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Journal articles on the topic 'Chinese Architecture'
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1
Huang, Linling. "Comparative Analysis of Chinese Religious Architectural Culture." Frontiers in Humanities and Social Sciences 4, no. 7 (July 24, 2024): 1–9. http://dx.doi.org/10.54691/mzdb8528.
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China is a country with diverse cultures, and both material and spiritual cultures are extremely rich. Religious architectural culture is one branch of the overall culture of society. Chinese religious architecture embodies traditional Chinese culture, the superb architectural skills and the architectural aesthetic, and it is a concentrated manifestation of religious material culture and spiritual culture. While preserving its own cultural characteristics in the process of globalization, religious architectural culture is a topic worthy of exploration. It is important to explore the culture of religious architecture while maintaining its own cultural characteristics. There are many religions in China, including indigenous Taoism and foreign religions such as Buddhism, Christianity, Islam, and Catholicism. Each religion has its own cultural connotations, and each religious architecture has its own characteristics. After the introduction of foreign religions into China, they have been influenced by traditional Chinese culture, resulting in their religious architecture incorporating some Chinese characteristics. In the current cultural context of China, a comparative analysis of the characteristics of various religious architectures is conducive to a deeper understanding of religious architectural culture and is of certain significance for the inheritance and protection of religious architecture. This article conducts fundamental research on Buddhist architecture, Taoist architecture, and Islamic architecture from the perspectives of overall layout and architectural carving art. By comparing and analyzing religious architecture, it reveals the cultural connotations it carries. It is hoped that this will provide new ideas for the protection of religious architecture and the inheritance of architectural culture.
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Tian, Mengyao, and Xu Xiao. "The influence of Chinese and Western cultural traditions on ancient architecture." Pacific International Journal 5, no. 4 (December 31, 2022): 105–11. http://dx.doi.org/10.55014/pij.v5i4.231.
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Architecture is a frozen music, a visual art, and a visual object whose existence is witnessed by history. Some classic ancient architectures including the pyramids of ancient Egypt, the Parthenon of ancient Greece, the Pantheon of ancient Rome, the Forbidden City, the Great Wall, the Hanging Temple of China and other world-famous traditional Chinese and Western architectures reflect ancient philosophical thoughts of the times. Architecture has formed a unique culture with the passage of time, and in turn culture plays an influential role to the formation of architecture. Geographical differences cause diversity to architectural cultures all round the world. In terms of Chines and western ancient architecture, the two differ each other on appearance, connotation, space and structure, which indicate not only the culture characteristics but also the aesthetic changes behind the architectures between China and the West.The West's passion for stone architecture and the East's passion for wood architecture are determined by national culture and geographical environment. It is difficult to judge which one is superior, sine such designs are developed to adapt to the environment and living habits. Ancient people built their characteristic architecture to meet the needs of the local people and living conditions.
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Xie, Xiaoying, and Qitong Wang. "Parameterization of Chinese Ancient Architecture on the Basis of Modulo Relationships." SHS Web of Conferences 171 (2023): 03031. http://dx.doi.org/10.1051/shsconf/202317103031.
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Contemporary systems are trending toward 3D computer-aided design systems that integrate, network, and exhibit intelligence. The integration of parametric technology with ancient Chinese architecture can enhance the efficiency and quality of managing information on ancient buildings, thereby expanding the application scenarios of ancient architectural information models. By analyzing the construction characteristics of ancient Chinese carpentry work and modular systems, this research outlines the logic and methods for generating Chinese ancient architecture. The program’s parametric technology allows for adjusting variable parameters to produce carpentry work structures of varying scales and forms. Furthermore, this research establishes a library of parametric 3D components for ancient architecture, which can simplify the design process of contemporary antique architecture. Additionally, the parametrization of Chinese ancient architectures can function as an auxiliary tool for maintenance and repair techniques, serving as a storage mechanism for whole-life cycle information. This can enable the digital archiving of component information and model entities in an informative manner for managing existing ancient architectures.
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Xiaodong, Li. "Implications of Chinese architectural education in contemporary Chinese architecture." Journal of Architecture 8, no. 3 (January 2003): 303–20. http://dx.doi.org/10.1080/1360236032000134817.
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Liu, Jia Sheng. "The Influence of Architectural Culture on Architectural Design." Applied Mechanics and Materials 357-360 (August 2013): 278–81. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.278.
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The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.
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Liu, Yuxuan. "Tradition and Modernity: Inheritance and Innovation of Ancient Chinese Architecture." Communications in Humanities Research 6, no. 1 (September 14, 2023): 493–98. http://dx.doi.org/10.54254/2753-7064/6/20230393.
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With a history of five thousand years, China has made many outstanding achievements in architecture. Even in modern times with advanced technology, there are still many advantages that can be used for reference. This article expounds the modern development of ancient Chinese architecture through the unique structure of ancient Chinese architecture and the application and evolution of ancient Chinese architectural styles in modern times. In general, the two unique structures of ancient Chinese architecture, the mortise and tenon structure and the bucket arch structure, due to the development of science and technology, no longer need them to play a load-bearing role. Now they are more used as decorations to reflect Chinese culture in architecture. middle. The architectural style of ancient China is also combined with modern architectural style to simplify the cumbersome construction process while still retaining the unique charm of ancient Chinese architecture. The main purpose of this study is to study the application and development trend of ancient Chinese architecture in modern times.
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wang, Fang. "The Influence of Chinese Traditional Philosophical Ideas on Ancient Chinese Architecture." Философия и культура, no. 2 (February 2023): 37–48. http://dx.doi.org/10.7256/2454-0757.2023.2.39792.
