Academic literature on the topic 'China History Ming dynasty'

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Journal articles on the topic "China History Ming dynasty"

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An, Lu Vi. "Ottoman historical sources regarding China and the diplomatic Relations between the Ming Dynasty and the Ottoman Empire in the records of Mingshi." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 2 (2020): 346–56. http://dx.doi.org/10.32508/stdjssh.v4i2.551.

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This paper firstly investigates the perception of the Ottoman Turks on China and Chinese which was reflected in “Khitaynameh” (Book of China) by Ali Ekber and “Kitab-ı Tevarih-i Padişahan-ı Vilayet-i Hindu ve Hitây” (Book on the Histories of the Rulers of the India and China) by Seyfî Çelebi. These were two typical historical geographical works written in the 16th century, indicating the interest of the Ottoman Turks in the country and people of China during the Ming Dynasty. Both works contain valuable records of China’s topography, history, economy, social life and traditional customs. The O
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Karimova, Natalya Ermanovna. "CHINESE SOURCES ON THE AMIR TEMUR EMPIRE." International Journal Of History And Political Sciences 4, no. 3 (2024): 23–30. http://dx.doi.org/10.37547/ijhps/volume04issue03-05.

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The article discusses the information about the Empire of Amir Timur containing in Chinese sources, as well as the issues of trade and diplomatic relations between the Empire of Amir Timur and China. The article is based on materials from Chinese sources, primarily the Ming Shi (History of the Ming Dynasty) and the Ming Shilu (Veritable Records of the Ming Dynasty), as well as data from Chinese scholarly literature. It presents several little-known facts about the relations between China and Central Asian states.
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Yingqi, Zhang. "The themes and the artistic conceptions of flower-and-bird painting in Ming Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-2 (2023): 176–83. http://dx.doi.org/10.31166/voprosyistorii202303statyi65.

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As the peak of the development of flower-and-bird painting in China, Shen Zhou, Chen Chun, Xu Wei, Tang Yin and Wen Zhiming emerged in the Ming Dynasty. Because of their different periods of life, they have their own advantages in the choice of theme and the expression of artistic conception, which made outstanding contributions to the development of flower-and-bird painting in Ming Dynasty. This paper mainly studies the theme and conception of flower-and-bird painting in Ming Dynasty.
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Bian, Xiangyang, and Menghe Tian. "Eight Auspicious Patterns of Ming Dynasty." Asian Social Science 20, no. 2 (2024): 60. http://dx.doi.org/10.5539/ass.v20n2p60.

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"Auspiciousness" is the common pursuit of the Chinese nation for a long time, and it is the hope of the Chinese people for the future. In the long history of China, auspicious elements represent good omen and have a considerable proportion in Chinese traditional culture. In this paper, the Ming Dynasty Wanli period, blue ground wrapped branches eight auspicious brocade, with a relatively clear vein, existing in the silk Museum of Hangzhou, China, well preserved. Overall, this fabric is dark blue as the base, and the gold thread is covered with asymmetric patterns, showing a r
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Zhu, Zhu. "Research on the Economic History of Dali in the Late Ming Dynasty under the Background of Social Transformation." BCP Business & Management 13 (November 16, 2021): 109–12. http://dx.doi.org/10.54691/bcpbm.v13i.67.

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The Ming dynasty was one of the most prosperous dynasties in ancient China and one of the most distinctive and important periods in the history of Chinese feudal society. The late Ming dynasty was an important turning point in social and economic development. In the context of social transformation, the development of commercial agriculture caused structural changes in the agricultural economy and rural society; the prosperity of regional commercial trade, the growth of merchant power and the formation of inter-regional market networks created a new stage in the development of regional commerc
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Chen, Yunyun, Wenyi Wu, and Dini Xiong. "Exploration the use of digital technology in the revitalisation design of Ming Dynasty’s Yingluo jewellery." SHS Web of Conferences 181 (2024): 01047. http://dx.doi.org/10.1051/shsconf/202418101047.

