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Journal articles on the topic 'China History Ming dynasty'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

An, Lu Vi. "Ottoman historical sources regarding China and the diplomatic Relations between the Ming Dynasty and the Ottoman Empire in the records of Mingshi." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 2 (2020): 346–56. http://dx.doi.org/10.32508/stdjssh.v4i2.551.

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This paper firstly investigates the perception of the Ottoman Turks on China and Chinese which was reflected in “Khitaynameh” (Book of China) by Ali Ekber and “Kitab-ı Tevarih-i Padişahan-ı Vilayet-i Hindu ve Hitây” (Book on the Histories of the Rulers of the India and China) by Seyfî Çelebi. These were two typical historical geographical works written in the 16th century, indicating the interest of the Ottoman Turks in the country and people of China during the Ming Dynasty. Both works contain valuable records of China’s topography, history, economy, social life and traditional customs. The O

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Karimova, Natalya Ermanovna. "CHINESE SOURCES ON THE AMIR TEMUR EMPIRE." International Journal Of History And Political Sciences 4, no. 3 (2024): 23–30. http://dx.doi.org/10.37547/ijhps/volume04issue03-05.

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The article discusses the information about the Empire of Amir Timur containing in Chinese sources, as well as the issues of trade and diplomatic relations between the Empire of Amir Timur and China. The article is based on materials from Chinese sources, primarily the Ming Shi (History of the Ming Dynasty) and the Ming Shilu (Veritable Records of the Ming Dynasty), as well as data from Chinese scholarly literature. It presents several little-known facts about the relations between China and Central Asian states.

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Yingqi, Zhang. "The themes and the artistic conceptions of flower-and-bird painting in Ming Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-2 (2023): 176–83. http://dx.doi.org/10.31166/voprosyistorii202303statyi65.

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As the peak of the development of flower-and-bird painting in China, Shen Zhou, Chen Chun, Xu Wei, Tang Yin and Wen Zhiming emerged in the Ming Dynasty. Because of their different periods of life, they have their own advantages in the choice of theme and the expression of artistic conception, which made outstanding contributions to the development of flower-and-bird painting in Ming Dynasty. This paper mainly studies the theme and conception of flower-and-bird painting in Ming Dynasty.

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Bian, Xiangyang, and Menghe Tian. "Eight Auspicious Patterns of Ming Dynasty." Asian Social Science 20, no. 2 (2024): 60. http://dx.doi.org/10.5539/ass.v20n2p60.

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&quot;Auspiciousness&quot; is the common pursuit of the Chinese nation for a long time, and it is the hope of the Chinese people for the future. In the long history of China, auspicious elements represent good omen and have a considerable proportion in Chinese traditional culture. In this paper, the Ming Dynasty Wanli period, blue ground wrapped branches eight auspicious brocade, with a relatively clear vein, existing in the silk Museum of Hangzhou, China, well preserved. Overall, this fabric is dark blue as the base, and the gold thread is covered with asymmetric patterns, showing a r

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Zhu, Zhu. "Research on the Economic History of Dali in the Late Ming Dynasty under the Background of Social Transformation." BCP Business & Management 13 (November 16, 2021): 109–12. http://dx.doi.org/10.54691/bcpbm.v13i.67.

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The Ming dynasty was one of the most prosperous dynasties in ancient China and one of the most distinctive and important periods in the history of Chinese feudal society. The late Ming dynasty was an important turning point in social and economic development. In the context of social transformation, the development of commercial agriculture caused structural changes in the agricultural economy and rural society; the prosperity of regional commercial trade, the growth of merchant power and the formation of inter-regional market networks created a new stage in the development of regional commerc

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Chen, Yunyun, Wenyi Wu, and Dini Xiong. "Exploration the use of digital technology in the revitalisation design of Ming Dynasty’s Yingluo jewellery." SHS Web of Conferences 181 (2024): 01047. http://dx.doi.org/10.1051/shsconf/202418101047.

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Buddhist art originated with the emergence of Buddhism and has experienced continual innovation and development throughout history. Yingluo jewellery was introduced to China from India, with its form continuously incorporating ancient Chinese aesthetics in its inheritance and development. The designs of Ming Dynasty’s Yingluo jewellery exhibited a more secular and everyday trend. This article centres on the design of Ming Dynasty necklaces, using the Fahai Temple mural and the Yongxuan court statues as representative examples. The article summarises the distinct artistic features of Ming Dynas

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Brook, Timothy, and Craig Clunas. "Fruitful Sites: Garden Culture in Ming Dynasty China." American Historical Review 103, no. 3 (1998): 941. http://dx.doi.org/10.2307/2650677.

