Relevant bibliographies by topics / Chili – Au cinéma

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  2. Dissertations / Theses
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Academic literature on the topic 'Chili – Au cinéma'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Chili – Au cinéma"

1

Bello, María José, and Marialy Rivas. "Marialy Rivas pionnière du cinéma gay au Chili." Cinémas d’Amérique latine, no. 18 (December 1, 2010): 99–101. http://dx.doi.org/10.4000/cinelatino.1378.

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Lattanzi, M. Laura. "Le cinéma comme objet d’étude au Chili : un domaine en transformation." Cinémas d’Amérique latine, no. 27 (April 1, 2019): 26–33. http://dx.doi.org/10.4000/cinelatino.5613.

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del Valle, Ignacio. "Indépendance et cinéma historique en Argentine, à Cuba et au Chili (1968-1976)." Cinémas d’Amérique latine, no. 18 (December 1, 2010): 10–15. http://dx.doi.org/10.4000/cinelatino.1198.

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Hadouchi, Olivier. "Mémoire des luttes contre les dictatures du Cône Sud (Argentine, Chili et Uruguay) dans le cinéma documentaire contemporain." L’Ordinaire des Amériques, no. 213 (May 31, 2010): 55–76. http://dx.doi.org/10.4000/orda.2412.

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Wani, Aarti. "‘The child’ of new Marathi cinema." Studies in South Asian Film & Media 7, no. 1 (2016): 59–70. http://dx.doi.org/10.1386/safm.7.1-2.59_1.

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De Aguiar, Carolina Amaral. "A ditadura chilena pelas câmeras estrangeiras: a vida social sob a repressão na TV e no cinema internacionais." Estudos Ibero-Americanos 43, no. 3 (2017): 667. http://dx.doi.org/10.15448/1980-864x.2017.3.24759.

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O golpe de Estado no Chile teve um grande impacto fora das fronteiras nacionais, podendo ser caracterizado como um “evento-mundo”. No caso das televisões e dos cineastas estrangeiros, o 11 de setembro de 1973 motivou a realização de reportagens e filmes que denunciassem a repressão no país sul americano, visando a desconstruir a imagem de um cotidiano “normalizado” que os militares procuravam vender para o exterior. Na segunda metade dos anos 1970, indo mais além da denúncia, essa produção audiovisual estrangeira se dedicou a compreender os processos de recomposição da vida social e de criação
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Rodrigues, Rejane Cristina de Araujo. "O CINEMA DO TERCEIRO MUNDO SOB O OLHAR DA ANTIGEOPOLÍTICA: DITADURA E RESISTÊNCIA NA AMÉRICA LATINA." GEOgraphia 20, no. 42 (2018): 89. http://dx.doi.org/10.22409/geographia.v20i42.1096.

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Resumo: Filmes do Cinema de Hollywood são representativos de um imaginário geopolítico hegemônico. A este imaginário contrapõe-se uma antigeopolítica identificada nas representações de filmes do Cinema do Terceiro Mundo. Partindo de importantes contribuições da geografia política crítica que apontam para articulações entre as representações geopolíticas e os filmes, analisamos três filmes que retratam a América Latina em um dos períodos mais conturbados da sua história. Sua análise nos revela elementos característicos de uma geopolítica de resistência durante as ditaduras civil-militares impla
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Rodrigues, Rejane Cristina de Araujo. "O CINEMA DO TERCEIRO MUNDO SOB O OLHAR DA ANTIGEOPOLÍTICA: DITADURA E RESISTÊNCIA NA AMÉRICA LATINA." GEOgraphia 20, no. 42 (2018): 89. http://dx.doi.org/10.22409/geographia2018.2042.a13835.

