Relevant bibliographies by topics / Chinese Classical dance breathing

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Chinese Classical dance breathing'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Chinese Classical dance breathing"

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Vītola, Sandra. "PROPER BREATHING IMPORTANCE IN CLASSICAL AND MODERN DANCE TRAINING." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 26, 2017): 158. http://dx.doi.org/10.17770/sie2017vol4.2353.

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Based on the theoretical ideas of scholars in the field of dance, the article analyses the significance of correct breathing and its usage in movement performance in classical and modern dance acquisition.
 
 The most important condition for dancers is the daily workout, which develops an understanding of basic components of movements, one of the most significant being correct breathing. Application of correct breathing facilitates a comprehension among dancers of the possibilities of the body – the amplitude and quality of performed movements, as well as the ability to control the s
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Oleneva, A. V., and I. A. Stepanik. "BREATHING EXERCISES IN CHOREOGRAPHIC EDUCATION." Pedagogical IMAGE 14, no. 4 (2020): 696–708. http://dx.doi.org/10.32343/2409-5052-2020-14-4-696-708.

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Introduction. The paper emphasizes the importance of work on breathing in professional choreographic education. The distinguishing features of breathing in choreography are presented. The study involves an analysis of various breathing techniques (yoga, pilates, Strelnikova gymnastics, and others), their compliance with the choreographic art requirements, and adaptability to professional choreographic education. Materials and methods. The analysis has been used to compile a set of breathing exercises corresponding to the classical dance requirements. The 5-month practice at the choreographic v
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Liu, Jian, and Zhong Gao. "Historical and Cultural Premise of Chinese Classical Dance." Ethnic Arts Studies 29, no. 1 (2016): 172–79. http://dx.doi.org/10.21004/issn.1003-840x.2016.01.172.

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Chang, Chiung-Fang, and Akiko Zukawa. "Characteristics of Chinese classical dance works performed in Taiwan." Taiikugaku kenkyu (Japan Journal of Physical Education, Health and Sport Sciences) 51, no. 6 (2006): 737–56. http://dx.doi.org/10.5432/jjpehss.51.737.

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Xu, Xiang. "Exploration of the Historical and Cultural Aspects of “Yuanchangbu” in Chinese Classical Dance." Asian Journal of Humanity, Art and Literature 4, no. 2 (2017): 109–16. http://dx.doi.org/10.18034/ajhal.v4i2.322.

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The main purpose of this paper is to explore and analyze the unknown Chinese emotions hidden behind the movement “Yuanchangbu,” and to find out the meaning behind it from a cultural and historical viewpoint. We will rediscover some of the silences in history and restore the psychology, emotion and movement of Chinese classical dance. Therefore, this paper will, firstly, set “Yuanchangbu” as a clue through which to explore how the movement in daily life developed into the movement of Chinese classical dance.
 Furthermore, due to the impact of ancient Chinese foot binding culture on the for
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장동동 and 한윤희. "A Study on the Features of the Chinese Classical Dance Based on 'Sunmudancheong', One of Chinese Classical Works." Journal of Korean Dance 34, no. 4 (2016): 199–222. http://dx.doi.org/10.15726/jkd.2016.34.4.009.

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Kumari, Nisha, and M. Gautam Shetty. "A STUDY ON INFLUENCE OF CLASSICAL INDIAN DANCE PRACTICE ON CARDIO – RESPIRATORY WELL BEING." International Ayurvedic Medical Journal 8, no. 10 (2020): 4643–48. http://dx.doi.org/10.46607/iamj1208102020.

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Dance is a Rhythmic form of exercise. It involves slow to intense kinetic footwork, swaying hand gestures and subtle eye - facial expressions. It activates skeletal muscles, stimulates functioning of smooth muscles and enhances the contractility of cardiac muscles. Along with this dance practice also alters breathing mechanism with reference to enhancement of vital capacity. Thus, dancing regularly helps the overall functionality of Cardio – Respiratory system which changes the individual’s wellbeing. The following study analyses the mode of action of dancing over the system of the internal bo
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Wang, Ziqiao. "Analysis of the Importance of Demeanor Training to the Study of Chinese Folk Dance—Taking Uighur Dance as an Example." Journal of Educational Theory and Management 2, no. 3 (2018): 84. http://dx.doi.org/10.26549/jetm.v2i3.992.

