Relevant bibliographies by topics / Chinese art in France

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chinese art in France'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Chinese art in France"

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Clunas, Craig. "Chinese Art and Chinese Artists in France (1924-1925)." Arts asiatiques 44, no. 1 (1989): 100–106. http://dx.doi.org/10.3406/arasi.1989.1262.

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Fang, Zhiyu. "Traditions and Innovations in Chinese Contemporary Sculpture." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (May 10, 2022): 28–39. http://dx.doi.org/10.36340/2071-6818-2022-18-2-28-39.

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After the Cultural Revolution, an unprecedented period of openness began in China. The gradual deepening of the Reform and Openness Policy created more opportunities for the development of contemporary Chinese sculpture. For "tradition", sculptors combine the form and content of traditional culture and sculpture, expressing the problems of modern life and human society, forming a rich creative thought and a broad creative outlook. Two art directions were formed. The first direction follows the creative method of sculptors who studied in France before the formation of the People's Republic of C
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Лю, Тяньцюань. "China - Japan - Europe: Chinese painting‘s absorption of western European traditions in the late 19th - early 20th century." Академический вестник УралНИИпроект РААСН, no. 3(54) (September 30, 2020): 85–90. http://dx.doi.org/10.25628/uniip.2022.54.3.014.

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В статье исследуется влияние западноевропейского искусства на китайскую живопись, которое шло через опыт японских художников и обучение в Японии китайских мастеров. Роль японской культуры в освоении китайским искусством западноевропейских традиций до сих пор остается недооцененной, часто исследователи не упоминают о связях с Японией, обращаясь сразу к периоду обучения китайских художников в европейских странах, прежде всего во Франции, который был по времени позднее. Однако именно мастера Страны восходящего солнца в конце XIX - начале XX века серьезно повлияли на формирование нового «европейск
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Хingchen, Gu, and Viacheslav Shulika. "FORMATION OF ART HISTORY SINOLOGY IN FRANCE IN THE LATE 19TH - EARLY 20TH CENTURIES: DIFFERENT APPROACHES TO THE INTERPRETATION OF CHINESE FINE ART." European Journal of Arts, no. 1 (2021): 143–49. http://dx.doi.org/10.29013/eja-21-1-143-149.

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Шапченко, Юлия. "Дальневосточные зарисовки Александра Яковлева". Acta Polono-Ruthenica 2, № XXIV (30 червня 2019): 43–53. http://dx.doi.org/10.31648/apr.4460.

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Alexandre Yakovlev was a famous Russian painter, graphic and theatre artist, a graduate from the Imperial Academy of Arts and a member of the “World of Art”. In 1917 by the order of the Academy (material collection to decorate interiors of the Kazanian railway station) Yakovlev went to Beijing, then he traveled a lot throughout China, Mongolia and Japan. He explored Chinese and Japanese theaters, as a result he made many ethnographic sketches, portraits and photographs. He arranged the exhibition of his drawings in Shanghai (in 1919). Finding out about the revolution in Russia he emigrated to
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Du (杜娟), Juan. "Chinese Immigrants Acting as Local Residents." Journal of Chinese Overseas 16, no. 2 (November 11, 2020): 191–214. http://dx.doi.org/10.1163/17932548-12341423.

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Abstract Urban violence and threats to personal safety are everyday issues of shared concern for Chinese migrants in France. They push Chinese migrants to act as local residents and to interact with the host country in various and unexpected ways, whether openly or inconspicuously, in order to improve their living environment and negotiate their place in the host society. Drawing on an ethnography of Chinese immigrants living in the banlieues of Paris and their everyday social practices in relation to the issues of violence and insecurity, this article documents the strategies of everyday resi
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Kuo, Marie-Claire. "Translation and distribution of Chinese films in France: A personal account*." Journal of Chinese Cinemas 12, no. 3 (September 2, 2018): 237–49. http://dx.doi.org/10.1080/17508061.2018.1522804.

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Li, Shuangyi. "Novel, Film and the Art of Translational Storytelling: Dai Sijie's Balzac et la petite tailleuse chinoise." Forum for Modern Language Studies 55, no. 4 (July 13, 2019): 359–79. http://dx.doi.org/10.1093/fmls/cqz019.

