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1

Gu dian wen xian ji qi li yong. Beijing da xue chu ban she, 2004.

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2

1921-, Rickett W. Allyn, ed. Guanzi: Political, economic, and philosophical essays from early China : a study and translation = [Guanzi]. Princeton University Press, 1985.

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3

Philosophy on bamboo: Text and the production of meaning in early China. Brill, 2012.

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4

1943-, Unschuld Paul U., ed. Nan-ching: The classics of difficult issues ; with commentaries by Chinese and Japanese authors from the third through the twentieth century. University of California Press, 1986.

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5

Børdahl, Vibeke. Chinese storytellers: Life and art in the Yangzhou tradition. Cheng & Tsui Co., 2002.

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6

1947-, Chiang Yeng Fong, ed. Cloud weavers: Ancient Chinese legends. Pacific View Press, 2003.

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7

ill, Reasoner Charles, ed. The seventh sister: A Chinese legend. Troll Associates, 1994.

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8

d', Hormon André, ed. Guoyu, propos sur les principautés. Collège de France, Institut des hautes études chinoises, 1985.

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9

Dayuan, Ma, ed. Guo yu gu shi xuan yi: Guoyu gushi xuanyi. Shanghai gu ji chu ban she, 1985.

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10

1946-, Hŏ Ho-gu, and Chŏntʻong Munhwa Yŏnʼguhoe (Korea). Kojŏn Kugyŏk Pʻyŏnjip Wiwŏnhoe., eds. Yŏkchu Kugŏ. Chŏntʻong Munhwa Yŏnʼguhoe, 2005.

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11

Zuoqiu, Ming. Discours du Qi: Texte historique de la Chine pré-impériale = [Qi yu]. ENS editions, 2005.

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12

Liu, Xiang, 77?-6? B.C., Zhang Shunhui, and Li Weiqi, eds. Guo yu. Yue lu shu she, 1988.

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13

S, Taskin V., ed. Go i͡u︡ĭ: Rechi t͡s︡arstv = [Guo yu]. Izd-vo "Nauka," Glav. red. vostochnoĭ lit-ry, 1987.

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14

Chinese classical furniture. Oxford University Press, 1995.

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15

The subtle revolution: Poets of the "old schools" during late Qing and early Republican China. Institute of East Asian Studies, 2005.

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16

Jizhou, Yang. The divinely responding classic: A translation of the Shen ying jing from the Zhen jiu da cheng : [Shen ying ching]. Blue Poppy Press, 1994.

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17

Pitman, Norman Hinsdale. The Chinese wonder book: A classic collection of Chinese tales. Tuttle Pub., 2011.

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18

1223-1296, Wang Yinglin, ed. San tzu ching explicated, the classical initiation to classic Chinese couplet I to XI. Verlag der Österreichischen Akademie der Wissenschaften, 2005.

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19

Laozi. Tao te ching. Tecnos, 1996.

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20

Laozi. Te-tao ching. Modern Library, 1993.

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21

Laozi. Tao té ching. Signet Classics, 2007.

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22

Laozi. Tao teh ching. Shambhala, 1989.

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23

Tao Te Ching. Penguin USA, Inc., 2009.

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24

Laozi. Tao te ching. Galeri Petronas, 2007.

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25

Guanzhong, Luo. Three kingdoms: [classic novel in four volumes]. Foreign Languages Press, 2001.

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26

Guanzhong, Luo. Three kingdoms: [classic novel in four volumes. Foreign Languages Press, 1995.

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27

Laozi. The illustrated Tao te ching. Godsfield Book, 2002.

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28

Laozi. Lao Tzu's Tao-te ching. One Mind Press, 1986.

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29

Ching, Ni Hua, and Laozi, eds. The complete works of Lao Tzu: Tao teh ching and Hua hu ching. Seven Star Communications, 1995.

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30

1943-, Mitchell Stephen, ed. Tao te ching: A new English version. HarperPerennial, 1991.

