Relevant bibliographies by topics / Chinese Buddhist poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chinese Buddhist poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Chinese Buddhist poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Chinese Buddhist poetry"

1

Ochilov, O. "CHINESE NEW POETRY AND BUDDHISM." Builders Of The Future 02, no. 02 (2022): 277–81. http://dx.doi.org/10.37547/builders-v2-i2-42.

Full text
Abstract:
The article is about the influence of Buddhism on Chinese literature, especially poetry, the uniqueness of the verses in Buddhist scriptures, their emergence as a new genre, the peculiarities of Zen poetry, which began to spread in the late and early Sung dynasties as well as about the state of poetry in the late 19th century, which promoted Buddhist ideas and culture.
APA, Harvard, Vancouver, ISO, and other styles
2

Kwak, Mira, and boyoun Lim. "The aspect and meaning of Chinese poetry included in the Buddhist magazine 『Joseonbulgyowolbo』 in the 1910s." Daedong Hanmun Association 82 (April 30, 2025): 259–87. https://doi.org/10.21794/ddhm.2025.82.259.

Full text
Abstract:
Joseonbulgyowolbo is the first comprehensive magazine of modern Korean Buddhism in existence, and contains a wide range of articles, historical records, translations, and literature, and is especially noteworthy in that it contains over 300 original Chinese poems. This means that the magazine played an important role in embodying Buddhist thought in literature beyond the function of conveying information and missionary work, but little research has been done on this to date. Therefore, this study examined what Buddhist magazines actively used the Chinese poetry style in the modern changes of K
APA, Harvard, Vancouver, ISO, and other styles
3

Xu, Xiaoxiao. "“Lamp and Candle”: Classical Chinese Imagery in Taixu’s Poetry." Religions 14, no. 8 (2023): 1077. http://dx.doi.org/10.3390/rel14081077.

Full text
Abstract:
Taixu 太虛 (1890–1947), a prominent figure in modern Chinese Buddhism, produced a voluminous collection of poetry abounding with diverse classical Chinese images. Notably, the “lamp and candle” (dengzhu 燈燭) holds great significance, reflecting Taixu’s personal affinity with this imagery and an intimate connection to classical Chinese poetry. Acting as a potent Buddhist metaphor, it encapsulates multifaceted sentiments while also intertwining with other evocative images, such as the boat, the moon, and falling leaves. Symbolizing Taixu’s unwavering spirit, it represents his profound dedication to
APA, Harvard, Vancouver, ISO, and other styles
4

He, Yuemin. "“Personal Items”." Religion and the Arts 26, no. 1-2 (2022): 184–203. http://dx.doi.org/10.1163/15685292-02601008.

Full text
Abstract:
Abstract Whereas Buddhism’s profile is rising in the US, there are surprising ways that Buddhism recirculates in more secular guises in traditionally Buddhist cultures of East Asia. This essay explores an intriguing case. Chi Li’s razor-sharp, passionate poems are quirkily “personal,” but relate very well to a wide spectrum of Chinese readers who made the popular novelist’s surprise poetry debut a bestseller in China. By studying Chi’s extensive use of Buddhist references to tap into issues dear to her, this essay shows that the Chinese readers are receptive to Buddhist ideas more as philosoph
APA, Harvard, Vancouver, ISO, and other styles
5

Chương, Nguyễn Cảnh. "TÂM CỦA NGUYỄN DU TỪ THƠ CHỮ HÁN ĐẾN VĂN CHIÊU HỒN". Dalat University Journal of Science 11, № 2 (2021): 27. http://dx.doi.org/10.37569/dalatuniversity.11.2.809(2021).

