Log in

Relevant bibliographies by topics / Chile in fiction / Journal articles

To see the other types of publications on this topic, follow the link: Chile in fiction.

Journal articles on the topic 'Chile in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Chile in fiction.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Fuenzalida, Valerio, and Pablo Julio. "Obitel Chile 2006: Tendencias en ficción televisiva." Cuadernos.info, no. 20 (2007): 98–115. http://dx.doi.org/10.7764/cdi.20.116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ghazanfar, Amina, Arshad Mahmood, and Angela Jackson Brown. "Historical Verisimilitudes in Fictional Universe: Cultural Poetics in the Works of Allende." Global Regional Review IV, no. IV (2019): 550–56. http://dx.doi.org/10.31703/grr.2019(iv-iv).49.

Full text

Abstract:

This study analyzed Isabel Allendes novel The House of the Spirits by probing the correlation between fiction and history. The theory of New Historicism was used to examine the textuality of history and the historicity of the text. The study argues that Allendes novel can be read as a subversive text that problematizes the boundary between fiction and history. The novel was analyzed by creating a parallel between the fictional work i.e. The House of the Spirits and the history book i.e. The History of Chile to question the neutrality and objectivity of history. The appraisal incorporated the b

APA, Harvard, Vancouver, ISO, and other styles

3

Cărbunariu, Gianina, and Bonnie Marranca. "The Reality of Fiction." PAJ: A Journal of Performance and Art 38, no. 2 (2016): 112–22. http://dx.doi.org/10.1162/pajj_a_00323.

Full text

Abstract:

In the last decade, the playwright and director Gianina Cărbunariu has become one of the prominent young voices in contemporary European theatre. Mihaela, the Tiger of Our Town, which premiered at the Royal Dramatic Theatre in Stockholm, will be performed at the 2016 Avignon festival by Sweden's Jupither Josephsson Company. Other plays include Stop the Tempo, For Sale, Typographic Letters, Solitarity, Metro is Everywhere, and mady-baby.edu (later titled Kebab). The plays have been translated into more than fifteen languages, and they have been performed in Romanian cities and in theatres acros

APA, Harvard, Vancouver, ISO, and other styles

4

Yallop, Andrew. "Beyond Law and Order: Detecting State Violence and the Search for Justice in Roberto Bolaño's Distant Star." Crime Fiction Studies 2, no. 1 (2021): 32–47. http://dx.doi.org/10.3366/cfs.2021.0032.

Full text

Abstract:

Violent political unrest and militarised regime change was endemic to Latin America in the 1960s and 70s. As a result, writers working within the genre of detective fiction produced work influenced by the socially critical and cynical attitude of American hardboiled fiction. Known as neopoliciaco fiction, this work responded to circumstances where violence was perpetrated and authorised by governments against their own citizens in the name of political and social stability. Bolaño's unique adaption of crime fiction in Distant Star combines neopoliciaco crime writing with the testimonio, a genr

APA, Harvard, Vancouver, ISO, and other styles

5

Acuña Aguirre, Eduardo. "Narrativas de Ficción sobre Experiencias de Desempleo y sus Simbolismos. / Narratives of Fiction about Unemployment Experiences and their Symbolisms." Revista Liminales. Escritos sobre Psicología y Sociedad 6, no. 12 (2017): 115–38. http://dx.doi.org/10.54255/lim.vol6.num12.311.

Full text

Abstract:

El trabajo refiere al análisis de experiencias de desempleo considerando dos narrativas de ficción de autores Chilenos. Se presenta un método narrativo para el estudio de los simbolismos del lenguaje que presentan los cuentos para lo cual se ocupa el método hermenéutico. El trabajo muestra cómo las narrativas de ficción contribuyen al entendimiento de experiencias de desempleo en Chile. El artículo ejemplifica una importante tradición en ciencias humanas que emplea obras literarias para el desarrollo del conocimiento. The work refers to the analysis of unemployment experiences considerin

APA, Harvard, Vancouver, ISO, and other styles

6

Acuña Aguirre, Eduardo. "Narrativas de Ficción sobre Experiencias de Desempleo y sus Simbolismos. / Narratives of Fiction about Unemployment Experiences and their Symbolisms." Revista Liminales. Escritos sobre Psicología y Sociedad 6, no. 12 (2017): 115–38. http://dx.doi.org/10.54255/lim.vol6.num12.311.

