Relevant bibliographies by topics / Chinese Bells

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chinese Bells'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Chinese Bells"

1

Rossing, Thomas D. "Acoustics of ancient Chinese bells." Journal of the Acoustical Society of America 106, no. 4 (October 1999): 2254. http://dx.doi.org/10.1121/1.427682.

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Shen, Sinyan. "Acoustics of Ancient Chinese Bells." Scientific American 256, no. 4 (April 1987): 104–10. http://dx.doi.org/10.1038/scientificamerican0487-104.

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Rossing, Thomas D., D. Scott Hampton, Bernard E. Richardson, H. John Sathoff, and Andre Lehr. "Vibrational modes of Chinese two‐tone bells." Journal of the Acoustical Society of America 83, no. 1 (January 1988): 369–73. http://dx.doi.org/10.1121/1.396250.

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Rossing, Thomas D. "Acoustics of Chinese, Japanese, and Korean bells." Journal of the Acoustical Society of America 116, no. 4 (October 2004): 2620. http://dx.doi.org/10.1121/1.4808643.

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Laichen, Sun. "Burmese bells and Chinese eroticism: Southeast Asia's cultural influence on China." Journal of Southeast Asian Studies 38, no. 2 (May 25, 2007): 247–73. http://dx.doi.org/10.1017/s0022463407000033.

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AbstractBy utilising a large number of historical and literary sources in Chinese and European languages, this article discusses the spread of Burmese bells (penis inserts) to China between the late sixteenth and early twenty-first centuries, a topic that has hitherto been understudied. It details the social factors behind each phase of transmission, the Chinese adaptation of a Southeast Asian practice, and physical description of Burmese bells. The research provides a new perspective to Southeast Asian–Chinese interactions and stresses the Southeast Asian cultural influence on Chinese society and sexual behaviour. It also argues that aphrodisiacs, like other commodities, have a legitimate place in Asian history.
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Pan, Jie, Xiaodong Li, Jing Tian, and Tanran Lin. "Short sound decay of ancient Chinese music bells." Journal of the Acoustical Society of America 112, no. 6 (December 2002): 3042–45. http://dx.doi.org/10.1121/1.1518985.

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Herren, Madeleine. "“Very old Chinese bells, a large number of which were melted down”." Global Europe – Basel Papers on Europe in a Global Perspective, no. 120 (August 3, 2021): 37–54. http://dx.doi.org/10.24437/globaleurope.i120.455.

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In the second half of the 19th century, Buddhist bells from Japan began to arrive in Switzerland. The fact that these were objects listed in the so-called ethnographic collections is not surprising and the history of collecting has been a subject of postcolonial research. However, remarkably, the travel route of these bells, some of which weighed over a ton, could not be documented. Until now, the way how the bells were imported into Switzerland as unknown, and the problem of their provenance unsolved. This article argues that a global history approach provides new insights in two respects: The consideration of materiality allows a new nderstanding of the objects, while the activities of local collectors, seen from a micro-global point of view, reveal the local imprints of the global. Within this rationale, a history of individual bells in the possession of individual art lovers and museums translates into a history of scrap metal trade, allows to consider the disposal of disliked objects at their place of origin, and opens up a global framing of local history. Using global history as a concept, the historicity of the global gains visibility as we look at the intersection of materiality and the local involvement of global networks. Ultimately, as we follow the journey of the bells, reinterpreting scrap metal into art has formed a striking way in which local history assimilates the global.
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Rossing, Thomas D., and Zhu Hong‐Fan. "Sound spectra of ancient Chinese bells in the Shanghai Museum." Journal of the Acoustical Society of America 85, S1 (May 1989): S33. http://dx.doi.org/10.1121/1.2026917.

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Rom, Avital Hedva. "Beat the Drums or Break Them: Bells and Drums as Communication Devices in Early Chinese Warfare." Journal of Chinese Military History 9, no. 2 (October 19, 2020): 125–67. http://dx.doi.org/10.1163/22127453-bja10005.

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Abstract Warring States (453-221 BCE) and Western Han (206 BCE-9 CE) texts abound in references to drums and bells in discussions of warfare and martial affairs. This begs the question: how are we to understand such references? What role did these instruments have to play on the battlefield? This paper examines the role of sound in early Chinese warfare. By analyzing textual references to sound-producing instruments within the context of warfare, it seeks to emphasize the importance of organized sound production on the battlefield. I argue that, rather than mere ornamental “military music,” drums and bells were perceived by early Chinese strategists as indispensable sonic communication devices, which played a crucial role in victory or defeat in any battle.
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Takahashi, Junji. "Pitch of a set of ancient Chinese bells: Piao‐shi Bian Zhong." Journal of the Acoustical Society of America 84, S1 (November 1988): S135. http://dx.doi.org/10.1121/1.2025792.