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Buddhist art originated with the emergence of Buddhism and has experienced continual innovation and development throughout history. Yingluo jewellery was introduced to China from India, with its form continuously incorporating ancient Chinese aesthetics in its inheritance and development. The designs of Ming Dynasty’s Yingluo jewellery exhibited a more secular and everyday trend. This article centres on the design of Ming Dynasty necklaces, using the Fahai Temple mural and the Yongxuan court statues as representative examples. The article summarises the distinct artistic features of Ming Dynas
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Brook, Timothy, and Craig Clunas. "Fruitful Sites: Garden Culture in Ming Dynasty China." American Historical Review 103, no. 3 (1998): 941. http://dx.doi.org/10.2307/2650677.

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Bai, Xinyue. "The Process and Reasons for the Development of Printing Industry in Five Southeastern Place in Ming China." Lecture Notes in Education Psychology and Public Media 67, no. 1 (2024): 121–26. https://doi.org/10.54254/2753-7048/2024.17958.

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Since ancient times, local histories have been the necessary heirlooms for historical and political records in various places. After the emergence of printing, the two forms of copying and carving coexisted in the compilation process of local records. In the middle and late Ming Dynasty, the economy of the southeastern region prospered, and the development of printing technology matured, and the printing industry ushered in the peak, and the traditional copying was gradually replaced by the high-quality carving. This paper reflects the specific period of printing transmutation and the fluctuat
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Yan, Gui, Zhang Tianju, and Han Liebao. "The Study of Chui Wan, a Golf-like Game in the Song, Yuan, and Ming Dynasties of Ancient China." Journal of Sport History 39, no. 2 (2012): 283–97. http://dx.doi.org/10.5406/jsporthistory.39.2.283.

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Abstract Chui wan was a game that was once very popular in the Song, Yuan, and Ming Dynasties of ancient China. It bore a strong resemblance to the game of golf. According to the records, chui wan originated from the ancient polo game in the Song Dynasty, and its development culminated in the Yuan Dynasty and Ming Dynasty but then it disappeared sometime in the Qing Dynasty. Wan Jing, the first monograph about chui wan in Chinese history, described the game in detail. This article introduces the history of chui wan and also the site choice, equipment, rules, strategies, and etiquette of the ga
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Koo, Doyoung. "“Petticoat Fever” Driven by Chosŏn Korea Garments: Exploring a “fad” in Early Ming China and Its Implications for Regional Interactions between the Chosŏn and Ming Dynasties." International Journal of Korean History 27, no. 1 (2022): 177–212. http://dx.doi.org/10.22372/ijkh.2022.27.1.177.

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In the fifteenth century, Chosŏn Korean clothes were exported to the Jiangnan (江南) region in Ming China and became very popular among wealthy Chinese people. This was the so-called “Petticoat Fever”. This horsehair petticoat (Mamigun 馬尾裙) gave the wardrobe a fashionable silhouette by supporting and fully spreading the outer skirt. Literati wore them, too. Mamigun fashion, which once enjoyed great popularity in the Jiangnan area, disappeared after it was prohibited during the Ming period due to a change in power and a transition in policymaking. On the other hand, this study is also significant
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Dissertations / Theses on the topic "China History Ming dynasty"

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Wong, Nai-kwan, and 黃迺錕. "A study of the imperial family of the Ming Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31220101.

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Li, Kangying, and n/a. "The influence of the commercialisation of the economy on maritime policy in Ming China." University of Otago. Department of History, 2007. http://adt.otago.ac.nz./public/adt-NZDU20071001.155057.

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The Ming maritime prohibition policy (1371-1568) reversed the maritime policies of the preceeding Tang, Song and Yuan dynasties. It was maintained for two centuries at considerable costs, but in 1568 was eventually abolished. There has not yet been a satisfactory analysis of this policy, which addresses the issues of why it was introduced, why it was maintained for so long, and why, eventually, it was overturned. This thesis takes a new approach to understanding these issues. Instead of focusing solely on external factors, such as the need for defence against Japanese piracy, it focuses on the
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郭嘉輝. "明洪武時期「朝貢制度」之研究 (1368-1398)= The Chinese tributary system during the Hongwu era of the Ming dynasty, 1368-1398". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/170.