Full text

Abstract:

El trabajo refiere al análisis de experiencias de desempleo considerando dos narrativas de ficción de autores Chilenos. Se presenta un método narrativo para el estudio de los simbolismos del lenguaje que presentan los cuentos para lo cual se ocupa el método hermenéutico. El trabajo muestra cómo las narrativas de ficción contribuyen al entendimiento de experiencias de desempleo en Chile. El artículo ejemplifica una importante tradición en ciencias humanas que emplea obras literarias para el desarrollo del conocimiento. The work refers to the analysis of unemployment experiences considerin

APA, Harvard, Vancouver, ISO, and other styles

7

Rodríguez Ortiz, Raúl. "Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción." INDEX COMUNICACION 9, no. 2 (2019): 55–73. http://dx.doi.org/10.33732/ixc/09/02lastre.

Full text

Abstract:

Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (

APA, Harvard, Vancouver, ISO, and other styles

8

Bell, Andrea, and Moisés Hassón. "Prelude to the Golden Age: Chilean Science Fiction, 1900-1959." Science Fiction Studies 25, Part 2 (1998): 285–99. https://doi.org/10.1525/sfs.25.2.0285.

Full text

Abstract:

Science-fiction writing in Chile seemingly burst onto the literary scene from nowhere with the publication of Hugo Corea’s Los altísimos in 1959. As this study shows, however, a number of Chilean writers, working largely in obscurity, had laid the groundwork for a body of national sf literature over the course of the previous decades. Most of these texts fall into one of three categories: novels of social criticism; space adventure tales; and lost world romances based on regional history and mythology. Although they borrow from the sf literary traditions being developed in Europe and the US, m

APA, Harvard, Vancouver, ISO, and other styles

9

Dawson, Carlos López. "The continued crime." Forensic Research & Criminology International Journal 12, no. 1 (2024): 94–102. http://dx.doi.org/10.15406/frcij.2024.12.00402.

Full text

Abstract:

This is to highlight the elements of current discussion based on the legal nature of the legal fiction of the continuous crime, which despite the fact that it does not find consecration in the legal system of many states, particularly in Chile, has undoubtedly interesting elements and characteristics to analyze, in order to better appreciate its influence on the application of justice.

APA, Harvard, Vancouver, ISO, and other styles

10

LAZO-GONZÁLEZ, DENISSE. "A Play Between Fiction and Non-fiction: Retelling a Story of Exile and Disappearance in Missing (una investigación) (2009) by Alberto Fuguet." Bulletin of Hispanic Studies: Volume 98, Issue 2 98, no. 2 (2021): 195–212. http://dx.doi.org/10.3828/bhs.2021.12.

Full text

Abstract:

This article explores the way in which Missing (una investigación) plays with the limits between fiction and non-fiction in dealing with two of the most prominent issues of the politico-historical Chilean context of the twentieth century: exile and disappearance. It does so through a close reading of the novel’s narrative form and its relationship to the context that the novel addresses. It attempts to demonstrate that, despite its setting outside Chile and an author who is apparently not interested in ideological debates, the novel is charged with local Chilean socio-political issues inherite

APA, Harvard, Vancouver, ISO, and other styles

11

Lusvarghi, Luiza. "Profugos: new formats and regionalization in Latin American television serial fiction." C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, no. 29 (December 29, 2013): 08. http://dx.doi.org/10.22409/c-legenda.v0i29.26287.

Full text

Abstract:

The resumption of audiovisual productions in Latin America during the 1990s have not onlyaffected the cinematographic sphere, but TV production as well. The latest production aimed at exploringthis genre is a Chilean series co-produced with HBO Latin America named Profugos (Runaways), featuringfour popular local actors and directed by Pablo Larraín of the acclaimed film Tony Manero (2008,Brazil/Chile). Profugos shows that definitely soap opera is no longer the only Latin American fictionalformat, besides dialoguing with the action genre global tradition, also marking the consolidation of major

APA, Harvard, Vancouver, ISO, and other styles

12

Lusvarghi, Luiza. "Profugos: new formats and regionalization in Latin American television serial fiction." C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, no. 29 (August 5, 2014): 08. http://dx.doi.org/10.22409/c-legenda.v0i29.26295.