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Abstract This article examines the novel and film Balzac et la Petite Tailleuse chinoise, by the Franco-Chinese writer and filmmaker Dai Sijie, the story of which takes place against the background of the Cultural Revolution. The first part of my analysis will make clear how the film illuminates and dramatizes the special texture, aesthetic and structure of the novel, highlighting the cinematic sensibility of Dai’s literary aesthetic. I then move on to investigate the linguistic aspects of the various translations between the novel and the film in French, Mandarin Chinese and Sichuanese. The a
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Xavier, Subha. "The global afterlife: Sino-French literature and the politics of translation." French Cultural Studies 30, no. 2 (May 2019): 153–65. http://dx.doi.org/10.1177/0957155819842980.

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Following the critical acclaim of Sino-French literature in recent years, an increasing number of Chinese presses have solicited translations of prize-winning novels written in French by authors of Chinese descent. Yet as the work of authors like François Cheng, Shan Sa, Ya Ding and Dai Sijie travels from French into Chinese, it also undergoes a transformation via the politics of translation and publication in China. This essay exposes the inner workings of translation between French and Chinese, as well as the politics that colour its publication and reception between France and China. The ac
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Watanabe, Hiroshi, and Linus Recht. "Alexis de Tocqueville and Three Revolutions: France (1789–), Japan (1867–), China (1911–)." International Journal of Asian Studies 17, no. 2 (July 2020): 163–81. http://dx.doi.org/10.1017/s1479591420000236.

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This essay is an attempt to think through the three revolutions, using Tocqueville's theory of “democracy” as a key. For Tocqueville, democracy is a society with “the equality of conditions” – in other words, a society that has no hereditary status system. In this sense, Chinese society since the Song Dynasty has been “democracy” as Tocqueville himself pointed out repeatedly. In his understanding, contemporary China was a “democratic society” and its form of government was highly centralized “despotism”; in sum, it was “democratic despotism.” Tocqueville was warning against the possible Sinifi
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Dissertations / Theses on the topic "Chinese art in France"

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Chiu, Melissa, University of Western Sydney, of Arts Education and Social Sciences College, and Centre for Cultural Research. "Transexperience and Chinese experimental art, 1990-2000." THESIS_CAESS_CCR_Chiu_M.xml, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion expl
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Chiu, Melissa. "Transexperience and Chinese experimental art, 1990-2000." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion expl
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Fournier, Anik Micheline. "Building nation and self through the other : two exhibitions of Chinese painting in Paris, 19331977." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82704.

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This thesis investigates Western exhibition practices and the problems that arise when they involve cross-cultural encounters. Two exhibitions of Chinese painting in Paris that were co-planned by French curators and Chinese artists will serve as case studies in this regard. The first exhibition is Exposition de la peinture chinoise held at the Musee du Jeu de Paume in 1933. The second show is Quatre artistes chinoises contemporaines held at the Musee Cernuschi in 1977. Using archival material, I will reconstruct the planning of the exhibitions and reveal diverging French and Chinese age
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Wong, Mei-kin Maggie, and 黃美堅. "Collecting and picturing the orient: China's impact on nineteenth-century European Art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2954452X.

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Liang, Wei. "Zaji ou les arts acrobatiques chinois : un voyage entre Chine et France." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30020.

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Zazi (杂技), qui signifie « compétences variées » et dont l’équivalent en français est « l’acrobatie chinoise » est un ensemble d’arts vieux d’au moins trois millle ans. Il n’existe pas à ce jour en français de synthèse accessible et documentée par des sources chinoises de sa chronologie et de l’évolution de ses formes des origines à nos jours.Cette thèse a pour objectif de combler ce manque en documentant le sujet à partir d’un corpus d’ouvrages chinois et français. L’auteure de la thèse, chinoise, enseignante de français et traductrice, a pu accéder aux sources utiles et a conduit une enquête,
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Zhao, Bai. "Influences étrangères dans la musique contemporaine des compositeurs chinois exerçant ou ayant exercé en France et en Amérique du Nord." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040162.