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Dissertations / Theses on the topic "Chinese Bells"

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Fields, Rebecca A. "Bell ownership and the evolving definition of the "Other" in ancient China." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1125600731.

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Pei, Yuan. "La Chine dans les mémoires de l'Académie des Inscriptions et Belles Lettres de 1700 à 1750." Paris 4, 2008. http://www.theses.fr/2008PA040008.

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Les mémoires de l'Académie des Inscriptions et Belles Lettres sont un témoignage inestimable sur les relations entre l'Europe et la Chine pendant les années 1700-1750. Trois grands sujets ressortent de ces études menées principalement par Nicolas Fréret et Etienne Fourmont : la langue, la littérature et la chronologie. Ces derniers ont tenté de trouver les réponses aux questions posées lors des nombreux débats dans les milieux intellectuels. Fréret a rassemblé des faits historiques tirés de la littérature chinoise et les a analysés minutieusement. Il en a conclu que la langue chinoise n'est pas une langue philosophique et que la chronologie chinoise est authentique mais qu'elle ne doit pas remonter au delà de 2000 ans av. J. -C. Fourmont s'est davantage concentré sur les études linguistiques. Il est connu comme un grand orientaliste, notamment grâce à la rédaction d'un dictionnaire français-chinois et d'une grammaire chinoise
The memoirs of the Academy of Letters and Literature are an invaluable testament to the relationship between Europe and China during the years 1700-1750. Three major areas emerge from these studies carried out mainly by Nicolas Fréret and Etienne Fourmont : language, literature and history. They have tried to find answers to questions raised during many debates in intellectual circles. Fréret gathered historical facts learned from Chinese literature and has analyzed them in detail. He concluded that the Chinese language is not a philosophical language, and that the Chinese chronology is authentic, but it does not go further back than 2000 BC. Fourmont, concentrated on linguistic studies, is known as a great Orientalist, especially for writing a French-Chinese dictionary and a Chinese grammar
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He, Yulin, and 何雨霖. "Petrogenesis of the devonian high-Mg rock association and its tectonic implication for the Chinese Altai orogenic belt, NW China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/211107.

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Bourgevin, Elisabeth. "Etude des relations entre belle-mère et belle-fille à Taiwan selon les revues, les journaux et une enquête personnelle sur le terrain." Paris 7, 1989. http://www.theses.fr/1989PA070071.

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"Malgré le progrès de la technologie et l'augmentation du niveau de vie à Taiwan, les problèmes relationnels entre belle-mère et belle-fille existent toujours. C'est un problème de société: les mentalités n'évoluent pas aussi vite que le progrès de la société et l'on n'efface pas le poids de la tradition en si peu de temps. C'est un devoir impose par le ciel que d'entretenir ses parents âgés: cela fait partie de la pièté filiale. Le conflit des générations, la cohabitation aggravent encore le problème. Pour soixante-dix-sept pour cent des belles-filles interrogées, le problème des belles-mères reste "important" ou "très important", d'où l'intérêt de cette étude. La solution à ce problème, selon moi, est d'habiter au voisinage de ses beaux-parents âgés, mais pas avec eux. On pourra garder son indépendance tout en s'occupant d'eux. "
Although the technology and the high standard of living make taiwan a modern country, the problem between mother-in-law and daughter-in-law does not disappear with the modern life. Mentalities do not develop as quickly as the progress of the society. The chinese people respect their traditions and their culture: to have respectful affection toward their parents, to attend to their old parents are a heavenly duty. Generation gap, cohabitation increase the gravity of this problem. Seventy-seven per cent of daughters-in-law enquired in this study think that this problem is "important" or "very important". How to resolve the problem? I think to live not far from her parents-in-law is a good solution, because the daughterin-law is independant, but at the same time, she can take care of them
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Cai, Keda, and 蔡克大. "Magmatism and tectonic evolution of the Chinese Altai, NW China: insights from the paleozoic mafic andfelsic intrusions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47147192.

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Habes, Gloria. "In the In-Between: Chinese Experimental Art in the Third Space." Doctoral thesis, Universitat Internacional de Catalunya, 2015. http://hdl.handle.net/10803/291942.

