Academic literature on the topic 'China. Chün chi chʻu'
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Journal articles on the topic "China. Chün chi chʻu"
Tsai, Terence, Michael N. Young, Bor-shiuan Cheng, and Shubo Phillip Liu. "Sinyi Real Estate in China: The Challenges of Maintaining an Ethical Business Culture." Asian Case Research Journal 14, no. 02 (December 2010): 159–85. http://dx.doi.org/10.1142/s0218927510001374.
Full textFogel, Joshua A. "Chin-tai Jih-pen tsai-Hua wen-hua chi she-hui shih-yeh chih yen-chiu [A Study of Modern Japanese Cultural and Social Enterprises in China]. By Huang Fu-ch'ing. Taipei: Institute of Modern History, Academia Sinica (Monograph Series, no. 45), 1982. v, 324 pp. Bibliography, Index. $7.60 (cloth); $5.80 (paper)." Journal of Asian Studies 44, no. 2 (February 1985): 371–73. http://dx.doi.org/10.2307/2055938.
Full textBhandari, Sudhir, Ajit Singh Shaktawat, Bhoopendra Patel, Amitabh Dube, Shivankan Kakkar, Amit Tak, Jitendra Gupta, and Govind Rankawat. "The sequel to COVID-19: the antithesis to life." Journal of Ideas in Health 3, Special1 (October 1, 2020): 205–12. http://dx.doi.org/10.47108/jidhealth.vol3.issspecial1.69.
Full textBa Duy, Dinh, Ngo Duc Thanh, Tran Quang Duc, and Phan Van Tan. "Seasonal Predictions of the Number of Tropical Cyclones in the Vietnam East Sea Using Statistical Models." VNU Journal of Science: Earth and Environmental Sciences 35, no. 2 (June 29, 2019). http://dx.doi.org/10.25073/2588-1094/vnuees.4379.
Full textThi Ngoc, Pham, Pham Thanh Huyen, Nguyen Quynh Nga, Phan Van Truong, Nguyen Minh Khoi, and Dinh Doan Long. "A Molecular Phylogeny of Panax L. Genus (Araliaceae) Based on ITS-rDNA and matK Support for Identification of Panax Species in Vietnam." VNU Journal of Science: Medical and Pharmaceutical Sciences 36, no. 2 (June 25, 2020). http://dx.doi.org/10.25073/2588-1132/vnumps.4198.
Full textHuong, Le Thi, Trinh Thi Huong, Dau Ba Thin, Dao Thi Minh Chau, and Dao Thi Thoan. "Diversity of Zingiberaceae Family in Pu Mat National Park, Nghe An Province." VNU Journal of Science: Natural Sciences and Technology 34, no. 1 (March 23, 2018). http://dx.doi.org/10.25073/2588-1140/vnunst.4722.
Full textReaza-Alarcón, Antonio, and Beatriz Rodríguez Martín. "Effectiveness of nursing educational interventions in managing post-surgical pain. Systematic review." Investigación y Educación en Enfermería 37, no. 2 (June 19, 2019). http://dx.doi.org/10.17533/udea.iee.v37n2e10.
Full text"I-ching chih jen sheng che hsüeh yen chiu [Chinese: A Study of the Philosophy of Life in the I-ching.] Pak, Chong-gun , Ph.D. Ssu-li Fu-jen ta-hsüeh [Fu-jen Catholic University] (Taipei), 1987. For copies, write to the Library, Fu-jen Catholic University, Hsinchuang, Taipei, Taiwan, Republic of China. - I shu yen chiu [Chinese: A Study of Divination.] Liu, Yüan- chih , Ph.D. Ssu-li Chung-kuo wen-hua ta-hsüeh [Chinese Culture University] (Taipei), 1987. For copies, write to the Library, Chinese Culture University, Hwa Kang, Yangmingshan, Taipei, Taiwan, Republic of China. - Pan Ku, the Hsiung-nu and “Han Shu” 94. Tinnios, Pantelis Ellis, Ph.D. The University of Michigan, 1988 242 pp. Chairman Chun-shu Chang. Order Number DA 8821663." Early China 14 (1989): 289–90. http://dx.doi.org/10.1017/s0362502800002819.
Full textDissertations / Theses on the topic "China. Chün chi chʻu"
CHOU, HSIEH CHIA-CHIN, and 周謝佳錦. "Moving Forward Alone with Flowing Lust: Research of Painting Creation of Chou Hsieh Chia-Chin." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/uc2w6e.