Full text
Abstract:
From Chinese poetry, “The Tale of Kieu” to “Van chieu hon” shows a movement in Nguyen Du’s thought. The mind of Nguyen Du moved from the heart of a Confucian, in which Chinese poetry expressed life’s pains and sorrows, to the immense compassionate heart of Buddhism for sentient beings in “Van chieu hon” This article highlights that movement. At the same time, it is clear that, whether from the mind of the scholar Nguyen Du, or the mind of the Buddhist disciple Nguyen Du, the movement in Nguyen Du’s thought is also derived from a kind heart: a "thinking heart for a thousand years" of the great
APA, Harvard, Vancouver, ISO, and other styles
6

Fedianina, Vladlena A. "The Presentation of Tendai Teachingin Jien’s Poetry." Voprosy Filosofii, no. 2 (2021): 165–74. http://dx.doi.org/10.21146/0042-8744-2021-2-165-174.

Full text
Abstract:
This study analyzes how Buddhist philosophical ideas in Chinese and Indian scriptures were interpreted to make them more understandable in mediaeval Japan. It is based on the textual analysis of a cycle of poems entitled Kasuga hyakushu sō, composed by the Tendai monk Jien (1155‒1255). Jien con­sciously uses the poetic language of waka to express complex philosophical concepts. A textual analysis of Kasuga hyakushu sōōōо (circa 1218) sheds light on some seminal features of Japanese Buddhism including the place of Japanese deities (kami) in the system of Buddhist teaching, the time-spatial conc
APA, Harvard, Vancouver, ISO, and other styles
7

Ryzhkova, Anna V. "TRANSFORMATION OF CHAN-BUDDHIST MOTIFS IN MONASTERY POETRY OF THE SONG DYNASTY (GENDER ASPECT)." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 107–17. http://dx.doi.org/10.32342/2523-4463-2022-1-23-10.

Full text
Abstract:
There are phenomena of Chan Buddhism as philosophical and religious dogma and embodiment of its rules in the center of the article. Study object is poetry of monks and nuns written during Song dynasty (lyrics of Dumu Jingang, Zhenru, Daoqian and Daoqiang). The study is based on the works of the Chinese (Hu Shih), Ukrainian (N. S. Isaieva), Russian (M.I. Vorobyova-Desyatovskaya, M.S. Ulanov), French (H.Ciхоus, C. Clement), Germany (S. Weigel) and American (N. Miller) researchers. However, in the same time we have noticed lack of the works addressed to analysis of the Chan poetry, its’ themes, i
APA, Harvard, Vancouver, ISO, and other styles
8

Cai, Zong-Qi, and Stephen Roddy. "The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”." Journal of Chinese Literature and Culture 10, no. 2 (2023): 297–335. http://dx.doi.org/10.1215/23290048-10767961.

Full text
Abstract:
Abstract “A Piercing Glance Elevates the Mind” is a philosophical proposition offered by Zhou Yong (?–493) in his debate with Zhang Rong (444–497) over the similarities and differences between Daoism and Buddhism. The appearance of this previously unknown proposition shows that as early as the Liu-Song dynasty (420–479) writers already went beyond the limitations of the native Chinese conception of “image” (xiang) and consciously applied Buddhist concepts to come to new understandings of the objects, methods, and effects of the visual sense and to probe their transcendental religious significa
APA, Harvard, Vancouver, ISO, and other styles
9

Lei, Enhai, and Xudong Hu. "Presentation and Analysis of “Three Teachings Syncretism” in Song and Jin Poetry and Its Modern Significance." Religions 16, no. 1 (2025): 39. https://doi.org/10.3390/rel16010039.

Full text
Abstract:
The “Three Teachings Syncretism” (sanjiao heyi, 三教合一), i.e., the integration of Confucianism, Buddhism, and Daoism, represents an important religious philosophy in ancient China. This article aims to analyze how this ideology is presented and expressed directly in Song and Jin poetry, along with its modern value and significance. To achieve the research objectives, the paper isolates related poems from the Complete Song Poetry and Complete Liao Jin Poetry as the research objects. First, it organizes and classifies the relevant poems through the ways in which the idea of “Three Teachings Syncre
APA, Harvard, Vancouver, ISO, and other styles
10

Keyworth, George A. "‘Study Effortless-Action’." Journal of Religion in Japan 6, no. 2 (2017): 75–106. http://dx.doi.org/10.1163/22118349-00602003.