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Bai, Xinyue. "The Process and Reasons for the Development of Printing Industry in Five Southeastern Place in Ming China." Lecture Notes in Education Psychology and Public Media 67, no. 1 (2024): 121–26. https://doi.org/10.54254/2753-7048/2024.17958.

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Since ancient times, local histories have been the necessary heirlooms for historical and political records in various places. After the emergence of printing, the two forms of copying and carving coexisted in the compilation process of local records. In the middle and late Ming Dynasty, the economy of the southeastern region prospered, and the development of printing technology matured, and the printing industry ushered in the peak, and the traditional copying was gradually replaced by the high-quality carving. This paper reflects the specific period of printing transmutation and the fluctuat

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Yan, Gui, Zhang Tianju, and Han Liebao. "The Study of Chui Wan, a Golf-like Game in the Song, Yuan, and Ming Dynasties of Ancient China." Journal of Sport History 39, no. 2 (2012): 283–97. http://dx.doi.org/10.5406/jsporthistory.39.2.283.

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Abstract Chui wan was a game that was once very popular in the Song, Yuan, and Ming Dynasties of ancient China. It bore a strong resemblance to the game of golf. According to the records, chui wan originated from the ancient polo game in the Song Dynasty, and its development culminated in the Yuan Dynasty and Ming Dynasty but then it disappeared sometime in the Qing Dynasty. Wan Jing, the first monograph about chui wan in Chinese history, described the game in detail. This article introduces the history of chui wan and also the site choice, equipment, rules, strategies, and etiquette of the ga

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Koo, Doyoung. "“Petticoat Fever” Driven by Chosŏn Korea Garments: Exploring a “fad” in Early Ming China and Its Implications for Regional Interactions between the Chosŏn and Ming Dynasties." International Journal of Korean History 27, no. 1 (2022): 177–212. http://dx.doi.org/10.22372/ijkh.2022.27.1.177.

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In the fifteenth century, Chosŏn Korean clothes were exported to the Jiangnan (江南) region in Ming China and became very popular among wealthy Chinese people. This was the so-called “Petticoat Fever”. This horsehair petticoat (Mamigun 馬尾裙) gave the wardrobe a fashionable silhouette by supporting and fully spreading the outer skirt. Literati wore them, too. Mamigun fashion, which once enjoyed great popularity in the Jiangnan area, disappeared after it was prohibited during the Ming period due to a change in power and a transition in policymaking. On the other hand, this study is also significant

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Guo, Kairui. "Urban Planning and Spatial Evolution Processes in Taiyuan and Relevant Influencing Factors." Highlights in Science, Engineering and Technology 51 (May 16, 2023): 192–99. http://dx.doi.org/10.54097/hset.v51i.8264.

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As a famous historical and cultural city in China, Taiyuan City has a history of more than two thousand years with a rich evolution of its urban space. This paper discusses the influencing factors of urban space by describing the historical background of Taiyuan and the evolution of urban space. The spatial layout of Taiyuan in the Ming Dynasty was based on the idea of the palace as the main planning of the royal city. In the Qing Dynasty, Taiyuan still shared the walls with the Ming Dynasty, and the city's overall framework did not change much. The city was built mainly in traditional politic

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Álvarez, José Antonio Cantón. "Globalisation Interrupted? The Case of Opium in the Circulation of Medical Knowledge in Ming Dynasty China." Journal of the Economic and Social History of the Orient 60, no. 4 (2017): 524–48. http://dx.doi.org/10.1163/15685209-12341429.

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The spread of Western medical practices to China, initiated during the Mongol dynasty, is often considered an example of “medical globalisation,” but few studies have looked at the actual level of adoption of Western medicine in the period after the Yuan dynasty. This essay analyses eighteen Ming dynasty medical sources in order to assess the role of opium, a Western drug, in post-Yuan medical practice. This essay concludes that opium was not widely used in the first centuries of the Ming dynasty, and, when finally adopted in the sixteenth century, its use was disconnected from the Yuan dynast

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Wang, Ke, and Lulu Tang. "Cultural Cognition and Analytical Methods of Chinese and Korean Envoys in Ming Dynasty Based on Big Data Analysis Technology." Advances in Multimedia 2022 (September 27, 2022): 1–9. http://dx.doi.org/10.1155/2022/4568147.

