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Dissertations / Theses on the topic 'Chinese Bronzes'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Kwok, Wing-hay Alexander, and 郭永禧. "A study of Lu Dalin's (1046-1092) Kao gu tu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228240.

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2

龐琨. "西周金文所見「師某」名稱研究= A study of names in the form "Shi X" as seen in Western Zhou bronze Inscriptions". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/571.

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西周金文中稱呼為「師某」（「師某父」）的一類人，以前往往認為「師」是其官職。張亞初、劉雨的《西周金文官制考》一書將這些人與大師等放在一起，列為「師官類官」。前人在談及這一類人的時候，往往結合單篇的銘文對他們的身份進行確認，因此出現了「師」是「師氏」的簡稱或者「大師」的簡稱等看法。這些觀點由於取材範圍過窄，或者由於有結論先行的弊病，故而有失偏頗。西周金文中這些稱作「師某」的人是一類較為特殊的人群，他們的官職各不相同，許多人確實是武官，且有帶兵打仗的記錄，但也有一些人的職責與軍事無關或者不直接相關。西周時期的官制系統已較為成熟，不應出現一種官職名稱對應多種差別巨大的職責範疇的現象，因此「師某」的稱呼並非以官職冠於私名之上。職責差別之外，「師」的社會地位有高下的不同，並且上司和下屬、子輩和父輩祖輩可以同時稱為「師」，前者說明「師」不是一種尊稱，後者說明「師」不是一種世襲的爵位。在地緣方面，「師」大都集中在周人的兩個重要的活動中心----宗周和岐周。而在血緣方面，「師」表現出一定的家族性特征，在宗周和岐周也分別有一個由「師」組成的家族。「師」的家族具有著深厚的歷史傳承，是較為強大的地方勢力。總而言之，師是西周時期宗周地區對某些具有一定社會地位的有官職的貴族的稱呼，他們擁有一定的功業或者社會名望，同時也擁有強大的家族勢力。This dissertation takes issue with
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3

Lim, Eunmin. "Re-collections and movements : Murray Marks's translations of Chinese porcelain and Italian Renaissance bronzes, ca. 1860-1918." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/17780/.

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In his work Truth and Method, Hans-Georg Gadamer suggests rehabilitating the decorative element in art, which was discredited by Kant’s aesthetics in an antithetical relationship to the concept of art based on ‘pure form.’ As decoration is determined by its relation to what it is decorating, it is neither placeless nor timeless. The temporality and place of the work of decorative art question “the aesthetic consciousness according to which the work of art is what is outside all space and all time.” Drawing on Gadamer’s philosophical hermeneutics, this study aims to explore how the London-based
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4

伍煥堅. "金文中所見與酒禮相關之禮制及文字研究= A study of related etiquette and words of ritual use of wine as shown in the inscriptions on bronze wares of the Zhou dynasty". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/565.

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第一章陳述周代酒禮的研究狀況。當時的酒禮的類別、內容、程序等都有很大的探討空間，但是首先要打破銘文釋讀的障礙。我提出從古文字形構的角度考察禮儀的雛形，隨即在第二章實踐。經過考察與祼禮有關的瓚、將等字的本義，勾勒字義的引申關係，用來訓釋銘文語境中的具體含義，以此為基礎來說明了瓚、將兩種事物的禮儀用途，結果得出銘文瓚字既是表示飲酒的工具也是表示獻酒的動詞，其中瓚字由於詞性變換而孳乳出「口+瓚」、「吅+瓚」的寫法，為 、 字。銘文「口+瓚」、「吅+瓚」的寫法，按辭例都表示讓人酒飲義，兩字是在「瓚」字的基礎上添加了「口」或「吅」，屬標示動詞用法的表義符號。至於祼將的將則屬於同源分化，由本指奉持的將字添加瓚形，產生了專指祼將（獻酒）的 字。第二章又牽涉到「X+某+出入/逆洀+事/將令」的辭例，X位置皆有供酒食之意，不應籠統以協助義當之，將命明顯是傳話之意。在飲食禮中設有訝者，兼任迎賓並傳達主賓之言。出入/逆洀乃形容傳命之行為，學者以為是名詞，指王的使者，非是。透過《儀禮》飲食禮儀程序的展現，可以反映這種套語所描述的實際內容。第三、四章討論「饗禮」，以主題用品劃分饗禮的類別，可以分為饗酒和饗醴兩種。在歸納銘文有「饗」字的辭例時，我發現了「饗醴」有「侑」，「饗酒」無「侑」的現象。侑是勸的意思，因飲料的種類有別，而有勸和不勸之別，反映了周初飲酒觀念對後來用酒制度的影響。類似的辭例用字上的差別未盡被
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金方廷. "青銅禮器與周代婚姻研究= A study of the bronzes and Zhou marriages". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/502.

