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Dissertations / Theses on the topic 'China Warrior'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Allison, Nancy Etta. "Autobiographical Images: Photography and Identity in Maxine Hong Kingston's "The Woman Warrior" and "China Men"." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625815.

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2

Robins, Dan. "The debate over human nature in warring states China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B29872388.

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3

Chen, Yunxiang. "Representations of Chinese Women Warriors in the Cinemas of Hong Kong, Mainland China and Taiwan since 1980." Thesis, University of Canterbury. School of Languages and Cultures, 2007. http://hdl.handle.net/10092/2506.

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The subject of this thesis is the depiction of Chinese women warriors in the cinemas of Hong Kong, Taiwan and Mainland China since 1980. Women warriors have been a popular feature of Western media since the 1970s influenced by the second wave women's movement, and have become a significant topic of academic study. However, Chinese women warriors are combined with and referred to as 'Asian' women without consideration of their cultural differences. Furthermore, although representations of women warriors in the cinemas of Hong Kong, Mainland China and Taiwan may share some similarities, they als

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4

Sterckx, Roeland. "The animal and the daemon in early China : a study of animal lore in Warring States and Han texts." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624679.

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5

Krijgsman, Rens. "The rise of a manuscript culture and the textualization of discourse in early China." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cae14e6-f30c-4512-a1b5-f3ce264493fc.

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This thesis analyses a change in the ways people composed and engaged with texts during the Warring States (481-221 BCE) period in Early China. It examines changes in the textual sphere as a result of an emergent manuscript culture, that is to say, the increased spread and reliance on manuscript texts for the communication of ideas. This shift moved away from the predominantly oral, commemorative, and ritual use of text in earlier periods, and provided key elements that would function in the text based discourse of the early empires. It influenced the way text across a variety of genres of wri

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6

李詠健 and Wing-kin Lee. "A philological study of the excavated texts included in the seventh volume of the Compilation of Warring States Chu bambooslips housed at the Shanghai Museum." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48329745.

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In 1994, two batches of unearthed Chu 楚 bamboo slips from the Warring States period (Zhanguo shidai 戰國時代, 475–221 B.C.), totaling 1200 pieces and featuring over 35000 characters, appeared in the cultural relic market of Hong Kong. These slips, highly valuable for philological research, cover nearly 100 kinds of ancient Chinese classic. They were soon collected by the Shanghai Museum for restoration and analysis, and have, since 2001, been published in successive volumes entitled Shanghai bowuguan cang Zhanguo Chu zhushu 上海博物館藏戰國楚竹書, eight volumes of which have been issued to date. My study

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7

Chhiv, Laetitia. "La légende comme instrument d'édification : le personnage de Yi Yin dans les manuscrits chinois du 4ème siècle avant notre ère." Electronic Thesis or Diss., Université Paris sciences et lettres, 2023. http://www.theses.fr/2023UPSLP029.

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Figure exemplaire de la tradition chinoise, Yi Yin seconda le prince Tang dans la fondation de la dynastie Shang vers l'an 1600 avant notre ère. Hormis quelques souverains antiques, il est le seul personnage historique en Chine qui apparaît aussi bien dans les inscriptions oraculaires du milieu du 13ème siècle avant notre ère, que dans les textes philosophiques et littéraires des Royaumes combattants (5ème-3ème siècles av. n. è.) transmis jusqu'à nos jours. À cela s'ajoute un ensemble de manuscrits découverts il y a une quinzaine d'années. Ces écrits, dont Yi Yin est le protagoniste, furent ré

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8

Lai, Kwong-ki, and 黎廣基. "A philological study of the Chu bamboo text of the Warring States period as seen in volume two of the monograph seriescompiled on the basis of the collection housed in Shanghai Museum =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39368452.

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9

Tse, Heung-wing, and 謝向榮. "A philological study of the excavated texts of Zhouyi included in the third volume of the compilation of Warring States Chu bamboo slips housed at the Shanghai Museum = "Shanghai bo wu guan cang Zhan guo Chu zhu shu (san), zhou yi" cong kao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/202374.

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Since the antiquity, the Book of Change (Zhouyi 周易) has been praised as the leading scripture among the five classics (with the Book of Documents [Shangshu 尚書], the Book of Odes [Shijing 詩經], the Spring and Autumn Annals [Chunqiu 春秋], and the Book of Rites [Liji 禮記]), and the supreme dao of the three mysteries (with Laozi 老子 and Zhuangzi 莊子). However, its guayaoci 卦爻辭 (general and line judgments of the hexagrams) are not only recondite but also proliferate with conflicting exegeses that lead nowhere. Fortunately, multiple early manuscripts of the Book of Change, including those from the Mawang

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10

SHIH, HUEIH-JEN, and 石惠貞. "Silence and voice in Kingston's The Woman Warrior and China Men." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/64893800428587214626.

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11

"Warrior gods and the Song-Yuan transformation of daoism." 2011. http://library.cuhk.edu.hk/record=b5894507.

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Liu, Jingyu.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2011.<br>Includes bibliographical references (leaves 97-101).<br>Abstracts in English and Chinese; includes Chinese.<br>Introduction --- p.1<br>Chapter Chapter One --- The Prominence of Daoist Warrior Gods --- p.12<br>Chapter 1 --- Black Killer --- p.12<br>Chapter 2 --- Zhenwu --- p.19<br>Chapter 3 --- Marshal Deng Bowen --- p.29<br>Chapter 4 --- Marshal Wen Qiong --- p.32<br>Concluding Remarks --- p.34<br>Chapter Chapter Two --- The Cult of Marshal Wen in the Daoist Canon --- p.37<br>Chapter 1 --- Authorial Background

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12

Wang, Guei-huei, and 王貴慧. "The Politics of Identity: Race, Class, and Gender in Kingston's The Woman Warrior and China Men." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/55207078668813917007.