Full text

Abstract:

The resumption of audiovisual productions in Latin America during the 1990s have not onlyaffected the cinematographic sphere, but TV production as well. The latest production aimed at exploringthis genre is a Chilean series co-produced with HBO Latin America named Profugos (Runaways), featuringfour popular local actors and directed by Pablo Larraín of the acclaimed film Tony Manero (2008,Brazil/Chile). Profugos shows that definitely soap opera is no longer the only Latin American fictionalformat, besides dialoguing with the action genre global tradition, also marking the consolidation of major

APA, Harvard, Vancouver, ISO, and other styles

13

BARR MELEJ, PATRICK. "Cowboys and Constructions: Nationalist Representations of Pastoral Life in Post-Portalian Chile." Journal of Latin American Studies 30, no. 1 (1998): 35–61. http://dx.doi.org/10.1017/s0022216x97004896.

Full text

Abstract:

This article examines political ideology, cultural nationalism and the contesting of identity in early twentieth-century Chile. It does so by tracing the emergence of a unique cultural construct – the huaso cowboy – in the literary sphere and by exploring a ‘rural idealist’ discourse employed by middle-class, reformist intellectuals who hoped for the mitigation of the ‘social question’ and the displacement of traditional oligarchs from cultural and political centrality. It also seeks to explain how the fiction genre known as criollismo challenged elitist conceptions of ‘nation’ and ‘culture’ i

APA, Harvard, Vancouver, ISO, and other styles

14

Bell, Andrea. "Desde Júpiter: Chile’s Earliest Science-Fiction Novel." Science Fiction Studies 22, Part 2 (1995): 187–97. https://doi.org/10.1525/sfs.22.2.0187.

Full text

Abstract:

Desde Júpiter (1878), by the Chilean author Francisco Miralles, is among the earliest known works of Latin American science fiction. Miralles adapted the emerging European genre to the peculiarities of South America: his novel, while structurally and thematically evocative of Verne, reflects many of the attitudes and concerns of Chile’s urban elite at the time. Desde Júpiter is part scientific adventure story, part social criticism. Its premise (Jovian scholars who are studying Earth) provides a basis for the critical examination of Chilean society. The distancing which sf affords frees Mirall

APA, Harvard, Vancouver, ISO, and other styles

15

Mateos-Pérez, Javier, Gloria Ochoa, and Andrea Valdivia. "Recent history of Chile in three television fiction works: An audiovisual and thematic analysis." Anàlisi, no. 57 (December 15, 2017): 15. http://dx.doi.org/10.5565/rev/analisi.3107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Chamorro Maldonado, Miguel Alejandro. "Vision of transmedia narratives of memory. Case study of the digital platform Museum of Memory and Human Rights of Chile." European Public & Social Innovation Review 9 (July 3, 2024): 1–25. http://dx.doi.org/10.31637/epsir-2024-297.

Full text

Abstract:

Introduction: Creative modalities in transmedia narratives contribute to seeing the recovery of Chile's historical memory in fiction and non-fiction content, communicationally in new reconstructions of memory. Objective: Review and explain the conditions of the transmediality of memory organized on the online platform www.mmdh.cl Methodology: Five subplatforms of various genres and formats are observed in which content analysis of the narratives and a focus group of professionals are applied, to analyze the sense of transmediality of the memory stories according to sociocultural variables. Res

APA, Harvard, Vancouver, ISO, and other styles

17

Vilches, Patricia. "Alberto Blest Gana: 100 Years Later." Open Cultural Studies 5, no. 1 (2021): 3–15. http://dx.doi.org/10.1515/culture-2021-0003.

Full text

Abstract:

Abstract Blest Gana at 100 is a special edition for Open Cultural Studies. Alberto Blest Gana was a Chilean writer who wore many hats during his long life, dying in 1920 at the age of 90. One of the most prominent authors of nineteenth-century Chile and Latin America, he went to military school and later held political and diplomatic appointments, all of which caused him to travel and live abroad. In fact, nel mezzo del cammin of his life, Blest Gana transferred to Europe and eventually settled in Paris, never to return to his country of birth. His fiction and non-fiction conveyed a vast array

APA, Harvard, Vancouver, ISO, and other styles

18

Ratti, Manav. "Religion, secularism, and postsecularism in global south literatures: introduction to the special forum." Literature & Theology 38, no. 2 (2024): 126–31. https://doi.org/10.1093/litthe/frae024.