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This thesis shines a light on the Euroamerican reception of Chinese experimental art from 1990-2004. A selection of twelve exhibitions held in the Euroamerican context on Chinese experimental art are analysed within this study and a elaborate look has been taken at the exhibition itself, the works on display , the exhibition catalogue and the reviews that have been generated. The study focusses on Chinese experimental artists overseas but gives a very good impression on how Chinese experimental art has been received in general in the Euroamerican context. Also an extensive part of this dissertation has been dedicated to explaining basic and more in-depth background information on Chinese experimental art in order to gain a better understanding of this art current. Here, special attention has been paid to the overseas artists, and concepts such as transexperiences, hybridity, third space, diaspora and exile, and the “East-West” dichotomy.
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May, Skyler Bart. "The Bell Springs Formation: Characterization and Correlationof Upper Triassic Strata in Northeast Utah." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/5539.

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Upper Triassic strata that lie between the Chinle Formation and Nugget Sandstone along the south flank of the Uinta Mountains in northeastern Utah are distinctive. In the past, these rocks have been lumped together with the overlying or underlying units. These strata are equivalent to the Bell Springs Member of the Nugget Sandstone as defined in Wyoming and perhaps to the Rock Point Formation of the Chinle Formation near the Four Corners region. In this study, these rocks will be called the Bell Springs Formation following the usage of Lucas (1993) in Wyoming. The unit is regionally mappable in northeastern Utah, and is the sedimentologic transition from the fluvial-lacustrine environment of the Chinle Formation to the eolian depositional environment of the Nugget Sandstone. The Bell Springs Formation is comprised of interbedded fine- to medium-grained sandstone and siltstone, as well as planar laminated mudstone. The unit varies from planar laminated sandstone with abundant ripple marks, to cross-bedded sandstone that contains scoured channels filled with mudstone or sandstone. The mudstone beds are commonly mottled and contain desiccation cracks while both the mudstone and sandstone beds have rip-up clasts, occasional bioturbation, and small salt crystal casts. The thinly bedded mudstone and siltstone beds are purple to red to brown, and the sandstone beds vary in color from red to brown to orange or tan with green and gray mottling. The ripple structures with mud drapes indicate fluctuating deposition in low energy water. The presence of desiccation cracks, plant root traces, small eolian sand dunes, gypsum casts, crinkly algal mat beds, and bioturbation indicate intermittent subaerial exposure. Fluvial deposits by meandering streams, including point bar, levee, and splay deposits comprise a large part of this formation. Rocks of the Bell Springs Formation have previously been interpreted as either tidal flat or fluvial/lacustrine deposits. A tidal flat environment certainly may produce some of the features found in these deposits, such as, alternating erosion and deposition of interfingering channels and scours with rip-up clasts, ripples, flaser bedding, desiccation cracks, and bioturbation; however, these rocks lack some of the most important characteristics of tidal flat deposits such as herringbone-cross-stratification, general fining upward successions, and regionally associated sediments that would typically be found in shallow marine environments. We conclude that the sedimentary characteristics and regional setting of these rocks fit best with a fluvial environment interpreted as a meandering system being deposited on a broad floodplain in an arid to semi-arid climate. This depositional environment existed between the expanding Nugget Sandstone erg and the shrinking Chinle Formation as desertification increased during the Late Triassic and Early Jurassic in what is now the western United States. This study not only helps solidify the understanding of the depositional history of these strata, it also clarifies the nomenclature of these formations for future mapping and research.
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Wong, Po-wan Kenny, and 王步雲. "Paleozoic tectonic evolution of the Chinese Altai Orogen: contraints from geochemical and geochronologic studies ofmafic rocks." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44920878.

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Ng, Pandora O. K., and 吳愛群. "For whom the bell tolls : meaning making at the end of life among Chinese terminal cancer patients in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206355.