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During the Ming Dynasty, China and Korea exchanged frequently and recorded a large amount of written information, which is of great value for understanding the culture of that time. The large amount of data makes it difficult to conduct quantitative analysis by researchers, which makes the analysis limited. This paper carries out a research on the cognition and analysis method of Chinese and Korean envoys to foreign cultures in Ming Dynasty based on big data analysis technology. Based on the literature research, this paper determines the ontology model establishment method to efficiently detec

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Pochekaev, R. Yu, and I. V. Tutaev. "Some thoughts on historical and legal aspects regarding the fourth volume of the “Laws of the Great Ming dynasty” translated into Russian. [Review on:] Svistunova N. P. (transl.), Dmitriev S. V. (ed.). Laws of the Great Ming Dynasty with the Combined Commentary and Enclosed Decrees (Da Ming Liuy Tsi Tze Fu Li). Pt. IV. Moscow: Vostochnaya literature; 2019. 550 p." Orientalistica 3, no. 4 (2020): 1202–14. http://dx.doi.org/10.31696/2618-7043-2020-3-4-1202-1214.

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The article is a survey of the Russian translation of “Laws of the Great Ming dynasty” in four volumes published since 1997 to 2019. The introduction of this legal monument to the Russian scientific society is of great importance as it substantially expands contemporary idea on Chinese traditional legal system and meets a lack in the history of law ofChinain 14th–17th cc.To survey the legal monument there special legal scientific methods were used. Historical legal approach allowed to trace the creation and acting of this codification in the specific historical circumstances, value its urgency

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Delporte, Dominiek. "Precedents and the Dissolution of Marriage Agreements in Ming China (1368–1644). Insights from the “Classified Regulations of the Great Ming”, Book 13." Law and History Review 21, no. 2 (2003): 271–96. http://dx.doi.org/10.2307/3595093.

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After a period of Mongolian rule during the Yüan Dynasty (1279–1368), the first Ming emperor, T'ai-tsu, tried to build a new empire on a solid footing. From the start, he paid a lot of attention to legislation as a means of guaranteeing stability in the empire. The emperor's concern for stability resulted in an imperial decree stipulating that the Ming Code, established and adapted under his supervision, had to remain unchanged for the remainder of the dynasty. As social and economic evolutions called for modifications in the Ming legislation, a way had to be found to introduce these changes.

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Mansur, Dariya, Vladislav Skorikov, Maria Molchanova, and Irina Shvedova. "The history of China’s economic development from the beginning of the Ming dynasty to the beginning of the policy of reform and opening up." OOO "Zhurnal "Voprosy Istorii" 2022, no. 4-1 (2022): 94–102. http://dx.doi.org/10.31166/voprosyistorii202204statyi01.

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The article examines the historical and economic development of China from the reign of the Ming Dynasty to the beginning of the policy of reform and openness. The authors studied the main economic periods in the history of China, as well as the prerequisites for the emergence of the phenomenon of an economic miracle.

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17

Gamsa, Mark. "Joseph Brodsky’s Borrowed Chinese Voice." Modern Language Quarterly 83, no. 2 (2022): 165–90. http://dx.doi.org/10.1215/00267929-9644669.

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Abstract Joseph Brodsky’s poem “Letters from the Ming Dynasty” (1977) stands out among his work for its prominent Chinese theme. This essay considers the poem against the background of some distant European precedents in order to situate it in the history of world literature. It explains what the poem does, how it does it, and how it connects with the main themes of Brodsky’s poetry. To further contextualize “Letters from the Ming Dynasty” in twentieth-century literary history, the essay compares it with uses of China by European modernists before concluding by briefly looking at examples of t

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18

Hua, Jianing. "Integration of Chinese and Western Art in Late Ming Dynasty: Imitation and Innovation with Wu Bin as an Example." Communications in Humanities Research 8, no. 1 (2023): 76–82. http://dx.doi.org/10.54254/2753-7064/8/20230972.