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The formation and development of any architectural form and system has its own historical and cultural background. The ancient Chinese architectural system has a long history and characteristics inseparable from the historical development of Chinese traditional philosophy. Chinese philosophy, as a theory of human self-consciousness, does not give knowledge, but mainly gives ideas and ways of thinking for the needs of human self-development; At the same time, ancient Chinese architecture became a physical object reflecting the idea of traditional Chinese philosophy. Therefore, in order to explore ancient Chinese architecture, it is necessary to analyze and study it from the point of view of traditional Chinese philosophy. Like Confucius' thoughts on etiquette, the idea of the "doctrine of the middle" and the concept of hierarchical division; These ideas had a profound influence on ancient Chinese architecture, including urban planning, traditional dwellings, the environment, Lao Tzu's desire for harmony and unity between man and nature, worship of the gods, etc., as well as the theory that emerged later "Feng Shui", etc. temple space and garden architecture in the south of the Yangtze River. This article is devoted to the analysis of the influence of Confucianism and Taoism on the general principle of designing spaces of ancient Chinese architecture. The article selects some typical examples of ancient Chinese architecture for analysis. The following principles are manifested in the design of spaces of Chinese architecture under the influence of Confucianism and Taoism: moderation of living space; the principle of symmetry, balance and coordination; architectural hierarchy formed on the basis of the needs of "rituals"; integration of architecture and the environment; design of spaces according to "Feng Shui".
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Zhang, Yong. "Analysis of Ancient Chinese Architecture Aesthetics." Advanced Materials Research 919-921 (April 2014): 1515–18. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1515.
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the ancient Chinese architecture after two thousand years of development, formed the unique architectural style and aesthetic implication of Chinese traditional culture, this kind of architectural style and aesthetic connotations mainly reflected in the structure of the structure, roof shape, layout and color, etc. Appreciate the ancient Chinese architecture, can give a person very special aesthetic pleasure.
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Sudarwani, M. M., E. Purwanto, and R. S. Rukhayah. "The cultural acculturation in architecture of Karawang Chinatown, West Java." IOP Conference Series: Earth and Environmental Science 878, no. 1 (October 1, 2021): 012003. http://dx.doi.org/10.1088/1755-1315/878/1/012003.
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Abstract Chinese architecture which is part of Indonesia’s history is an interesting topic, because each of Chinese architecture in Indonesia carries its own characteristics which are quite unique with suitable materials based on existing local conditions. The character of Chinese architecture in various places in Indonesia is the result of a combination of Chinese architectural characters mixed with local architecture which is part of Indonesian architecture and also plays a very large role in Indonesian architectural styles. One of the interesting Chinatown areas used as a study location is Karawang Chinatown, Karawang Regency, West Java. The purpose of this study is: 1) To get a picture of Karawang Chinatown which has a concept of Chinatown architecture; and 2) To know the cultural acculturation in the architecture Karawang Chinatown. This study uses a qualitative approach that is based on the naturalistic paradigm with an inductive method. The cultural acculturation between Chinese culture and local/colonial culture creates a unique architecture and a symbolic meaning, the character is a blend of Chinese architecture with local architecture that needs to be preserved.
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Shen, Jiachen. "Analyse the differences in origin and layout of Chinese Buddhist and Taoist architecture." SHS Web of Conferences 180 (2023): 01011. http://dx.doi.org/10.1051/shsconf/202318001011.
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This article mainly lists differences between Buddhist and Taoist architecture in China, and compares them in various aspects by analyzing the layout and origin of the architecture and combining religious meanings. As an important material manifestation of Chinese local religion, temple architecture not only represents the cultural core of Chinese religion, but also reflects the cultural heritage and profound connotations of Chinese religion. Chinese religious architecture combines the ideas of classical palace architecture and garden architecture design, so temple architecture can be regarded as a treasure in Chinese architectural art. As a cultural symbol and microcosm, they also greatly enhance the importance of people’s understanding and protection of religious architectural art. The article combines the viewpoints of multiple experts to supplement and explain the core points of the article, and preliminarily explores the main reasons for the formation of the layout and style of Buddhist and Taoist architecture. Through research, the author aims to deeply explore the design differences between Buddhist and Taoist architecture.
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Wang, Junyang. "The everyday: a degree zero agenda for contemporary Chinese architecture." Architectural Research Quarterly 21, no. 3 (September 2017): 234–46. http://dx.doi.org/10.1017/s1359135517000276.
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This paper highlights the theoretical and critical implications of the everyday for contemporary Chinese architecture on two levels. On the one hand, against the background that – ever since the formation of the profession of architecture in the early twentieth century – there has been a recurrent preference for high definitions of Chinese architecture either in terms of its outer form or style, or its essential and metaphysical meanings. This paper thus aims to identify a quiet yet compelling awareness of the significance of the everyday to architecture in China over the past 15 years. Beginning with Jiakun Liu's declaration of Here and Now, illustrated by his recently completed project in Chengdu, Xicun Big Yard, this consciousness has been made apparent through architectural practice, research and education. To borrow Roland Barthes’ terminology, it is a ‘degree zero’ agenda that rests on the multiple yet ostensible unobtrusiveness of everyday reality in Chinese cities rather than the hot definition of form and overladen historical and metaphysical meanings. In the context of contemporary Chinese architecture, on the other hand, this agenda can also be seen as a resistance arising in response to the dramatic construction of large-scale urban redevelopments that have, in many cases, resulted in devastating consequences. As a ‘degree zero agenda’, the concern of the everyday not only offers a way to see around architecture's obsessions with buildings as autonomous objects but also calls for bottom-up urban processes in contrast to the top down approach that has prevailed in China. The paper calls for a Chinese architecture that, by transforming the purpose and activity of design, would better fulfil its social and architectural potentials through practical, poetic and critical operations.
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Li, Xuan. "Appreciation of Chinese Modern Garden Architecture from A Multi-dimensional Aesthetic Perspective." Highlights in Science, Engineering and Technology 18 (November 13, 2022): 273–83. http://dx.doi.org/10.54097/hset.v18i.2685.
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With the development of the era, traditional architecture and modern culture in the process of collision, interweaving, integration and innovation, gradually formed the development ideological trend of architectural culture. Chinese modern garden architecture in learning from the classical landscape elements, and also in the integration of the New Chinese design elements. From the perspective of multi-dimensional aesthetic, the appreciation of the external image, the perception of the emptiness and the thinking of the connotation of Chinese modern garden architecture are successively carried out, gradually approached and further explore the true nature of architecture and the virtual perception of internalization, reconstruction time background and architectural culture of art language, guide the development direction of Chinese garden architecture in the future.
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Ho, Puay-peng. "Chinese Architecture (review)." China Review International 11, no. 1 (2004): 77–81. http://dx.doi.org/10.1353/cri.2005.0018.