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Chinese folk dance has a long history and is quite abundant. It is an indispensable source of Chinese classical dance, court dance and professional dance creation. Chinese folk dances are characterized by unpretentiousness, diverse forms, rich content, and vivid images. But these require professional dancers to express through professional training. Even amateur dances need to be completed through well-trained and emotionally full actors.[1] In the process of training, in addition to the necessary basic skills and other physical training, we also need to train the demeanor. We often say that t
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Dang, Yanan, Yiannis Koutedakis, and Matthew Wyon. "Fit to Dance Survey: Elements of Lifestyle and Injury Incidence in Chinese Dancers." Medical Problems of Performing Artists 35, no. 1 (2020): 10–18. http://dx.doi.org/10.21091/mppa.2020.1002.

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The Fit to Dance survey has been conducted using primarily Western participants and has provided foundation data for other studies. The purpose of the current study was to replicate the Fit to Dance 2 survey focusing on features of health and injuries in pre-professional and professional Chinese dancers of different genres. The survey was translated into Chinese with several new and modified questions. The survey was posted online for a 3-month period. A total of 1,040 individuals (82.8% female) completed the questionnaire, including 871 dance students (83.7%) and 169 professional dancers (16.
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Tian, Tian. "The History of the Theories of Chinese Classical Dance (1954-2014): Sorting and Research on Five Dance Academic Journals, Namely, Dance, Journal of Beijing Dance Academy, Dance Review, Dance Art Periodicals, and Dance Studies." Ethnic Arts Studies 29, no. 1 (2016): 218–37. http://dx.doi.org/10.21004/issn.1003-840x.2016.01.218.

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Dissertations / Theses on the topic "Chinese Classical dance breathing"

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"WAKE UP BREATHING." Master's thesis, 2019. http://hdl.handle.net/2286/R.I.53634.

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abstract: The piece WAKE UP BREATHING holds personal significance as an investigation of thought-provoking issues of breathing through film installation, video and live performance. This research specifically addressed how breath training exercises enhance dance performance and improve a dancer’s control of their body, as well as how these exercises can function as material for choreographic inquiry. During the creation of the concert, the choreographer employed breath building exercises and applied different breath techniques with a cast of nine dancers. The choreographer and dancers worked c
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Lai, Yi-Hsuan, and 賴怡璇. "Evolution and development of Chinese classical dance in Taiwan." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/57874465751215880075.

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碩士<br>中國文化大學<br>舞蹈學系<br>103<br>The purpose of this paper is to investigate the incorporation and expansion of Chinese Classical dancing in Taiwan. Based on the various different styles of expressions of Chinese Classical dance, there are clear differences in the ways each teacher interprets the meanings of the dance and their use of the body. Also, the publications released during an international research conference held by the Chinese Cultural University's Dance Department caught the attention of the researcher. The researcher's interest in the heavily culturally influenced Chinese Classical
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王廣生. "The representation of Chinese classical dance in Tang Dynasty : a study of "Yanyue"." Thesis, 2012. http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/login?o=dnclcdr&s=id=%22101CHU00045002%22.&searchmode=basic.

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YU, CHIH-AI, and 于知愛. "Based on Gadamer’s Fusion of Horizons to Explore the Representation of Chinese Classical Dance." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/8yrg53.

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CHUO, CHUEH, and 卓玨. "Revived from Historical Relics and Contemporary Interpretation: The Han-Tang Chinese Classical Dance “Tongque Platform” and “Spring Excursion”." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/b3t9t9.

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碩士<br>國立臺灣體育運動大學<br>舞蹈學系碩士班<br>105<br>Ying Sun created the Han-Tang Chinese Classical Dance through his investigations on historical materials, such as masonry painting from Han dynasty and pottery figurines, to reconstruct ancient culture and art. Ying Sun’s most famous dance drama“Tongque Platform” was choreographed in 1986. His dance work“Spring Excursion”, which Ying Sun created in 1993 and formally staged in 1999, was regarded as a classical dance work of Han-Tang Chinese Classical Dance. This research penetrates from viewpoints of historical interpretation and globalization. Conducting i
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SU, LI-WEI, and 蘇立偉. "The Moral Meaning of Chinese Classical Dance from Kant's Aesthetics: Taking the Dance Department of NIAO SONG Junior High School And Art Experimental High School in Taiwan as an Example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/q3r6uy.

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碩士<br>國立臺灣藝術大學<br>藝術管理與文化政策研究所<br>106<br>The purpose of this study is to explore the impact of the "Chinese Classical Dance" education curriculum on students' "aesthetic" and "moral". And the German philosopher Kant proposed how "beauty is a symbol of morality" in the art education? Therefore, this study is based on Kant's aesthetics and applies some of the basic concepts to explore three issues: I. What is Chinese classical dance? How does its course work? II. How do the aesthetics and morality be connected from the aspect of students of dancing department? III. How do the aesthetics and mora
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Balinska, Liliya. "O profundo significado da dança clássica chinesa: uma visão comparativa entre a dança clássica chinesa e o balé." Master's thesis, 2018. http://hdl.handle.net/1822/59800.