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碩士<br>國立中正大學<br>外國語文學系<br>82<br>In this thesis, I attempt to discuss how race, class, and gender deeply influence Kingston's formulation of identity (as the "other" both in gender and race) in her two semi-autobio- graphical works, The Woman Warrior and China Men. In American history, Asian Americans have undergone "internal colonialism" within American territory. Non-white Americans have been dis- criminated politically and exploited economically. Like women in the patriarchal society, Chi

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13

Dong, Lan. "Cross -cultural palimpsest of Mulan: Iconography of the woman warrior from premodern China to Asian America." 2006. https://scholarworks.umass.edu/dissertations/AAI3242314.

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This dissertation centers on the theme of "the woman warrior," historically grounded in premodern Chinese culture and represented in contemporary Asian American literature as well as in visual art forms. I apply a historical perspective to this interdisciplinary project in order to examine the global evolvement of one particular woman warrior, Mulan's legend, starting from the Northern Dynasties (386-581 A.D.) until the beginning of the twentieth-first century. This work conceptualizes the transmission and transformation of Mulan's story as a palimpsest, thereby highlighting the enduring inter

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14

Chia-fen, Lee, and 李佳芬. "A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/96854467733527756622.

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碩士<br>國立高雄師範大學<br>英語學系<br>90<br>Abstract Maxine Hong Kingston’s three volumes, The Woman Warrior, China Men and Tripmaster Monkey, disclose the struggle of Chinese Americans and their inner conflict when they confront a Chinese and American binary culture. Kingston believes that by retelling Father and Mother’s stories, Chinese Americans build their new cultural identity. This thesis consists of five chapters. Chapter One discusses Homi K. Bhabha''s assertions in Location of Culture as a theoretical framework for a cultural analysis of Kingston’s works. According to Bhabha, by a

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15

CHEN, YI-CHING, and 陳怡靜. "China's Image in China-France Co-production Films: Case Study of The Warriors Gate." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/b3ug4e.

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碩士<br>南華大學<br>傳播學系<br>106<br>In recent years, Sino-French co-productions have found a common niche in China's movie box office market. While ideological values in coproduction are concealed, it has become a mainstream in Chinese cinema. The focus of this paper is the analysis of Chinese portrayal in the Chinese and French co-productions. The development of the Chinese and French films will be examined along with, the film industry, the co-productions of the two countries, and the co-productions with Artuse’s ideological theory. In the interest of catering to western judges, the ideology of fil

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16

CHUNG-HENG, CHEN, and 陳重亨. "The study of Imperial Seal of Chin Dynasty in Warring States." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/06062686447253549329.

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17

"A Quantitative Study of Alliance Structures in the Warring States of Ancient China, 453-221 B.C." Thesis, 2015. http://hdl.handle.net/10388/ETD-2015-04-2044.

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This study makes a unique contribution to applied game theory and to the studies of Shiji (Records of Grand Historian) and the Warring States Period of ancient China (453-221B.C.) by constructing and analyzing the annual series of alliance structures or partitions of the seven states during the period of two hundred thirty three years. It shows that twenty six of the eight hundred seventy seven possible partitions were observed, and that the three most frequent partitions were the finest partition (146 years), partitions with four singletons and one three-member coalition (63 years), and parti

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18

LIN, Hui-yi, and 林慧怡. "A Study of Digital Printing Design Based on the Patternized Tiles of the Warring States and Chin-Han Dynasties." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/72665961932105028355.

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碩士<br>輔仁大學<br>織品服裝學系<br>94<br>In ancient structures, eave tiles were the semi-cylindrical tiles sheltering the rear ends of the eave rafters. They were not only used to cover and protect the roof from wind and rains; they were decorated with figures, patterns and words that were the fine works of painting, sculpture, arts and crafts, calligraphy and seal cutting. Though having an outer appearance of grayish kaolin ware, yet its inner appearance transpired an astonishing splendor! The arts of ancient eave tiles had yielded extraordinary splendors during the eras of Warring States and Chin

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19

Chu, Rachel, and 朱毓琪. "Romance, Reality, History and Myths--A Brief Description of the Lanquer of the Epoch of Warring States ,the Chin Dynasty and the Han Dynasty." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/45117813289906562137.

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20

Li, Chia-hui, and 李嘉惠. "The Research of Hsin, Hsing, and Ching Hsuo of the Confucian School during the Warring States：A Research Centered on Three Chapters of “Li-chi” and “Hsing-tzu-ming-chu”." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/91913043195930881095.

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碩士<br>東吳大學<br>哲學系<br>95<br>Confucian philosophy is centered on human being all the time. It pays attention to the issues of human feeling (ching 情), nature (hsing 性) and mind (hsin 心). Hsin, hsing, and ching are employed to illustrate the conceptual framework of the subject of human nature. Different explanations or inclinations towards hsin, hsing, and ching establish various hsin and hsing ideological systems, and construct different comprehension of human nature at the same time. The ideas of hsin, hsing, and ching play a significant role in the Confucian theory of human nature during the w

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