Relevant bibliographies by topics / Chilean Political poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Chilean Political poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Chilean Political poetry"

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Guzmán, María Victoria. "#VoyYVuelvo: Performances of Chilean identity and cultural memory on Instagram after Nicanor Parra's death." European Conference on Social Media 10, no. 1 (2023): 319–25. http://dx.doi.org/10.34190/ecsm.10.1.1088.

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This paper examines an analysis carried out of the mediations and remediations of Nicanor Parra’s image and poetry online, focusing on how digital methods can be used for qualitative analysis, their relevance for current research, as well as some ethical considerations. Nicanor Parra was a revolutionary Chilean poet, a national icon whose death in 2018 represented a significant memory site where contemporary understandings of Chilean identity can be studied. Through digital qualitative methods, I traced the use of the hashtag #nicanorparra after his death. The data was analysed using discourse
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Melgarejo, María Del Pilar. "A Poetic of Beauty: Nature, Memory and Resilience in El Botón de Nacar/The Pearl Button (2015)." Catedral Tomada. Revista de crítica literaria latinoamericana 8, no. 14 (2020): 143–63. http://dx.doi.org/10.5195/ct/2020.421.

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One of the pillars of the history of Latin American documentary filmmaking is undoubtedly the Chilean director Patricio Guzmán. During more than five decades of film production, he has given an account of Chile's political history, specifically dealing with the meaning of the Chilean dictatorship for the country's past, present and future, as well as its relevance in the Latin American context. His films undoubtedly represent one of the most relevant testimonies to the continent's history in the 20th century, with hundreds of hours of footage of the high points in the violent transition proces
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Kofman, Andrey F. "At the Origins of Russian Latin American Studies. Lev Samoilovich Ospovat — on the Centenary of His Birth. Lev Ospovat. As I Remember." Literature of the Americas, no. 13 (2022): 383–99. http://dx.doi.org/10.22455/2541-7894-2022-13-383-399.

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The article is a tribute to the famous scholar Lev Samoilovich Ospovat, who together with his wife Vera N. Kuteishchikova, paved the way for the Latin American literary studies in the USSR. Lev Samoilovich started with his studies of Pablo Neruda’s life and work; he was the first to write and publish a book in Russian on the Chilean poet, Pablo Neruda: A Survey of His Work (1960). A year later on the basis of this book, he defended his PhD dissertation. Subsequently, its author, critically reflecting on his experience, admitted that he often followed some officially imposed stereotypes in the
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Mellado, Silvia. "Con(versan) las hablas de la poesía: nütram, parlamento y oralitura en Elicura Chihuailaf." Recial 11, no. 18 (2020). https://doi.org/10.53971/2718.658x.v11.n18.31227.

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A scene of special importance in southern literature is the conversation between the poet and his compadres, comadres, grandparents and grandmothers. In it, sometimes, there is also an instance in which the poet receives a story. In the case of poetry written by Mapuche poets (whether in Spanish and / or Mapuzugun), this conversation scene gains a different dimension since it is related to the notion of the Mapuche world: ‘nütram’. I explore the poetry of the 2020th Chilean National Literature Award, Elicura Chihuailaf, based on the relationships between poetry and nütram, parliament and ‘oral
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Dissertations / Theses on the topic "Chilean Political poetry"

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Justo, Vinícius de Melo. "Do mito à política: um estudo de Canto general de Pablo Neruda." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-17042015-163614/.

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O livro Canto general, de Pablo Neruda, é uma das mais importantes obras poéticas do século XX. Escrito em plena Guerra Fria, almeja abordar a totalidade do continente americano sob a égide do engajamento político de seu autor, importante militante do Partido Comunista à época da composição da obra. Este trabalho pretende discutir as escolhas feitas pelo autor quanto à politização de sua poesia e suas consequências estéticas e políticas, com particular interesse no processo de mitificação da História e das lutas sociais operado por Neruda em seu livro. Para tanto, a análise dos poemas busca in
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2

Vilches, Freddy. "Poesía, canción y cultura popular en Latinoamérica : la nueva canción chilena /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192180731&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 344-363). Also available for download via the World Wide Web; free to University of Oregon users.
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Books on the topic "Chilean Political poetry"

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Leiva, Raúl Jiménez. Mi hermano Tucapel y el holocausto en Chile y América Latina. s.n., 1994.

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2

Zurita, Raúl. Poemas militantes. Dolmen Ediciones, 2000.

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3

Dante, Ruiz Molina, and Moreno Demián, eds. Girasoles en las sombras: Antología de poesía de presos políticos. Editorial Uribe, 1988.

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Neyen, Yanko. La molécula material de la economía y teoría democrática. MAGO Editores, 2021.

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5

Mardones, Edgardo, and Julio Cortazar. La libertad no es un sueño: Recopilación de poesía chilena de la resistencia : del exilio, cárceles, campos de concentración y poesía clandestina. Editorial Signo Ltda, 2013.

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1904-1973, Neruda Pablo, and Cunard Nancy 1896-1965, eds. Pablo Neruda y Nancy Cunard: (Les poètes du monde défendent le peuple espagnol). Orígenes, 1987.

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Guldemont, Mario Olea. Recuerdos de un exilio en Suiza. Arygo, 1992.

