Academic literature on the topic 'Chimamanda Ngozi'

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Journal articles on the topic "Chimamanda Ngozi"

1

Verissimo, Jumoke. "Conversations with Chimamanda Ngozi Adichie." Journal of the African Literature Association 15, no. 2 (2021): 321–22. http://dx.doi.org/10.1080/21674736.2021.1875605.

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KARA, Gökçen. "RACISM IN CHIMAMANDA NGOZI ADICHIE'S AMERICANAH." JOURNAL OF ACADEMIC SOCIAL RESOURCES 6, no. 23 (2021): 315–20. http://dx.doi.org/10.31569/asrjournal.188.

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3

Akongo, Louis Marain Mokoko, and Ngassaki Basile Marius. "Characters in Chimamanda Ngozi Adichie’s Americanah." South Asian Research Journal of Arts, Language and Literature 4, no. 1 (2022): 1–9. http://dx.doi.org/10.36346/sarjall.2022.v04i01.001.

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In this article, the main purpose has been the characterization of characters in the Nigerian author Chimamanda Ngozi Adichie’s Americanah. To carry out the task, the research has been conducted through the lenses of the deconstuction approach. Through the completion of the task, the characters have been divided into three groups namely major characters, the minor characters, and other characters. At the end of the investigation, it has been discovered there are two major characters in the novel. As for minor characters there are two characters as well. When it comes to other characters, although in this article their number has shortened to two characters, it should be mentioned that there are more characters who should belong to this last group of characters. This short number of characters belonging to other characters has been due to the constraint of the article size.
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4

Gandhi, S. P. Jenifer. "Hegemony in Chimamanda Ngozi Adichies’s “Apollo”." SMART MOVES JOURNAL IJELLH 8, no. 7 (2020): 247–54. http://dx.doi.org/10.24113/ijellh.v8i7.10683.

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This paper tries to examine the operation and influence of hegemony in Adichie’s “Apollo”. Hegemony is closely linked with oppression of any kind. In “Apollo” the influence of hegemony is notable as the characters are affected by it invisibly and the characters are unaware of their oppressed/influenced state. As the characters are from Nigeria, a former colony, the aspects of colonialism and neo-colonialism are linked in the analysis of hegemony in this novel. The modes through which hegemony affects the characters are also discussed in this paper.
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5

Tunca, Daria. "A Companion to Chimamanda Ngozi Adichie." Journal of Postcolonial Writing 55, no. 1 (2019): 144–45. http://dx.doi.org/10.1080/17449855.2019.1572486.

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6

De Dios Herrero, Mariana. "Chimamanda Ngozi Adichie: claves para ser feministas." La Manzana de la Discordia 12, no. 2 (2018): 107. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v12i2.6235.

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7

Alix, Florian. "Chimamanda Ngozi Adichie. Autour de ton cou." Afrique contemporaine 246, no. 2 (2013): 176. http://dx.doi.org/10.3917/afco.246.0176.

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8

Dawoor, Yagnishsing. "Notes on Grief by Chimamanda Ngozi Adichie." World Literature Today 96, no. 1 (2022): 70. http://dx.doi.org/10.1353/wlt.2022.0039.

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9

Campos Gomides, Juliana. "Experiência em análise." Faces de Clio 8, no. 15 (2022): 202–7. http://dx.doi.org/10.34019/2359-4489.2022.v8.34647.

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10

Oliveira, Leide Daiane De Almeida, and Naylane Araújo Matos. "ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p." Cadernos de Tradução 38, no. 3 (2018): 477–86. http://dx.doi.org/10.5007/2175-7968.2018v38n3p477.

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