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孟森(1868-1938)先生曾言「中國自三代以後,得國最正者,惟漢與明。 匹夫起事,無憑藉威柄之嫌。為民除暴,無預窺神器之意。而明之驅元,又 多一光復華夏之功」點出了明太祖(朱元璋,1328-1398,在位1368-1398) 於國史上的地位在於「得國最正」及「光復華夏」,接著又提到「明祖有國, 當胡元盡紊法度之後,一切準古酌今,掃除更始,所定制度,遂奠二百數十 年之國基」、「清無制作,盡守明之制作,而國祚亦與明相等。故於明一代, 當措意其制作。措意明之制作,即當究心於明祖之開國」,歸納出「明祖開國」 於明清兩代五百餘年政治制度的意義。洪武時期於國史上的雙重意義,非常 值得我們探究,特別是太祖在「重造華夏」的過程底下傳統中國對外體制- 「朝貢制度」是怎樣被重新構築。這一新體制不論在思想、禮儀、政制或是 貿易層面都呈現與別不同的面貌,並深深地影響明清五百餘年的軌跡。此即 討論太祖朝貢制度之因由。 因此,本文以思想、禮儀、政制、貿易四項課題為重心,分為七章:第 一章為導論,從研究回顧、論文架構、史料、定義交代本文的佈局;第二章 從洪武時期的對外詔令、敕撰書考察明太祖的天下觀、對外思想與「朝貢」 理念;第三章,先梳理歷代賓禮的流變以突顯明代之特色,繼而從朝會、冊 封兩方面,分析太祖對外思想所呈現「華夷定分」的秩序;第四章,從洪武 賓禮的發展與實踐說明「重造華夏」的過程及其於東亞各國的文
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劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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Fong, Kam Ping. "The withering sprout : prefectural judiciary and legal professionalism in the early Qing dynasty." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/105.

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This study highlights the influence of the Ming-Qing transition on legal justice in China. According to mainstream sinicisation (Hanhua ..) theory, Manchu was assimilated into the Han majority and ruled China using the old Ming government system. This study proves otherwise via an extensive examination of the transition’s effect on legal justice, particularly the abolition of the prefectural judge (tuiguan..) position during the early Qing Dynasty. In the Yuan and Ming eras, judges emerged as unique officials specialising in juridical responsibilities and demonstrating the sophistication of le
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李顯偉. "明清之際的捕役與基層社會治安= A study of local constable and the maintaining of order in local society during the Ming-Qing transition". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/490.

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中國歷代政府均視地方治安為重要的政治議題,治安議題也就成為治史者瞭解古代中國政治運作的一門路徑。過去有關「明清基層社會與治安」的研究,向為中外學者頗感興趣的課題。本文的重點是討論明清之際基層社會的治安管理情況,為此提出了四個既是獨立但又環環相扣的問題。有別於過往研究,本文將以捕役這類普遍存在於明清基層社會,而又備受現今學者忽略的基層公務員為切入點,首先重新梳理他們在明清之際出現的原因以及演變過程,解釋他們在明中後期才成為專門的治安人員,並釐清包括捕役在內的應捕人專責維持社會秩序。其次, 闡述捕役在基層社會中的職能,指出他們擁有頗大的治安和司法權力。接著討論捕役機制存在待遇差劣以及人手編排不足等制度性問題,因而促使捕役濫用職權,從而達到經濟和治安目的。至於捕役犯罪情節的內容和影響,本文摒棄傳統以小說內容入手的做法,改以多部判牘內有關捕役犯罪的真實個案着手,得出「誣良為盜」和「屈打成招」是他們最常見的犯罪行為的結論,這些罪行對基層社會的治安和司法運作造成重大問題。最後把焦點從治安人員轉移到管理這些群體的地方官員上,透過地方官員對待捕役的態度,反映官員在治安管理上的困難和理解。他們一方面面對統治者的治安要求,另一方面又受制度上及資源上的限制,所以只能以加重懲罰的高壓方法來提高捕役完成治安任務的可能和減低他們犯罪的機會。這種態度表層意義反映他們只視捕役為「治安工具」,更深層意義是揭示地方官
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Ng, Sau Wah. "Challenging the calligraphy canon : the reception of rubbing collections in Ming China." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007.

