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Dissertations / Theses on the topic 'China – Civilization'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Flath, James A. "Printing culture in rural North China." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56541.pdf.

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2

Margerison, John. "Accountability in the context of civilization change in China." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/12099.

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The purpose of this thesis is to contribute to the understanding of accountability in the context of civilization change in China. Using a Foucaultian epistemic framework and archaeological method, data has been gathered from four sources: textual, interviews, case studies and surveys. Each source has been considered in terms of the viability of the modern episteme and the possibility of episteme change to ecological civilization taking place in China. Also the actors in the sustainability accountability network have been identified along with the key contingencies that could lead to changes i

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3

Tao, Zhijian. "Drawing the dragon : testimonies to the reinvention of China." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40265.

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The accidental, or maybe not so accidental, equation of the Long $ rm lbrack TE rbrack$ with the dragon is a minor, yet in many ways symbolic, incident in Western European reinvention of China. This reinvention can be found in a wide variety of discourses, the authors of which range from Enlightenment philosophes to nineteenth-century political economists, to the recent Derrida, and from the even earlier Sir John Mandeville, Oliver Goldsmith, to Coleridge, to W. S. Landor and De Quincey. It covers all aspects of Chinese culture, including philosophy, religion, government, language, poetry, and

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4

Zeng, Jia Cheng. "WeChat moments :A study of WeChat liking behavior in a Chinese cultural context." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3952591.

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5

Lu, Di Yin. "Seizing Civilization: Antiquities in Shanghai's Custody, 1949 – 1996." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10437.

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Seizing Civilization uses the Shanghai Museum as a case study to examine an extraordinary process of art appropriation that persisted from 1949 to 1996 in the People's Republic of China (PRC). At the heart of this story is the museum's destruction of the preexisting art market, its wholesale seizure of privately-owned antiquities, and its sale of these objects on the international market. My findings show that museum employees used these events to create public art collections in the PRC. The Shanghai Museum pioneered the techniques that Chinese museums use to transform craft objects, as well

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6

Wong, Chi-man Lorraine, and 黃芷敏. "Cultural fever, consumer society and pre-orientalism China in eighteenth-century England." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227946.

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7

Fu, Ho-ying, and 符可瑩. "The social cognitive mediation of multiple enculturation and values." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238476.

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8

Ma, Chunhui. "Textbooks, a vivid mirror of culture : a comparative study of animal materials in American elementary reading textbooks and Chinese elementary language textbooks." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845935.

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Comparative research on the treatment of animal materials in Chinese elementary language textbooks and American elementary reading textbooks provides an interesting perspective on both Chinese and American cultures. The study uses both quantitative and qualitative methods. From the study, we notice that animals in Chinese textbooks are presented as animals, i.e., creatures closer to nature without human fantasy and illusion attached to them. Animals are used to communicate to children for moral education, wisdom development and so on. By comparison, animals in American textbooks are presented

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9

Xiao, Xiaosui. "China encounters Western ideas (1895-1905) : a rhetorical analysis of Yan Fu, Tan Sitong, and Liang Qichao /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299533446.

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10

Piquet, Hélène. "Modèles de l'ordre familial et de l'ordre social dans la première moitié de la dynastie Tang (618-755)." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59380.

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The Tang dynasty (618-907) is often referred to as a golden age of Buddhism in China. This research, concentrated on the first half of the dynasty (618-755), shows that Buddhism's impact on Tang aristocratic society has been overestimated. Looking at models of the familial and social order that one can extract from the Tang Code as well as from some literary works of the period, the picture emerging is that Tang society was a highly stratified one, and based on Confucian values. Buddhism, in order to establish and maintain itself in China, had to compromise with those values. However, its effo

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11

Brundage, Mathew Thomas. "“Where We Would Extend the Moral Power of Our Civilization”: American Cultural and Political Foreign Relations with China, 1843-1856." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448395090.

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12

Chu, Xiaoge. "Retrospection and deliberation : the create [i.e. creative] summary of the high definition video works." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1327290.