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8

Olea, Alejandro Mujica. A la sombra de la muerte. Xlibris Corp, 2010.

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9

Sergio, González, Illanes O. María Angélica, and Moulián Luis, eds. Poemario popular de Tarapaca, 1899-1910. Universidad Arturo Prat, 1998.

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10

Bolaño, Roberto. Haruka na hoshi =: Estrella distante. Hakusuisha, 2015.

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Book chapters on the topic "Chilean Political poetry"

1

Goldman, Silvia. "Beyond Borders." In Postnational Perspectives on Contemporary Hispanic Literature, translated by Charlotte Whittle. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054940.003.0005.

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Silvia Goldman presents the Chilean poet and performer Cecilia Vicuña’s poetry collection i tu (2004) as a postnational work of literature that addresses its reader in several languages, such as Spanish, English, and Quechua. Goldman argues that i tu establishes a speech “between languages,” able to pierce through territorial, cultural, and linguistic borders. The poetic voice calls this an “habla-alba” (a “dawn-speech”) that identifies the common roots of several languages and thus re-establishes the connections between them. By challenging pre-established linguistic, national, and cultural b
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2

"Poetry and Politics." In The Chile Reader. Duke University Press, 2013. http://dx.doi.org/10.1215/9780822395836-065.

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VanWieren, Rachel, and Victoria L. Garrett. "Reimagining the Left in Neruda : Inclusivity and Encounters with Secondary Characters." In ReFocus: The Films of Pablo Larraín. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448284.003.0010.

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Pablo Larraín’s Neruda centers on the poet’s escape into exile during the government of González Videla, elected in 1946 with the support of the Chilean Communist Party. Once in office, he illegalized the party and initiated a campaign of intense persecution against known members, including then Senator Pablo Neruda. While the focus of the film is Cold War-type conflicts between the political left and right, certain interactions between key secondary characters in the film and Neruda highlight spaces of tensions on the left. This portrayal seems to be informed by the importance that contempora
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4

Villa-Forte, Leonardo. "Can I Laugh or Should I Cry? Humor and Politics in Some Cases of Contemporary Experimental Writing in Latin America." In Conceptual Writing, Experimental Poetry and Humour. FLUP-ILC, 2024. https://doi.org/10.21747/978-989-35462-6-0/lib39a3.

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Starting from the premise of the global impact of technology on the acts of reading and writing, the essay elaborates on the expression of political humor in what I call “secondhand writing” based on characteristics of Latin America. Certain recent fictional and poetic production of an experimental nature, with a focus on Brazil, Chile and Mexico, is analyzed in terms of their recycling and non-originality procedures, and especially their practice of irony, parody and corrosive humor as a tool for reviewing colonial and post-colonial history in terms of state, gender, racial and linguistic vio
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Roberts, Luke. "The Avant-Garde of Their Own People: Poetry and Exile, 1959–1975." In Living in History. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399519854.003.0004.

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Beginning with a line by Hannah Arendt (‘refugees… have become the avant-garde of their own people’), this chapter brings together variously stateless or exiled poets working in Britain in the 1960s and early 1970s. The chapter begins with a reading of the work of Trinidadian Communist Claudia Jones, understood in conjuncture with Joseph Keith’s concept of alienage. It goes on to consider two different experiences of exile in the work of South African poets Mazisi Kunene and Arthur Nortje. Kunene’s work is discussed in light of his leadership position in the London Office of the African Nation
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Oikonomakis, Leonidas. "Revolutionary Movements and Guerrillas in Latin America." In The Oxford Handbook of Latin American Social Movements. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190870362.013.29.

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Abstract This chapter focuses on the actors of the armed struggle option of Latin American social movements, la via armada. Starting from a discussion of the main theories of Revolution, revolutionary movements and social revolutions, it passes to the more modern concept of revolutions “with a small r” that is gaining prominence in the theory and practice of revolutionary movements in contemporary Latin America. Then, it moves on to present the social (class, gender) and educational background of the guerrilleras/guerrilleros, both leaders and grassroots, the main strategies that have been ela
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Beatty, Bernard. "Liberty and Licence." In Reading Byron, edited by David Woodhouse and Gavin Hopps. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781800854628.003.0013.

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‘Liberty’ and ‘licence’ were important terms for Byron, with political, artistic and sexual connotations. The chapter begins by examining the tension between the paean to liberty in Byron’s sonnet prefixed to The Prisoner of Chillon and the narrative of the poem itself.In the first canto of Don Juan, Byron says that he is going to ‘take a liberty’ which is also poetic licence in moving the narrative forwards by six months. Byron presents this as a form of decorum because it means that he does not have to describe Juan and Julia making love. But when the poem jumps forwards to the next scene it
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8

Castro, Rafaela G. "D." In Chicano Folklore. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195146394.003.0004.

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Abstract Introduced in New Spain by the Spanish, a decima is a poetic narrative that may or may not be in song form. With a ten-line stanza, as opposed to the corrido, which has a four-line stanza, it has a more inflexible verse form than the corrido. The word decima refers to the ten verses of the stanza, but each decima may consist of several stanzas, so the genre is often referred to in the plural, as decimas. Usually a quatrain introduces the decima, and a line from this quatrain may be repeated at the end of each stanza and again at the end of the series of strophes. Decimas have also bee
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