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Daxia, Li. "Current Chinese architecture." Habitat International 15, no. 3 (January 1991): 43–50. http://dx.doi.org/10.1016/0197-3975(91)90027-i.
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wcj.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wc.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Lai, Delin. "Idealizing a Chinese Style." Journal of the Society of Architectural Historians 73, no. 1 (March 1, 2014): 61–90. http://dx.doi.org/10.1525/jsah.2014.73.1.61.
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The National Central Museum in Nanjing (1935–48) was co-designed by the most distinguished architectural historian in twentieth-century China—Liang Sicheng. It has long been regarded, however, as a representative work of “conservative revivalism” in modern Chinese architectural history. Idealizing a Chinese Style: Rethinking Early Writings on Chinese Architecture and the Design of the National Central Museum in Nanjing attempts to demonstrate the creativity of the design process, Lin Huiyin, and the architects’ ideal for a Chinese-style modern architecture. This ideal, Delin Lai argues, is profoundly rooted in the expectation of Chinese intellectuals for a “Chinese renaissance,” for which the Chinese architectural past was studied, evaluated, and more importantly, redefined through a dialogue with the contemporary architectural discourses and historiography formed in the West. The National Central Museum epitomizes this search for an ideal.
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Liu, Hao, Ke Zhang, Xiaojing Wang, Tongyan Qi, and Chunyan Wang. "Effective and Sustainable Development of Chinese National Intelligent Transportation System Architecture." Transportation Research Record: Journal of the Transportation Research Board 1910, no. 1 (January 2005): 46–56. http://dx.doi.org/10.1177/0361198105191000106.
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The development of an intelligent transportation system (ITS) architecture has attracted increasing attention across the world because such an architecture provides a common reference for the ITS community. Standardization of procedures in the development of an ITS architecture is necessary and urgent because of the architecture's inherent complexity, which requires the involvement of several development teams. Although a computer-aided systems engineering model is widely adopted to accomplish parts of the development task, so far no countries define a strict, clear, and applicable procedure to aid the development teams. This paper first briefly introduces the general methodology for the development of ITS architectures. Then it describes the reasons why a new development tool is needed and examines the components of this development tool. This tool provides developers with support by simplifying and standardizing the entire procedure of ITS architecture development. It reduces developers’ workload significantly, improves efficiency, and ensures completeness and consistency of the ITS architecture. It is the first attempt to integrate every step of ITS architecture development procedure into a single package, which has proved to be of great help for Chinese development teams in accomplishing this task effectively and easily in a sustainable way.
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Hu, Tian, and Ya Rui Wu. "Initial Analysis on the Chinese Traditional Symbol and the Contemporary Regional Architecture." Advanced Materials Research 368-373 (October 2011): 3459–64. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3459.
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The Chinese traditional architectural symbols are on behalf of Chinese outstanding traditional culture and inheritance of value.Chinese traditional architectural symbol's refine and expression should be combined with some metropolitan aspects, such as landscape, environmental design, space shape design and architectural single body design.On the analysis of Chinese traditional architectural symbols and the comparison between the modern creating techniques and the characteristics of modern building material,five principles were creatived through the harmonious symbiosis view between modern architecture and Chinese traditional architecture. Meanwhile,taking the design of office area of Xi'an city administrative center as example, it was discussed how to embodying Chinese traditional cultural and regional culture connotation in a deep level in the design methods of architectural components.
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Changzhi, Wu. "MYTHOPOETICS AND MYTH-CREATIVITY IN THE METHODS OF RESEARCH OF ANCIENT CHINESE ARCHITECTURE." Current problems of architecture and urban planning, no. 63 (April 14, 2022): 110–23. http://dx.doi.org/10.32347/2077-3455.2022.63.110-123.
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The article examines the currently insufficient the amount of literature on architecture and art of the Celestial Empire, which determines the relevance of this study. However, despite this in Ukrainian oriental studies are presenting the work of scholars specializing in Chinese architecture. Problem statement: the analysis of architectural monuments of ancient China is using well-known theoretical methodologies of scientific research, but taking into account the specifics of the mythological heritage of individual regions of China, the impact on the construction of the architectural image changes. In this regard, it is necessary to explore some methods of mythological influence on the construction of ancient Chinese architecture. Objective of the article: identify features of the methodology of studying the architecture of ancient China. There is describing that based on the general theoretical methods of studying architecture, it was founding that in ancient Chinese architecture there is a special cosmological meaning, which was giving great importance in the Celestial Empire. In ancient buildings, we can see the Chinese idea of the Great Way. The central core of Chinese traditional thinking is the postulate of "the union of man and heaven." This is the basis of his myth making and methods of constructing architectural structures and compositions. It can be suggesting that the further development of the methodology of studying the architecture of China should be based on the postulate of the dominant importance of the natural environment. The Cosmos–Man–Tao triad is a link in the architectural compositions of Chinese buildings and temple complexes.
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Yan, Haijun. "A Cultural Study of The Roof Beast in Traditional Chinese Ancient Architecture." International Journal of Education and Humanities 9, no. 2 (July 5, 2023): 139–42. http://dx.doi.org/10.54097/ijeh.v9i2.9884.
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Chinese traditional ancient architecture is an important part of Chinese ancient culture, and its architectural style is unique and exquisite. The roof beast is a kind of decorative element in traditional ancient architecture, its meaning is rich and far-reaching. The purpose of this paper is to explore the origin, evolution and cultural connotation of the roof ridge beast in traditional Chinese ancient architecture through the cultural research, and further deepen the understanding and understanding of ancient Chinese culture.
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Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings." Open House International 41, no. 3 (September 1, 2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.
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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are discussed from the aspects of the selection of the environment, spatial layout, architectural symbol, planning, and design significance. The traditional architectural forms and types are analyzed and interpreted based on the Chinese traditional philosophy. The role of the ancient Chinese philosophy in the Designs of Chinese Buildings is summarized. Traditional ideas on Chinese architecture should be recognized from the aspect of philosophy to propose a new design direction for developing modern Chinese architectural designs.