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Calligraphic rubbing collections or rubbing collections of model calligraphy (fatie 法帖) are frequently described as a source of canonical models for the learning of calligraphy. They are often associated with and usually refer to the calligraphy of the Two Wangs (Wang Xizhi 王羲之, 303-61, or 321-79, and his son Xianzhi 獻之, 344-86). They also became acknowledged as embodying the classical tradition transmitted mostly from the Jin (265-420) Dynasty, one which was well-known as the calligraphy canon. In general, recent scholarship on rubbing collections holds that rubbing collections often transmit
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Al, Yat Law. "Merchants, seafarers and pirates: maritime societies of Southeast Fujian in the eyes of local officials from the late Ming period." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/473.

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Merchants, seafarers, pirates: the maritime societies of Southeast Fujian played a crucial role in maritime activities during the Ming Dynasty. Regarding the traditional discourse, scholars have discussed the elimination of wokou and local petty pirates during the late Ming period. This study proves otherwise via an extensive examination of the governance and management of the maritime societies implemented by the Ming regime and its local officials. This study considers how the local officials formed their judgements on the cases of seafaring population by examining court opinions and other h
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Luk, Yu Ping. "Empresses, religious practice and the imperial image in Ming China : the Ordination Scroll of Empress Zhang (1493)." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:797fc7ce-34c7-4af3-a96d-928cec15098a.

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The Ordination Scroll of Empress Zhang (1493) in the San Diego Museum of Art, a highlight at the Taoism and the Arts of China exhibition in 2000, is an unusual object among surviving visual material from Ming dynasty China (1368 – 1644). At over twenty-seven metres long, the scroll contains meticulously painted images and a detailed inscription that records the Daoist ordination of Empress Zhang (1470 – 1541), consort of the Hongzhi emperor (r. 1488 – 1505) by the Orthodox Unity institution. The event it documents, which elevates the empress into the celestial realm, would be unknown to histor
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陳器文 and Chi-wen Chen. "A study of the ordeal stories in Chinese popularfictions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31236637.

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Books on the topic "China History Ming dynasty"

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Twitchett, Denis Crispin. The Cambridge history of China. Cambridge Univ. Press, 1998.

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Clements, Jonathan. Coxinga and the fall of the Ming dynasty. Sutton, 2005.

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China, Window to, ed. Ming Qing wen xue ming zuo xin shang. Beijing da xue chu ban she, 2017.

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Clunas, Craig. Fruitful sites: Garden culture in Ming dynasty China. Reaktion Books, 1996.

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author, Zhu Meng, ed. Song Yuan Ming Qing Huizhou jia pu de li shi yan jin. Anhui da xue chu ban she, 2020.

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1945-, Zhu Chengru, Wang Tianyou, Gu gong bo wu yuan (China), and Beijing da xue, eds. Ming Qing lun cong: A collection of essays on the Ming and Qing dynasties. Zi jin cheng chu ban she, 1999.

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He, Lingxiu. Qing chu fu Ming yun dong. Zhongguo she hui ke xue chu ban she, 2016.

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Yue, Yang. Song dai ming ren zhuan. Shandong jiao yu chu ban she, 2012.

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author, Yang Xiushan, ed. Xi Xia wen ming. Ningxia ren min chu ban she, 2016.

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Li, Guangbi. Ming chao shi lue. s.n., 1987.

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Book chapters on the topic "China History Ming dynasty"

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Chunsheng, Chen. "Mountainous Area in the Early Ming Dynasty." In Local Stories and National History of China I. Routledge, 2025. https://doi.org/10.4324/9781003635505-6.

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Chunsheng, Chen. "Coastal Defense, Garrison, and Battalions in the Early Ming Dynasty." In Local Stories and National History of China I. Routledge, 2025. https://doi.org/10.4324/9781003635505-4.

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Fu, Chonglan, and Wenming Cao. "The Cities in the Ming Dynasty and the Germination of Capitalism." In Introduction to the Urban History of China. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8207-9_21.