Full text

Abstract:

Abstract This special forum asks: How is postsecularism shaped by the politics and philosophies of religion, secularism, and postcolonialism? How are the enabling possibilities of postsecularism, combining religion and secularism, explored by writers from the Global South—Africa, Asia, Latin America? Addressing these and other questions, the scholars in this forum examine postcolonial postsecularism across literature, history, criticism, and theory. They study Buddhism, Christianity, Confucianism, Daoism, Hinduism, Islam, and Sikhism. They analyze literary genres and devices that include novel

APA, Harvard, Vancouver, ISO, and other styles

19

Miras, Sebastián, and Pedro Coiro. "El periodismo como recurso narrativo en dos biografías gráficas sobre Salvador Allende y José Mujica." Miguel Hernández Communication Journal 16 (January 31, 2025): 159–76. https://doi.org/10.21134/3srena43.

Full text

Abstract:

Non-fiction graphic narratives have emerged as a growing genre, allowing for a critical and humanized approach to historical events. These works combine text and image to enrich the interpretation of facts, facilitating an emotional connection with the protagonists and offering an accessible and subjective memory of the past. In this article, we analyze two graphic biographies focused on Salvador Allende and José Mujica, key political leaders in the 1973 coups in Chile and Uruguay. By integrating journalism as a narrative resource, these works rigorously document reality and adopt investigativ

APA, Harvard, Vancouver, ISO, and other styles

20

Ahmad, Mustanir, Ayaz Afsar, and Sobia Masood. "DICTATORIAL RULE, POLITICAL REPRESSION, AND THE THIRD WORLD: AN ANALYSIS OF GABRIEL GARCÍA MÁRQUEZ’S THE AUTUMN OF THE PATRIARCH." Pakistan Journal of Social Research 04, no. 02 (2022): 1279–85. http://dx.doi.org/10.52567/pjsr.v4i2.960.

Full text

Abstract:

Dictatorial rule has been a serious threat to the progress of most of the under-developed part of the world. Since Latin America constitutes a substantial part of the Third World and is mostly governed by either civil or military dictators, the causes and effects of dictatorial rule have been a favourite subject of the fiction writers of this region. The magical-realist fiction writers have been most eloquent in highlighting flaws inherent in such type of governments, weather in Chile, Colombia, Argentina, or Venezuela. García Márquez’s novel The Autumn of the Patriarch (1975/2007) is a protes

APA, Harvard, Vancouver, ISO, and other styles

21

Lehnen, Leila. "Haunted homes and desert landscapes: the sites of memory in latin american postdictatorship fiction." Literatura e Autoritarismo, no. 2 (December 10, 2009): e10. http://dx.doi.org/10.5902/1679849x74665.

Full text

Abstract:

Como se representam na arte e na literatura contemporânea a terrível memória das ditaduras militares? Como tratam a literatura e a arte a confluência entre a memória particular e a memória pública do autoritarismo, entre o trauma individual e o nacional? E finalmente, como reconciliam, ou reconhecem, a narrativa e as artes plásticas as diferentes versões do passado? Este ensaio primeiro examinará brevemente as representações da brutalidade dos regimes autoritários latino americanos nas artes plásticas. Vai-se abordar como artistas tais como Iván Navarro (Chile), Fernando Traverso (Argentina),

APA, Harvard, Vancouver, ISO, and other styles

22

Maree, C. "Truth and reconciliation: Confronting the past in Death and the Maiden (Ariel Dorfman) and Playland (Athol Fugard)." Literator 16, no. 2 (1995): 25–38. http://dx.doi.org/10.4102/lit.v16i2.608.

Full text

Abstract:

Both plays deal with the devastating effects of the sociopolitical on the individual and point to the ways that factuality enters fiction, either to defictionalize it or refictionalize it. The characters in each play confront the past by seeking the truth, either to tell it or have it told to them. In Fugard's play, written in the middle o f a transition period, the confession is complete and this resolution places the play in the generally utopian world of protest theatre. Dorfman's play, written after the redemocratization of Chile, is grounded in uncertainties, half-truths and deceit. The c

APA, Harvard, Vancouver, ISO, and other styles

23

Campos, Matías, and Maxwell Woods. "Hegemonía y exclusión: Observaciones al constitucionalismo latinoamericano reflejado en la experiencia chilena." Estudios Avanzados, no. 40 (August 16, 2024): 73–98. http://dx.doi.org/10.35588/v8qe6745.