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31

Roberts, Moss. Three Kingdoms: Chinese Classics (Classic Novel in 4-Volumes). Foreign Languages Press, 2005.

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32

Five Lost Classics: Tao, Huang-lao, and Yin-yang in Han China (Classics of Ancient China). Ballantine Books, 1997.

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33

Adapting Western Classics for the Chinese Stage. Taylor & Francis Group, 2018.

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34

(Translator), Yang Bojun, and Arthur Waley (Translator), eds. The Analects (Library of Chinese Classics). Foreign Languages Press, 1999.

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35

Four Chinese Classics: Tao Te Ching, Analects, Chuang Tzu, Mencius. Counterpoint Press, 2014.

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36

Four Chinese Classics: Tao Te Ching, Analects, Chuang Tzu, Mencius. Counterpoint Press, 2016.

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37

Shen, Kuiyi. Shaping the “Red Classics” of Chinese Art in Early Socialist China. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390892.003.0005.

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Traditional Chinese art was tied closely to the ruling elites of imperial China and therefore presented a particular challenge to the new communist regime seeking to establish a new proletarian culture in the 1950s. This chapter throws light on the way established traditional painters and artists were managed and their art reshaped through the application of principles set down in the Yan’an Talks and a deliberate “modernization” of traditional Chinese painting. It argues that in the case of guohua the tension between old forms and new content was not just resolved but led to invigoration and
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38

Freke, Timothy, and Laozi. Lao Tzu's Tao Te Ching (Chinese Popular Classics). Piatkus Books, 2000.

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39

Yates, Robin D. S., 1948-, ed. Five lost classics: Tao, Huanglao, and Yin-yang in Han China. Ballantine Books, 1997.

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40

Confucius. Analects (Wordsworth Classics). NTC/Contemporary Publishing Company, 1997.

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41

Sunzi. The Art of War (Library of Chinese Classics Chinese-English/Hardcover). Foreign Languages Press, 1999.

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42

Shields, Anna. Classicisms in Chinese Literary Culture. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.26.

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The tradition of classical studies in China after the fall of the Han continued to flourish, though in changing forms from the period of division through the end of the Tang dynasty. The ongoing relevance of the Classics and the Masters Texts to both the educational and institutional systems of successive dynasties guaranteed that elites would sustain a heritage of scholarship and transmit commentaries over generations. And yet the classicist tradition was not merely a static corpus of commentary on “dead” texts but rather a dynamic and stimulating body of knowledge that inspired new literary
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43

Pan Chao: Foremost Woman Scholar of China (Michigan Classics in Chinese Studies). Center for Chinese Studies, The Universi, 2001.

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44

Munro, Donald J. The Concept of Man in Early China (Michigan Classics in Chinese Studies). Center for Chinese Studies, The Universi, 2001.

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45

Mistral, Silvia. LA Cenicienta China/ The Chinese Cinderella (Clasicos Para Leer/ Classics to Read). Trillas, 1999.

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46

Kornicki, Peter Francis. Classics, Examinations, and Confucianism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797821.003.0010.

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This chapter deals with the Confucian tradition in East Asia and the role played by the Chinese classics in education and learning throughout East Asia and in the civil service examinations which were held in most neighbouring societies. The Chinese classics were by no means easy to understand, so commentarial traditions emerged in China at an early stage; the difficulties were compounded for those who spoke quite different languages, and there was tension between those who considered mastery of the Sinitic texts essential and those who considered the messages they contained more important and
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47

Confucius. The Analects (Penguin Classics). Penguin Classics, 1998.

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48

Confucius. The Analects (Oxford World's Classics). Oxford University Press, USA, 2000.

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49

Sawyer, Mei-Chun. The Seven Military Classics of Ancient China, including The Art of War. Westview Press, 1993.

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50

Loewe, Michael. Early Chinese Texts: A Bibliographical Guide (Early China Special Monograph, No 2). Univ of California Inst of East, 1994.

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