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The late Ming Dynasty witnessed an art exchange between two distinct civilizations, the East and the West, which served as a microcosm of globalized art history in China. In the context of numerous Western religious paintings introduced to China by Jesuit missionaries during the late Ming Dynasty, whether Chinese artists who painted in ink at the time borrowed Western painting techniques in their paintings has become a subject of discussion among contemporary scholars. To further explain the integration triggered by this artistic exchange, the research analyses the attitudes of Ming society to

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Chen, Yanbin, and Ratthai Porncharoen. "Reference and Innovation of Chinese Contemporary Furniture on the Basis of Chinese Ming Dynasty Furniture." Learning & Education 10, no. 8 (2022): 241. http://dx.doi.org/10.18282/l-e.v10i8.3144.

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With the rapid development of China’s contemporary furniture industry, creating “Chinese characteristics” is particularly important in the field of contemporary furniture design. Chinese furniture design accompanies Chinese history and is another interpretation of Chinese culture. How to deal with the reference and innovation of Chinese contemporary furniture design to Chinese traditional furniture is a problem that must be studied and solved in Chinese contemporary furniture design, which has important theoretical significance and practical value for the development of Chinese design. This ar

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Dardess, John, Frederick W. Mote, and Denis Twitchett. "The Cambridge History of China, Volume 7: The Ming Dynasty, 1368-1644." Journal of the American Oriental Society 110, no. 1 (1990): 108. http://dx.doi.org/10.2307/603917.

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Farmer, Edward L., Frederick W. Mote, and Denis Twitchett. "The Cambridge History of China. Volume 7, The Ming Dynasty, 1368-1644." American Historical Review 95, no. 5 (1990): 1601. http://dx.doi.org/10.2307/2162852.

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22

Xiao, Jie. "Taking Late Ming Dynasty Printmaking as an Example to Analyze the Influence of Consumption on the Development Direction of Art." Learning & Education 9, no. 3 (2020): 160. http://dx.doi.org/10.18282/l-e.v9i3.1606.

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From the end of the 15th century to the beginning of the 16th century, great changes have taken place in the history of the world, called the “Great Navigation era”, which has gradually opened the prelude to “globalization”. China in the late Ming Dynasty was just in this division point, from economy to thought, all blooming in the elegance of an empire, and the book publishing industry in Ming Dynasty developed rapidly and brightly with the blessing of the Ming Taizu’s “imperial edict except book tax”. Book illustration is inspired by the original function of reading picture interpretation an

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23

Walther, Ann. "REMEMBERING THE LADY WEI: EULOGY AND COMMEMORATION IN MING DYNASTY CHINA." Ming Studies 2007, no. 1 (2007): 75–103. http://dx.doi.org/10.1179/014703707788762463.

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Yuan, Zujie. "Dressing for power: Rite, costume, and state authority in Ming Dynasty China." Frontiers of History in China 2, no. 2 (2007): 181–212. http://dx.doi.org/10.1007/s11462-007-0012-x.

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Kuznetsova-Fetisova, Marina E. "FIRST SEMINAR ‘DYNASTIES AND SUCCESSION TO THE THRONE IN ANCIENT CHINA’. SERIES “COLLOQUIUM STANISLAVI. TERMINOLOGY DESCRIBING POWER AND KINSHIP IN ANCIENT CHINA”." Journal of the Institute of Oriental Studies RAS, no. 4 (14) (2020): 318–25. http://dx.doi.org/10.31696/2618-7302-2020-4-318-325.

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In a number of issues and problems in contemporary Sinology opinions of experts still differ sharply; this also extends to the ancient history of China. A series of seminars “‘Colloquium Stanislavi’. Terminology Describing Power and Kinship in Ancient China” held in the Chinese Department of the Institute of Oriental Studies, Russian Academy of Sciences, is envisioned as a platform for discussions on the most pressing issues, exchanging of views, and development of new terminology. The first seminar on the topic “Dynasties and Succession to the Throne in Ancient China” was held on November 18,

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Xie, Jingzhen. "The Alleged Jesuit-Led Rebellion in 1606: Missionary Conditions in Early Seventeenth- Century China." Mission Studies 41, no. 1 (2024): 53–76. http://dx.doi.org/10.1163/15733831-12341944.