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This paper reviews the process of video production that was used to create the creative portion of the thesis project. During this process, I experienced creative art theory, creative methods, and new technology applications. For the production of the thesis, I used a high definition digital video camera to illustrate the conflict and fusion between the East and West on the level of cultural mythology. The thesis is comprised of five parts and seven subdivisions:PrefaceStatement of the problemReview of influenceDescription of the artworks, including seven subdivisions:Theme of the projectSelec

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13

鄭妙冰 and Christina Miu Bing Cheng. "Macau: a cultural janus in colonial vicissitudes." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31234690.

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14

Barbieri, Maria. "Film censorship in Hong Kong." Thesis, Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1947118X.

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15

范永聰. "《東方雜誌》與近代中國文化的變遷 = Eastern miscellany and the changes in the modern Chinese culture". HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/651.

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16

Frisch, Matthew Ezra. "The "Illumination of Buddha" in the context of the social/philosophical milieu of the Chin-Liu Sung period." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25394.

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The thesis searches for the roots of the Chinese appreciation for the concepts contained in the early Mādhyamika texts in the currents in Chinese philosophy and the political climate in China during the Eastern Chin and Liu Sung periods. We also seek to account for the characteristic emphasis in hsüan-hsüeh thought on descriptions of a hypothetical sage-ruler and of "Non-being" (and in Buddhist thought on the divine saviour and the eternal life of the "spirit") in the social/political situation in China during this period. We examine the many points of correspondence and similarities between

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17

Chui, Wai-ngor, and 崔惠娥. "An evaluation of the effectiveness of the new teaching methods and learning approaches for "history of Chinese culture andarts"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31961575.

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18

Mastalir, Anthony J. "The US response to China's ASAT : an international security space alliance for the future /." Maxwell AFB, Ala. : School of Advanced Air and Space Studies, 2008. https://www.afresearch.org/skins/rims/display.aspx?moduleid=be0e99f3-fc56-4ccb-8dfe-670c0822a153&mode=user&action=downloadpaper&objectid=4b87f6c0-936b-40bf-98d5-f8139a39e139&rs=PublishedSearch.

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19

Lange, Sven. "Revolt against the West : a comparison of the Boxer Rebellion of 1900-1901 & the current war against terror /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2004. http://library.nps.navy.mil/uhtbin/hyperion/04Jun%5FLange.pdf.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, June 2004.<br>Thesis advisor(s): Lyman Miller, Donald Abenheim. Includes bibliographical references (p. 99-103). Also available online.

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Santos, Maira Simões Claudino dos. "Macaenses em transito : o imperio em fragmentos (São Paulo, Rio de Janeiro, Lisboa, Macau)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279141.

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Orientador: Omar Ribeiro Thomaz<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-07T23:41:41Z (GMT). No. of bitstreams: 1 Santos_MairaSimoesClaudinodos_M.pdf: 8093452 bytes, checksum: 016e8071e351c05a10addffeb0ba698d (MD5) Previous issue date: 2006<br>Resumo: Tendo como ponto de partida um trabalho de natureza etnográfica realizado na Casa de Macau em São Paulo, procuramos recuperar aqui a experiência de macaenses que abandonaram esta cidade na China e imigraram para São Paulo entre 1953 e 1977. A

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21

Dominik, Carl James. "Confucianism in Europe: 1550-1780." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/475.

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22

Sola, García Diego. "La formación de un paradigma de Oriente en la Europa moderna: la Historia del Gran Reino de la China de Juan González de Mendoza." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/394731.

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Esta tesis aborda un caso paradigmático del proceso de mundialización: la militancia del fraile agustino Juan González de Mendoza (1545-1618) en el proyecto imperial hispánico tuvo como consecuencia una obra, la Historia del Gran Reino de la China (Roma, 1585), con la que culminó la formación de una imagen moderna de China en Europa. Su diseminación por Europa transformó el libro de producto cultural fiel a sus objetivos de origen en un valioso testimonio de la literatura de viajes de la Edad Moderna. La tesis se ha desarrollado dentro de las siguientes líneas de trabajo: el estudio del pap

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23

簡漢乾. "兩晉南北朝南北文化文流的途徑及其對文學的影響 = A study of cultural exchanges of the southern and northern culture during the two Jin, and the Southern and Northern dynastics and their influence in literature". HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1370.