Full text

Abstract:

This article tracks the function of Latin American constitutionalism with a particular concentration on the history of Chilean constitutionalism, to determinate the general inability to establish a representative constitution. Through an interdisciplinary Gramscian methodology based on cultural and legal studies, we propose that the function of a constitution is to institutionalize the perspective of the dominant class and thus establish its hegemony. Therefore, it is argued that the existence of representativity in a constitution, one that symbolizes the different social groups in it, is a fi

APA, Harvard, Vancouver, ISO, and other styles

24

Hosiasson, Laura Janina. "Alberto Blest Gana: Four Chronicles and a Novel." Open Cultural Studies 5, no. 1 (2021): 123–35. http://dx.doi.org/10.1515/culture-2021-0009.

Full text

Abstract:

Abstract Four chronicles written by Alberto Blest Gana between April and May 1862 in the newspaper La voz de Chile, months before the publication of his novel Mariluán, shed light on the close relationship between his production as chronicler and writer. Among the various faits divers discussed in the columns, the issue of a Mapuche delegation’s arrival in Santiago to hold a parlamento with the government about border disputes arises. The oscillating attitude of the chronicler in the face of otherness and his prejudiced comments, which are at the same time full of doubts and perplexities, serv

APA, Harvard, Vancouver, ISO, and other styles

25

Vidigal, Assis Benevenuto, and Felipe Cordeiro. "Leitura e literatura selvagem em Roberto Bolaño como instrumento de emancipação crítica." Aletria: Revista de Estudos de Literatura 34, no. 2 (2024): 15–28. https://doi.org/10.35699/2317-2096.2024.49702.

Full text

Abstract:

This article investigates the elements of traces, doubles, and allegories in the works of Roberto Bolaño, emphasizing their interconnection and influence in delineating the boundary between fiction and reality. By analyzing novels such as Noturno do Chile (2004) and Estrela distante (2009), it examines how Bolaño employs the concept of the double to expose hidden aspects of history, linking them to traumatic political events, especially in the context of the Chilean dictatorship. Furthermore, it demonstrates that these elements are an integral part of the psychic structure of the individual, a

APA, Harvard, Vancouver, ISO, and other styles

26

CONSTANTINOU, COSTAS M. "Communications/excommunications: an interview with Armand Mattelart." Review of International Studies 34, S1 (2008): 21–42. http://dx.doi.org/10.1017/s0260210508007766.

Full text

Abstract:

This interview was conducted over the Internet between February and April 2006. Armand Mattelart is Emeritus Professor of Information and Communication Sciences at the University of Paris VIII. From 1962 to 1973 he was Professor of Sociology of Population and Communication at the Catholic University of Chile, Santiago, and United Nations expert in social development. During the Popular Unity period (1970–73), he worked with the Government of President Salvador Allende until the military coup of September 1973, when he was expelled from Chile. Between 1975 and 1982, he taught at the University

APA, Harvard, Vancouver, ISO, and other styles

27

Urian, Adriana Diana. "Narrative Language and Possible Worlds in Postmodern Fiction. A Borderline Study of Ian McEwan’s The Child in Time." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 247–64. http://dx.doi.org/10.24193/subbphilo.2021.3.16.

Full text

Abstract:

"Narrative Language and Possible Worlds in Postmodern Fiction. A Borderline Study of Ian McEwan’s The Child in Time. The present paper is a study of more traditional hermeneutics combined with a tinge of possible world modality, with the purpose of creating a thorough picture of narrative worlds and balancing it against the possible world system, with practical applications onto postmodern fiction, in Ian McEwan’s novel The Child in Time. The article focuses on exposing narrative language, worlds and characters, viewing them through Seymour Chatman’s perspective and slightly counterbalancing t

APA, Harvard, Vancouver, ISO, and other styles

28

Cui, Zhenhua, Yanping Yang, and Yanping Yang. "THE NARRATOR IN DORIS LESSING’S THE FIFTH CHILD." Advances in Social Sciences Research Journal 7, no. 9 (2020): 174–82. http://dx.doi.org/10.14738/assrj.79.8823.

Full text

Abstract:

This paper reviewed the theoretic classification on narrator of fictions. The narrator of THE FIFTH CHILD was described according to voice and point of view. The conclusion is the narrator in the famous fiction of Doris Lessing’s was omniscient, heterodiegetic/non-character, overt and reliable in its voice. While the fiction was narrated with the shift of multifocalizers in the point of view both from a character, Harriet, who witnessed the events, and from a heterodiegetic narrator, who made comments and questions to focus the readers’ attention on what he narrates.

