Academic literature on the topic 'China History Qianlong'

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Journal articles on the topic "China History Qianlong"

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Chow, Kai-Wing. "Identities and Literary Culture in Qing China: Manchu Emperors as Chinese Poets, Readers, and Publishers." Journal of Chinese Literature and Culture 6, no. 2 (2019): 359–82. http://dx.doi.org/10.1215/23290048-8041957.

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Abstract The Qianlong emperor bequeathed the largest number of Chinese poems of any emperor, and perhaps of any poet, in the history of imperial China. But how do we make sense of the fact that Qianlong had been adamant in maintaining and preserving what he considered the essence of Manchu culture: the Manchu language and hunting skills? This articles argues that, despite deliberate staging through various fashions of his image as the ruler of a multiethnic empire, Qianlong failed in sending his message to his diverse subjects because, truly enthralled by Chinese poetry, he could not restrain
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Chi, Chen, Sakesan Tanyapirom, and Poradee Panthupakorn. "The Cultural Connotation of Literati Space During the Qianlong Period of China: Designing Contemporary Ceramic Products for Literati with Innovation." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 3 (2024): 341–52. http://dx.doi.org/10.60027/ijsasr.2024.4234.

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Background and Aim: This study takes the cultural connotation of the literati space in the Qianlong period of China as the theme. The utensil culture in the literati space during this period was the most aesthetic period in history. The ceramic products were more exquisite, and the shapes, patterns, colors, and other elements of the ceramics were all Designed and produced according to the aesthetic standards of emperors and scholar-bureaucrats must have a high aesthetic trend in the selection process of ceramic elements. Through research, it is obtained to create a Qianlong-themed "literati sp
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Waley-Cohen, Joanna. "Commemorating War in Eighteenth-Century China." Modern Asian Studies 30, no. 4 (1996): 869–99. http://dx.doi.org/10.1017/s0026749x00016826.

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Reviewing his long reign in 1792, the Qianlong Emperor (r. 1736–1795) hailed his military triumphs as one of its central accomplishments. To underscore the importance he ascribed to these successes, he began to style himself ‘Old Man of the Ten Complete Victories’ (Shi Quan Lao Ren), after an essay in which he boldly declared he had surpassed, in ‘Ten Complete Military Victories’ (Shi Quan Wu Gong), the far-reaching westward expansions of the great Han (206 BCE–220 CE) and Tang (618–907) empires. Such an assertion, together with the program of commemoration discussed below, served to justify t
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Gaustad, Blaine C. "Prophets and Pretenders: Inter-sect Competition in Qianlong China." Late Imperial China 21, no. 1 (2000): 1–40. http://dx.doi.org/10.1353/late.2000.0004.

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Hanson, Marta. "The Golden Mirror in the Imperial Court of the Qianlong Emperor, 1739-1742." Early Science and Medicine 8, no. 2 (2003): 111–47. http://dx.doi.org/10.1163/157338203x00035.

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AbstractIn the last month of 1739, the third of the Manchu rulers, the Qianlong emperor (r. 1736-1795), ordered the compilation of a treatise on medicine "to rectify medical knowledge" throughout the empire. By the end of 1742, eighty participants chosen from several offices within the palace bureaucracy based in Beijing completed the Golden Mirror of the Orthodox Lineage of Medicine, the only imperially commissioned medical text the Qing government's Imperial Printing Office published. The Golden Mirror represents both the limitations in the power of the Qianlong emperor and the dominance in
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Yang, Zhitong. "Social changes and peasant livelihood during the reign of Emperor Qianlong of the Qing Dynasty." Frontiers in Humanities and Social Sciences 4, no. 6 (2024): 198–206. http://dx.doi.org/10.54691/a8xscg16.

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In the early Qing Dynasty, Manchu rulers sought to prevent a large number of Han people from leaving customs and infringing on the interests of the Manchus, due to its influence on the customs and order of the Manchu people in the "the place of prosperity", Northeast China was sealed off and Han people in the region were prohibited from migrating to the northeast. However, the strict ban did not completely stop the Han immigration activities. A series of economic policies implemented during the period from Kangxi to Qianlong made Shandong's population increase substantially, and it was difficu
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BASHFORD, ALISON. "MALTHUS AND CHINA." Historical Journal 63, no. 1 (2019): 63–89. http://dx.doi.org/10.1017/s0018246x1900013x.

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ABSTRACTT. R. Malthus was deeply interested in how his principle of population operated in societies distant to, and different from, his own. In this respect, China served as an intriguing case, already famous in his own time for its large and dense population and the central regulation of a closed economy. Malthus drew on both centuries-old Jesuit material and recent accounts from the Macartney embassy to the Qianlong emperor to assess its past and present food–land–population dynamics. This article explores Malthus's interest in China in the context of British public and private commercial i
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Yangwen, Zheng. "Chinese Collection 457: the Call for Global History." Bulletin of the John Rylands Library 91, no. 1 (2015): 35–44. http://dx.doi.org/10.7227/bjrl.91.1.3.

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With the help of the Jesuits, the Qianlong emperor (often said to be Chinas Sun King in the long eighteenth century) built European palaces in the Garden of Perfect Brightness and commissioned a set of twenty images engraved on copper in Paris. The Second Anglo-Chinese Opium War in 1860 not only saw the destruction of the Garden, but also of the images, of which there are only a few left in the world. The John Rylands set contains a coloured image which raises even more questions about the construction of the palaces and the after-life of the images. How did it travel from Paris to Bejing, and
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Kim, Ho-Jin. "Silver-Copper Coin Currency Ratio and Price Fluctuations in the Early and Mid-Qing Dynasty : Focusing on the Qianlong Period." Korea Association of World History and Culture 73 (December 31, 2024): 213–41. https://doi.org/10.32961/jwhc.2024.12.73.213.