Full text
Abstract:
Today there is a distinction in Japanese Zen Buddhist monasticism between prayer temples and training centers. Zen training is typically thought to encompass either meditation training or public-case introspection, or both. Yet first-hand accounts exist from the Edo period (1603–1868) which suggest that the study of Buddhist (e.g., public case records, discourse records, sūtra literature, prayer manuals) and Chinese (poetry, philosophy, history) literature may have been equally if not more important topics for rigorous study. How much more so the case with the cultivation of the literary arts
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Chinese Buddhist poetry"

1

張為群 and Wai-kwan Cheung. "The monk-poets of the mid-Tang period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31220617.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chiu, Man-yee Angela, and 招敏儀. "Striking the buddhist chord in snowy regions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41385251.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Chiu, Man-yee Angela. "Striking the buddhist chord in snowy regions contemporary Chinese poetry on Tibetan culture = Qiao xiang xue yu de fan yin : Zhongguo dang dai Zang wen hua Han yu xin shi yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41385251.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

邵敏智. "論白居易詩歌與居士文化的關係 = The relationship between Bai Ju-yi's poetry and Buddhist culture". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636198.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

Full text
Abstract:
The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem th
APA, Harvard, Vancouver, ISO, and other styles
6

Zhang, Yan. "The Sutras as Poetry: Wang Wei's Use of Buddhist Philosophy as Poetic Image." 2020. https://scholarworks.umass.edu/masters_theses_2/986.

Full text
Abstract:
The present academic studies on Wang Wei usually focus on his landscape poems and claim that these landscape poems imply Buddhism. Their methods usually analyze Wang Wei’s Buddhist tendencies from his life experience. But it needs more textual analysis to prove that the relationship between his poem and Buddhism. The Introduction section provides the relationship between the Buddhist principles and Wang Wei’s Buddhist poems. The Buddhist principles were figuratively represented in Wang Wei’s poems by describing certain images from Buddhist Sutras. Chapter 1 presents the analysis of the couplet
APA, Harvard, Vancouver, ISO, and other styles
7

Wang, Chyng-Huey, and 王晴慧. "A Research to Chinese-translated Buddhist scriptures,Chin-Song,and poetry of the Six Dynasties." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/35450811667262980577.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Niu, Sijia. "Buddhist Depiction of Life in the Verse of the Tang Dynasty Poet Han Shan." 2016. https://scholarworks.umass.edu/masters_theses_2/367.

Full text
Abstract:
The present works of reading Chinese poetry offers a biographic reading method, but it cannot fit for reading Han Shan’s poetry, as he had unclear recording in history. Focused on exploring the persona and religion in Han Shan’s poetry world, I examine reading Han Shan’s poems in Buddhist way. Chapter 1 provides the biography of Han Shan, and presents his vernacular expression as different from other poets in history. Chapter 2 introduces some new methods on reading poetry brought up by some literature critics. Chapter 3 presents the Buddhist reading method that I have adopted to read and unde
APA, Harvard, Vancouver, ISO, and other styles
9

Polláková, Petra. "Východoasijská kaligrafie a české umění po roce 1948." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-415375.

Full text
Abstract:
My dissertation thesis seeks to explore some specific social aspects of the dialogue between traditional Chinese art and thinking and Czech art scene after the February1948, when the Communist party took power in former Czechoslovakia. I am mainly interested in the problematic of inspiration from traditional Chinese calligraphy and Daoist philosophy on Czech painting, visual poetry and literature in the 1950s and 1960s. I will argue that the appropriation of selected Chinese philosophical and artistic themes helped Czech artists, working under the communist repression, to express their innermo
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Chinese Buddhist poetry"