Full text國立臺灣藝術大學
書畫系造形藝術碩士班
107
The word “Lust “ can be separated into two words: “Sex” and “Desire”. The physical sex links to desire in layers of mental area. Those two factors identically exist in the nature whether found on human or in crowds of creatures. We can explore sex and desire everywhere, and only “Lust” can force creatures to breed. It is interesting to find that we could see different explanations and methods with various kinds of race in historic stream. They can even be used in business and entertainment. There was a question when I was little, but till I grew up that I realized there was a prosperous industrial activity named “Betel Nuts Vendor” here in Taiwan. This business is very influential during the conservative time in Taiwan. Costumers come to the vendors to buy betel nuts, cigarettes, wines and beverages. In the meanwhile, they could also see sexy betel nuts beauty. At that time, I did constantly think about “do those people just attempt to buy some items there?” Or “do they just want to flirt with pretty betel nuts beauties?” Apparently, there are some sex and desire mixed with this trade. Most costumers are male. They get reasonable excuses to communicate with betel nuts beauty by buying betel nuts and cigarettes. In this situation we can say “One stone with two birds” In this study, I would like to discuss what are the natures of sex and desire, and also discuss the descriptions in history, relating to artworks with a theme of sex and desire. What is sex? Angles of Biology and Praxeology cut it into pure existence of lust. What is desire? I will do this from human’s histories, mental conditions, and the cause of event, together with the comparisons of both sex and desire in reflection to the impacts of human and artworks. I would not say that everyone is acted by lust. According to my own experiences and the process of creating, sex and desire are meaningful to me so far. There were five chapters in this research. In first chapter, introduction, the contents the structure of research and arranging cause and conclusion were discussed. It is parted into several sections, including Q&A, discussion, detailed exposition, and cause of thought. In the second chapter, some doctrinal bases, praxeology, and art theory were provided. Some evidences to prove this research among base of sex and desire were elaborated. In the third chapter. my concept and inner of artworks and discussion regarding any possibility in my creations were described. In the fourth chapter, my artworks and how to create them, gradual discussion of concepts and meanings of my artworks, comparison of artworks, methods, and mediums were thoroughly explained. In the fifth chapter, my expectation and target in the future were concluded for the study.
Wang, Wei-ling, and 王瑋玲. "Chou Chin-Chen’s object-describing lyrics." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/30788247929519226309.
Full text國立中山大學
中國文學系研究所
99
The thesis focuses on the object-describing lyrics written by Chou Chin-Chen and investigates the selection of ideas, analysis of images, and artistic characteristics. This thesis is divided into six chapters. Chapter 1 is divided into two sections. The first section introduces the research motivation, the research methods, and literature review. The second section studies the origin of object-describing lyrics to describe the relationship of objects and literature and to define the concept of object-describing lyrics. Chapter 2 indicates the formation background of Chou Chin-Chen’s lyrics. The first section discusses the historical origin and litery development of object-describing lyrics in terms of different dynasties: Early Chin dynasty, The Han dynasty, and Wei-Jin Dynasty. In addition, the section further investigates the civil object-describing lyrics in Dunhuang and intellectuals’ object-describing lyrics in early North Song Dynasty. The second section discusses the factors of writing with the respect of the social and cultural background and makes the list of Chou Chin-Chen’s lyrics in order to compare the background influences and literature characteristics. Chapter 3 analyzes the content of Chou Chin-Chen’s lyrics based on the definition made in the previous sections. The chapter discusses 32 lyrics to analyze the selection of ideas with six categories: season, plants, nature, appearance and time. There are two seasonal lyrics (lantern and Chongjiu festivals), ten plant lyrics (plum flowers, willows, pear, lotus, sweet-scented osmanthus, and apricot), seven nature lyrics (snow, moon, and spring rain). The discussion focuses on the image analysis including prototypes and trends and further investigates the historical backgrounds, content structures, writing skills and historical evaluations. Chapter 4 studies and compares Chou Chin-Chen’s object-describing lyrics in terms of the artistic characteristics, rhetoric skills, language styles, and content structures. Chapter 5 describes the comments and influences of Chou Chin-Chen’s object-describing lyrics. Chapter 6 concludes the achievement of Chou Chin-Chen’s object-describing lyrics.
Chang, Yi-Chien. "Pricing Convertible Bonds: The Chou Chin Issuance." 2004. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0001-1807200422573800.
Full textChang, Yi-Chien, and 張益堅. "Pricing Convertible Bonds: The Chou Chin Issuance." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/52281220504119458007.