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24

Howland, Douglas Roger. "Borders of Chinese civilization : geography and history at Empire's end /." Durham : Duke University Press, 1996. http://catalogue.bnf.fr/ark:/12148/cb37493304t.

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25

Costantini, Iside. "La presse anglophone en Chine : Canton, Hong Kong et Shangai (1827-1911). Son influence sur l'émergence de la presse chinoise." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030157.

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Cette thèse a pour objet de mettre en évidence l’influence de la presse anglophone en Chine sur l’émergence de la presse chinoise moderne au 19e siècle. La presse anglophone prit pied aux pourtours d’une Chine dont le seul organe d’information se limitait à la Gazette impériale depuis deux millénaires. Les journaux anglophones virent le jour pour apporter aux Britanniques et aux Chinois qui partageaient la même sphère les informations nécessaires à leur activité commerciale. La presse anglophone s’est développée seule pendant une trentaine d’années puis elle accompagna la naissance de la press

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26

Lin, Cheng-Ying 1973. "Contrast between two Japanese images, two identities : comparison of Sayonara, Zai-jian and My Diary of Japanomania." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98552.

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This thesis illustrates a general sense of national identity within the Taiwanese people brought on by the Kuomintang (KMT) and existing throughout the KMT's reign over the island, and contrasts this with the new identity that came to exist in the post-KMT period. Comparisons are centered around two works of literature: Sayonara, Zaijian!, written in 1979 by Chunming Huang, and My Diary of Japanomania, written in 1999 by Hari Xingzi. Louis Althusser's view of history-based on structural materialism, complexity and overdetermination---will be employed to discuss and explain the contrast between

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27

Wu, Tong. "Imágenes transpacíficas: los descendientes del dragón en la literatura latinoamericana (2000-2020)." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671101.

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En este trabajo se analiza la imagen de los personajes chinos en la literatura latinoamericana en el siglo XXI, que es un tema novedoso y poco estudiado hasta ahora. Esta investigación no toma el país de China o su cultura como objeto de estudio, como se ha llevado a cabo, tradicionalmente, en otras investigaciones, sino la imagen de los sujetos o individuos chinos. Se pretende, por un lado, analizar la representación de los perfiles chinos y, por otro, resumir las similitudes y diferencias entre las imágenes de los personajes, así como la función y posible razón de tales imágenes. Para conse

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28

Mohr, Kyle A. "The Mechanics of Imperialism in the Ancient World." Miami University Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1210189238.

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29

Lin, Kai-Ti, and 林凱蒂. "An Anti-communist Narration of Chinese Civilization： China News Analysis of Jesuits." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/18517563877863129294.

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碩士<br>國立臺灣大學<br>政治學研究所<br>101<br>ABSTRACT AN ANTI-COMMUNIST NARRATION OF CHINESE CIVILIZATION: CHINA NEWS ANALYSIS OF JESUITS by KAI-TI LIN June2013 ADVISOR: CHIH-YU SHIH, Ph.D. DEPAERMENT: POLITICAL SICNECE MAJOR: INTERNATIONAL RELATIONS DEGREE: MASTER OF ARTS KEY WORDS: China News Analysis, Jesuits, Anti-communist, China watching, Chinese Civilization China News Analysis （CNA）, which consistently reported on China since 1950s and was one of the truly essential English anti-communist Newsletters, is the subject of this paper, relying on archives, literature and interviews. This paper trac

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"「和而不同」的吳越文化: 兩周時期出土青銅器皿為中心的考察". Thesis, 2006. http://library.cuhk.edu.hk/record=b6074332.