APA, Harvard, Vancouver, ISO, and other styles

29

González Ramírez, Carolina Margarita, Marek Baran, Pedro Dono López, and Inmaculada Carbonell Sánchez. "Consumos lectores entre adolescentes: Un abordaje comparado desde contextos internacionales. El caso de Polonia, Chile y Portugal." Investigaciones Sobre Lectura, no. 13 (May 11, 2020): 137–68. http://dx.doi.org/10.37132/isl.v0i13.300.

Full text

Abstract:

This contribution evaluated aspects, such as the frequency of reading, formats, and reading preferences, of secondary school students from Poland, Chile, and Portugal. For this, we started with the data obtained from a questionnaire on reading interests and frequencies, answered by 491 schoolchildren from the referred countries (175 Poles, 178 Chileans, and 138 Portuguese), on which a contrastive analysis was carried out with the aim of observing whether the strategies for promoting and consolidating reading habits should follow similar or divergent guidelines in each of the contexts. The comp

APA, Harvard, Vancouver, ISO, and other styles

30

Efthymiou, Alkisti. "Observing the pink cloud from Greece and the Southern Cone: Crisis, critique and the promise of queer feminist cinema." Journal of Greek Media & Culture 8, no. 2 (2022): 227–45. http://dx.doi.org/10.1386/jgmc_00059_1.

Full text

Abstract:

A series of entangled crisis-scapes have been unfolding in the past decade in Chile, Argentina and Brazil – geographies that have been central to discourses of and about the Global South. Ranging from presidential impeachment and military control to inflation and austerity, Chilean, Argentinian and Brazilian crisis-scapes have given rise to filmic expressions of queer feminist critique that challenge neo-liberal governmentality. This article focuses on indicative cinematic tendencies in these three countries, while taking into account the author’s positionality as a (Greek) researcher engaged

APA, Harvard, Vancouver, ISO, and other styles

31

Sá, Leonor. "Crimes and Museums, but no Fiction: Portuguese Judiciary Police Museum’s Projects for the Protection of Cultural Heritage 1996-2022." Culture. Society. Economy. Politics 2, no. 2 (2022): 40–62. http://dx.doi.org/10.2478/csep-2022-0010.

Full text

Abstract:

Abstract This article presents three interdisciplinary and community-serving museum projects carried out by the Portuguese Judiciary Police Museum (Museu de Polícia Judiciária – MPJ), two of which are based on original ideas and unprecedented procedures. All three of them are ‘out of the walls’ crime prevention projects for the protection of Portuguese cultural heritage. The first project (starting in 1996) was dedicated to museums, the second (2003) to religious art in places of worship, and the third (2007) to the Portuguese unique and identitary Tile Heritage. The common genesis of the thre

APA, Harvard, Vancouver, ISO, and other styles

32

Pas, Hernán. "From the Newspaper Serial to the Novel (1853–1863): Mediation of the Periodical Press in the Foundation of Alberto Blest Gana’s Narrative Project." Open Cultural Studies 5, no. 1 (2021): 136–48. http://dx.doi.org/10.1515/culture-2021-0005.

Full text

Abstract:

Abstract Scholarly studies on Alberto Blest Gana have generally disregarded the author’s production prior to his narrative cycle, begun with his novel La aritmética en el amor [Arithmetic in Love] (1860), awarded first prize in a literary contest sponsored by the Universidad de Chile. Nonetheless, the canonical cycle of his first narrative period (which includes his famous Martín Rivas and El ideal de un calavera) shares with his earlier fiction the fact that the novels were originally published in the press. Indeed, with the exception of the award-winning novel and Juan de Aria – published in

APA, Harvard, Vancouver, ISO, and other styles

33

Azizmohammad, Fatemeh, and Atieh Rafati. "A Comparative Study of Isabel Allende “Ines of My Soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from the View Point of Features of Magic Realism." English Language and Literature Studies 8, no. 1 (2018): 57. http://dx.doi.org/10.5539/ells.v8n1p57.