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Dissertação de mestrado em Estudos Interculturais Português/Chinês: Tradução Formação e Comunicação Empresarial<br>O presente trabalho centra-se no tema da dança clássica - chinesa e ocidental - apresentando a sua origem, a evolução ao longo da história e o seu lugar na sociedade atual. O primeiro capítulo é dedicado à dança clássica ocidental, mais concretamente, ao balé. Inicialmente apresentam-se a origem, os momentos marcantes, assim como as figuras de destaque, da história do balé na Europa, e em Portugal. De seguida, faz-se uma caracterização deste género de dança, mostrando as suas
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Book chapters on the topic "Chinese Classical dance breathing"

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Marlow, Eugene. "Liu Sola: China’s Musically Eclectic Composer." In Jazz in China. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817990.003.0012.

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This chapter presents an interview with composer, author, and vocalist Liu Sola, who has blended the musical traditions of China with jazz, blues, and improvisation. Since the 1980s, Liu Sola has scored many Chinese and international film sound tracks, as well as TV and drama productions. She has composed music for orchestra, ensemble, opera, modern theater, modern dance, and art exhibitions. This chapter presents an interview with composer, author, and vocalist Liu Sola, who has blended the musical traditions of China with jazz, blues, and improvisation. Since the 1980s, Liu Sola has scored many Chinese and international film sound tracks, as well as TV and drama productions. She has composed music for orchestra, ensemble, opera, modern theater, modern dance, and art exhibitions. Her range of musical styles includes classical music, jazz, early music, rock, traditional, and contemporary music. She is the founder of Liu Sola Music Studio, located in the Songzhuang art colony, a Beijing artist district. Liu Sola designed and built a music space for her ensemble to rehearse and record.
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Conference papers on the topic "Chinese Classical dance breathing"

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Long, Xiaoya. "Analysis on Evolution of Style of Chinese Classical Dance from Classical Dance Play." In 2016 5th International Conference on Social Science, Education and Humanities Research. Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.80.

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Yang, Fan. "The Aesthetic Image of qCircleq in Chinese Classical Dance." In 2018 3rd International Conference on Humanities Science, Management and Education Technology (HSMET 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/hsmet-18.2018.62.

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Dong, Hui. "Discussion on Application of Dance Anatomy in Basic Training Classroom of Chinese Classical Dance." In 2017 4th International Conference on Education, Management and Computing Technology (ICEMCT 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icemct-17.2017.231.

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Long, Xiaoya. "Study on Style of Chinese Classical Dance and Personalized Creation." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.47.

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Nan, Tianzhi. "Thoughts on the Diplomatic Role of Chinese Classical Dance Culture." In Proceedings of the 2018 8th International Conference on Education and Management (ICEM 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icem-18.2019.14.

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Yue, Na. "A Brief Discussion on the Technical Skill Difference Between Chinese Classical Dance and Western Dance." In 2017 International Conference on Humanities Science, Management and Education Technology (HSMET 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/hsmet-17.2017.69.

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Chen, Peiyan. "On Traditional Chinese Culture: Common Rhythmical Point Between Traditional Opera and Classical Dance." In 2018 Symposium on Health and Education (SOHE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/sohe-18.2018.8.

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Zeng, Li. "Study on the Effectiveness of Chinese Classical Poetry Texts Aiding Dance Teaching in Normal Colleges." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.149.

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Liu Liu. "The recognition of the value of “Body Charm” teaching in the subject of Chinese classical dance." In 2011 International Conference on Computer Science and Service System (CSSS). IEEE, 2011. http://dx.doi.org/10.1109/csss.2011.5975002.

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Li, Hongju, and Xindi Cao. "MIND-BODY INTEGRATION IN DANCE MOVEMENT THERAPY." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact081.

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"Mind-body integration is a key element for a successful dance movement therapy (DMT). As the connection between mind and body is reconnected, the clients can not only express but also improve their mental state through body movement. The integration of mind and body can be viewed from to aspects, namely the first-person experience and the third-person phenomenon, both of which play a crucial role in the therapeutic process of DMT. The first-person experience transcends the mind’s neurobiological phenomenon, which is relatively more important for the clients, while the third-person observation
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