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Resumo: Filmes do Cinema de Hollywood são representativos de um imaginário geopolítico hegemônico. A este imaginário contrapõe-se uma antigeopolítica identificada nas representações de filmes do Cinema do Terceiro Mundo. Partindo de importantes contribuições da geografia política crítica que apontam para articulações entre as representações geopolíticas e os filmes, analisamos três filmes que retratam a América Latina em um dos períodos mais conturbados da sua história. Sua análise nos revela elementos característicos de uma geopolítica de resistência durante as ditaduras civil-militares impla
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Rodrigues, Rejane Cristina de Araujo. "O CINEMA DO TERCEIRO MUNDO SOB O OLHAR DA ANTIGEOPOLÍTICA: DITADURA E RESISTÊNCIA NA AMÉRICA LATINA." GEOgraphia 20, no. 42 (2018): 89. http://dx.doi.org/10.22409/geographia2018.v20i42.a13835.

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Resumo: Filmes do Cinema de Hollywood são representativos de um imaginário geopolítico hegemônico. A este imaginário contrapõe-se uma antigeopolítica identificada nas representações de filmes do Cinema do Terceiro Mundo. Partindo de importantes contribuições da geografia política crítica que apontam para articulações entre as representações geopolíticas e os filmes, analisamos três filmes que retratam a América Latina em um dos períodos mais conturbados da sua história. Sua análise nos revela elementos característicos de uma geopolítica de resistência durante as ditaduras civil-militares impla
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Bettella, Patrizia. "Vicarious Mothers in Fascist Regime Cinema." Mnemosyne, no. 8 (October 15, 2018): 24. http://dx.doi.org/10.14428/mnemosyne.v0i8.13923.

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Fascist regime proclaimed that women’s preeminent roles were those of wife, mother and breeder of many children fot the Fatherland. The myth of motherhood became central in Fascism. Yet a limited number of documentaries and commercial films deals with motherhood. In commercial films it is remarkable to find that some maternal melodramas focus on the vicarious mothers, a generous, self- sacrificing woman, who acts as the mother of a child who is not her own. The article examines Righelli’s La canzone dell’amore, Ballerini’s La fuggitiva and Poggioli’s Sissignora where the surrogate mother, a yo
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Dissertations / Theses on the topic "Chili – Au cinéma"

1

Zambrano-Cardenas, Andrea. "Le spectacle cinématographique à Santiago du Chili entre 1920 et 1929." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2003.

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Ce travail a comme objectif de reconstruire, à travers les annonces publicitaires parues dans la presse de l’époque, un pan de l’histoire cinématographique chilienne jusqu’ici relativement peu étudié et pourtant fondamental : le spectacle cinématographique muet à Santiago du Chili pendant les années 1920 – 1929, une décennie clé pour le cinéma national.Cette recherche utilise comme source principale les journaux El Mercurio de Santiago et El Diario Ilustrado. L’analyse des annonces publicitaires des salles de cinéma parues respectivement dans ces journaux, archives riches en contenu et qui par
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Reveco, Fissore Roberto. "Un cinéma sous tension : une histoire du cinéma chilien 1939-1973." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080139/document.

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Entre 1939 et 1973, le cinéma chilien a tenté au moins deux modèles de développement : dans les années quarante, on a essayé d’industrialiser l’activité cinématographique avec la création de studios, entre autres, tandis que dans les années soixante et soixante-dix, on a tenté de produire un cinéma artistique et révolutionnaire. Le passage d’un cinéma à un autre a eu lieu grâce à une transition de quinze ans lors de laquelle les cinéastes et individus liés au cinéma ont réinventé les concepts et les pratiques cinématographiques. La trajectoire que le cinéma chilien a tracé pendant ces années-l
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Joly, Julien. "Le cinéma de Patricio Guzmán. Histoire, mémoires, engagements : un itinéraire transnational." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA052/document.

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Ce travail de recherche met en lumière l’itinéraire de Patricio Guzmán, documentariste chilien actif depuis les années 1960. À l’aide d’une approche pluridisciplinaire expérimentale, nous interrogeons les rapports dynamiques entre cinéma documentaire, histoire et mémoires par le biais de la biographie d’un artiste qui devient, progressivement, un médiateur transnational entre le Chili et le monde. Le plan chronologique débute par l’étude de l’adolescence artistique du réalisateur chilien, entre les années 1950 et la fin de l’année 1972, cœur de l’époque de l’Unité Populaire de Salvador Allende
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López, Ana Maria. "Tensiones entre las narrativas de ficción y no ficción en la cinematografía contemporanea de Argentina, Chile y Colombia." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040073/document.

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Le cinéma de l'Argentine, le Chili et la Colombie entre 1990 et 2005 a dû faire face à divers changements liés aux modèles politique, économique et culturel. En particulier, les lois relatives à la production du cinéma ont changées dans les années ci-dessous, ce qui a permet de configurer un cinéma hétérogène par rapport aux thèmes et moyens de raconter. Dans cette thèse, nous nous proposons d’étudier un phénomène particulier situé temporellement dans un moment de transition et envisagé à travers un corpus clairement sélectionné. Le dit phénomène se présente à travers la relation que le cinéma
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Jurado, David. "Catastrophe et récit. La représentation littéraire et cinématographique du « terrorisme d’État » en Argentine, au Chili et au Mexique." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040081.

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Cette thèse articule le concept de « catastrophe » à l’esthétique du récit pour mettre en lumière des spécificités conceptuelles et narratives des récits littéraires et cinématographiques issus des périodes de violence de masse en Amérique latine. Elle a ainsi comme principal objet d’étude les narrations de la catastrophe. Pour ce faire, elle choisit comme étude de cas trois pays, l’Argentine, le Chili et le Mexique. À partir d’un corpus réduit de 12 œuvres, ce travail aborde, notamment, deux types de récits, le récit de la catastrophe et le récit catastrophiste, correspondant, chacun, à une p
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Obono, Ngou Milama Léthicia. "Visages d'enfants dans le cinéma africain d'expression française." Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2026.

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S’il demeure un témoin vivant des sociétés africaines dans un monde bouleversé, le cinéma africain d’expression française a très tôt représenté l’enfance pour exprimer un destin et faire l’histoire. Vu à travers le regard du monde adulte, l’enfant devient au fil des vingt-huit films de fiction de notre corpus (de 1965 à 1999), un véritable point de convergence où se cristallisent les défis sociaux, politiques, économiques et culturels. Commencement absolu et gardien du monde de demain, il avance, chute, cherche à comprendre et décrire le monde qui l’entoure, tout en se heurtant à son adversité
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Lopez, Puebla Luis. "L'Inconscient et la création artistique : ou Comment des mythes et symboles archaïques font surface dans l'oeuvre cinématographique d'un cinéaste moderne : Raul Ruiz." Paris 3, 1998. http://www.theses.fr/1998PA030038.

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La creation artistique denombre plusieurs contenus. Nous nous sommes surtout interesses aux contenus inconscients et, parmi eux, aux rites, mythes et symboles archaiques. Nous avons observe que nous reproduisons ces mythes, rites et symboles, sans en etre conscient; nous nous sommes questionnes sur le pourquoi de cette reproduction, et, en vue de trouver des reponses, nous nous sommes tournes vers la psychanalyse et son rapport a la creation artistique. Nous sommes arrives a la conclusion que nous avons une "memoire" de ces mythes, rites et symboles anciens et que leur acquisition se situe ava
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Buiting, Lotte Bernarda. "Echoes of the Child in Latin American Literature and Film." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467313.

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This dissertation explores the rhetoric of childhood to comprehend how Latin American literature and film signify childhood. It furthermore analyzes the figure of the child as a rhetorical device in the construction of literary and cinematographic meaning in twentieth and twenty-first century poetry, narrative prose and film. I claim that, contrary to prevailing cultural notions of childhood innocence, the child often constitutes an unsettling presence, signaling textual as well as extradiegetic opacities and tensions. Echoes of the Child is divided into three chapters that each present a di
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Pires, Daniela Jardim Strüssmann. "Cinema e infâncias : as crianças entre elas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/79674.