Full text國立臺灣大學
財務金融學研究所
92
This thesis discusses the characteristics of convertible bonds (CB''s), using an issuance of the Chou Chin Industrial Corporation in year 2002 as an example. The contract of a convertible bond is usually quite complicated. We often look at the CB as a straight bond with an attached option to convert into common stocks. Furthermore, most contracts include the call provisions that the issuing company could buy back the issue under certain circumstances, the put features that the CB holders could sell the bond to the issuing company, and some reset features that allow the adjustments of the coupon rate, the conversion ratio, or the maturity date. In the Chou Chin’s case, the main effect of the call is to force the holders to convert the bonds into the common stocks. The conversion price is reset every half year. This thesis uses the Monte Carlo simulation to price the CB; therefore, handling the reset feature is straightforward. The put feature is a main concern of this thesis. A multi-layer Monte Carlo simulation is used to handle the put provisions. The Chou Chin common stock trading default event burst on March 6th, 2003, and the thesis will discuss this event and its consequences.
Wu, Ya-ching, and 吳雅卿. "Bronze Mirrors in Chu Area during Pre-Chin Period." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/18563386778832849409.
Full text國立臺南藝術大學
藝術史與藝術評論研究所
92
The Pre-Chin period marked the first climax of copper mirror’s development in Chinese history. This is particularly evident in the Chang-Jiang (Yangtze River) and Huai-Shui region which was occupied primarily by Chu, where copper mirrors can be found in both quality and quantity. Increased archeological activities in this area after the 1950’s led heightened regard for these “Chu Mirrors” by the scholars. Due to the overwhelming concentration of copper mirrors undearned in the Chu city of Chang-Sha where over 400 articacts were unearthed from about 1,000 tombs, it is safe to assume that the city must have been a major producer of copper mirrors. Therefore, this thesis will focus on analyzing the copper mirrors unearthed in Chang-Sha, supplemented by a small number of copper mirrors found in the nearby regions. Based on the decoration styles of the mirrors and their age, we have categorized them into three distinct types styles of “bland”, “sculpture”, and “painting”. This thesis will further explore the distinct characteristics and the evolution of the patterns over time in each of the styles. In this analysis, we discover that Chu Mirrors is a culmination of almost all the patterns and pictures commonly used in the Chinese culture of the time. These mirrors from the southern part of China had found their way to all the regions of China and even as far as Western Asia through the southern silk road. These mirrors also had far-reaching impacted on the development and styling of copper mirrors later fashioned during the Chin and West Han dynasties. Chu Mirrors truly play an important part as a strong influence to the development of Chinese art.
Yang, Guoo-lin, and 楊果霖. "Studies for "Chin-Yi Kao" of Chu Yi-Tsuen." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/u64w27.
Full textChun-Ting, Chiu, and 邱君婷. "a day dream platform-Art Works by Chiu Chin-Ting." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/axe4ap.
Full text國立新竹教育大學
美勞教育學系碩士班
101
Abstract I developed a series of imagination from my daydream according to the house I used to live. These daydreams consisted of animal images expressing companions or symbolic identities to represent what the text intends to describe. Additionally, there was a close connection between the space of my home and my life. In terms of external space there are the symbolic identities. I also analyzed the space based on the concept of perspective in my study. The discussion was about the origin and the history of perspective that. I applied to the paintings in my father’s studio, which was the industrial mapping/drawing methodology. Furthermore, I combined the grids and lines in my paintings, and I tried to create an integrated theater which contained all possible occurrences of the symbolic imagery. In terms of the inner space, the psychological state consisted of space and symbolic imagery. According to the idea of “The Poetic of Space” (Bachelard G., 1994), I emphasized the role of my home as the protective and nurturing place for daydreaming. Also, according to “Active Imagination” (Jung, C. G., 1916), I placed my imaginations on pro-active position to awake the symbolic imageries, and allowed myself to indulge in the stream of consciousness. Besides, from Freud’s view, there are three periods of time for fantasy (Freud S., 1856-1939), which include the memories of the past, the present state, and the future aspirations. Throughout the process of analysis, I could gradually develop my own memories and symbolic mental state through imagery presentation. There were four series in my creations. The first was “Base”, defined by the figures of my home and its surrounding animals, which brought me back to the first original daydream. The second was “Approach Slowly” which was conceived from my daily life experience, and which used the specific area or abstract spaces as the backgrounds; The third was “Home-returning” and was based on the various plants in the Bible, and built upon the symbolic imagery into the corners of space; The last one, “A remote daydream”, was described by the imagination and the desire of the existence of life. I used transparent acrylic boards to represent the phenomenon of attempting to pull away and detach from the space in order to return to the environment itself. Key words: Daydream, External Space, Perspective, Internal Space, Home House, Active Imagination, A Stream of Consciousness
Yu, Ming-chieh, and 游明潔. "A research on industry transition of Hsin-chu chin-shan-mien." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/00227723023904817698.