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Chen, Jinju, and Shiyan Ou. "Research on the construction of the semantic model for Chinese ancient architectures based on architectural narratives." Electronic Library 38, no. 4 (September 3, 2020): 769–84. http://dx.doi.org/10.1108/el-02-2020-0039.
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Purpose This paper aims to reorganize the relevant information of Chinese ancient architectures with the use of Semantic Web technologies and thus facilitate its deep discovery and usage. Design/methodology/approach This paper proposes an ontology model for Chinese ancient architectures based on architectural narratives theory. To verify the availability of the ancient architecture ontology, we designed and implemented three experiments, including semantic retrieval based on SPARQL query, semantic reasoning with the use of Jena reasoner and visual analysis based on the Chinese Online Digital Humanities Resources Platform. Findings The proposed ontology provided a solution for the semantic annotation of the unstructured information of Chinese ancient architectures. On this basis, deep knowledge services such as semantic retrieval, semantic reasoning and visual analysis can be provided. Practical implications The proposed semantic model of ancient architectures can effectively improve the organization and access quality of the semantic content of Chinese ancient architectures. Originality/value This paper focuses on the semantic modelling for the unstructured information of Chinese ancient architectures to semantically describe the related entities (e.g. persons, events, places and times) and uncover their relationships, and thus it made contribution to the deep semantic annotations on ancient architectures.
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Liu, Bing Nan, and Pan Pan Wei. "On Inheritance and Development of Chinese Domestic Architecture." Advanced Materials Research 368-373 (October 2011): 3513–16. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3513.
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with the trend of post-modernism and high - tech architectural language of collisions, growing should not be ignored in the construction industry, for architectural beauty of the standard scale, however people began to change. Appreciation from abroad, while architectural features in continuous learning, we must adhere to the basis of local building, continue to inherit and develop. This article on the current architecture follows the trend of the current situation, China's domestic architecture characteristics, how issues such as inheritance and development of recommendations.
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Zhang, Dong Xu, Da Ping Liu, Xin Ru Wei, and Meng Xiao. "Research of Chinese Buddhist Temples Space Design." Advanced Materials Research 311-313 (August 2011): 1569–72. http://dx.doi.org/10.4028/www.scientific.net/amr.311-313.1569.
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The number of the religious architecture makes up 70 percent of the total of existing traditional buildings in China, in which the largest proportion is the Chinese Buddhist architecture, this paper has been studied in this kind of building. Firstly, the religious background and development history of the Chinese Buddhist architecture is introduced, and this paper puts forward that this architectural form was affected by the ancient folk houses. Compared to Buddhist architecture in other countries, they are majestic in shape and beautiful elaborate in decoration, the whole form and nature landscape melt into one another. Secondly, religious spaces are analyzed, including the location of Buddhist temple, the overall layout and the single building. Most temples were built on the hill, and the Buddhist hall is the center of architectural complex. Single building is very similar, and its position is attached to its status in spatial sequence. Thirdly, the design concept of Buddhist architecture was discovered. It was pointed out that Chinese traditional philosophy, i.e. the view of the nature, determines the space composition inside and outside of Chinese Buddhist architecture. At last, the paper summed up the design of Buddhist architecture and gave a prospect about the way of its future development.
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Kumala, Thalita. "KNOWLEDGE BUILDING ON ARCHITECTURAL CHARACTERISTICS OF PERANAKAN CHINESE HOUSE IN STRAITS SETTLEMENTS AND CHINATOWN OF YOGYAKARTA, INDONESIA: KETANDAN, PAJEKSAN, AND KRANGGAN." Journal of Architectural Research and Education 4, no. 1 (July 23, 2022): 37–46. http://dx.doi.org/10.17509/jare.v4i1.44716.
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Chinese residing in various countries can strongly maintain their culture, shown in the form of a distinctive architectural identity. The principles of Chinese architecture certainly experience adaptation to various natural and cultural contexts of countries outside their home country, the four-seasons country, Mainland China. Current situation of Yogyakarta as a fast-growing tourism destination, diverse in cultures and nature is both an opportunity and threat towards Chinese housing established since 1755. In this research, the principles of Chinese architecture in their home countries will be studied, as a major influence of Chinese Peranakan Housing in Yogyakarta in order to understand and later on categorize each housing based on it’s architectural characteristics. Research methods are in stages, the first stage being literature review on typology and principles of Chinese architecture; the second stage is to structure and analyze the architectural characteristic findings; and the third stage is to draw conclusions from the process of interpretation, answering the research questions. The results are in the form of architectural characteristics derived from philosophy, principles, libation ritual, and kingship in early China to 1900s China.
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Yu, Zhengyang. "The originality of Chinoiserie-style garden architecture in England in the XVIII century." Культура и искусство, no. 6 (June 2024): 76–87. http://dx.doi.org/10.7256/2454-0625.2024.6.70772.
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The article "The originality of Chinoiserie-style garden architecture in England in the XVIII century" explores the development and specifics of Chinoiserie style in the landscape architecture of England. Chinoiserie style refers to the use of Chinese motifs and stylistic techniques in European architecture. The aim of the work is to identify the specifics of the arrangement of English gardens and parks in the Chinoiserie style. The subject of the study is the stylistic features of the embodiment of Chinoiserie gardens and parks. The object of the study is parks and garden architecture in the Chinoiserie style in England. The study covers the 18th century, revealing the contribution of individual architects and the influence of Chinese art on the development of garden architecture. The presented analysis demonstrates how architectural styles of Western and Eastern culture can mix. English gardens and parks are evidence of the influence of Chinese aesthetics on landscape gardening, which later spread to continental Europe. In the course of the research, the following methods were mainly used: historical, historical-genetic, historical-comparative. In the study of specific objects of landscape architecture, methods of art criticism analysis were applied — formal, stylistic and comparative methods. The article examines specific English monuments of landscape architecture of the XVIII century taken as examples the Chinoiserie style. The novelty of the study lies in the fact that the features of the Chinoiserie style in the landscape architecture of England were highlighted and a comparison of English architectural objects in the Chinoiserie style with Chinese analogues was carried out. The conducted research revealed the English specifics in the approach to interpreting Chinese designs of gardens and parks and architectural projects in the XVIII century. English gardeners and architects were inspired by Chinese aesthetics and used oriental elements for decoration, but did not follow all architectural canons and traditions. This gave rise to a new Chinoiserie style, a combination of Chinese and European landscape art that spread throughout Europe.