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By analyzing the written documents and the inscriptions of the bronze artifacts excavated in the Ningzhen and Shaoxing regions, the author concludes that there were a long period of cultural dissemination and exchange among the kingdoms in the Central Plain with the Wu and the Yue people between the region of Huai River and the Yangzi River where Wu and Yue were located. Due to the geographical advantage, Wu and Yue gradually merged into a greater cultural entity which eventually had the same religious beliefs and social customs. However, as indicated in the following discussions, both the cul

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"珠江流域新石器時代文化綜述 =: A study on the neolithic cultures in Zhu Jiang Valley". 1989. http://library.cuhk.edu.hk/record=b5887685.

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陳玉嬋.<br>手稿本, 複本據手稿本影印.<br>論文(哲學碩士)--香港中文大學, 1989.<br>Shou gao ben, fu ben ju shou gao ben ying yin.<br>Includes bibliographical references (leaves 455-536).<br>Chen Yuchan.<br>Thesis (M.Phil.)--Xianggang Zhong wen da xue, 1989.<br>全文提要 --- p.5<br>Chapter 第一章 --- 珠江流域新石器時代自然環境 --- p.8<br>Chapter 第一節 --- 水文 --- p.8<br>Chapter 第二節 --- 地質構造與地形 --- p.19<br>Chapter 第三節 --- 氣候 --- p.29<br>Chapter 第四節 --- 動物群 --- p.38<br>Chapter 第五節 --- 植被 --- p.47<br>Chapter 第二章 --- 珠江流域新石器時代文化發現概況 --- p.53<br>Chapter 第三章 --- 人種 --- p.60<br>Chapter 第一節 --- 珠江流域新石器時代人類 --- p.60<br>Chapter 第二節 --- 人種類別 --- p

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"「再塑」晚清中國: 當代中國民族/國家視覺下的舊照片與歷史敍述 = Reshaping the Late Qing China Photos and History narrating under the perspective of Nation State in modern China". 2014. http://library.cuhk.edu.hk/record=b6116160.

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本文以1860至1911年間外國旅華攝影師在中國的攝影作品為研究對象，致力於討論中國「舊照活化」文化現象中同一批照片在19世紀末20世紀初的西方與20世紀90年代以降的當代中國這兩個不同的社會語境和時段中的具體運用方式，以考察照片、歷史敘述、民族國家政治意識形態之間的關係，試圖在「雙時軌」的對比結構中為晚清攝影研究打開新的探討空間。<br>論文主體部分圍繞著「國家」、「民族」和「革命」這三個當代晚清攝影運用中的關鍵概念展開，分析攝影作品內部的話語變化，以及與這種變化息息相關的「主體性」與文化政治問題。第二章以晚清旅華攝影師代表約翰·湯姆遜的中國成像為討論對象，在比較1874年在英國出版、湯姆遜自主編纂的附圖遊記《中國與中國人影像》與2009年由中國官方出版界重新選編的《晚清碎影》的基礎上，具體呈現不同的主體在「想像晚清中國」和「呈現晚清中國」上的差別。第三章繞著當代晚清相冊中的「民族」選題而展開，探討「少數民族」與「中華民族」的表現方式及其缺陷。第四章著重討論「辛亥革命」在當代晚清相冊中的表現方法，以《壹玖壹壹：從鴉片戰爭到軍閥混戰的百年影像史》為例，分析照片集如何在一個通俗歷史的框架下處理「辛亥革命」這一歷史節點。在此基礎上，結論部分總結了舊照活化文化現象下「國家」與「歷史敘述」的同構關係，並以「視覺」為中心，分析了以攝影為材料的歷史敘述如何建構「民族-國家」視野下的身份認同。<

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33

Pin, Tang, and 湯斌. "Legitimization and Sinicization: A Study of Mainland China''s Construction of Socialist Spiritual Civilization." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/05052756977828703709.

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碩士<br>國立政治大學<br>東亞研究所<br>89<br>Since the “reforming and opening” policies first initiated two decades ago, China has been astounding the globe by its remarkable achievement in economic development. During the same period transformations in social, cultural, intellectual and political strata have also been brought about. However in the progress of development, which aims at establishing “the capitalist economy in the socialism”, several significant issues such as bureaucratic corruption, deteriorating social morality and worsening public security have been consecutively emerging one after anoth

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"The Atmosphere of an Ecological Civilization: A Study of Ideology, Perception and Action in Chengdu, China." 2016. http://repository.lib.cuhk.edu.hk/en/item/cuhk-1292165.