Full text國立中央大學
客家政治經濟研究所
99
"Chin-shan-mien" is an ancient name of place that formerly a traditional Hakka villages, which Taiwan''s first Science Park established laterly. With the rise of technology industries, people know the Hsin-chu Science Park, but most people may not know where is "Chin-shan-mien". The Chin-shan-mien’s industry changed from tradition to the modern field which can be regarded as Taiwan industrial development process in miniature. This research aims to explore the relationships between the local environment and the livelihood activities of residents who are living in "Chin-shan-mien": From the early days of the traditional settlements to today''s Science-based Industrial Park, and the village industry is changing from the most traditional industries to the most sophisticated high-tech industries. Then From the natural environment, population, technology, organization, culture and external environmental factors, explore what cause "Chin-shan-mien" surface areas changes from traditional industries, the process of industrialization to the high-tech industry. The study found that when the economy develops more prosperously, more weakly relationship between people and land, which is making the symbiotic relationship converted to dominated relationship, and mostly, this kind of changes due to the industry changes. The relationship between people and land in the traditional industries are closed, cause they use the natural resources to develop industries; in the Industrialization times, the relationships is not as well as before, but still in the balanced stages; but in the stages of high-tech industries, cause the policy established and the technology access, which make the resources of land need to be reconfigured, and make the power of men above the land.
Tu, Fang-Li, and 杜方立. "The Grasping of The Pre-Chin Philosophers'' Thoughts from the Angel of Chou Culture." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/37721037440305898192.
Full text淡江大學
中國文學系
86
Title of Thesis: The Grasping of Total Pages:126 Grasping of Total Pages:126 The Pre-Chin Philosophers'' Chin Philosophers'' Thoughts from the Angle of from the Angle of Chou Culture ture Key Word:Blood Kin,Agriculture AAgriculture Name of Institute:Graduate Institute of Chinese Literature, raduate Institute of Chinese Literature, Tamkang University g University Graduate date:June 1998 Degree Conferred:Master 1998 Degree Conferred:Master Name of Student:Tu Fang-Li Advisor:Kao Po-yawn Fang-Li Advisor:Kao Po-yawn (杜 方 立) 立) Abstract: The focus of this paper is on grasping the pre-Chin''s philosophers'' thoughts f paper is on grasping the pre-Chin''s philosophers'' thoughts fthe angle of Chou culture. The discussion is mainly on two issues: the characte lture. The discussion is mainly on two issues: the characteChou culture, and how pre-Chin''s philosophers'' thoughts are corresponding and w pre-Chin''s philosophers'' thoughts are corresponding and correlating to it. On Chou''s culture''s character, two questions are the main co On Chou''s culture''s character, two questions are the main cothe stress upon Deu by Chou people, and the patrimonial concept in Chou''s blood- by Chou people, and the patrimonial concept in Chou''s blood-feudalism. The approach used is cultural anthropology on discussing the oach used is cultural anthropology on discussing the relationship between the stress upon Deu and Chou people''s way of living, and th the stress upon Deu and Chou people''s way of living, and thsituation when Chou people set up their regime is retraced to realize why such a people set up their regime is retraced to realize why such ablood-kin feudalism is formed. is formed. On pre-Chin''s philosophers'' thoughts part, the discussion is concentrated upo osophers'' thoughts part, the discussion is concentrated upohow these thoughts are related to the two main characteristics of Chou culture. re related to the two main characteristics of Chou culture. concept of Lao-Zhe on ''Wu'' and ''Wu-Wei'' is discussed in concerns with Chou''s n ''Wu'' and ''Wu-Wei'' is discussed in concerns with Chou''s blood-kin feudalism; the Confucius philosophy ''s relationship with Chou culture the Confucius philosophy ''s relationship with Chou culture analyzed; the Moh-Zhe''s concept of ''Shuan Tong'' and ''Shuan Hsing'' is also dealed e''s concept of ''Shuan Tong'' and ''Shuan Hsing'' is also dealedwith in relation to Chou''s blood-kin feudalism. Max Weber''s theory is also used Chou''s blood-kin feudalism. Max Weber''s theory is also useddiscussing the difference between Confucius''s ''Zen'' and Moh-Zhe''s ''I''. rence between Confucius''s ''Zen'' and Moh-Zhe''s ''I''.
李志文. "Szu Ma Chien and Ban Ku’s commentary and appraisal of pre-Chin chu tze." Thesis, 1986. http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/login?o=dnclcdr&s=id=%22075CHU00493001%22.&searchmode=basic.