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這篇論文以出土青銅禮器為主要研究對象，結合傳世文獻，嘗試對西周到 春秋時期周人貴族階層的婚姻加以討論。鑒於婚姻在周代禮儀制度當中具有相 當突出的地位，考察婚姻在一個以宗族為主體、以禮儀為規範的社會當中如何 運作和演變，就成了本文最為關切的問題。依據「西周」和「春秋」的分期，論文被分為「上編」和「下編」兩部分 進行撰寫。在整理和考察出土文獻中所記載的婚姻關係之後，文章著重討論了西周貴族婚姻所奠基的社會和政治基礎，由此揭示了西周時期兩大貴族群體在 婚姻方面的不同習慣與特點。儘管在西周時期，一系列植根於獨特政治和社會 土壤的婚姻原則已經開始形成，但隨著宗周覆滅，春秋時期已無法在原有的政 治、社會機制上維持周人貴族固有的婚姻習慣。即便在諸侯國地區延續和維持 了一部分西周的婚姻原則及婚姻禮儀，但這種維持實際為了應對新的時代局勢， 其中依然包含了許多對舊有婚姻制度和禮儀的改造。最後，通過討論在「禮儀」 框架下兩個時代在安置婚姻事務方面所呈現出來的不同特點，本論文進而試圖 對「禮儀」在這一階段婚姻活動中所起到的作用進行回顧。
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6

Zhou, Jian. "Contemporary Chinese readers' interpretation of Emily Bronte's Wuthering Heights." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1780783.

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Tam, Ieok Lin. "A comparative study of three Chinese translations of Emily Bronte's Wuthering Heights." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554092.

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8

Allard-Latour, Sophie. "La sculpture bouddhique en bronze en Chine des origines au Ve siècle, analyses et datations." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040250.

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L’arrivée en terre chinoise du bouddhisme et de ses images eut pour conséquence d’influencer de manière déterminante et durable la pensée et les expressions artistiques chinoises. Cette thèse se propose d’étudier la sculpture bouddhique en bronze en Chine des origines au Ve siècle, sa constitution et son processus d’élaboration dans le contexte social et culturel chinois des Ier et IIe siècles à partir des données archéologiques récentes et son évolution vers des formes iconographiques normatives, du IIIe au Ve siècle. Les images les plus anciennes découvertes à ce jour dans le Sichuan et la r
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Fields, Rebecca A. "Bell ownership and the evolving definition of the "Other" in ancient China." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1125600731.

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Sebillaud, Pauline. "La distribution spatiale de l’habitat en Chine dans la plaine Centrale à la transition entre le Néolithique et l’âge du Bronze (env. 2500-1050 av. N. è. )." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4031.