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近幾年，中國人民每天都要面對多種環境問題，環境保護促成新的社會運動及實政方式。數十年來，中國政府一直以強調經濟發展為先，因此，如何能將環境管理與中國社會的其他部分相協調仍沒有一個清晰的答案。本文將以中國西部城市成都為例，分析環保意識在不同社會族群中的興起。<br>本文通過三個要素來檢驗環境意識：意識形態、感知和行動。自千禧年始，中國政府開始宣傳“生態文明”的觀念，它是中國共產黨給出的有關如何進行可持續發展的意識形態方面的答案。“生態文明”作為一個單一維度結構，特別強調要在不影響經濟增長的前提下加強對環境的保護。這個概念通過地方政府、非政府組織的項目、學術研究及媒體報道等多種方式滲透中國社會。通過利用民族志的研究手法來探討成都市民日常要面對的交通問題、消費主義、食品安全及城市化等議題，本論文著重研究“生態文明”作為一個單維觀念，是如何與普通市民讓成都變得“更灰”或“更綠”的方式相協調的。市民讓成都變得“更灰”是因為相關行為可幫助他們維持或積累更多社會資本。而讓成都變得“更綠”則是一種草根的環保意識形態，通常被描述為“很環保”。“很環保”是個自相矛盾的講法，一方面它帶有“過時”的意味，而另一方面它又帶有“上流”的感覺。<br>本研究針對245 戶人進行了社會調查，結果顯示相較底層社會的市民而言，上層社會的市民普遍認為環境的好壞對他們生活的影響更大。類似於垃圾分類、節約用水、減少空氣污

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Haddad, John Rogers. "The American Marco Polo excursions to a virtual China in U.S. popular culture, 1784-1912 /." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3081084.

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"南北朝對峙時期的文化接觸: 以媒介人物為討論中心". 1990. http://library.cuhk.edu.hk/record=b5887669.

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著者李廣健.<br>稿本複印本.<br>Thesis (M.A.)--香港中文大學, 1990.<br>Gao ben fu yin ben.<br>Includes bibliographical references (leaves 206-217).<br>zhu zhe Li Guangjian.<br>Thesis (M.A.)--Xianggang Zhong wen da xue, 1990.<br>Chapter 第一章 --- 前言 --- p.1<br>Chapter 第二章 --- 文化傳播與媒介人物 --- p.8<br>Chapter 第三章 --- 官方的媒介人物-使節 --- p.21<br>Chapter (一) --- 南北互派使節的頻密程度 --- p.21<br>Chapter (二) --- 南北使節出身背景 --- p.23<br>Chapter 甲、 --- 北朝胡人使節的問題 --- p.23<br>Chapter 乙、 --- 南北使節出身的比較 --- p.26<br>Chapter (三) --- 個別使節出使的密度與逗留時間 --- p.27<br>Chapter (四) --- 使節接觸的人物階層 --- p.33<br>Chapter (五) --- 小結 --- p.39<br>Chapter 第四

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朴炳培. "Civilization and Nationalism : The Discourse of Asianism in China and Korea at the turn of the twentieth century." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/66691442551038923148.

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Brace, Timothy Lane 1951. "Modernization and music in contemporary China : crisis, identity, and the politics of style." Thesis, 1992. http://hdl.handle.net/2152/3983.

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"香港藝術與香港人: 一個族群意識的形成". 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5895564.