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In addition to alleviating pain and physical symptoms, caring for the psychosocial, spiritual and existential needs of terminal cancer patients is very important. Existential issue such as meaning is one of their major concerns. Meaning making can be a powerful mean to enhance the well being of these patients at their end of life. There is limited research on the meaning and meaning making experiences among the Chinese population. This study aims to examine the sources of meaning of these patients and illuminate how they make meaning at the end of life. Cultural features associated with meaning and meaning making at the end of life are explored as well. The current study adopted a constructivist grounded theory approach. Purposive sampling was used to recruit twenty terminal cancer patients from the palliative care unit. Semi-structured interviews and brief life review exercise were conducted with the patients. Forty-three interviews were produced and provided a foundation for the data, along with field notes, interview memos and journals. This study revealed that sources of meaning among the Chinese terminal cancer patients were derived from four major domains. They were self domain, relational domain, physical domain and spiritual domain. These domains were interrelated and having dynamic interactions with each other. A proposed model of meaning making at the end of life also emerged from the collected data. It consisted of four processes: sense making, self constructing, script creating and experiencing sense of connectedness (The 4S Model). Meaning making at the end of life was found to be a cognitive, affective and relational process. Findings revealed the significant role culture and family play in the meaning and meaning making processes of Chinese terminal cancer patients. Knowledge generated from this study informs the development of clinical intervention and practice to improve the well being of patients at the end of life. Implication for the development of meaning measurement and family intervention are suggested. Healthcare practitioners are equipped to move further on the path of developing a holistic care model at palliative care. This study also shed lights on promoting life education in the local community. Life can be brimmed with meaning even in the toughest hours.
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Lei, Yang. "Les cloches dans les temples de Pékin : paysages sonores et espaces sacrés de la capitale d’Empire, 1420-1900." Thesis, Université Paris sciences et lettres, 2020. https://tel.archives-ouvertes.fr/tel-03179464.

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Dans quelle mesure les cloches ont-elles contribué à la formation des paysages sonores dans les temples de Pékin des Ming et des Qing et à la construction des temples en tant qu’espaces sacrés de la ville ? En rendant pleinement compte de plusieurs types de matériaux, y compris les sources matérielles, les données épigraphiques, les textes religieux, les histoires locales et les écrits des lettrés, cette thèse de doctorat soutient que les cloches émettaient des sons spirituellement signifiants, jetaient des ponts entre différents mondes, reconstruisaient l’espace et structuraient le temps du site religieux qui les abritait. Elles donnaient aux temples de Pékin un environnement sonore particulier où une place majeure était donnée à l’absence de sonnerie, le calme, qui représentait l’identité sacrée d’une fondation religieuse chinoise idéale. Les habitants et les visiteurs de la capitale de l’époque impériale tardive ne souhaitaient pas seulement accomplir des échanges entre les dieux et les hommes dans les divers temples de la ville, mais cherchaient également des perceptions sensorielles extraordinaires, afin d’obtenir une expérience du divin éloignée du quotidien. Cela suggère que les études sur les temples chinois doivent chercher à combiner l’approche « historiographique » qui étudie des faits historiques ayant eu lieu dans les sites religieux, et l’approche « poétique » qui se préoccupe des manières dont ces sites sont représentés. Nous pourrons parvenir à la rencontre de ces deux axes de recherche en nous intéressant plus activement à la culture sensorielle dans les temples
To what extent did bells contribute to the formation of soundscapes in the temples of Ming-Qing Beijing and to the construction of the temples as sacred spaces in the city? By using multiple types of materials, including extant objects, epigraphic data, religious texts, local histories, and the writings of scholars, this PhD thesis argues that bells emitted spiritually meaningful sounds, built bridges between different worlds, reconstructed the space and structured the time of the religious site that housed them. They gave the temples of Beijing a particular sound environment where a major place was given to quietness, which represented the sacred identity of an ideal Chinese religious foundation. Residents and visitors to the capital in the late imperial period not only wanted to realize exchanges between gods and men in the various temples of the city, but also sought extraordinary sensory perceptions, in order to obtain a divine experience different from the everyday life. This suggests that studies of Chinese temples should seek to combine the “historiographical” approach, which studies historical facts that took place in religious sites, with the “poetic” approach, which illustrates how these sites are represented. We can achieve the meeting of these two lines of inquiry by taking a more active interest in the sensory culture in temples
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Books on the topic "Chinese Bells"

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Xiantong, Zeng, ed. Sui Xian Zeng hou Yi mu zhong qing ming ci yan jiu. Xianggang: Zhong wen da xue chu ban she, 1985.

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Xiantong, Zeng, ed. Sui xian Zeng hou Yi mu zhong qing ming ci yan jiu. Xianggang: Zhong wen da xue chu ban she, 1985.

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Till, Barry. Relic from a distant temple: Victoria's Chinese bell. [Victoria, B.C.]: Art Gallery of Greater Victoria, 1992.

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Da zhong si gu zhong bo wu guan., ed. Beijing gu zhong. Beijing: Beijing Yanshan chu ban she, 2006.

