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Relevant bibliographies by topics / Chilean Engraving

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Academic literature on the topic 'Chilean Engraving'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Chilean Engraving"

1

Pérez, Alberto Enrique, and Jacobo Hernández Montelongo. "El arte rupestre de Ruca Ñanco (pintura y grabados), región Altoandina Norpatagonica de Neuquén, Argentina." Comechingonia. Revista de Arqueología, February 7, 2025. https://doi.org/10.37603/2250.7728.v.n.45111.

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We present the preliminary results of the survey of rock representations from the Ruca Ñanco site, composed of three rocky outcrops, located in the mountain range sector, south of Alumine, province of Neuquén, Argentina. Given its proximity to the Chilean border, we compare some stylistic and technological characteristics between sets of Chile and Argentina, to confront the proposal of Chilean researchers working in nearby latitudes and who proposed to use rock representations to identify and materialize mobility circuits between one and the other mountain slope. From our work, we describe evi

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Books on the topic "Chilean Engraving"

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Taller 99 (Providencia, Santiago, Chile). Taller 99: 50 años. Universidad de Concepción, 2008.

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Museo Chileno de Arte Precolombino. Santos Chávez: Xilografías y linóleos : exposición retrospectiva, Julio 2004. Museo Chileno de Arte Precolombino, 2004.

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Villegas, Ignacio. Dibujos y formas en cobre Chileno: Artesanía urbana : 1960-1990. LOM Ediciones, 2019.

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Espantoso, Galería Germán Krüger. Taller 72: Muestra antológica (1972-2007). ICPNA, Instituto Cultural Peruano Norteamericano, 2008.

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la, Torre Marcela de, and Universidad Finis Terrae, eds. Grabado verde. Ediciones Mar del Plata, 2008.

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Book chapters on the topic "Chilean Engraving"

1

Page, Joanna. "5. Albums, Atlases, and their Afterlives." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.05.

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The first part of this chapter discusses art projects that intervene directly into the books and other materials created by travelling European naturalists of the later colonial period, whose conception of nature has so thoroughly shaped representations of Latin America’s landscapes. I explore projects by Rodrigo Arteaga (Chile), Antonio Bermúdez (Colombia), Claudia Coca (Peru), Tiago Sant’ana (Brazil), Oscar Santillán (Ecuador) and others that stage material interventions or performances in relation to the printed images, atlases, albums and catalogues that recorded the findings of scientific

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Miller, Nicola. "Land and Territory." In Republics of Knowledge. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691176758.003.0008.

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This chapter explains that the arrival of lithography in the 1820s made it possible to illustrate printed matter with beautiful scenic engravings. It analyses the evocations of distinctive natural phenomena that constituted a rare element of continuity between the creole patriotism of the late eighteenth century and the post-independence debates about the future. It also discusses how utility and utopianism were enfolded into investigations of the biblical and secular paradise of American nature. The chapter cites how Bello's famous Ode to Tropical Agriculture summoned its audience to live out

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Conference papers on the topic "Chilean Engraving"

1

"IDENTITY-BASED ACTIVITIES CARRIED OUT THROUGH ENGRAVING AND STAMPING EXERCISES. ART MEDIATION WORKSHOPS BASED ON LOCAL ENGRAVERS’ WORKS AND AIMED FOR STUDENTS FROM THE CITY OF TOMÉ IN CHILE." In International Conference on Education and New Developments. inScience Press, 2023. http://dx.doi.org/10.36315/2023v2end038.

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