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Perez-Garcia, Manuel. "The Mandate of Heaven, the Rule of the Emperor: Self-Sufficiency of the Middle Kingdom." In Palgrave Studies in Comparative Global History. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7865-6_3.

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Abstract This chapter pays special attention to the analysis of the state administrative capacity of late Ming and Qing China by exploring the reforms introduced from the late sixteenth century up to 1796 regarding tax collection. Institutional constraints will be further explored through the rooted mandarinate system and despotic rule of the emperor and officials who fostered the multiplication of institutions, mainly during the expansion to western provinces throughout the Qing dynasty
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Chen, Li. "Book Industry in the Period of Great Prosperity: Early Ming to Mid-Qing Dynasty." In A History of Books in Ancient China. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8940-9_7.

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Shen, Fuwei. "Foreign Trade in the Early Ming Dynasty and Zheng He’s Voyages to the West." In Cultural Communications Between China and The Outside World Throughout History. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-4696-5_4.

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Zheng, Cheng. "From Casting to Forging: The Emergence of Wrought Iron Firearms in the Late Ming Dynasty." In Western Influences in the History of Science and Technology in Modern China. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7850-2_5.

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Ch’ien, Mu. "The Ming Dynasty." In Merits and Demerits of Political Systems in Dynastic China. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_4.

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Yang, Wenheng, and Qinye Yang. "Geoscience in the Ming Dynasty." In Understanding China. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-4457-2_8.

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Fang, Lili. "Ceramics of the Ming Dynasty." In China Academic Library. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9094-6_10.

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Conference papers on the topic "China History Ming dynasty"

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Peng, Zhen. "Analysis of the modern significance of the traditional Chinese theater Yuan Zaju (1271–1368)." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-11.

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China is an ancient civilization with a history of 5,000 years, with a long history and many ethnic groups. From the Han Dynasty to the middle of the Tang Dynasty, there were "baixi" (百戏) and "Can Jun xi" (参军)). During the Middle and late Tang Dynasty, opera was gradually formed. During the Song-Jin dynasties, opera developed rapidly and laid the foundation for the Yuan Ming Opera. This article, firstly, examines the historical and cultural background of the Yuan Zaju and analyzes the reasons for their popularity in feudal society; secondly, the plot structure of the Yuan Zaju has a linear cou
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Liu, Ming, and Feng Song. "Urban morphology in China: origins and progress." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5654.

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Author name: Ming Liu, Feng Song* Affiliation: College of Urban and Environmental Sciences. Peking UniversityAdress: Room 3463, Building Yifuer, Peking University, Haidian district, Beijing, China 100871 E-mail: liumingpku1992@163.com, songfeng@urban,pku.edu.cn*Telephone nember: +8618810328816, +8613910136101* Keywords: urban morphology, disciplinary history, Conzen, China Abstract: This paper traces the origins and development of indigenous urban morphological research in China. It also considers the adoption of the theories and methods of the Conzenian School. Urban morphological research in
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Shi, Yanhui, Zijing Shen, Xirui Feng, and Shuying Cheng. "Research on the fringe belts of Shangqiu, China: a morphogenetic approach." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5683.

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Research on the fringe belts of Shangqiu, China: a morphogenetic approach Zijing Shen, Xirui Feng, Shuying Cheng, Yanhui Shi* College of Urban and Environmental Sciences. Peking University. Beijing. China 100871 E-mail: shzj950609@163.com, 873405878@qq.com, corrine0123@126.com, yhshi1988@sina.com* Keywords: fringe belts, morphogenetic analysis, ancient Shangqiu; concentric Conference topic: Urban form and social use of space The concept of the fringe belt has, in recent years, been studied quite widely in the Western world. Fringe belts were first recognized in Europe, primarily in relation to
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Tian, Na. "Ming Dynasty Shipbuilding Technology from the Chronicle of Longjiang Shipyard." In 2024 AHFE International Conference on Human Factors in Design, Engineering, and Computing (AHFE 2024 Hawaii Edition). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005599.