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Jinyun, Quan, Chen Xiaohe, "Beijing wen wu jing cui da xi" bian wei hui., and Beijing (China). Wen wu shi ye guan li ju., eds. Beijing wen wu jing cui da xi. Beijing: Beijing chu ban she, 2000.

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Fu, Jingjing. Zhongguo gu zhong wen hua chuan bo shu lun: Research on Chinese ancient bell's cultural communication. Beijing Shi: She hui ke xue wen xian chu ban she, 2016.

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Ji gu zhai zhong ding yi qi kuan shi. Beijing: Zhonghua shu ju, 1985.

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Zhong ling xiang zheng wen hua lun. Shenyang Shi: Liaoning min zu chu ban she, 2004.

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Xu, Zhongshu. Biao shi bian zhong tu shi. Taibei: Guo li zhong yang yan jiu yuan li shi yu yan yan jiu suo, 1999.

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Zhongguo gu zhong shi hua. Beijing: Zhongguo lü yu chu ban she, 1999.

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Book chapters on the topic "Chinese Bells"

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Guan, Zengjian. "Zenghouyi’s Bells and the Ancient Chinese Rhyming." In History of Science and Technology in China, 449–70. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7853-3_13.

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Ye, Shuxian. "Erlitou Bronze Bells and Plaques: An Anthropological Perspective of the Origins of Civilization." In Research Series on the Chinese Dream and China’s Development Path, 315–32. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3096-6_14.

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Du, Jiangyu. "A Comparative Study of Modern Film Narration and the Performance of Chinese Traditional Musical Instruments: The Camel Bells on the Silk Road in Crouching Tiger, Hidden Dragon." In Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022), 376–83. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-004-6_48.

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Jia, Chengzao. "Petroleum Geology of Foreland Thrust Belts in China." In Characteristics of Chinese Petroleum Geology, 333–421. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-23872-7_9.

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Jia, Chengzao. "Oil and Gas Exploration in Chinese Foreland Fold and Thrust Belts." In Characteristics of Chinese Petroleum Geology, 423–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-23872-7_10.

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Wilson, Jeanne L. "The US Quest for Regional Dominance in Asia and the Chinese Challenge." In The “Roads” and “Belts” of Eurasia, 147–68. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0856-1_6.

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Charbonneau, Frédéric. "Nou Nou: A Chinese Inheritance Quarrel at the Académie royale des Inscriptions et Belles-Lettres (1713–1743)." In Emotions in Non-Fictional Representations of the Individual, 1600-1850, 15–30. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84005-1_2.

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Tao, Yitao. "Comparison of Three Bay Area Economic Belts and the Position and Role of Shenzhen in the Guangdong-Hong Kong-Macao Greater Bay Area." In Research Series on the Chinese Dream and China’s Development Path, 1–8. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9837-7_1.

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Bagley, Robert. "The Prehistory of Chinese Music Theory." In Proceedings of the British Academy, Volume 131, 2004 Lectures. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197263518.003.0002.

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This lecture discusses the prehistory of Chinese music theory. The earliest texts about the music theory in China are the inscriptions of the musical instruments found inside the tomb of Marquis Yi of Zeng. The lecture describes these inscriptions and tries to identify what sort of musical development lies behind them. It determines that bells were the main influence on Chinese music theory. Bells introduced Chinese theorists to the chromatic scale and made absolute pitch important.
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"Tune: "Bells in the Rains" by Liu Yung 316." In Chinese Poetry, 2nd ed., Revised, 317–18. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382096-118.

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Conference papers on the topic "Chinese Bells"

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YAN, YANLAI, LINGDA KONG, and HUAHAN LIANG. "PHYSICS IN ANCIENT CHINESE CHIME-BELLS." In Proceedings of the International Conference on Physics Education in Cultural Contexts. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702890_0006.

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Yan, Yanlai, Kangmin Chai, Huahan Liang, and Lingda Kong. "Physics involvement in ancient Chinese chime bells." In WOMEN IN PHYSICS: 4th IUPAP International Conference on Women in Physics. AIP, 2013. http://dx.doi.org/10.1063/1.4794219.

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Shi, Yanhui, Zijing Shen, Xirui Feng, and Shuying Cheng. "Research on the fringe belts of Shangqiu, China: a morphogenetic approach." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5683.