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Wong, Kachun Alex. "Chinese Exceptionalism in Architecture and Urban Design: A Book Review." Journal of Chinese Architecture and Urbanism 4, no. 2 (October 20, 2022): 161. http://dx.doi.org/10.36922/jcau.v4i2.161.
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This essay reviews three books on contemporary Chinese urbanism. The first book, Designing Reform, understands the exceptionalism of Chinese reform through architectural evidence. The second book, The Shenzhen Experiment, further argues for the exceptionalism and non-replicability of Shenzhen reform. The third book, The City After Chinese New Towns, similarly highlights the unprecedentedness of Chinese new towns. These three recent publications collectively aim to demystify contemporary Chinese urbanism, and have done so with a sensibility towards space, geography, materiality, and infrastructure. These authors and editors are mainly architectural researchers leveraging disciplinary contributions to the discussion of post-socialist China. In turn, they have also contributed to the field of architecture and urban design with rich case studies in China. This review essay aims to understand (i) their geographical and spatial perspectives, (ii) their architectural design perspectives, and (iii) how they address social justice issues. It seeks to formulate contemporary Chinese urbanization as an object of inquiry, to “exceptionalize” Chinese phenomena, and to argue for the pedagogical contribution of Chinese case studies to architecture and urban design.
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Zhang, Rui, and Ben Zhao Yang. "Intelligence Evolvement and Overall Design of Architecture Originality." Advanced Materials Research 255-260 (May 2011): 1484–88. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1484.
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According to the developing process of full lifecycle design service in architecture development and the dynamic and adaptive process of central design, the paper illustrates the idea that architecture originality takes quietness as its carrier and dynamics as its originality, and put forward that intelligent evolvement process of architectural design is a inexorable trend; through stating the architectural design ideas based on Chinese philosophy system, the originality of “Smart Architecture” based on Chinese speculative philosophy system is fixed, which can offer solid theoretical research basis for the development of architecture nationalization and globalization.
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Liu, Qiang, and Nan Shi. "Innovative Application of Traditional Chinese Cultural Symbols in Contemporary Architecture." SHS Web of Conferences 159 (2023): 02023. http://dx.doi.org/10.1051/shsconf/202315902023.
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Traditional Chinese culture, with its distinctive nationality and regionalism, is a valuable source of creative elements for Chinese architecture, and also an effective weapon to cope with the impact of “internationalization” and “standardization”. In this paper, traditional cultural elements are symbolically categorized, dissected and innovated through architectural semiotics to explore the characteristics and application significance of traditional cultural symbols in contemporary architectural design. Moreover, case studies are conducted to derive the correct expression of traditional Chinese culture in contemporary architectural design, with a view to finding out a universal path for applying traditional cultural symbols in architecture.
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Tang, Xi Ya. "Architectural Historical Context Continuation and Modern Architecture Self-Realization." Advanced Materials Research 368-373 (October 2011): 3284–87. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3284.
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This paper use the design of Suzhou Museum as a example,study the cultural value of modern architecture "suzhou museum" and discuss several design strategies of continuing historical context from the aspects of history, culture and environment. Meanwhile, From the angle of architecture, we discuss how to inherit Chinese architectural context and realize self-innovation of Chinese modern architecture under the background of internationalization.
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Wang, Shao Rui, Ke Cheng Liu, Mei Chen Li, and Han Yi. "Humble Opinion about the Chinese Medicine and Local Architecture Creation." Advanced Materials Research 368-373 (October 2011): 3481–85. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3481.
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Local architecture is a complex system with historical and dynamic evolution, having formed in the superposed action of regional natural, social environment and the other more factors. The evolution of its development is a dynamic symbiosis process restricted by many factors mentioned above. Facing to the complex phenomenon of regional architecture, local architecture creation is always to be fettered which confining to the architecture body analysis and solving. Thus, it’s hard to break through it in most cases. This paper attempts to merges the traditional Chinese medicine theory into the theoretical study of the local architecture. From the concept of traditional Chinese medicine such as the whole system balance philosophy, harmony between human being and nature idea, this paper analyses and discusses the concept and consciousness of local architecture through the review of the origins of local architectural and characteristics. Then, it also put forward some methods of the local architectural creation by the inspiration of traditional Chinese medicine diagnosis concept.
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Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (December 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.
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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.
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Kozyrenko, Nataliya Efremovna. "Architecture of the Stalin Empire in China." Урбанистика, no. 4 (April 2020): 1–17. http://dx.doi.org/10.7256/2310-8673.2020.4.30248.
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The subject of this research is the formation of large city planning ensembles in socialist cities during Great Leap Forward of the People’s Republic of China. The object of this research is architecture in the style of Stalin Empire 1950s – 1960s. The author examines the influence of Soviet architecture upon the emergence of Chinese styles, such as “Style 1959” and Communist Art Deco). Special attention is dedicated to stylistic peculiarities of the new architectural objects and Chinese interpretation of the Stalin Empire. In this context, both Chinese and Soviet architects contributed to determination of the architectural trend “Su-style”. The main conclusion lies in the statement that architecture of the Stalin Empire with the elements of classicism became the national style in socialist China. Chinese architects synthesized the new normative aesthetics and discovered new stylistic and imagery resources in architecture. The transition towards holistic Chinese “socialist culture” has not been completed and currently continues. The author’s special contribution is the research of socialist architecture of Harbin as a continuity of Russian traditions of the early XX century. The novelty of this work is defined by the first ever analysis of stylistic peculiarities of Harbin’s architecture that were built by the projects of Soviet architects.
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Yu, Shuishan. "The Translation of Buddhism in the Funeral Architecture of Medieval China." Religions 12, no. 9 (August 27, 2021): 690. http://dx.doi.org/10.3390/rel12090690.