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Abstract In early 1606, the Chinese in Guangdong Province mobilized militarily upon learning that the Jesuits in Macau were rising up in an attempt to occupy China. However, the incident did not develop into persecution of the missionaries and was quickly put to an end with the restoration of the Jesuits’ innocence. The peaceful resolution of the alleged Jesuit-led rebellion shed new light on the rich yet complex missionary conditions in early seventeenth-century China. During this period, the Ming Dynasty was in decline, but its loyal statesmen were eager to rejuvenate Confucian values. This

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Yao, Ping. "Good Karmic Connections: Buddhist Mothers in Tang China." NAN NÜ 10, no. 1 (2008): 57–85. http://dx.doi.org/10.1163/138768008x273719.

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AbstractThis essay examines the women's role in Chinese Buddhism through a close reading of epitaphs from the Tang dynasty (618-907). During this period, more than ever before, the religion became instrumental in the development of mothers' identity and in the conceptualization of ideal maternal virtues. According to many Tang dynasty epitaphs (muzhi ming), it would appear that children of Buddhist mothers largely complied with their mothers' desire to leave the household life or to be cremated rather than buried after her death. They were also much more likely than children of Buddhist father

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Shiho, Alimtohte. "IN THE ACADEMIC CONTEXT OF THE CLASH AND DIALOGUE OF CIVILIZATIONS: THE RELATIONS AMONG JAPAN, CHINA AND CENTRAL ASIAN ISLAMIC COUNTRIES CULTURES." Oriental Renaissance: Innovative, educational, natural and social sciences 5, no. 21 (2025): 217–21. https://doi.org/10.5281/zenodo.15570426.

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<em>Mainly from two specific topics “Comparing Confucianism in Song and Ming Dynasty and Islamic Philosophy” and “A Study on the History of Comparative Confucianism between Japan and China”, Study the cultural exchange relations between Japan, China, and Central Asian Islamic countries. One of the topics, the Muslim Confucian Philosophy: Islamic-Confucian Dialogue and the Integration of Civilizations. At the end of the Ming Dynasty and at the beginning of the Qing Dynasty, a new theory of learning was created—Muslim Confucian Study (Chinese Islamic Philosophy)&mda

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Wang, Guojun, and Guo Yingde. "Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature." Journal of Chinese Literature and Culture 10, no. 1 (2023): 267–93. http://dx.doi.org/10.1215/23290048-10362483.

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Abstract Recent studies of Chinese history and literature have revealed the important role of violence—actual and representational—in constructing gendered subjectivities in late imperial China. This article investigates the relationship between violence and female agency through a case study of literary representations of a concubine who was cannibalized during the defense of Suiyang amid the An Lushan Rebellion (755–763) in the Tang dynasty. As a result of that event, the ethically questionable act of cannibalism engendered an assortment of writings down through late imperial China. Although

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Wan, Yao, and Thawascha Dechsubha. "A Survey of Traditional Chinese Drinking Games." Technium Social Sciences Journal 31 (May 9, 2022): 728–41. http://dx.doi.org/10.47577/tssj.v31i1.6274.

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China has a long history of wine-brewing. Traditional Chinese drinking games are a unique and mysterious part of the Chinese drinking culture. In this paper, we deal with the development of Chinese wine first, and then we take big events as reference to uncover the history of the traditional Chinese drinking games chronologically. After introducing the representative drinking games from each dynasty, it could help people understand the general development of the traditional Chinese drinking games. The results show: (1) the Chinese wine-brewing origins from the saccharomycetes, matures in Tang

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Taylor, Romeyn, Frederick W. Mote, and Denis Twitchett. "The Cambridge History of China. Vol. 7, The Ming Dynasty, 1368-1644, Part I." Harvard Journal of Asiatic Studies 51, no. 1 (1991): 366. http://dx.doi.org/10.2307/2719254.

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Will, Pierre-Etienne, Frederick W. Mote, and Denis Twitchett. "The Cambridge History of China. Volume 7: The Ming Dynasty, 1368-1644, Part I." Pacific Affairs 62, no. 3 (1989): 383. http://dx.doi.org/10.2307/2760630.

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Qinghe, XIAO. "Matteo Ricci and the New Horizon of the Intellectual World in late Ming: A Response to Prof. XIE Wenyu’s Article “The True Meaning of the Lord of Heaven and the Differences in Concerns between Chinese and Western Thinking”." International Journal of Sino-Western Studies, no. 25 (November 30, 2023): 156–67. http://dx.doi.org/10.37819/ijsws.25.1765.