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L’étude de la distribution spatiale de l’habitat n’avait jamais été engagée sur la période comprise, en Chine, comme la transition la fin du Néolithique et le début de l’âge du Bronze, périodes habituellement étudiées séparément. À partir des rapports de fouilles et des atlas archéologiques disponibles, nous mettons ici en lumière les variations de l’occupation de l’espace et les mutations des dynamiques du peuplement. Le premier chapitre, après avoir fait le point sur les recherches antérieures, a pour objectif d’exposer le contexte historique, géographique et méthodologique (base de données,
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Gilaizeau, Linda. "Le rôle et l'influence du continent asiatique sur les sociétés de l'archipel japonais durant la protohistoire à travers les pratiques funéraires : du Yayoi moyen au Kofun ancien, Ve siècle avant notre ère-IVe siècle de notre ère." Paris 1, 2010. http://www.theses.fr/2010PA010556.

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Cette étude replace l'évolution des sociétés de l'archipel japonais durant une partie de la protohistoire (du Yayoi moyen au Kofun ancien) dans un contexte international en tentant de déterminer les rapports entre ces sociétés et celles de la péninsule coréenne, à travers les vestiges de nature funéraire. Dans un premier temps, nous exposons en détaillés pratiques funéraires de l'ouest de l'archipel japonais durant cette période, leurs structures, leur évolution en insistant sur les différences régionales et chronologiques visibles et les relations qu'entretiennent ces différentes régions entr
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Wen, Zhen. "L'archéologie de l'Âge du bronze au Xinjiang (env. 2500-1400 av. J.-C.) : les relations entre l'Asie centrale occidentale et orientale." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H127.

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L'Asie centrale joua un rôle important dans les réseaux des échanges d'idées, de connaissances et de biens entre l'Orient et l'Occident. Les recherches archéologiques récentes montrent que la formation de ces réseaux remonte à l'âge du Bronze, et que la région du Xinjiang est au centre de ces problématiques. Le début des interactions directes est dû à la diffusion de la culture de Qiemu'erqieke de la région de l'Altaï, qui établit les premiers contacts avec les cultures du Corridor du Hexi dans Xinjiang oriental. L'expansion progressive de la culture d'Andronovo de l'Asie centrale occidentale
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Kuo, Pei Chun. "L'industrie osseuse préhistorique dans le Nord-Ouest de la Chine : (du Néolithique final au début de l'Âge de bronze)." Poitiers, 2006. http://www.theses.fr/2006POIT5009.

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Cette étude aborde la question de l'industrie osseuse dans le Nord-Ouest de la Chine. Elle a été entreprise dans le but de faire connaître un domaine de la Préhistoire souvent oublié des chercheurs. Elle s'attache à mettre en évidence le choix de la matière première, la fabrication, l'évolution, la répartition et la diffusion des objets en matières dures animales dans une aire géographique qui s'étend sur trois provinces du Nord-Ouest de la Chine (Gansu, Qinghai et Ningxia) au cours des cultures de Majiayao et de Qijia, représentant la transition entre le Néolithique final et le début de l'Âge
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Debaine-Francfort, Corinne. "Du néolithique à l'âge du bronze en Chine du Nord-Ouest : la culture de Qijia et ses connexions /." Paris : Ed. Recherche sur les civilisations, 1995. http://catalogue.bnf.fr/ark:/12148/cb358012487.

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Chen, Yi. "The redefined centre, periphery and margin : the long-term interaction sphere of southern China 3000-221 BC." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:0ae8b337-7a65-427d-9a37-9be7f4d17f9c.

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This thesis investigates southern China as a part of dynamic and extensive interregional networks from the third to the first millennium BC and explores the changing roles of different southern regions within the interregional relationships. This was an important transitional period for southern China as it was the time when several prominent and farreaching innovations of technologies and material culture were made or adopted in the area. Four key sets of materials – rice, bronze, ceramics and jade – are examined with a World-system perspective to reveal interregional contacts in different di
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Debaine-Francfort, Corinne. "La transition entre le neolithique et l'age du bronze en chine du nord-ouest : la culture de qijia et ses connexions." Paris 7, 1989. http://www.theses.fr/1989PA070072.