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陳遠光.<br>論文(哲學碩士) -- 香港中文大學硏究院人類學學部, 1995.<br>參考文獻: leaves 154-161.<br>Chen Yuanguang.<br>Chapter 第一章 --- 緖論 --- p.1<br>Chapter 甲） --- 人類學的「創造文化傳統」理論<br>Chapter 乙） --- 田野工作<br>Chapter 丙） --- 篇章摘要<br>Chapter 第二章 --- 香港人的定義 --- p.13<br>Chapter 甲） --- 香港人的定義<br>Chapter 乙） --- 香港人的形成<br>Chapter 第三章 --- 歷史背景´ؤ´ؤ香港人身份的嬗變 --- p.27<br>Chapter 甲） --- 香港市民國籍身份的發展<br>Chapter 乙） --- 忠誠與叛逆<br>Chapter 丙） --- 國家的觀念與認知<br>Chapter 第四章 --- 族群象徵 --- p.45<br>Chapter 甲） --- 族群象徵與香港人<br>Chapter 乙） --- 創造族群象徵<br>Chapter 丙） --- 政治與文化傳統的象徵<br>Chapter 第五章 --- 香港文化的濫觴´ؤ´ؤ香港文化活動的發展與政策 --- p.67<br>Chapter 甲） --- 從沙漠到綠

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Campos, Rui Miguel da Cunha. "Ecology on the horizon of China's project of national development: ecological civilization as a paradigm." Master's thesis, 2018. http://hdl.handle.net/10071/18385.

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Climate change, global warming or sustainability are buzzwords nowadays and have been for at least the last 10 to 15 years. Powerful images of smog, polluted rivers and heavy industry polluting are frequently utilized to demonstrate a certain point and often these images are taken from the People’s Republic of China. Western prejudice towards the country in most cases, reality however is clear. More importantly than pointing culprits, the question should be centred in understanding China’s historical context and from there to understand the more recent theoretical and practical developme

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"尖狀器與香港史前物質文化". 2010. http://library.cuhk.edu.hk/record=b5894316.

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楊軻.<br>"2010年6月"<br>"2010 nian 6 yue"<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2010.<br>Includes bibliographical references (leaves 125-129).<br>Abstract in Chinese and English.<br>Yang Ke.<br>Chapter 第一章 --- 前言 --- p.1<br>Chapter 第一節 --- 什麼是尖狀器 --- p.2<br>Chapter 第二節 --- 尖狀器在香港史前研究中的重要性 --- p.4<br>Chapter 第三節 --- 本文的基本結構 --- p.7<br>Chapter 第二章 --- 文獻回顧 --- p.9<br>Chapter 第一節 --- 香港史前考古學概述 --- p.9<br>Chapter 一、 --- 考古發展簡史 --- p.9<br>Chapter 二、 --- 考古文化分期 --- p.13<br>Chapter 第二節 --- 香港史前考古學相關研究回顧 --- p.16<br>Chapter 一、 --- 田野方法 --- p.16<br>Chapter 二、 --- 石器研究回顧 --- p.18<

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Zhang, Chunyan. "Nature and culture, old and new : a comparative study of the representation of nature in Australian and Chinese cultures." Phd thesis, 2010. http://hdl.handle.net/1885/151470.

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"口岸文化: 從廣東的外銷藝術探討近代中西文化的相互觀照". 2012. http://library.cuhk.edu.hk/record=b5909418.

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劉鳳霞.<br>"2012年8月".<br>"2012 nian 8 yue".<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.<br>Includes bibliographical references (leaves 183-201).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract in Chinese and English.<br>Liu Fengxia.

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Fong, Tsz Yan Emily. "English in China : language, identity and culture." Phd thesis, 2013. http://hdl.handle.net/1885/156140.

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China's relations with the world have been an influential factor determining Chinese self-perceptions and how 'foreigners' and one of their languages, English, are perceived in the country. Between the eighteenth and twentieth centuries, China's defeats in wars, unequal treaties and humiliations by foreign countries (mainly from the West) destroyed China's self-image as a 'middle kingdom'. Exacerbated by the deteriorating relations with the West in the twentieth century, English became associated with "barbarians", "military aggressors", and "anti-Communists" (Adamson 2002). There is, and alwa

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Koh, Alvin Kok-yong. "Asian scopic modernities: alternative visibilities of transnational Chinese masculinity in global cinema." 2006. http://repository.unimelb.edu.au/10187/2360.

