. Interwoven lives: Adolescent mothers and their children. Lawrence Erlbaum Associates, 2001.

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9

Webster, Robin, and Doug Webster. Dear Mom: If I could tell you anything... Thomas Nelson Inc, 1996.

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10

Whitman, Thomas L., and John G. Borkowski. Interwoven Lives: Adolescent Mothers and Their Children (Research Monographs in Adolescence Series). Lawrence Erlbaum, 2001.

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11

Whitman, Thomas L., and John G. Borkowski. Interwoven Lives: Adolescent Mothers and Their Children (Research Monographs in Adolescence Series). Lawrence Erlbaum, 2001.

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12

Smith, Angela, and Jennifer Sander. Why We Love Moms: Kids on Milk and Cookies, Hugs and Kisses, and Other Great Things About Mom. Adams Media Corporation, 2007.

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13

More Than a Mom: Living a Full And Balanced Life When Your Child Has Special Needs. Woodbine House, 2006.

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14

More Than a Mom: Living a Full And Balanced Life When Your Child Has Special Needs. Woodbine House, 2006.

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15

Willcox, D. Craig. Interwoven lives: Longevity, culture and community care in the Ryukyu Islands. 2002.

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16

Elizabeth, Goudge. The Rosemary Tree. Books on Tape, Inc., 1989.

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17

Elizabeth, Goudge. Rosemary Tree. Hodder & Stoughton Ltd, 1991.

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18

Krasas, Jackie. Still a Mother. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501754296.001.0001.

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This book traces the trajectories of mothers who have lost or ceded custody to an ex-partner. The book argues that these noncustodial mothers' experiences should be understood within a greater web of gendered social institutions such as employment, education, health care, and legal systems that shapes the meanings of contemporary motherhood in the United States. If motherhood means “being there,” then noncustodial mothers, through their absence, are seen as nonmothers. They are anti-mothers to be reviled. At the very least, these mothers serve as cautionary tales. The book questions the existence of an objective method for determining custody of children and challenges the “best-interests standard” through a feminist, reproductive justice lens. The stories of noncustodial mothers that the book relates shed light on marriage and divorce, caregiving, gender violence, and family court. Unfortunately, much of the contemporary discussion of child-custody determination is dominated either by gender-neutral discussions or, at the opposite end of the spectrum, by the idea that fathers are severely disadvantaged in custody disputes. As a result, the idea that mothers always receive custody has taken on the status of common sense. If this was true, as the book's author affirms, there would be no book to write.
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19

Macleod, Beth Abelson. The Home Front. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039348.003.0009.

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This chapter examines Fannie Bloomfield-Zeisler's life against the backdrop of contemporary U.S. attitudes toward marriage, motherhood, and careers for women. Unlike most women musicians of her generation, who gave up their professions when they married or had children, Bloomfield-Zeisler resumed concertizing mere months after the births of each of her three sons. The chapter emphasizes Bloomfield-Zeisler's need to prove that she could “do it all,” and proceeds with a discussion of the image of women artists in literature during the period, with particular attention to Bert Leston Taylor's 1906 novel The Charlatans. The chapter also considers the increasingly vulnerable plight of German musicians in the United States during World War I; the effect of the war on Fannie and her husband, Sigmund Zeisler; the ways in which the Zeislers chose to manifest their patriotism; Bloomfield-Zeisler's last years, which were marked by a number of philanthropic involvements; and her death on August 20, 1927.
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20

Chopin, Kate. The Awakening. Edited by Pamela Knights. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536948.001.0001.

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‘She wanted to swim far out, where no woman had swum before.’ Kate Chopin was one of the most individual and adventurous of nineteenth-century american writers, whose fiction explored new and often startling territory. When her most famous story, The Awakening, was first published in 1899, it stunned readers with its frank portrayal of the inner word of Edna Pontellier, and its daring criticisms of the limits of marriage and motherhood. The subtle beauty of her writing was contrasted with her unwomanly and sordid subject-matter: Edna’s rejection of her domestic role, and her passionate quest for spiritual, sexual, and artistic freedom. From her first stories, Chopin was interested in independent characters who challenged convention. This selection, freshly edited form the first printing of each text, enables readers to follow her unfolding career as she experimented with a broad range of writing, from tales for children to decadent fin-de siecle sketches. The Awakening is set alongside thirty-two short stories, illustrating the spectrum of the fiction from her first published stories to her 1898 secret masterpiece, ‘The Storm’.
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