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La culture de qijia (ca. 2200-1600 bc), attestee dans le n-o de la chine, pose le probleme de la transition entre le neolithique et l'age du bronze dans cette region et celui des societes pre-etatiques. Nous avons cherche a comprendre, dans ce contexte sa nature et son originalite en tant que culture regionale, et d'evaluer par rapport aux cultures anterieures, contemporaines et posterieures sa place dans le processus de changement culturel et social caracteristique de cette periode (evolution vers une societe plus complexe). L'etude des divisions chronologiques et regionales de qijia permet d
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"魏國靑銅器銘文初探". 1993. http://library.cuhk.edu.hk/record=b5887655.

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據稿本複印<br>論文(哲學碩士)--香港中文大學中國語言及文學學部,1993.<br>參考文獻: leaves 250-260<br>潘慧如.<br>目錄 --- p.1<br>Chapter 第一章 --- 緒論 --- p.2<br>Chapter 第二章 --- 魏國有铭青銅器分國斷代的探討 --- p.5<br>Chapter 第一節 --- 從铭刻所記國名作為魏器分國的標準 --- p.11<br>Chapter 第二節 --- 從铭刻所記地名作為魏器分國的標準 --- p.12<br>Chapter 第三節 --- 從铭刻所記人名作為魏器分國的標準 --- p.29<br>Chapter 第四節 --- 魏國有铭青銅器編年概述 --- p.32<br>Chapter 第五節 --- 國別有爭議的铭刻和魏侯先世的有铭青銅器 --- p.41<br>Chapter 第三章 --- 魏國青銅器铭文的研究 --- p.45<br>Chapter 第一節 --- 魏器「自名」考略 --- p.49<br>Chapter 第二節 --- 魏器铭文中所見之職官名稱 --- p.64<br>Chapter 第三節 --- 魏器铭文中所見之量衡單位 --- p.79<br>Chapter 第四節 --- 魏器铭文中所見之特別用詞 --- p.90<br>Cha
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"曾國銅器銘文綜合硏究". 1985. http://library.cuhk.edu.hk/record=b5895542.

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杜家祁.<br>手稿本, 複本據手稿本影印.<br>Thesis (M.A.)--香港中文大學硏究院中國語言文學系.<br>Shou gao ben, fu ben ju shou gao ben ying yin.<br>Includes bibliographical references.<br>Du Jiaqi.<br>Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu yan wen xue xi.<br>Chapter 第一章 --- 諸論 --- p.1<br>Chapter 第二章 --- 曾國銅器銘文的特色及有關問題 --- p.21<br>Chapter 第一節 --- 淮南新出土的曾國銅器及其銘文特色 --- p.21<br>Chapter 第二節 --- 曾國銅器銘文中所用的頌詞 --- p.54<br>Chapter 第三節 --- 曾國銅器銘文中器稱的使用情形 --- p.79<br>Chapter 第四節 --- 曾國銅器銘文中所見的爵稱 --- p.116<br>Chapter 第五節 --- 曾國銅器銘文中之「月相」 --- p.165<br
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"西周晚期[hu]器硏究 =: Study on the Hu bronze vessels of the late Western Chou". 1986. http://library.cuhk.edu.hk/record=b5887948.

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宗靜航.<br>據手稿本複印.<br>Thesis (M.A.)--香港中文大學硏究院中國語文學部.<br>Ju shou gao ben fu yin.<br>Includes bibliographical references (leaves 238-268).<br>Zong Jinghang.<br>Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu.<br>Chapter 第一章 --- 绪言 --- p.1<br>Chapter 第二章 --- □器所見晚周金文詞語選釋　 --- p.14<br>Chapter 1 --- 皇天 --- p.16<br>Chapter 2 --- 其嚴在上 --- p.22<br>Chapter 3 --- 喜侃 --- p.33<br>Chapter 4 --- 前文人 --- p.44<br>Chapter 5 --- 倉倉悤悤 --- p.52<br>Chapter 6 --- □□雝雝 --- p.58<br>Chapter 7 --- □□□□ --- p.75<br>Chapter 8 --- 上下 --- p.93<br>Chapter 9 --- 參壽 --- p.101<br>Chapter
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"晉國靑銅器銘文硏究: The studies on inscribed bronze vessels of Jin State". 1997. http://library.cuhk.edu.hk/record=b6073770.