1

Myŏngjo. Hŏbaek Taesa munjip. Munjip Pʻyŏnchʻan Wiwŏnhoe, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mingdao, Wang, ed. Ji shi jing hua lu. Chang chun shu shu fang, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Binglin, Zhang. Gu dao shan fang shi chao. Shanghai gu ji chu ban she, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Fung, Mary M. Y. A Full Load of Moonlight: Chinese Chan Buddhist Poems. Musical Stone Culture LTD., 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

sinologue, Jacob Paul, ed. Poètes bouddhistes des Tang. Gallimard, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hong, Pyŏng-hwa. Chosŏn sidae Pulgyo kŏnch'uk ŭi yŏksa. Minjoksa, 2020.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Liang, Zeng, Shen Guoquan, and Zhao Lin, eds. "Nanhai ji gui nei fa zhuan" yan jiu. Fo guang shan wen jiao ji jin hui, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hongyi. Shi yong fo jiao dui lian. Chang chun shu shu fang, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jue, Chen, ed. Song dai chan seng shi ji kao. Fu dan da xue chu ban she, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Red, Pine, and O'Connor Mike, eds. The clouds should know me by now: Buddhist poet monks of China. Wisdom Publications, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Chinese Buddhist poetry"

1

Rouzer, Paul. "Refuges and Refugees." In Reading Du Fu. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.003.0006.

Full text
Abstract:
While increasing attention has been paid to the role of Buddhism in Chinese literature and aesthetics, relatively little has been written on the place of the religion in the poetry of Du Fu. This essay examines ways in which the poet deploys Buddhist imagery and themes, particularly in occasional verse. It also argues that “Buddhist poetry” in China is best examined through social praxis (temple-visiting, poetic exchanges with monks, etc.) than through explicit or implicit philosophical discourse. Though Buddhism is by no means a prominent aspect in Du Fu’s work, examination of Buddhist motifs
APA, Harvard, Vancouver, ISO, and other styles
2

Robson, James. "My Back Pages: The Sūtra in Forty-Two Chapters Revisited1." In Religion and Poetry in Medieval China. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463721172_ch09.

Full text
Abstract:
The Sūtra in Forty-Two Chapters (Sishi’er zhang jing 四十二章經) has been celebrated as the first Indian Buddhist sūtra brought to China, where it was, supposedly, translated into Chinese in 67 CE. This sūtra has become a favorite for Western translators and is often used as an introduction to the transmission of Buddhism to China and to Chinese Buddhism in general. Robson traces the textual history of this text in a range of Chinese sources, focusing on the earliest exemplar of this sūtra in a Daoist text. This chapter also discusses how and why this short text came to play such a significant role
APA, Harvard, Vancouver, ISO, and other styles
3

"6. New Evidence: The Oldest Buddhist Sequence." In Chinese Poetry and Prophecy. Stanford University Press, 2005. http://dx.doi.org/10.1515/9781503619760-009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"7. La Trahison Des Cléromanes: Divination in a Buddhist Setting." In Chinese Poetry and Prophecy. Stanford University Press, 2005. http://dx.doi.org/10.1515/9781503619760-010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"9. The Struggling Buddhist Mind: Shen Yue." In How to Read Chinese Poetry in Context. Columbia University Press, 2018. http://dx.doi.org/10.7312/cai-18536-015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lam, Lap. "Versifying Religious Belief: Sinitic Buddhism and Buddhist Poets." In Cultural Transplantation: The Writing of Classical Chinese Poetry in Colonial Singapore (1887‒1945). BRILL, 2023. http://dx.doi.org/10.1163/9789004538924_007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Birrell, Anne. "Chinese and Japanese Studies." In A Century of British Medieval Studies. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263952.003.0013.