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With the publication and circulation of The True Meaning of the Lord of Heaven by Matteo Ricci (1552-1610) since the late Ming Dynasty, related criticisms abound. On the whole, the accusations against this book are no more than three: invoking backward medieval theosophy and science, misunderstanding and misinterpretation of the indigenous Confucianism, Buddhism, and Taoism, and a missionary hermeneutics in the style of "for my own use". This article is a response to Prof. XIE Wenyu's article on The True Meaning of the Lord of Heaven. The article responds to each of the points in Prof. Xie Wen

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Zheng, Murong, Novel Lyndon, Azlina Abdullah, and Usman Ibrahim Dabai. "The ritual practices of Beiyuan Tribute Tea production in Jianzhou-Fujian, China." Journal of Infrastructure, Policy and Development 9, no. 2 (2025): 9599. https://doi.org/10.24294/jipd9599.

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This paper explores the ritual practices associated with Beiyuan Tribute Tea production in Jianzhou, Fujian, China. Beiyuan Tribute Tea, a historically significant tea, originated in the Tang Dynasty, flourished during the Song Dynasty, and experienced a decline in the Ming Dynasty, reproduced in contemporary times. The tea’s production involved intricate rituals that not only enhanced its quality but also embedded it deeply into the socio-cultural and religious fabric of the time. These rituals, encompassing aspects of religious reverence, craftsmanship, and social etiquette, played a crucial

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Miskawi, Agus mursidi, and Abdul Shomad. "IDENTIFICATION OF POTENTIAL STUDY OF CULTURAL HERITAGE ON CHINESE COIN FINDINGS IN BANYUWANGI DISTRICT." Santhet (Jurnal Sejarah Pendidikan Dan Humaniora) 7, no. 2 (2023): 256–62. http://dx.doi.org/10.36526/santhet.v7i2.2934.

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Many Chinese coins are found in Banyuwangi district with various variations. The purpose of this study was to identify the findings of Chinese coins in Setembel hamlet, Gambiran village, Banyuwangi district. The formulation of the problem is how to identify findings of Chinese coins?, and what is the history of dynasties in Chinese coins in Banyuwangi. The method used is a qualitative method using the Magnifying Plus Application, the Pleco Android Application and Chinese Handwriting Recognizing. Research results Identification Results Of the 76 samples of Chinese coins that can be identified a

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Rong, Xu Rong, and Zhao Wei. "The influence of art symbol of Ming Dynasty furniture on Contemporary Home Furnishing." Journal of Arts and Humanities 7, no. 1 (2018): 32. http://dx.doi.org/10.18533/journal.v7i1.1287.

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<p>Nowadays, Chinese style is a hot topic. On the application of Chinese style in home design, Ming Dynasty furniture is indeed a classic in the history of ancient Chinese furniture, it reveals the excellent thoughts of Chinese culture, this symbol thought contribute to the Chinese style toward the international. The Art symbolic throughout penetrate the home design. Symbolic thought in various stages of the design is only slightly different form of expression, its connotation is the first design philosophy of China.</p>

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Jiang, Hong. "Tea as Nature, Tea as Power in Early Modern China: Tea and the Literati in the Ming Dynasty." Asian Culture and History 15, no. 1 (2023): 1. http://dx.doi.org/10.5539/ach.v15n1p1.

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This paper explores the cultural meaning of tea drinking for the literati in the later part of the Ming dynasty (around 1500-1644), using the pair ideas of tea as representing a lifestyle close to nature, and tea as a powerful representation of tasteful life in the society. The dual meanings of tea reinforce each other for the Ming literati, giving them the means and outlets to bolster their self-expression and to distinguish their identity in the social-cultural context of limited career opportunities. I examine the role of tea in tea books, tea-themed paintings, and Ming literati&rsquo;s

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Lee, Juyeon. "Muslim Merchant activities as seen in Ming Dynasty Records about Western Region emissaries." Institute of History and Culture Hankuk University of Foreign Studies 93 (February 28, 2025): 415–56. https://doi.org/10.18347/hufshis.2025.93.415.