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This article explores the Buddhist ritual and architectural conventions that were incorporated into the Chinese funeral architecture during the medieval period from the 3rd to the 13th centuries. A careful observation of some key types of sacred architectural forms from ancient East Asia, for instance, pagoda, lingtai, and hunping, reviews fundamental similarities in their form and structure. Applying translation theory rather than the influence and Sinicization model to analyze the impact of Buddhism on Chinese funeral architecture, this article offers a comparative study of the historical contexts from which certain architectural types and imageries were produced. It argues that there was an intertwined mutual translation of formal and ritual conventions between Buddhist and Chinese funeral architecture, which had played a significant role in the formations of both architectural traditions in Medieval China.
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Wu, Xue Ping, and Yue Xi Zhou. "A Preliminary Compare of the Chinese and Western Architecture." Advanced Materials Research 255-260 (May 2011): 1523–26. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1523.
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Chinese and western architecture art, often be summed up with a "stable" and "change". This article tries to architectural culture, building materials, construction space layout and construction from four aspects of development of Chinese and western architectural art characteristics were analyzed.
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Roskam, Cole. "Situating Chinese Architecture within “A Century of Progress”." Journal of the Society of Architectural Historians 73, no. 3 (September 1, 2014): 347–71. http://dx.doi.org/10.1525/jsah.2014.73.3.347.
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Situating Chinese Architecture within “A Century of Progress”: The Chinese Pavilion, the Bendix Golden Temple, and the 1933 Chicago World’s Fair explores the overlooked role played by Chicago’s 1933 World’s Fair in China’s twentieth-century architectural development. The exposition initially represented a valuable opportunity for China’s recently established Guomindang administration to highlight its new political agenda via a national pavilion that would also symbolize the country’s search for a modern, uniquely Chinese architectural expression. Numerous financial and geopolitical obstacles would eventually prevent official Chinese participation, and two unofficial structures were completed instead on China’s behalf: a privately financed Chinese pavilion and a piece-by-piece reconstruction of an eighteenth-century Qing replica of a Tibetan Buddhist shrine, the Golden Temple, sponsored by the Chicago-based industrialist Vincent Bendix. Cole Roskam investigates the transnational forces that produced these buildings at the fair and argues that the event should be considered an important new point of inquiry in the study of Chinese modern architecture.
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Żychowska, Maria, Yulia Ivashko, Peng Chang, Andrii Dmytrenko, Nataliia Kulichenko, and Xin Mu Zhang. "The influence of traditional Chinese landscape architecture on the image of small architectural forms in Europe." Landscape architecture and art 18 (October 7, 2021): 59–68. http://dx.doi.org/10.22616/j.landarchart.2021.18.06.
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The article analyzes the influence of traditional Chinese landscape architecture on the shaping of European small architectural forms and the influence of European architecture on contemporary Chinese architectural practice. The purpose of the article is to identify the features of the architectural mutual influences of Chinese and European cultures. The method of historical analysis, the method of comparative analysis and the graphoanalytical method are used. The lack of identity between the Chinese and European gardens and the park with the pavilions is proved at the different hierarchical levels. Two groups of European Chinoiserie style pavilions have been identified: which give a false idea of Chinese architectural traditions and which represent a simplified version of those traditions. There is noticed the influence of the traditional Chinese approach to the architectural objects placement in the natural environment on the development of the contextualism concept in Western architecture (since the 1960s) which proclaims its purpose to preserve the natural beauty of the site through careful design that relates to its surroundings. The concept of contextualism is now widely used in the design of small architectural forms in the urban environment and in the design of the architectural environment in general, both in Europe and in China. This is a clear example of mutual enrichment with the ideas of two civilizations, each of which preserves its own culture.
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Xiao, Guanyan. "“Chineseness”: A Discussion on Cases Related to Tulou in Contemporary Chinese Architecture." Journal of Architectural Research and Development 8, no. 3 (June 14, 2024): 20–25. http://dx.doi.org/10.26689/jard.v8i3.7167.
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The article delves into the concept of “Chineseness” in contemporary Chinese architecture, a strategic tool for creating distinctive styles rooted in Chinese identity. It serves not only to distinguish projects from market-driven trends but also to establish a pivotal position in the global architectural landscape. "Chineseness" among 24 identified keywords represents a practical strategy embraced by many young architects with international exposure. The traditional Chinese dwelling, a symbol of familial and cultural essence, particularly in the context of home culture, is a primary inspiration for contemporary architects. The research adopts a case study approach, focusing on Tulou-related cases from the last fifteen years, encompassing various building types. The Tulou, a mountain-dwelling with rich cultural connotations, is introduced, reflecting ancient Chinese philosophies in its architectural principles. The case studies, including URBANUS’s “Tulou Collective Housing 2008" and Chengdu’s “Tulou Theater,” demonstrate how Tulou prototypes can be creatively adapted. These designs not only replicate forms but also capture the communal spirit inherent in traditional dwellings. “Stepped Courtyards” by OPEN Architecture reinterprets Tulou typology for a staff dormitory, emphasizing community awareness. In conclusion, the concept of “Chineseness” emerges as a prominent topic, showcasing the dynamic and adaptable nature of traditional Chinese culture and modern architectural expressions. The cases illustrate the evolving intersection between traditional Chinese culture and modern architecture, offering insights into the future trajectory of Chinese architectural culture. The interrelated keywords highlight the nuanced and evolving nature of “Chineseness” in architectural practices.
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Han, Fang, and Shou Feng Wang. "Timber and Chinese Architecture." Advanced Materials Research 671-674 (March 2013): 1766–69. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.1766.
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Timber, a traditional construction material that was almost forgotten. Timber structure building got a qualitative leap in structure form, mechanized producing craftmanship and matching products, along with social progress and technology improvement. This paper will summarize modern timber structure forms by comparison with popular constructional material, like concrete and steel, in five aspects including life-cycle energy consumption, structure form, construction cost, construction period, seismic performance. Timber's advantages and disadvantages in architectural design will be listed, which may provide theoretical basis for diversified choice of construction materials in architectural design.
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Sicheng, Liang. "Why Study Chinese Architecture?" Journal of the Society of Architectural Historians 73, no. 1 (March 1, 2014): 8–11. http://dx.doi.org/10.1525/jsah.2014.73.1.8.