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潘慧如.<br>論文(博士)--香港中文大學, 1997.<br>附參考文獻.<br>中英文摘要.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Pan Huiru.<br>Lun wen (Bo shi)--Xianggang Zhong wen da xue, 1997.<br>Fu can kao wen xian.<br>Zhong Ying wen zhai yao.
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"楚國靑銅器銘文形體與詞彙之綜合硏究: A comprehensive study of the characters and vocabulary from the inscriptions on Chu bronze vessels". 2000. http://library.cuhk.edu.hk/record=b6073796.

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張連航.<br>論文(博士)--香港中文大學, 2000.<br>參考文獻 (p. 1-14 (6th group))<br>中英文摘要.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Zhang Lianhang.<br>Lun wen (bo shi)--Xianggang Zhong wen da xue, 2000.<br>Can kao wen xian (p. 1-14 (6th group))<br>Zhong Ying wen zhai yao.
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"漢代銅鏡銘文硏究". 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5895574.

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楊昌俊.<br>論文(碩士) -- 香港中文大學硏究院中國語言及文學學部, 1995.<br>參考文獻: leaves 1-14 (2nd group)<br>Yang Changzhun.<br>Chapter ´ؤ --- 漢代銅鏡及其銘文研究概略 --- p.1<br>Chapter 二 --- 漢代銅鏡銘文探究 --- p.16<br>Chapter 1 --- 鏡銘集錄 --- p.17<br>Chapter a --- 凡例 --- p.17<br>Chapter b --- 集錄 --- p.19<br>Chapter 2 --- 鏡銘內容與文字 --- p.58<br>Chapter a --- 思想內容 --- p.58<br>Chapter I --- 五行思想 --- p.58<br>Chapter II --- 升仙思想 --- p.60<br>Chapter III --- 人之常情 --- p.63<br>Chapter b --- 文字現象 --- p.65<br>Chapter I --- 鏡銘文字特色 --- p.65<br>Chapter II --- 鏡銘中的假借字、古今字及異字集¨®Ơ --- p.67<br>Chapter c --- 文學特色 --- p.97<br>Chapter I --- 鏡銘的用韻 --
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23

"金文同族字硏究". 1997. http://library.cuhk.edu.hk/record=b6073768.

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康寶文.<br>論文(博士)--香港中文大學中國語言及文學學部, 1997.<br>參考文獻: p. 346-355.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Kang Baowen.<br>Lun wen (Bo shi)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu, 1997.<br>Can kao wen xian: p. 346-355.
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"東周金文所見嘏辭探論". Thesis, 2006. http://library.cuhk.edu.hk/record=b6074334.

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In ancient times, words of praying were often inscribed on the bottom of newly made bronzewares. Such words are now named "Jia-ci". Jia-ci originated in the early Western Zhou Dynasty, with much enrichent and diversification in the Eastern Zhou Dynasty. Most of the Jia-ci used in the Eastern Zhou Dynasty inscribed bronzes cannot be found in literature today. The scope of their contents is wide, contributing to their being complete reflections of ancient lives and culture. Not only is the notion of providence and spirits in primitive religious beliefs included, but the ancients' quests for immo
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"毛公鼎眞偽及相關問題硏究". 1992. http://library.cuhk.edu.hk/record=b5887321.