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Research on the fringe belts of Shangqiu, China: a morphogenetic approach Zijing Shen, Xirui Feng, Shuying Cheng, Yanhui Shi* College of Urban and Environmental Sciences. Peking University. Beijing. China 100871 E-mail: shzj950609@163.com, 873405878@qq.com, corrine0123@126.com, yhshi1988@sina.com* Keywords: fringe belts, morphogenetic analysis, ancient Shangqiu; concentric Conference topic: Urban form and social use of space The concept of the fringe belt has, in recent years, been studied quite widely in the Western world. Fringe belts were first recognized in Europe, primarily in relation to city walls. In China, fringe belts have been rarely studied, despite their very widespread occurrence. Yet China provides a highly complex world of urban morphological phenomena related to cultural settings substantially different from those in the West. In relation to both a long urban history and recent rapid processes of industrialization and urbanization, the fringe belts of Chinese cities deserve more in-depth research. To rectify this deficiency, this paper examines the developmental process and form of the fringe belts of Shangqiu (including both ancient Shangqiu and modern Shangqiu) as a central focus, using the basic methods of morphogenetic analysis. Since the Ming Dynasty the existence of fringe belts in Shangqui relates to double fixation lines (double city walls, the space between which is water for defence against invasion and flood). Since 1949, a new core developed outside ancient Shangqiu. In time, due to the alteration of the city’s organizational system and rapid expansion of modern Shangqiu, the whole of ancient Shangqiu, as well as its fringe belts, has become part of the fringe-belts system of modern Shangqiu. The development of the fringe belts of Shangqiu shows a different pattern from a concentric town such as Alnwick. This finding extends and refines the understanding of fringe belts. References: Louis, H. (1936) ‘Die geographische Gliederung von Gross-Berlin’, Länderkundliche Forschung: Krebs Festschrift (Engelhorn, Stuttgart) 146-71. Conzen, M. R. G. (1969) Alnwick, Northumberland: a study in town-plan analysis Institute of British Geographers Publication 27 (George Philip, London).
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Li, Huayang, and Min Jiang. "Quantum Dialogue Based on Non-maximally Entangled Bell States." In 2020 39th Chinese Control Conference (CCC). IEEE, 2020. http://dx.doi.org/10.23919/ccc50068.2020.9189482.

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Ning, Liu, Su Zhong, and Fan Junfang. "Novel approach for modeling Bell-Shaped Vibratory Angular Rate Gyro." In 2015 34th Chinese Control Conference (CCC). IEEE, 2015. http://dx.doi.org/10.1109/chicc.2015.7260468.

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Wang, Di, and Jianyi Zheng. "Comparison of Urban Form based on different city walls between Quanzhou and Newcastle." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5061.

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Quanzhou in south-eastern China was built in the Sui Dynasty, having more than 1,000 years of history. Its urban development led to the triple walls in a different period of time. Its unique landscape of multiple walls is a one of the Chinese ancient city patterns. However, the massive stone-built city wall pattern like Newcastle also has more than 1000, years of history in western cities .City walls maintain the preeminence as the city’s most powerful fixation line. The expansion of the wall in Quanzhou shows how the time-space changes, while Newcastle' s fringe belt is relatively stable, which forms a different urban form. This article mainly compares the following aspects: (1) The development of Quanzhou fringe belt; (2) Differences of fringe belts between the multiple walls city and the sole wall city; (3) Differences of land use in intramural zone between two cities. This paper analyzes the differences of fringe belts caused by city walls between Quanzhou, (China) and Newcastle, (England), and their influence on the urban form between the East and the West.
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Liu, Ning, Zhong Su, Hong Liu, and Junfang Fan. "Adaptive sliding mode controller for bell-shaped vibratory angular rate gyro." In 2014 33rd Chinese Control Conference (CCC). IEEE, 2014. http://dx.doi.org/10.1109/chicc.2014.6895524.

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Liu, Hong, Zhong Su, Ning Liu, Xiaofei Ma, and Haitao Li. "Research on the resonator of Bell Vibratory Gyro under axial impact." In 2014 33rd Chinese Control Conference (CCC). IEEE, 2014. http://dx.doi.org/10.1109/chicc.2014.6896692.

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Liu, Ning, and Zhong Su. "Study on characterization of rotating bell-shaped resonator including gyroscopic effects." In 2016 35th Chinese Control Conference (CCC). IEEE, 2016. http://dx.doi.org/10.1109/chicc.2016.7554238.

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Shih, Yanhua. "Quantum Teleportation with Complete Set Bell State Measurement." In Proceedings of the Third Joint Meeting of Chinese Physicists Worldwide. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776785_0072.

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