Full text
Abstract:
This chapter examines British work on Chinese and Japanese studies. It explains that for a significant part of the twentieth century British sinologists have been trendsetters worldwide in the field of medieval studies. Most of the British research focused on Tun-huang studies, the Taoist canon, Buddhist temple art, Chinese landscape painting, Sung porcelain and Chinese poetry. This chapter also stresses the need to examine the concepts of gender and egalitarianism with the framework of current trends in medieval sinology.
APA, Harvard, Vancouver, ISO, and other styles
8

"13. Poetry and Buddhist Enlightenment: Wang Wei and Han Shan." In How to Read Chinese Poetry in Context. Columbia University Press, 2018. http://dx.doi.org/10.7312/cai-18536-019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Skoulding, Zoë. "Synaesthesia: Tuning in to Carol Watts and Mei-Mei Berssenbrugge." In Poetry & Listening. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.003.0005.

Full text
Abstract:
Synaesthesia, whether physical experience or a literary device that foregrounds the interconnectedness of the senses, is a starting point for discussion of the Chinese-American poet Mei-mei Berssenbrugge and Carol Watts from the UK. The interplay between hearing, listening, sight and touch in their work becomes a means of challenging traditional forms of subjectivity and exploring the ecological dimensions of their poems. Forms of reciprocal and receptive listening are discussed in relation to Berssenbrugge's Buddhist sensibility and Watts's charting of relations between the auditory and the v
APA, Harvard, Vancouver, ISO, and other styles
10

Tian, Xiaofei. "Feeding the Phoenix." In Reading Du Fu. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.003.0007.

Full text
Abstract:
Buddhism was a pervasive multimedia presence in medieval Chinese society and intersected with literature in a variety of ways. This chapter argues that in studying poetry and religion we should not only look at texts written by religious practitioners and by secular authors visiting religious sites and interacting with religious practitioners, but also examine how a text may be informed and inflected by prevalent contemporary religious discourse. The chapter takes up a famous set of travel poems by Du Fu, the Qinzhou-Tonggu series, and reads them as a carefully organized sequence that constitu
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Chinese Buddhist poetry"

1

Orlova, Elena. "ON THE INFLUENCE OF THE VIMALAKIRTI NIRDESA SUTRA ON WANG WEI’S POETRY." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.17.

Full text
Abstract:
Wang Wei (699–759), an outstanding poet of the Tang period, was brought up in a Buddhist environment from a young age and remained a follower of Buddhist teachings throughout his life. Being a layman who chose the civil service career, he was acquainted and communicated with monks of different schools of Buddhism. He knew well canonical Mahayana scriptures that, clearly, had a certain impact on the poet’s worldview and works, and in many ways became his source of inspiration. One of these scriptures was undoubtedly the Vimalakirti Nirdesa Sutra (English: The Sutra of The Teaching of Vimalakirt
APA, Harvard, Vancouver, ISO, and other styles
2

Dyakonova, Elena. "THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.38.

Full text
Abstract:
The paper analyzes Sasamegoto (Whispered Conversations, 1463–1464), a treatise by Shinkei, the influential Buddhist poet and thinker of the Muromachi period (1392–1568). In this treatise on the collaborative poetry of “linked verse” (renga), the author addresses the category of the “Way” (michi) or the “Way of Poetry” (uta-no michi), which he interprets on the basis of ancient Chinese philosophers (Confucius and Lao Tze) and early Japanese authors of Zen school (e. g., Mujū Ichien, who wrote the Shasekishū — The Collection of Sand and Rocks, 13th century) and even endows it with a new meaning.
APA, Harvard, Vancouver, ISO, and other styles
3

Voytishek, E. E., A. V. Zinchenko, and Yao Song. "“Ten virtues of incense” in Buddhist Tradition of China and Japan." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-10-30.

Full text
Abstract:
This article is based on the text known as “Ten Virtues of Incense” (香十德 Xiang shí de) written during the Song dynasty (960–1279). In this text, the fundamental functions of incense, manifesting in everyday life and Buddhist ceremonies, are listed in a metaphorical form. This short text, consisting only of 40 Chinese characters, over time, has become one of the fundamental works of traditional Chinese and Japanese culture, exerting its influence on the Chan and Zen practices of Buddhist masters, as well as on the arts of tea and incense. The question of authorship adds extra intrigue to the ph
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Chinese Buddhist poetry' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography