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Books on the topic 'Chili – Au cinéma'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Marquez, Gabriel Garcia. L' Aventure de Miguel Littín, clandestin au Chili. Livre de Poche, 1986.

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2

Les enfants du cinéma. Bernard Grasset, 2011.

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3

The child in post-apocalyptic cinema. Lexington Books, 2015.

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4

Scahill, Andrew. The Revolting Child in Horror Cinema. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320.

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5

Balanzategui, Jessica. The Uncanny Child in Transnational Cinema. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986510.

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The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegot

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6

Martin, Deborah. The Child in Contemporary Latin American Cinema. Palgrave Macmillan US, 2019. http://dx.doi.org/10.1057/978-1-137-52822-3.

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7

Storti, Riccardo, Alessandro Tinterri, and Danila Parodi. Catalogo Chiti: Fondo bibliografico di cinema e spettacolo. Bulzoni, 2001.

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8

Turk, Edward Baron. Child of paradise: Marcel Carné and the golden age of French cinema. Harvard University Press, 1989.

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9

De Johnny chien méchant d'Emmanuel Dongala à Johnny Mad Dog de Jean-Stéphane Sauvaire: Littérature, cinéma et politique. L'Harmattan, 2013.

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10

Precocious charms: Stars performing girlhood in classical Hollywood cinema. University of California Press, 2013.

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11

Oliva, A. de Lima. Visions from the south: A travelling exhibition of independent cinema and video from Argentina-Brazil-Chile = Miradas desde el sur : muestra itinerante de cine y video independientes, de Argentina-Brasil-Chile. Fundación Antorchas, 1996.

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12

Marquez, Gabriel Garcia. Clandestine in Chile: The adventures of Miguel Littín. Granta in association with Penguin, 1989.

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13

Marquez, Gabriel Garcia. La aventura de Miguel Littin clandestino en Chile. Editorial Diana, 1986.

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14

Marquez, Gabriel Garcia. La aventura de Miguel Littín, clandestino en Chile. 6th ed. El País, 1988.

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15

Marquez, Gabriel Garcia. La aventura de Miguel Littín, clandestino en Chile. Grijalbo Mondadori, 1995.

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16

Marquez, Gabriel Garcia. Clandestine in Chile: The adventures of Miguel Littín. H. Holt, 1987.

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17

Marquez, Gabriel Garcia. La aventura de Miguel Littín, clandestino en Chile. Plaza & Janes, 1993.

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18

Marquez, Gabriel Garcia. La aventura de Miguel Littín clandestino en Chile. Plaza & Janes, 1993.

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19

Marquez, Gabriel Garcia. Clandestine in Chile: The adventures of Miguel Littín. H. Holt, 1987.

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20

Marquez, Gabriel Garcia. Clandestine in Chile: The adventures of Miguel Littín. New York Review Books, 2009.

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21

Marquez, Gabriel Garcia. Clandestine in Chile: The adventures of Miguel Littín. New York Review Books, 2009.

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22

Marquez, Gabriel Garcia. La aventura de Miguel Littín clandestino en Chile. Random House Mondadori, 2003.

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23

Marquez, Gabriel Garcia. La aventura de Miguel Litti n, clandestino en Chile. Ediciones El Pai s, 1986.

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24

Marquez, Gabriel Garcia. La aventura de Miguel Littín clandestino en Chile: Un reportaje. Editorial Oveja Negra, 1986.

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25

Marquez, Gabriel Garcia. La aventura de Miguel Littín, clandestino en Chile: Un reportaje. Editorial Sudamericana, 1986.

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26

Marquez, Gabriel Garcia. La aventura de Miguel Littín clandestino en Chile: Un reportaje de. Editorial Oveja Negra, 1986.

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27

The business of children's entertainment. Guilford Press, 1998.

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28

Marquez, Gabriel Garcia. Zhi Li mi mi xing dong. Shi Bao, 1990.

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29

Marquez, Gabriel Garcia. L'aventure de Miguel Littin, clandestin au Chili. LGF, 1988.

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30

Lury, Karen. Child in Cinema. BFI Publishing, 2020.

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31

Wright, Sarah. Child in Spanish Cinema. Manchester University Press, 2016.

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32

Lury, Karen. The Child in Cinema. British Film Institute, 2021.

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33

The Child In Spanish Cinema. Manchester University Press, 2013.

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34

The Child in Contemporary Latin American Cinema. Palgrave Macmillan, 2019.

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35

Hipkins, Danielle. New Visions of the Child in Italian Cinema. Lang Publishing, Incorporated, Peter, 2014.

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36

Hipkins, Danielle, and Roger Pitt. New Visions of the Child in Italian Cinema. Lang Publishing, Incorporated, Peter, 2014.

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37

Hipkins, Danielle, and Roger Pitt, eds. New Visions of the Child in Italian Cinema. Peter Lang UK, 2014. http://dx.doi.org/10.3726/978-3-0353-0629-3.

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38

The Revolting Child in Horror Cinema: Youth Rebellion and Queer Spectatorship. Palgrave Macmillan, 2015.

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39

There's No Place Like Home: The Migrant Child in World Cinema. I. B. Tauris & Company, Limited, 2018.

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40

Child of Paradise: Marcel Carne and the Golden Age of French Cinema (Harvard Film Studies). Harvard University Press, 1992.

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41

Marquez, Gabriel Garcia. Clandestine in Chile. Henry Holt & Co (P), 1988.

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42

Kaige, Chen, and Tony Rayns. King of the Children: And the New Chinese Cinema. Faber & Faber, 1989.

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43

Studlar, Gaylyn. Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema. University of California Press, 2013.

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44

Studlar, Gaylyn. Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema. University of California Press, 2013.

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45

Cohee, Allison. Your Child in Film & Television (Self-Counsel Reference Series). Self-Counsel Press, 2003.

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46

Marquez, Gabriel Garcia. Clandestine in Chile (Granta Paperbacks). Penguin Books, 1993.

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47

Marquez, Gabriel Garcia. Clandestine in Chile (Granta Paperbacks). Penguin Books, 1993.

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48

Billson, Anne. Let the Right One In. Liverpool University Press, 2011. http://dx.doi.org/10.3828/liverpool/9781906733506.001.0001.

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These days it takes a very special vampire movie to stand out. Like Twilight, the Swedish film Let the Right One In is a love story between a human and a vampire but there the resemblance ends. Let the Right One In is not a romantic fantasy but combines the supernatural with social realism. Set on a housing estate in the suburbs of Stockholm in the early 1980s, it's the story of Oskar, a lonely, bullied child, who makes friends with Eli, the girl in the next apartment. 'Oskar, I'm not a girl,' she tells him and she's not kidding. They forge a relationship which is oddly innocent yet disturbing

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49

Pravadelli, Veronica. Normative Desires and Visual Sobriety. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038778.003.0003.

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This chapter argues that in the mid-1930s, American cinema perfected a classical form that dominated till the end of the decade. This form arose out of a new convergence between lifestyle and film style: in ideological terms, the period supported normative and traditional images of femininity and masculinity, and its film style privileged unified narratives based on action, dialogue, and continuity editing. The return to traditional values is manifested by a renewed interest in masculinity: in contrast to the earlier period, which is dominated by female stars, the most popular figured in the s

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50

Marquez, Gabriel Garcia. Clandestine in Chile: The Adventures of Miguel Littin. Granata, 1989.

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