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This study analyzes the shipbuilding techniques of gongjiang, the types of ships, and the materials, labor, and management systems used in their production, in order to clarify the institutional factors that influenced the development of shipbuilding technology in the Ming Dynasty in China. Research Perspective: This study examines the shipbuilding technology and management systems of the Ming Dynasty in China from the perspective of traditional Chinese design theory. Research Method: This study uses hermeneutics as the core method, combined with interdisciplinary research. Research Conclusion
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He, Xi, and Xing Sun. "Research on the Reconstruction of Ming Dynasty History Based on AIGC." In CHCHI 2023: Chinese CHI 2023. ACM, 2023. http://dx.doi.org/10.1145/3629606.3629652.

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Zhao Li Yan, Marcelo, and Bing Xiao. "The emotionalized design of intangible cultural heritage: The case of Zhuanqiao paper-cut." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001784.

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The intangible cultural heritage, as the cultural treasure, inherits the Chinese unique spiritual and cultural connotation and has a wide mass base and an affinity that suits the needs of the Chinese people. The folk paper-cut art is one of the Chinese traditional folk arts. Some kinds of the paper-cut arts have been incorporated in the list of intangible cultural heritage and imply wisdom and sincere emotions deposited by the Chinese nation for thousands of years. The Zhuanqiao paper-cut is analyzed in the paper. The Zhuanqiao folk paper-cut art originated from the beginning of Ming dynasty r
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Steinschaden, Sigrid. "Philosophy of Being - The Franciscan Mission in Yuan-, late Ming-, and Early Qing- Dynasty China as an Example of Cultural and Intercultural Approaches." In 2013 International Conference on Education, Management and Social Science. Atlantis Press, 2013. http://dx.doi.org/10.2991/icemss.2013.60.

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Jia, Ruo. "Cloud as an Alternative Architecture." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.45.

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In A Theory of /Cloud/ (1972), the cloud, or rather, the graph of cloud, served as the entry point of the French art historian and theorist Hubert Damisch (1928-2017) in his understanding of the limits of Western art and art history as framed since the Renaissance. Here he initiated another possibility of painting—a “theory” of painting, which he simultaneously termed “a history of painting”—by concluding the book with an examination of Chinese landscape painting. Participating in the sinophelia of French intellectuals that accompanied the Chinese Cultural Revolution launched by Mao, Damisch’s
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Wang, Di, and Jianyi Zheng. "Comparison of Urban Form based on different city walls between Quanzhou and Newcastle." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5061.

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Quanzhou in south-eastern China was built in the Sui Dynasty, having more than 1,000 years of history. Its urban development led to the triple walls in a different period of time. Its unique landscape of multiple walls is a one of the Chinese ancient city patterns. However, the massive stone-built city wall pattern like Newcastle also has more than 1000, years of history in western cities .City walls maintain the preeminence as the city’s most powerful fixation line. The expansion of the wall in Quanzhou shows how the time-space changes, while Newcastle' s fringe belt is relatively stable, whi
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Guo, Wenbo, and George B. Johnston. "Revisionist Approaches to the Historiography of Chinese Architecture." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.84.

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The study of Chinese architectural history by Chinese scholars started quite late as compared to the study of Western architectural history by Western scholars. Influenced by the philosophy of Confucianism, which devalued material artifacts, architecture was not considered to be a scholarly field in pre-Modern China.1 Chinese scholars treated architecture as a technique mastered by craftsmen and excluded it from the domain of fine arts such as painting, calligraphy, sculpture and inscription. The Western idea of architecture as a respected gentleman’s career was not introduced into China until
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Reports on the topic "China History Ming dynasty"

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Miksic, John N., and Geok Yian Goh. The Empress Place (EMP) Site: A Preliminary Report. NUS Press, 2023. http://dx.doi.org/10.56159/sitereport11.

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An archaeological site report of an excavation of the Empress Place site in Singapore. Empress Place was the fourth site excavated in Singapore, and the first and so far the only ancient site located directly on the Singapore River’s bank. The opportunity to investigate this site arose when it was decided to convert the Empress Place Building into a permanent Asian Civilisations Museum under the National Heritage Board. The project began in January 1998, during the rainy season and the excavation was completed in May the same year. Empress Place was occupied during the 14th through 16th centur
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