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This study analyses the records of the Timurid emissaries to identify the Eurasian land routes and to learn about Muslim merchants who operated along them. At first, we examined the relationship of the Islamic merchant to the state. Timurid emissaries in the Ming records were authorized merchants who were partners in securing economic benefits for the state. Therefore, Timurid emissaries were committed to maintaining east-west connections via land routes as much as possible during the 15th century, a period of great turmoil in Eurasia, during which various routes came and went. Timurids, howev

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A. Pegg, Richard. "The Star Charts of Ignatius Kögler (1680–1746) in the Korean Court." Journal of Jesuit Studies 6, no. 1 (2019): 44–56. http://dx.doi.org/10.1163/22141332-00601004.

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Star-chart screens based on the work of the Jesuit Ignatius Kögler (1680–1742), functioned in the eighteenth-century Korean court as a way of consolidating imperial authority around the calendar and more broadly conceptions of space and time. This occurred in the aftermath of the collapse of Ming calendrical authority and in the context of the developing relationship between Korea and the Qing court. The network of envoys that brought back astronomical science between the Joseon court in Korea and the Ming and Qing courts in China is discussed, and Kögler’s star chart of 1723 is compared with

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Chen, Yuan Julian. "Between the Islamic and Chinese Universal Empires: The Ottoman Empire, Ming Dynasty, and Global Age of Explorations." Journal of Early Modern History 25, no. 5 (2021): 422–56. http://dx.doi.org/10.1163/15700658-bja10030.

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Abstract This article studies two sixteenth-century Asian texts: Khitay namah, a Persian travelogue about the Ming dynasty written by the Muslim merchant Ali Akbar and presented to the Ottoman sultan, and Xiyu, an illustrated Chinese geographical treatise with detailed travel itinerary from China to Istanbul by the Ming scholar-official Ma Li. In addition to demonstrating the breadth of Ottoman and Chinese knowledge about each other in the global Age of Exploration, these two books, written respectively for the monarchs of the self-proclaimed Islamic and Chinese universal empires, reflect the

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Zurndorfer, Harriet T. "Prostitutes and Courtesans in the Confucian Moral Universe of Late Ming China (1550–1644)." International Review of Social History 56, S19 (2011): 197–216. http://dx.doi.org/10.1017/s0020859011000411.

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SummaryThis study pursues three goals: to unravel the socio-economic conditions which pushed women into prostitution and courtesanship, to analyse their position in Chinese society, and to relate what changes occurred at the end of the Ming dynasty that affected their status. According to contemporary judicial regulations, both prostitutes and courtesans were classified as “entertainers”, and therefore had the status of jianmin [mean people], which made them “outcasts” and pariahs. But there were great differences, beyond the bestowal of sexual favours, in the kind of work these women performe

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CHZHOU, Siao. "Imperial jade seals of China: transformations of content and form, artistic features." Bulletin of Lviv National Academy of Arts 49, no. 49 (2022): 75–88. http://dx.doi.org/10.37131/2524-0943-2022-49-9.

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The great imperial seals, one of the most prominent jade articles in ancient China, were of great significence in those times. Two of its main components – a carved ornament on the top and a stamp, were not merely symbols of the feudal era, but also demonstrated the high level of technical proficiency of visual arts in ancient China. In the context of the history of the origin and development of jade seals, this article highlights the issues of evoluiton in content, form, and artistic features of the art of large imperial jade seals as it was developing during the long history of Chinese art.

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Yang, Lei. "The Transformation of Monkey King: A Semiotic Perspective." Technium Social Sciences Journal 37 (November 9, 2022): 470–75. http://dx.doi.org/10.47577/tssj.v37i1.7641.

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The Journey to the West, based on the story of Chen Xuanzang’s learning from the scriptures in the Tang Dynasty, was finally written by Wu Cheng’en in the Ming Dynasty, which deeply reflected the social reality at that time. It was not only the first romantic novel about ghosts and gods in ancient China, but also a masterpiece of romanticism in the history of world literature. The hero of the story, Monkey King, has been constantly mythologized in the process of China’s folk communication, becoming a household name hero and a cultural sign. Taking the Monkey King as the research object, this p

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Liu, Puning. "The Adoption of Neo-Confucianism in Discussing Legitimacy Dispute." Asian Culture and History 10, no. 1 (2017): 43. http://dx.doi.org/10.5539/ach.v10n1p43.