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Du 19e siècle à nos jours, la musique chinoise a pris une nouvelle direction. La création musicale en Chine s'est développée à travers les diverses cultures et les changements de politique, conférant ainsi un charme particulier à la musique contemporaine chinoise. A partir du début de l'imitation occidentale et juste avant la fondation de la nouvelle Chine, les musiciens chinois sont parvenus à associer les éléments musicaux chinois avec les nouveaux langages musicaux. Au cours de certaines périodes, l'art avait été asservi au pouvoir politique et la création musicale de style traditionnel éta
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Julien, Marie-Pierre. "Les meubles laqués chinois made in France." Paris 5, 2002. http://www.theses.fr/2002PA05H021.

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Les meubles laqués chinois constituent le fil conducteur d'une analyse anthropologique consacrée aux relations qu'entretiennent avec ces objets des laqueurs chinois et français et des amateurs principalement français. Ces rapports qui s'instaurent au sein d'un réseau d'actions sur les actions -en l'occurence la filière du meuble en France- engendrent à la fois l'existence d'un type d'objets sur le marché et la construction d'immigrés chinois en laqueurs, de clients français en amateurs, d'apprentis français en artisans<br>This thesis focuses on the anthropological analysis of the interactions
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Leung-Hang-King, Cécile. "The language of the "other" : Etienne Fourmont : 1683-1745 : Chinese, Hebrew and Arabic in pre-enlightenment France." Chicago [Illi.], 1993. http://catalogue.bnf.fr/ark:/12148/cb394573674.

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Feng, Sha. "L’Art Ailleurs : la Recherche Anthropologique sur les Artistes Contemporains Chinois des Beaux-arts Vivant en France." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30043/document.

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Depuis le début du vingtième siècle, les artistes chinois ont commencé à poursuivre leurs rêves artistiques en France. Cent ans plus tard, bien que l’art français ne soit plus le centre absolu du monde artistique, son histoire glorieuse en fait un symbole au statut inébranlable. La France d’autrefois, avec son orientation politique culturelle a attiré des artistes du monde entier, qui sont devenus une partie importante du patrimoine artistique et culturel des Français; en même temps, la « culture française », dans son ensemble, perpétue le mythe de capitale culturelle.Compte tenu de la structu
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Situ, Shuang. "De l'influence de la Chine dans la décoration et l'iconographie en France à la fin du XVIIème siècle et au début du XVIIIème." Paris 4, 1991. http://www.theses.fr/1991PA040162.

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Le présent travail est construit en quatre parties:le parcours historique qui mène à la découverte de la Chine par l'Occident à travers le commerce de la soie et de la porcelaine,la vogue des chinoiseries du XVIIème au XVIIIème siècle,les imitations qui s'en sont suivies en France et pour terminer,une description analytique des motifs pris essentiellement dans des produits français pour démontrer l'influence chinoise sur la décoration et l'iconographie en France durant cette période<br>The present work consists of four parts : the historical course which led to the discovery of China by the We
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Books on the topic "Chinese art in France"

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Conçu en Chine, fabrique ́en France: Designed in France, made in China. Paris: Ecole nationale supeŕieure des beaux-arts, 2004.

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Zeng, Haiwen. T'ang Haywen, les chemins de l'encre. [France]: Editions de la Pointe, 2002.

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Les trésors du lettré: Objets de la chine impériale. [Paris, France]: Réunion des musées nationaux, 1993.

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Louvre, Musée du, ed. La cité interdite au Louvre: Empereurs de Chine et rois de France. Paris: Somogy, 2011.

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France), Musée Guimet (Paris. Bronzes archaïques de Chine. Paris: L'Association pour le Rayonnement des Arts Asiatiques, 1995.

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Desroches, Jean-Paul. Compagnons d'éternité: Hommage à Robert Rousset. [Paris]: Réunion des musées nationaux, 1997.

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Fengdanbailu gong de Zhongguo huang jia bo wu guan. Beijing Shi: Zhongguo shi chang chu ban she, 2013.

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Mah, Ann. Mastering the art of French eating: Lessons in food and love from a year in Paris. Detroit: Thorndike Press, A part of Gale, Cengage Learning, 2013.

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Shuang, Situ. L' influence de la Chine sur la decoration et l'iconographie en France aux XVIIe et XVIIIe siècles: Ouvrage illustré de 297 planches. [S.l: s.n.], 1999.