Full text

Abstract:

This tentative study suggests Isabel Allende “Ines of my soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from magic realism point of view. Magic Realism is a Latin American literary movement which attempts to depict the reality in human’s mind. This literary movement is originated in the Latin American’s fiction in the middle of twentieth century. Isabel Allende, who is famous because in the most of her novels the magic realism is used, depicts the life of Ines Suarez, without whom the settlement of Chile could not be achieved, in the historical novel “Ines of my soul”.The fathe

APA, Harvard, Vancouver, ISO, and other styles

34

Lusnich, Ana Laura. "De la resistencia al duelo: las ficciones sobre las dictaduras realizadas en Argentina y Chile entre 1973 y 1990/From resistance to mourning: The fiction films about dictatorships made in Argentina and Chile between 1973 and 1990." Studies in Spanish & Latin-American Cinemas 11, no. 3 (2014): 255–69. http://dx.doi.org/10.1386/slac.11.3.255_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Chamorro Maldonado, Miguel. "La recuperación de la Memoria Histórica en las series de ficción a través de las redes sociales: el caso de España y Chile / Recovery of Historical Memory in Fiction Series through Social Networks. The case of Spain and Chile." Revista Internacional de Tecnología, Ciencia y Sociedad 5, no. 1 (2016): 29–41. http://dx.doi.org/10.37467/gka-revtechno.v5.454.

Full text

Abstract:

ABSTRACTThetimelivingfiction serieson television isauspiciousbecauseits subject,technical and professional quality, and an exampleof this is theseriesofhistorical character.Its productioninvolves not onlydesigningthe product forthe small screen,but alsodo charitablework throughthe distribution of theircontentthrough social networks, generating an activecontact withviewers whoare bothfollowersinthe respective platformsdigital. In this papera study onthe recovery ofhistorical memory infiction seriesthroughInternetsocial networksdevelops.Thesample corresponds totheSpanishseriesAmar es para siempr

APA, Harvard, Vancouver, ISO, and other styles

36

Monnier, Mathilde, and Valérie Urréa. "Bruit blanc. Fiction - documentaire." Chimères 39, no. 1 (2000): 42–51. http://dx.doi.org/10.3406/chime.2000.2522.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Monnier, Mathilde, and Valérie Urréa. "Bruit blanc. Fiction - documentaire." Chimères N° 39, no. 2 (2000): 42–51. http://dx.doi.org/10.3917/chime.039.0042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Şafak, Zafer. "The Critique of Ethics, Mediocrity and Complacency in Márquez and Le Guin’s Fictions." Edebî Eleştiri Dergisi 9, no. 1 (2025): 155–69. https://doi.org/10.31465/eeder.1596940.

Full text

Abstract:

A Very Old Man With Enormous Wings is published by the Nobel laureate novelist Gabriel García Márquez and The Ones Who Walk Away From Omelas is authored by Ursula Le Guin who is known primarily for her works of science fiction. While the genres and the tones of the sample works chosen and discussed in this study markedly differ, their thematic trajectories and the way they criticize society and public morality is argued to resemble considerably. In the fictional world of the stories, both Márquez’s winged-man and Le Guin’s miserable child are mistreated by the members of their societies the fa

APA, Harvard, Vancouver, ISO, and other styles

39

Briand, Michel. "Déméter et Koré, héroïnes de mythological fantasy." Cahiers du Genre 74, no. 1 (2023): 67–92. http://dx.doi.org/10.3917/cdge.074.0067.

Full text

Abstract:

Ursula Le Guin, réinventant des récits mythologiques et épiques (par exemple Lavinia , 2008) inspire des pensées et fictions écoféministes et queer , antipatriarcales et anarchistes. Après avoir revu les figurations anciennes de Déméter et Koré, on observe ici comment elles sont centrales en particulier dans deux de ses textes : Her Silent Daughter (1994), poème de mythological fantasy , et le psychomythe Kore 87. A Child Bride (1996). Le lien mère/fille ainsi que leur rapport au monde sont des moteurs d'intrigue dans ces fictions spéculatives qui, par une satire pathétique, dénoncent la viole

APA, Harvard, Vancouver, ISO, and other styles

40

Monegato, Emanuele. "Segnalazioni/Informes/Rapports/Reports." Altre Modernità, no. 32 (November 30, 2024): 560–66. https://doi.org/10.54103/2035-7680/27366.

Full text

Abstract:

Alan Bleakley and Shane Neilson, Poetry in the Clinic: Towards a Lyrical Medicine, London-New York, Routledge, 2022, 294 pp. ISBN 978-1-0320-4724-9 Grace Nichols, Passport to Here and There, Hexham, Bloodaxe Books, 2020, 64 pp. ISBN 978-1-78037-532-8 Daniela Catrileo, Chilco, Seix Barral, Santiago de Chile, 2023, 252 pp. ISBN 978-956-6173-78-6 Giovanni Ziccardi, Dati Avvelenati, Milano, Raffaello Cortina editore, 2024, 352 pp. ISBN 978-88-3285-611-8 Nicolas Mahler, A tutto Kafka, traduzione di Matteo Galli e Franziska Peltenburg-Brechneff, Firenze, Edizioni Clichy, 2024, 128 pp. ISBN 979-125-5