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This thesis examines transnational Chinese masculinity as the articulation of Asian scopic modernities in contemporary Hong Kong, Hollywood and mainland Chinese films. Transnational Chinese masculinity is a transborder formation of Chinese male representations that occurs across national boundaries via dispersed networks of production, distribution, and consumption. These representations constitute the modernity of transnational Chinese masculinity. This thesis investigates significant cinematic events that contribute to these new conditions of visibility: the popularity of Hong Kong actors Le

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"Civilizing the Chinese, competing with the West: study societies in late Qing China." Thesis, 2007. http://library.cuhk.edu.hk/record=b6074439.

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As one of the major institutional platforms for the activist intellectuals to inaugurate political and cultural modernity, study societies had been proliferating throughout late Qing China (ca. 1894-1911). While existing studies have subsumed this distinctive sociological phenomenon under the political programmes of the broader reform and revolutionary movements, or conceived it as an instance of prototypical formation of civil society in the sociopolitical context of late Qing, they fail to problematize the meanings and functions of 'civilization' and 'civility' as the constitutive (albeit hi

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"Prehistoric cultural development at Yung Long." 2011. http://library.cuhk.edu.hk/record=b5896674.

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Lai, Pak Kin Patrick.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2011.<br>Includes bibliographical references (leaves 139-146).<br>Abstracts in English and Chinese.<br>Chapter CHAPTER 1 --- INTRODUCTION --- p.1<br>Chapter 1.1 --- Definition of Stone Spade --- p.2<br>Chapter 1.2 --- Importance of Stone Spade Research --- p.3<br>Chapter 1.3 --- Structure of the Thesis --- p.6<br>Chapter CHAPTER 2 --- LITERATURE REVIEW --- p.7<br>Chapter 2.1 --- The Neolithic Chronology in Hong Kong --- p.7<br>Chapter 2.2 --- Lithic studies: Typological Analysis and Functional Analysis --- p.12<

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"The French in Shanghai: a study of cosmopolitan culture under the predominance of Anglo-American globalization." Thesis, 2010. http://library.cuhk.edu.hk/record=b6074871.

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Globalization and transnationalism make us homogenized and heterogenized at the same time. This research looks into the social interactions of the French with other nationalities, and goes beyond the daily life in Shanghai to investigate the transnational connections with France. Based on interviews and participant observation for 12 months in 2006, this research finds that the majority of the French expatriates in Shanghai develop a cosmopolitan culture which incorporates the consumption of exotic cultural products of the Other---Asian antiques, furniture, Chinese materials which are not for

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Dynon, Nicholas Xavier. "Socialist spiritual civilisation & the modernisation of what it means to be Chinese." Master's thesis, 2002. http://hdl.handle.net/1885/150284.

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"《良友畫報》: 誰之良友 : 二、三十年代上海通俗文化硏究". 2002. http://library.cuhk.edu.hk/record=b5895959.

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王若梅.<br>"2002年6月"<br>論文 (哲學碩士)--香港中文大學, 2002.<br>參考文獻 (leaves 112-125)<br>附中英文摘要.<br>"2002 nian 6 yue"<br>Wang Ruomei.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (leaves 112-125)<br>Fu Zhong Ying wen zhai yao.<br>論文提要 --- p.i<br>引言 --- p.1<br>Chapter 一´Ø --- 關於《良友》的幾個角度 --- p.1<br>Chapter 二´Ø --- 文化懷舊的歷史意義 --- p.2<br>Chapter 第一章 --- 從《良友》畫報到《良友》硏究 --- p.4<br>Chapter 一´Ø --- 《良友》簡介 --- p.4<br>Chapter 二´Ø --- 研究背景與思路 --- p.6<br>Chapter 三´Ø --- 選擇《良友》的理由與硏究狀況 --- p.10<br>Chapter 四´Ø --- 時段、材料、理論方法 --- p.15<br>Chapter 第二章 --- 良友在上海 --- p.19<br>Ch

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