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Translator’s Note The article that follows was first published in Zhongguo yingzao xueshe huikan (Bulletin of the Society for Research in Chinese Architecture), volume 7, number 1, in October 1944, when the journal resumed publishing after a seven-year hiatus. The Society for Research in Chinese Architecture had been founded by Zhu Qiqian (1872–1964) in 1930, and its leading members were Liang Sicheng (1901–72), Liu Dunzhen (1897–1968), and Lin Huiyin (1904–55). The war against Japan that officially broke out in 1937 wreaked havoc on ancient buildings in China, an issue that Liang discusses in the article, and also had a direct and drastic impact on the society, whose members were forced to flee Beijing. They went to southwestern inland China, settling first in Kunming, Yunnan province, in 1938, and then in the small village of Li Zhuang, Sichuan province, in the winter of 1940. Amid the severe material and financial hardships caused by the war, the society also had to endure the departure of its most important members and contributors to its research, including Liu Dunzhen in 1943. The handful of remaining scholars decided to resume publication of the bulletin in 1944, probably writing their journal articles by hand and reproducing the pages lithographically for distribution. The article followed a foreword and acknowledgment in the 1944 issue of the journal. During the society’s existence the journal was to publish only one more issue, in October 1945. Although Liang Sicheng was not named as the author of the article (which was signed only “the editor”) it is usually attributed, reasonably, to Liang Sicheng himself.1
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Alfred, Alfred. "ENVIRONMENTAL ADAPTATION: THE ARCHITECTURE OF RUMAH KAPITAN AND MUSI RIVERSIDE." International Journal on Livable Space 2, no. 1 (February 25, 2019): 1. http://dx.doi.org/10.25105/livas.v2i1.1725.
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<p>Palembang’s Chinese community began inhabiting Kampung Kapitan 7 Ulu following the issuance of a mandate by Sultan Abdurrahman, granting the Chinese the privilege to inhabit the dry lands by the Musi River. Following the migration to the dry lands, the Chinese community implemented different forms of adaptation to the natural and socio-cultural environment to survive on the Musi Riverside, including in the form of residential architectures. This research is a case study, aiming to explore, examine and discuss the process of environmental adaptation and the different aspects that affect the residential architectures on the Musi Riverside. Analysis is done on the architecture of Rumah Kapitan, studying from the morphological and typological point of view, consisting of its positioning and orientation against the Musi River, spatial order, architectural form, and tectonics system, all of which are the manifestation of adaptation to the natural and socio-cultural environment of the Musi Riverside.</p><p><strong>Keywords: </strong>adaptation; Musi riverside environment; Rumah Kapitan.</p>
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Wang, Hechi, Zhaoyi Yan, Xinyi He, Yingqiu Song, Yanyan Huang, Junxue Zhang, Qi Zhou, Zerong Yan, and Xinran Jiang. "Research on Architectural Art and Sustainable Design of Ginling College Historic District (Nanjing, China)." Buildings 13, no. 7 (July 6, 2023): 1725. http://dx.doi.org/10.3390/buildings13071725.
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Ginling College is the first women’s college founded by the American Christian Church in Nanjing, China, in the early 20th century. The architectural style of the school reflects the orientation of the “Chinese localization” of the Christian Church at that time. It is a representative work of the revival of traditional Chinese architecture. It is known as a “Renaissance of Chinese traditional architecture” and profoundly influenced later generations. Due to its important historical status and artistic value, the Ginling College complex has been designated by the Chinese government as a national key cultural relic protection unit and China’s 20th-century architectural heritage, and the protection scope of the Ginling College historical district has been specially designated for overall protection. Currently, little research has been conducted on this historic area, so the authors undertook this project. This paper adopts a combination of qualitative and quantitative methods for research, starting from the two aspects of architectural art and sustainable design, and analyzes in detail the artistic characteristics of the project, the structural materials obtained locally, and the sustainable design method that utilizes natural lighting and ventilation to explore a modern campus design method based on the concept of sustainable design with a “combination of Chinese and Western architectural art”. Through artistic creation and technological innovation, traditional Chinese revival architecture has realized a harmonious coexistence between man and nature, embodying the design concept of sustainable development, and promoting the development of architecture and the region.
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Zou, Han, Jing Ge, Ruichao Liu, and Lin He. "Feature Recognition of Regional Architecture Forms Based on Machine Learning: A Case Study of Architecture Heritage in Hubei Province, China." Sustainability 15, no. 4 (February 14, 2023): 3504. http://dx.doi.org/10.3390/su15043504.
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Architecture form has been one of the hot areas in the field of architectural design, which reflects regional architectural features to some extent. However, most of the existing methods for architecture form belong to the field of qualitative analysis. Accordingly, quantitative methods are urgently required to extract regional architectural style, identify architecture form, and to and further provide the quantitative evaluation. Based on machine learning technology, this paper proposes a novel method to quantify the feature, form, and evaluation of regional architectures. First, we construct a training dataset—the Chinese Ancient Architecture Image Dataset (CAAID), in which each image is labeled by some experts as having at least one of three typical features such as “High Pedestal”, “Deep Eave” and “Elegant Gable”. Second, the CAAID is used to train our neural network model to identify three kinds of architectural features. In order to reveal the traditional forms of regional architecture in Hubei, we built the Hubei Architectural Heritage Image Dataset (HAHID) as our object dataset, in which we collected architectural images from four different regions including southeast, northeast, southwest, and northwest Hubei. Our object dataset is then fed into our neural network model to predict the typical features for those four regions in Hubei. The obtained quantitative results show that the feature identification of the architectural form is consistent with that of regional architectures in Hubei. Moreover, we can observe from the quantitative results that four geographic regions in Hubei show variation; for instance, the feature of the ‘elegant gable’ in southeastern Hubei is more evident, while the “Deep Eave” in the northwest is more evident. In addition, some new building images are selected to feed into our neural network model and the output quantitative results can effectively identify the corresponding feature style of regional architectures in Hubei. Therefore, our proposed method based on machine learning can be used not only as a quantitative tool to extract features of regional architectures, but also as an effective approach to evaluate architecture forms in the urban renewal process.
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Guo, Weiru. "Qingdao Modern Church Contrast and Analyzing Based on Religious Influences Perspective: Examples from Qingdao Catholic Church and Qingdao Christian Church." Highlights in Science, Engineering and Technology 86 (March 27, 2024): 54–58. http://dx.doi.org/10.54097/3g980w98.