APA, Harvard, Vancouver, ISO, and other styles

41

Marin, Louis. "La fiction poétique de l’utopie." Chimères 20, no. 1 (1993): 209–17. http://dx.doi.org/10.3406/chime.1993.1921.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Andrieu, Bernard. "La fiction du corps mutant." Chimères 58, no. 1 (2005): 203–28. http://dx.doi.org/10.3406/chime.2005.1635.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Andrieu, Bernard. "La fiction du corps mutant." Chimères N° 58, no. 3 (2005): 203–28. http://dx.doi.org/10.3917/chime.058.0203.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Marin, Louis. "La fiction poétique de l’utopie." Chimères N° 20, no. 2 (1993): 209–17. http://dx.doi.org/10.3917/chime.020.0209.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Grange-Rémy, Maud. "Fictions posthumaines." Chimères 75, no. 1 (2011): 181. http://dx.doi.org/10.3917/chime.075.0181.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Chupasov, Vadim. "Not-for-children reading: markers of adult sci-fi in Sergei lukyanenko’s writings." Children's Readings: Studies in Children's Literature 19, no. 1 (2021): 268–80. http://dx.doi.org/10.31860/2304-5817-2021-1-19-268-280.

Full text

Abstract:

New forms of science fiction had emerged in several post-Soviet countries in years 1990–2000. New science fiction inherits and transforms traditions and conventions of Soviet “science fiction” (nauchnaya fantastica). The emergence of market relations in the “field of literature” provoked an identity crisis, also initiating various attempts to redefine the boundaries between science fiction and previously closely related discourses, including children’s literature. This article, using several works by S. Lukyanenko as an example, examines how this rhetorical strategy has been implemented within

APA, Harvard, Vancouver, ISO, and other styles

47

Nikolajeva, Maria. "Recent Trends in Children's Literature Research: Return to the Body." International Research in Children's Literature 9, no. 2 (2016): 132–45. http://dx.doi.org/10.3366/ircl.2016.0198.

Full text

Abstract:

Twenty-first-century children's literature research has witnessed a material turn in strong response to the 1990s perception of childhood and the fictional child as social constructions. Cultural theories have generated fruitful approaches to children's fiction through the lenses of gender, class, race and sexual orientation, and psychoanalytically oriented theories have explored ways of representing childhood as a projection of (adult) interiority, but the physical existence of children as represented in their fictional worlds has been obscured by constructed social and psychological hierarch

APA, Harvard, Vancouver, ISO, and other styles

48

Urian, Adriana Diana. "FREE INDIRECT DISCOURSE AND POSSIBLE WORLDS IN IAN MCEWAN’S THE CHILD IN TIME." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 12, no. 3 (2019): 123–32. http://dx.doi.org/10.29302/jolie.2019.12.3.8.

Full text

Abstract:

The paper discusses the nature of free indirect discourse and the manner in which it appears within postmodern fiction, more precisely in Ian McEwan’s novel The Child in Time, through the modality of possible world semantics. First it explains how free indirect discourse should be understood in this context, outlining the theoretical introduction and justification of this particular approach. The subsequent discussion focuses on speech acts and how they can be understood theoretically and in a fictional universe. It then showcases how free indirect discourse works in Ian McEwan’s The Child in

APA, Harvard, Vancouver, ISO, and other styles

49

Limido, Patricia. "Éco-fictions et territoires." Chimères N° 103, no. 2 (2023): 211–24. http://dx.doi.org/10.3917/chime.103.0211.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Smith, Michelle J. "Imagining Colonial Environments: Fire in Australian Children's Literature, 1841–1910." International Research in Children's Literature 13, no. 1 (2020): 1–14. http://dx.doi.org/10.3366/ircl.2020.0324.

Full text

Abstract:

This article examines children's novels and short stories published in the late nineteenth and early twentieth centuries that feature bushfires and the ceremonial fires associated with Indigenous Australians. It suggests that British children's novels emphasise the horror of bushfires and the human struggle involved in conquering them. In contrast, Australian-authored children's fictions represent less anthropocentric understandings of the environment. New attitudes toward the environment are made manifest in Australian women's fiction including J. M. Whitfield's ‘The Spirit of the Bushfire’ (

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!