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Chinese art. New York, N.Y: Thames and Hudson, 1997.

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Book chapters on the topic "Chinese art in France"

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Wu, Xin. "Garden Art." In A Companion to Chinese Art, 410–30. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch20.

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Wang, Keping. "Art as Sedimentation." In Chinese Culture of Intelligence, 405–24. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_18.

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Phipps, Claude. "Chinese Science and Art." In No Wonder You Wonder!, 77–85. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-21680-5_7.

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Chou, Chih-P’ing. "The Chinese Art Society." In English Writings of Hu Shih, 149–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31184-0_21.

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Man-ching, Ada Lee. "Art and Heart." In International Handbook of Chinese Families, 425–51. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-0266-4_26.

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Zhirong, Zhu. "Ontological aspects of art." In Philosophy of Chinese Art, 92–148. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003204688-3.

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Sun, Yifeng. "Translating Chinese modernity." In Translating Chinese Art and Modern Literature, 186–206. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-11.

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Man, Eva Kit Wah. "Spiritual Rituals of Chinese Ink Painting: The Suggestions of Shitao." In Chinese Contemporary Art Series, 3–20. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_1.

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Man, Eva Kit Wah. "A Cross-Cultural Reflection on Shusterman’s Suggestion of the “Transactional” Body." In Chinese Contemporary Art Series, 121–30. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_10.

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Man, Eva Kit Wah. "Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices." In Chinese Contemporary Art Series, 131–44. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_11.

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Conference papers on the topic "Chinese art in France"

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Hauser, Danie`le, Ce´line Tison, Jean-Michel Lefe`vre, Juliette Lambin, Amiot Thierry, Lotfi Aouf, Fabrice Collard, and Patrick Castillan. "Measuring Ocean Waves From Space: Objectives and Characteristics of the China-France Oceanography SATellite (CFOSAT)." In ASME 2010 29th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/omae2010-20184.

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The Chinese and French Space Agencies are jointly preparing a satellite mission devoted to the monitoring of the ocean surface and related science and applications. This is the so-called “China France Oceanography SATellite” (CFOSAT), to be launched around 2013. This mission will provide simultaneous and collocated observations of wind at the ocean surface and spectral properties of surface ocean waves using two scatterometers, both in Ku-Band: SWIM for measurements of directional wave spectra and SCAT for wind vector measurements. The SWIM instrument will use a real aperture observation techn
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Yu, Meifang, Zhen Luo, and Y. J. Chao. "An Assessment of Mechanical Properties of A508-3 Steel Used in Chinese Nuclear Reactor Vessels." In ASME 2014 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/pvp2014-28993.

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China has very ambitious goals of expanding its commercial nuclear power by 30 Giga-Watts within the decade and wishes to phase out fossil fuels emissions by 40–45% by 2020 (from 2005 levels). With over 50 new nuclear power plants under construction or planned and a design life of 60 years, any discussions on structural integrity become very timely. Although China adopted its nuclear technology from France or US at present time, e.g. AP1000 of Westinghouse, the construction materials are primarily “Made in China”. Among all issues, both the accumulation of the knowledge base of the materials a
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Chen, Xuedong, Zhibin Ai, Zhichao Fan, Jiushao Hu, Weihe Guan, and Chuanqing Cheng. "Accidents Investigation and Risk Assessment of Chinese Industrial Pressure Pipelines." In ASME 2009 Pressure Vessels and Piping Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/pvp2009-77517.

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In recent years personal casualties and fire explosion accidents are often taken place due to pipe failure accidents of petrochemical enterprises in China. For more than a decade years, the authors have conducted extensive investigation and analysis on these accidents and consider that apart from the causes of man-made quality out-of-control and technical level, another major cause is the absence of experience accumulation of some medium environments induced failure accidents for design standards and codes, design units and designers, therefore, it is unable to prevent and control in-service r
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Salagnac, Jean-Luc. "Construction Robotics - State of the Art in France." In 8th International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 1991. http://dx.doi.org/10.22260/isarc1991/0005.

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Yang, Bingjie. "Female Art in Chinese Contemporary Art." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.179.

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"Research on Consortium in Chinese Law." In Oct. 5-6, 2017 Paris - France. EIRAI, 2017. http://dx.doi.org/10.17758/eirai.dirh1017223.