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Lipset (1960) denotes legitimacy as “the capacity of the system to engender and maintain the belief that the existing political institutions are the most appropriate ones for the society.” All political powers, including Chinese dynasties in history, needed legitimacy to ensure their governance. In general, Western thinkers who discuss political legitimacy could be identified into two groups (Habermas, 1979). The “empiricists”, likes Max Weber, studies legitimacy in an empirical method, focusing on the types, constitutions, functions, and evolutions of legitimacy. The second group consists of

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Ouyang, Yue. "Application of Huizhou Architectural Style in Modern Houses." Advanced Materials Research 838-841 (November 2013): 2883–86. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.2883.

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Huizhou architecture is a major architectural style in ancient China building history. After the Ming dynasty, along with the rose of merchants and the socio-economic development, Hui-style gardens and residential construction also developed in step. The overall layout of Hui-style buildings were naturally constructed according to the situation of the hillside and the lake. The overall appearance was formed by black tiles and white walls. The Fifth Vanke Palace combines modern elements with traditional Hui-style, fully expresses the traditional Chinese architectural culture.

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Stezhenskaya, Lidiya. "Protestant Missionary Accounts of Chinese Secret Societies in the Beginning of the 19th Century." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2023): 215. http://dx.doi.org/10.31857/s086919080024726-5.

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The paper examines the earliest information by Europeans concerning activities of the secret societies–traditional public organizations that have played a significant role in history of China and continues to be a phenomenon of public life in China and abroad. By analogy with the “colonial school” of the studies of secret societies in China, it is proposed to single out the earliest period of the Protestant historiography of secret societies, tentatively designating it as a “missionary school” of William Milne and Robert Morrison. Amendments are done to the available bio-bibliographic data on

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Li, Yuniu, Zhigang Sun, Tian Qiu, Jiujiang Bai, and Wan Huang. "Iron Production Industry in Western Chongqing During the Late Ming Dynasty: A Perspective from Smelting Related Materials." Asian Perspectives 62, no. 2 (2023): 184–201. http://dx.doi.org/10.1353/asi.2023.a909234.

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abstract: Four iron smelting related sites were discovered in Zouma Town, western Chongqing, China. Among these sites, two (Luduizi and Tieshazitu) were dated to the end of the Ming Dynasty in the sixteenth to seventeenth centuries a.d. and the other two (Gaoluchang and Nianmigou) were dated to the Late Qing Dynasty in the nineteenth century. Large amounts of smelting-related materials were excavated from these sites. Ten metallographic samples collected from excavated slags, a furnace wall, and iron ore were prepared and analyzed. This article reports the first scientific analysis of smelting

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Wang, Yingying, Dazhuan Ge, Tongyan Zhang, and Yingjie Wang. "The Sustainable Development of Choronymic Cultural Landscapes in China Based on Geo-Informatic Tupu." Sustainability 11, no. 16 (2019): 4302. http://dx.doi.org/10.3390/su11164302.

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As a part of cultural landscapes, toponyms with abundant cultural connotations and a long history are valuable cultural heritage assets. Choronyms not only reflect natural and social phenomena but also help with relevant management and naming work. In order to explore the historical development sequence of choronymic cultural landscape evolution, we analyze the spatial–temporal pattern evolution, spatial–temporal variation, spatial association, and semantic evolution of choronymic cultural landscapes since the Qin dynasty. We adopt the sequent snapshot model and an event-based state amendment

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Gungwu, Wang. "Book Review: Zheng He: China and the Oceans in the Early Ming Dynasty, 1405–1433." International Journal of Maritime History 18, no. 2 (2006): 486–88. http://dx.doi.org/10.1177/084387140601800227.

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Zavyalova, Tatiana. "Value Grounds of Stratagem Thinking. On the Example of Ming a Complete Book of Wisdom (1614–1634)." Ideas and Ideals 16, no. 2-2 (2024): 398–429. http://dx.doi.org/10.17212/2075-0862-2024-16.2.2-398-429.

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In the history of human thought, the question of the human wisdom nature, or the possibility to gain it, has never assumed a simple solution. Chinese thinkers and philosophers answered this question in different ways. The secular and practical character of understanding the concept of wisdom in the Chinese intellectual tradition was largely due to the influence of the ethical and political doctrine of Confucianism. From the point of view of Confucian ethics, the idea of using tricks and gimmicks was considered rather dubious. In the history of Chinese thought, there were periods when the intel

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