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稿本<br>論文(博士)--香港中文大學硏究院中國語言及文學學部,1992.<br>參考文獻: leaves 703-736<br>朱國藩.<br>Chapter 第一章 --- 前言 --- p.1<br>Chapter 第二章 --- 諸家疑偽說述評 --- p.9<br>Chapter 第一節 --- 張之洞說 --- p.9<br>Chapter 第二節 --- 衛聚賢說 --- p.33<br>Chapter 第三節 --- 巴納說 --- p.54<br>Chapter 第四節 --- 小結 --- p.89<br>Chapter 第三章 --- 詞彙辨偽的新嘗試 --- p.92<br>Chapter 第一節 --- 晉侯盤的啓示 --- p.92<br>Chapter 第二節 --- 毛公鼎詞彙的重新考察 --- p.128<br>Chapter 一、 --- 亡不閈于文武耿光 --- p.136<br>Chapter 二、 --- ?堇大命 --- p.145<br>Chapter 三、 --- 命女辥我邦我家内外 --- p.153<br>Chapter 四、 --- 虩許上下若否雽四方 --- p.157<br>Chapter 五、 --- 余非庸又昏，女毋敢妄寍 --- p.167<br>Chapter 六、 --- ??大命、?
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Kao, Chiung-Ni, and 高瓊霓. "A Creation Of Fashion Eyelashes Design With Chinese Bronze Pattern." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/25248133860113860004.

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碩士<br>樹德科技大學<br>應用設計研究所<br>103<br>ABSTRACT Most of ornamental totem on traditional object has its own unique representative style, and decoration itself is usually more complicated than what we expected, there also be an existing background story on every single item. My creation is intended by a research regarding the classical decoration collected from ancient Chinese bronze, I was trying to analyze the spiritual detail of them in order to assure the application on contemporary fashion design be successful. Referring to the appropriation of the Shang and Zhou dynasty bronze decoration on cur
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Su, Jian-Hua, and 蘇建華. "Alloy Materials and Secondary Minerals of the Chinese Bronze Mirrors." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/39233417054873487396.

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碩士<br>國立臺灣海洋大學<br>應用地球科學研究所<br>101<br>Bronze mirrors form an essential part of the bronze artifacts in Chinese culture. Tracing the changes in the alloy materials and the shapes and structures of bronze mirrors helps facilitate an understanding of the prosperity, customs, lifestyle, and craftsmanship of their times. Studies on bronze mirrors therefore play a crucial role in historical and archeological researches. The study endeavors to perform non-destructive test and analysis on seven bronze mirrors of ancient China, using X-ray fluorescence spectrometers to examine their alloy materials b
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Chang, Kun-Lin, and 張琨林. "Chinese Ceramics and Metalwork in Northern and Southern Dynasties: Focusing on Sahari Bronze." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/dswjvd.

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碩士<br>國立臺灣大學<br>藝術史研究所<br>107<br>This study explores the development of sahari bronze, a type of high-tin bronze, and its influence on ceramics in Northern and Southern Dynasties. While sahari bronzes showed typological and stylistic differences from traditional Chinese bronze, the use of lathe in its manufacturing process is one of the distinguishing features that defines this unique metalcraft. By comparing sahari bronze to Han dynasty bronze and then to high-tin bronze artifacts from other regions in Asia, I propose that the origins of sahari bronze are from: (i) the local high-tin bronze i
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Campbell, Roderick Bruce. "Numerical expressions in the oracle-bone and bronze inscriptions : quantificational typology and the origin of the Chinese classifier system." Thesis, 2001. http://hdl.handle.net/2429/11935.

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This thesis will attempt to give a syntactic, semantic and pragmatic account of numerical expressions in the earliest attested stages of the Chinese language, the oracle-bone and bronze inscriptions. Early Inscriptional Chinese (EIC) numerical expressions can be classified into three different word orders: order I: Num N, order II: N Num and order III: N Num N. While order I is unmarked, orders II and III are marked, focus related structures. Specifically, when kind and number are being proposed or focused separately it causes the determiner phrase (DP) to be split in two, one part deno
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Chen, Shao-Tzu, and 陳紹慈. "The Evolution of Chinese Ancient Characters:A Study of Shell and Bone Inscriptions, Bronze Inscriptions, Big Seal Script, Small Seal Script." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/32353958347723115097.

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