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Esta dissertação tem como fio condutor a seguinte pergunta: o que acontece quando as crianças estão entre elas? Elaboro minhas respostas a partir da análise de cinco filmes escolhidos dentre a filmografia dos diferentes módulos da disciplina Cinema e Infância, do PPGEDU, da linha de pesquisa Estudos sobre Infâncias, da FACEDUFRGS. Os filmes são: Meninos de Tóquio (1932); A Guerra dos Botões (1962); O Senhor das Moscas (1963); Os Meninos da Rua Paulo (1969) e Canto dos Pardais (2008). O trabalho busca identificar e compreender o que acontece quando as crianças-personagens dos cinco filmes estão
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Olson, Eric Lars. "Great Expectations: The Role of Myth in 1980s Films with Child Heroes." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32929.

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This study performed a mythic analysis on three films with child heroes including E.T. the Extra-Terrestrial, Stand by Me, and The Goonies. Several unifying themes were extracted and then compared with the dominant values of Reagan America to determine if these films provided a unique cultural outlook. While most of the uncovered themes have been recognized in other films of the era, the theme of childhood as a community in peril is unique. It is purported these films pass judgment on Reagan as a dubious national patriarch, and that it is possible that this is a function that many myths
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Books on the topic "Chili – Au cinéma"

1

Marquez, Gabriel Garcia. L' Aventure de Miguel Littín, clandestin au Chili. Livre de Poche, 1986.

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Les enfants du cinéma. Bernard Grasset, 2011.

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The child in post-apocalyptic cinema. Lexington Books, 2015.

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Scahill, Andrew. The Revolting Child in Horror Cinema. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320.

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Balanzategui, Jessica. The Uncanny Child in Transnational Cinema. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986510.

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The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegot
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Martin, Deborah. The Child in Contemporary Latin American Cinema. Palgrave Macmillan US, 2019. http://dx.doi.org/10.1057/978-1-137-52822-3.

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Storti, Riccardo, Alessandro Tinterri, and Danila Parodi. Catalogo Chiti: Fondo bibliografico di cinema e spettacolo. Bulzoni, 2001.

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Turk, Edward Baron. Child of paradise: Marcel Carné and the golden age of French cinema. Harvard University Press, 1989.

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De Johnny chien méchant d'Emmanuel Dongala à Johnny Mad Dog de Jean-Stéphane Sauvaire: Littérature, cinéma et politique. L'Harmattan, 2013.

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Precocious charms: Stars performing girlhood in classical Hollywood cinema. University of California Press, 2013.

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Book chapters on the topic "Chili – Au cinéma"

1

Olson, Debbie. "The Black Child Star." In Black Children in Hollywood Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48273-6_6.

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Burkholder, Peter, and David Rosen. "Child Soldiers in Medieval(esque) Cinema." In War, Myths, and Fairy Tales. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2684-3_7.

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Olson, Debbie. "Establishing the Discourse of the Child." In Black Children in Hollywood Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48273-6_2.

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Olson, Debbie. "Boys in Black and the Urban Ghetto Child." In Black Children in Hollywood Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48273-6_4.

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Martin, Deborah. "What Is the Child for Latin American Cinema?" In A Companion to Latin American Cinema. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118557556.ch11.

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Martin, Deborah. "Transnational , Authenticity and the Child: Alamar." In The Child in Contemporary Latin American Cinema. Palgrave Macmillan US, 2019. http://dx.doi.org/10.1057/978-1-137-52822-3_7.

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Taylor-Jones, Kate. "Girlhood in a Warzone: African Child Soldiers in Film." In International Cinema and the Girl. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137388926_14.

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Scahill, Andrew. "Introduction." In The Revolting Child in Horror Cinema. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320_1.

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Scahill, Andrew. "Revolting Children." In The Revolting Child in Horror Cinema. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320_2.

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Scahill, Andrew. "Malice in Wonderland." In The Revolting Child in Horror Cinema. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320_3.

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