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The influx of foreign silver during the early and mid-Qing period directly influenced the development of commodity economics and economic fluctuations. Furthermore, the fact that foreign silver directly circulated in China’s inland regions and that Chinese foreign trade merchants established exchange rates between foreign silver and Chinese Wen silver signified that China was deeply integrated into the global silver-based monetary circulation network of that time. The purpose of large-scale currency minting during the Qianlong period was clear. It aimed to promote people’s livelihood stability
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Neglinskaya, M. A. "Часовая коллекция Цяньлуна (1736–1795): первое собрание европейского искусства в Китае". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 168–75. http://dx.doi.org/10.46748/arteuras.2020.04.014.

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Many of European clocks in the Beijing’s Palace Museum (Gugong) were made in second half of the 18th century, by the Qing Emperor Qianlong’s governing (1736–1795), when an exotic “Chinese style” (chinoiserie) in the decorative arts was at its height. The research methodology proposed below, which combines art history and cultural analysis, allows us to see, that the Palace Collection’s mix determined evolution of the clock’s industry in China and some European lands, who took part in the international clock and watch market. In forms and decor of Chinese clocks the 18th century were reflected
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Dissertations / Theses on the topic "China History Qianlong"

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Su, Mei-Yu. "La naissance du trait de ciseau : l’espace pictural restructuré : histoire de la sculpture sur bambou à l’époque des qīng." Paris 4, 2006. http://www.theses.fr/2006PA040180.

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Le bambou n’est pas considéré comme un matériau précieux. Cependant, il occupe un rôle symbolique, spirituel et moral dans la vie des Chinois depuis la dynastie des Jìn (265-420). L’art de la sculpture sur bambou se développe, vers le milieu de la dynastie des Míng (ca. 1500) dans la province du Jiāngsū, avec l’impulsion des lettrés qui s’intéressent à cet art. Ils transmettent aux artisans leur goût et leur concept esthétique, comme ils l’ont fait auparavant à travers les pièces en jade. Les objets artistiques en bambou, appréciés tant par la Cour que par les lettrés, deviennent ainsi une des
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Chan, Wing-ming. "The changing idea of loyalty in the official historiography of the Qianlong period, 1736-1795." Phd thesis, 1999. http://hdl.handle.net/1885/147412.

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Books on the topic "China History Qianlong"

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Liaoning Sheng dang an guan, ed. Hei tu dang: Qianlong chao. Xian zhuang shu ju, 2016.

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Cheng, Xiang, ed. Qianlong da mu. Da xiang chu ban she, 2008.

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Cheng, Xiang, ed. Qianlong da mu. Da xiang chu ban she, 2008.

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Wang, Hanmin. Qianlong chao wen ren xi qu yan jiu. Zhonghua shu ju, 2020.

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Scotland, Royal Museum of, ed. The Qianlong Emperor: Treasures from the Forbidden City. National Museums of Scotland, 2002.

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Hongxing, Zhang. The Qianlong Emperor: Treasures from the Forbidden City. NMS, 2002.

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Zhang, Wanjun. Qing dai Qianlong chao gui hua cheng tu mo te xing an yan jiu. Shang wu yin shu guan, 2020.

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China) Qianlong huang di yu liu shi Banchan xue shu yan tao hui (2013 Beijing. Qianlong huang di yu liu shi Banchan xue shu yan tao hui lun wen ji. Zhongguo Zang xue chu ban she, 2015.

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Yuntian, Zhao, ed. Qianlon chao nei chao ben "Li fan yuan ze li". Zhongguo Zang xue chu ban she, 2006.

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Louvre, Musée du, ed. Les batailles de l'empereur de Chine: La gloire de Qianlong célébrée par Louis XV, une commande royale d'estampes. Musée du Louvre éditions, 2009.

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Book chapters on the topic "China History Qianlong"

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"Qianlong: Letter to George III." In Milestone Documents in World History. Schlager Group Inc., 2024. https://doi.org/10.3735/9781961844056.book-part-079.

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Arguably the earliest communication between a monarch of China and the ruler of a European country, Qianlong’s letter to George III was the official response to Lord George Macartney’s mission, sponsored by the British East India Company in cooperation with the British government, to secure diplomatic relations and improved trade conditions with the Qing Dynasty. From its establishment in 1600, the British East India Company was a major exporter of silk, tea, porcelain, and lacquerware from China to England and the rest of Europe. Beginning in the mid-eighteenth century, the East India Company
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Conference papers on the topic "China History Qianlong"

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Uya, Yifan. "Collaborative Vibration: The Mythic Journey of A Coal Boy." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.

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Acknowledging the Anthropocene crisis, my research examines myth and myth-making to reimagine the role of Claude Lévi-Strauss’ bricoleur concept. Following Joseph M. Coll’s Taoist and Buddhist systemic thinking inspired theory of sustainable transformation, the practice-led project evolves into the making of an essayist film that conveys a specific personal myth.My research reckons that a bricoleur should perceive myth-making as an organic growing organisation that acquires intuition and posteriori knowledge. And focus on a narrative that evolves into the mythic identity of a piece of coal and
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