Full textBooks on the topic "China. Chün chi chʻu"
Monarchs and ministers: The Grand Council in Mid-Chʻing China, 1723-1820. Berkeley: University of California Press, 1991.
Find full textTʻien chih chiao tzu: Chung yang chün chʻuan chʻi. Nan-ching: Chiang-su jen min chʻu pan she, 1999.
Find full textYa-chou chin jung feng pao: Shih chi mo ching chi wei chi. Tʻai-pei shih: Shih pao wen hua chʻu pan chʻi yeh ku fen yu hsien kung ssu, 1998.
Find full textMin chʻiu ching she (Hong Kong). Hao ku Min chʻiu: Min chʻiu ching she san shih wu chou nien chi nien chan. Hsiang-kang: Hsiang-kang shih cheng chü, 1995.
Find full textHaruki, Murakami. Pien ching, chin ching: Tsʻun-shang Chʻun-shu tso pʻin chi. Tʻai-pei shih: Shih pao wen hua chʻu pan chʻi yeh ku fen yu hsien kung ssu, 1999.
Find full textHsü shih i shu chi chin. Wen wu tsʻui chen: Hsü shih i shu chi chin tsʻang tʻao tzʻu chʻing tʻung chʻi hsüan. Hsiang-kang: Hsü shih i shu chi chin, 1992.
Find full textChung-kuo jen min chieh fang chün chan i chi chʻeng. Pei-ching: Chieh fang chün chʻu pan she, 1987.
Find full textChʻüan, Yen-chʻih. Sui Mao Tse-tung wei fu chʻu hsing: Yang Chʻeng-wu "X" tang an. Hsiang-kang: Tʻien ti tʻu shu yu hsien kung ssu, 1997.
Find full textXie Jiarong yu kuang chan ce kan chu: Ji nan Xie Jiayuan jiao shou dan chen 100 zhou nian. Beijing: Shi you gong ye chu ban she, 2004.
Find full textZhu, Qizhan. Hua yuan Chi-chan: Chan yüan tang tsang Chu Chi-chan shu hua hsüan = Encounter with Zhu Qizhan : selection of Chinese painting and calligraphy from the Zhanyuantang collection. Hong Kong: Urban Council, 1994.
Find full textBook chapters on the topic "China. Chün chi chʻu"
Mordden, Ethan. "Charleston Mad." In Pick a Pocket Or Two, 41–60. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190877958.003.0004.
Full text"Chapter 90. Lai-wang Absconds Together with Sun Hsüeh-o; Sun Hsüeh-o Is Sold to Chou Hsiu’s Household." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 174–93. Princeton: Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-013.
Full text"Chapter 92. Ch’en Ching-chi Is Entrapped in Yen-chou Prefecture; Wu Yüeh-N iang Creates a Stir in the District Yamen." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 218–43. Princeton: Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-015.
Full text"Chapter 26. Lai-Wang is Sent under Penal Escort to Hso-Chou; S Ung Hui-Lien is Shamed into Committing Suicide." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 100–126. Princeton: Princeton University Press, 2001. http://dx.doi.org/10.1515/9781400847624-009.
Full text"Chapter 100. Han Ai-chieh Seeks Her Father and Mother in Hu-chou; Ch’an Master P’u-ching Rescues Souls from Perdition." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 391–420. Princeton: Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-023.
Full text"CHAPTER 55. Hsi-men Ch’ing Observes a Birthday in the Eastern Capital; Squire Miao from Yang-chou Sends a Present of Singing Boys." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 346–73. Princeton: Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400837922.346.
Full text"CHAPTER 70. Hsi-men Ch’ing’s Successful Efforts Procure Him a Promotion; Assembled Offi cials Report before Defender-in-chief Chu Mien." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 277–305. Princeton: Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400838585-013.
Full text"Chapter 88. P’an Chin-lien Appears in a Dream in Commandant Chou Hsiu’s Home; Wu Yüeh-niang Contributes a Gift to a Subscription-Seeking Monk." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 131–50. Princeton: Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-011.
Full text"Chapter 96. Ch’un-mei Enjoys Visiting the Pools and Pavilions of Her Old Home; Commandant Chou Hsiu Sends Chang Sheng to Look for Ch’en Ching-chi." In The Plum in the Golden Vase or, Chin P'ing Mei, edited by David Tod Roy, 309–29. Princeton: Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-019.
Full text"CHAPTER 17. Censor Yü-wen Impeaches Commander Yang; Li P’ing-erh Takes Chiang Chu-shan as Mate." In The Plum in the Golden Vase or, Chin P'ing Mei, Volume One, 337–55. Princeton University Press, 1994. http://dx.doi.org/10.1515/9781400847631-026.
Full text