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"Chinese media art preview." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280120.1280273.

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Zhang, Yuanming. "Aesthetic Analysis on Line Art in Chinese Painting Art." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.133.

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Rizaieva, Ganna. "The Last Trouveur of France: Genesis of Francis Poulenc’s Oeuvre." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.057.

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Бан, П. Дж. "THE DISCOVERY OF ICE AGE CAVE ART AT LA MARCHE (VIENNE, FRANCE)." In Труды Сибирской Ассоциации исследователей первобытного искусства. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-202-01433-8.81-84.

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Статья представляет краткое описание открытия первого изображения на стенах палеолитической пещеры Ла-Марш (Люссак-ле-Шато, Вьенна, Франция). Этот памятник всемирно известен благодаря тому, что в нем было найдено огромное количество гравированных каменных плиток с гравировками, датируемыми более чем 14 000 л. н. Гравировки расшифровывались в течение 25 лет и были полностью опубликованы доктором Л. Палем. Всегда считалось, что на стенах этой пещеры изображений нет. Первая информация о том, что на стенах в Ла Марш есть какие-то следы, была получена автором еще в 2004 г., и вот недавно им была об
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Reports on the topic "Chinese art in France"

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Ofstedal, Peter R. Operational Art in Modern Chinese Warfare. Fort Belvoir, VA: Defense Technical Information Center, February 1996. http://dx.doi.org/10.21236/ada307331.

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Aizenman, Joshua, Yothin Jinjarak, and Huanhuan Zheng. Chinese Outwards Mercantilism – the Art and Practice of Bundling. Cambridge, MA: National Bureau of Economic Research, April 2015. http://dx.doi.org/10.3386/w21089.

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Zhang, Ling, Brent Holland, and Eulanda Sanders. From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1755.

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Reilly, Thomas P. Mao Tse-Tung and Operational Art During the Chinese Civll War. Fort Belvoir, VA: Defense Technical Information Center, May 1998. http://dx.doi.org/10.21236/ada357835.

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Castillo, Matthew J. Chinese Operational Art: Understanding the Present through the Lens of the Past. Fort Belvoir, VA: Defense Technical Information Center, May 2013. http://dx.doi.org/10.21236/ada583828.

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Bjorge, Gary J. Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign (Leavenworth Paper, Number 22). Fort Belvoir, VA: Defense Technical Information Center, January 2003. http://dx.doi.org/10.21236/ada468780.

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Zhang, Ling, Chunhui Xiang, and Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.

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Luo, Xuexing, Zheyu Zhang, Jue Wang, Qibiao Wu, and Guanghui Huang. Art therapy as a complementary therapy for schizophrenia: a meta-analysis of randomized controlled trials following the PRISMA guidelines. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, May 2022. http://dx.doi.org/10.37766/inplasy2022.5.0099.

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Abstract:
Review question / Objective: How are the effects of art therapy on schizophrenia? Condition being studied: Schizophrenia is a chronic and severely disabling mental disorder that is associated with impairments in cognitive, emotional and psychosocial functioning affecting the prospect of recovery. (Jablensky, 2010; Leucht, 2014). Information sources: A comprehensive literature search will be carried out by two independent researchers (XX Luo and J Wang). Published studies will be retrieved in common databases including PubMed, Web of Science, ClinicalTrials.gov, Cochrane Library, Embase, China
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Liang, BiYan, BiYan Liang, and Jian Wang. A Meta Analysis of the Efficacy of Tonic Method in Traditional Chinese Medicine for AIDS Immunological Nonresponses. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, April 2022. http://dx.doi.org/10.37766/inplasy2022.4.0077.

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Review question / Objective: To evaluate the efficacy of tonic method in treating AIDS immunological nonresponses. Eligibility criteria: ①Study type: RCT based on tonic method in TCM for AIDS INRs. The language was limited to Chinese and English. ②The research object: HIV/AIDS patients with any disease stage; the intervention objects were adults with no gender restrictions. ③Intervention measures: The treatment group was treated with tonic prescriptions combined with ART, including four types of prescriptions for nourishing qi, nourishing blood, nourishing yin, or nourishing yang; the dosage,
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