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Qingdao, as a city with a colonial history, has numerous architectures that combine traditional Chinese architectural style and Western architectural style. One of the most distinctive types of architecture is the church. Churches have significant mental support functions as well as their function as shelters. They are symbols of the city, and valuable for the city to present its architectural scene. This article wishes to state the backgrounds and history of Catholicism and Protestantism; compare the differences in external spaces, internal spaces, decorations, and volume of Qingdao catholic church and Qingdao Christian church to analyze the architectural differences based on different religious backgrounds; emphasize the characteristics and connotations for churches. Studying church architecture can reveal the creativity and technical proficiency of ancient architects and craftsmen. Church architecture encompasses knowledge and skills from various fields, including structural engineering, sculpture, painting, and decoration. Such research contributes to the advancement of architectural design and engineering technology. Church architecture is a reflection of human creativity and cultural traditions, and it holds significant importance for the study and preservation of cultural heritage.
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Changzhi, Wu. "FORMS OF SYNTHESIS OF ARTS OF CHINESE ARCHITECTURE." Municipal economy of cities 4, no. 164 (October 1, 2021): 58–64. http://dx.doi.org/10.33042/2522-1809-2021-4-164-58-64.
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The article examines the synthesis of arts on the example of Chinese architecture. General historical questions of the development of Chinese culture and various arts during historical evolution are raising. Philosophical and religious positions of culture are distinguishing, which are identifying with the development of art. The question arises of the lack of a full analysis of ancient Chinese art for all types of artistic creativity that were developing during cultural development and formation: architecture, painting, calligraphy, music, sculpture, dance, and so on. A number of scholars who have developed methods of approaches to the systematization and study of the synthesis of the arts of ancient Chinese culture throughout its development are presenting. A number of techniques in painting and calligraphy that have a direct impact on the formation of the Chinese architectural environment are analyzing. These methodical conclusions can be useful in planning the activities of various organizational departments of architectural education and science. Problem statement: it became necessary to analyze and describe the methods and principles of organizing forms of art synthesis in Chinese architecture. Objective of the article: analyze the impact of forms of art synthesis in Chinese architecture. There is describing that the most important art form in China is painting. It is thanks to its compositional, color and harmonic laws that the general cultural world of ancient China is building. Color relationships, combinations with nature - all this through painting builds the canonical laws of architecture, music, dance, calligraphy, etc., taking into account national authenticity. It becomes the central core of the synthesis of Chinese art, generating its various forms for individual regions. In architecture, the action of forms of synthesis of Chinese arts is embodying through the organization of plasticity of the building, interior and exterior space, the ratio of small and large forms, and the location of accents. Experienced predecessors should be a role model for modern architects and artists. The combination of long-standing traditions of "synthesis of arts" with modern production technologies, as well as creative ideas of architects and artists of the XXI century can give new vectors of development of Chinese architecture and art science.
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Dong, Tie Xin, and Zhen Yu Yan. "Architectural Experiment of the Chinese Traditional Painting." Applied Mechanics and Materials 209-211 (October 2012): 145–51. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.145.
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It introduces the basic information of the Chinese traditional painting, Chinese traditional architecture, and analyses three approaches of the Chinese traditional painting. Indeed, it illustrates the architectural experiment of Wang Shu, according to the Chinese traditional painting.
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Pan, Ying, Xiao Feng Zhao, and Yong Han. "Explication from Chinese Traditional Dwellings to Modern Ecological Architecture Design." Advanced Materials Research 663 (February 2013): 103–8. http://dx.doi.org/10.4028/www.scientific.net/amr.663.103.
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All kinds of Chinese traditional dwellings are naturally ecological architecture because of their coordination with environment and nature. Firstly, this paper describes the concept and meaning of Chinese traditional dwellings and ecological architecture, analyzes and summarizes the eco-design strategy of Chinese traditional dwellings, including combination with topography, adaptation to climatic, using local materials. Besides, discusses the architectural characteristics, such as patriarchal system concept, regional culture customs. By which, extends to the strategy of modern ecological architecture design, for instance, rooting in particular geographical environment, focusing on the regional cultural heritage and Keeping up with the Times Innovation opens up new ideas for further research and design of the ecological architecture.
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Vinky Rahman and Sundari Setya Ningsih. "Study of Chinese Architectural Design in Temple Building (Case Study: Maha Dana Temple Tebing Tinggi)." International Journal of Architecture and Urbanism 6, no. 1 (March 31, 2022): 72–85. http://dx.doi.org/10.32734/ijau.v6i1.8673.
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Chinese Architecture is one of the architectural styles widely implemented in Indonesia, especially in the small town of Tebing Tinggi, Sumatera Utara. This can be seen from various places of worship or temples, houses belonging to the people of Chinese descent, and other buildings, one of which is in the Maha Dana Temple in Tebing Tinggi. Maha Dana Temple applies a relatively aspect of Chinese architecture, which can be seen in some of the Fengshui applications used, spatial planning patterns, building styles, building structures, and decorations. The purpose of this research is to identify the Chinese architecture aspects or elements that is implemented in the Maha Dana Temple. The research method used is descriptive-comparative qualitative research, which produces data describing what elements of Chinese architecture are applied to the Maha Dana Temple building. The information was obtained through observation and documentation in the field. This study aimed to examine and identify the application and meaning of Chinese architecture aspects in the Maha Dana Temple building in Tebing Tinggi. The research results are expected to benefit science, as a study that can be used as a reference in identifying aspects of Chinese architecture design, especially at the Maha Dana Temple in Tebing Tinggi.
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Yin, Zhang, and Hong Yu Yuan. "Discussion on the Regional Cultural Creation in Modern Chinese Architecture." Applied Mechanics and Materials 638-640 (September 2014): 2204–8. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2204.
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In this article, through the analysis on the dilemma, the development and the outstanding cases regarding the regional cultural creation in the modern Chinese architecture, we shall make a conclusion on the ideas about the regional architectural creation characterized by a typical architect. And then through the proper interpretation, we shall provide theoretical support for the further development of the regional architectural creation with Chinese characteristics to explore the methods of architectural creation with Chinese characteristics.