Relevant bibliographies by topics / Chinese drama Dreams in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Chinese drama Dreams in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Chinese drama Dreams in literature"

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Seligey, V. V. "THE TRANSCULTURAL SEMANTICS IN THE WORKS BY JIN YONG." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 200–212. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-200-212.

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The works by Chinese Hong Kong writer Jin Yong (1924-2018) fare in the focus of Chinese readers’ attention as the exemplified wu-xia literature. His novels only recently became the object of literary studies within China, and are seen as an alternative to the literary discourse founded by the May Fourth Movement. The article is focused on the transcultural qualities of his prose. Though the imagery and background in his works are distinctly ancient Chinese, embodying the genre principle ancient clothing“’, a lot of techniques, including plot development, characters’ traits are highly reminisce
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He, Chengzhou. "Ibsen and chinese 'problem drama'." Ibsen Studies 3, no. 1 (2003): 54–70. http://dx.doi.org/10.1080/15021860304317.

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Mackerras, Colin. "Chinese Drama after the 1989 Crisis." Modern Drama 35, no. 1 (1992): 72–80. http://dx.doi.org/10.3138/md.35.1.72.

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Kurtz, Joachim. "Chinese Dreams of the Middle Ages." Medieval History Journal 21, no. 1 (2018): 1–24. http://dx.doi.org/10.1177/0971945817753874.

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Dreams of a return to a golden age in remote antiquity were common tropes in imperial Chinese philosophy, literature and art. But such yearnings could also relate to the more recent past of a diffuse ‘Middle Period’ situated flexibly between the time of the legendary sage kings and the respective present. This article illustrates how evocations of this unwieldy era were re-signified through its association with Europe’s ‘Middle Ages’. Far from producing a unified image, the uneasy coupling opened up a space in between the normative poles of ‘antiquity’ and ‘modernity’ that served as a platform
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Leung, K. C., Martha P. Y. Cheung, and Jane C. C. Lai. "An Oxford Anthology of Contemporary Chinese Drama." World Literature Today 73, no. 1 (1999): 210. http://dx.doi.org/10.2307/40154657.

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Goldblatt, Howard, and Rudolf G. Wagner. "The Contemporary Chinese Historical Drama: Four Studies." World Literature Today 66, no. 1 (1992): 204. http://dx.doi.org/10.2307/40148099.

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Huang, Alexander C. Y. "Chinese Dreams: Pound, Brecht and Tel quel (review)." Comparative Literature Studies 43, no. 1 (2006): 187–90. http://dx.doi.org/10.1353/cls.2006.0033.

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Dong, Jian. "Withering of the spirit of contemporary Chinese drama." Frontiers of Literary Studies in China 1, no. 4 (2007): 571–80. http://dx.doi.org/10.1007/s11702-007-0027-1.

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Llamas, Regina. "Wang Guowei and the Establishment of Chinese Drama in the Modern Canon of Classical Literature." T'oung Pao 96, no. 1 (2010): 165–201. http://dx.doi.org/10.1163/156853210x515675.

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AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthe
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Yan, Haiping, and Rudolf G. Wagner. "The Contemporary Chinese Historical Drama: Four Studies." Theatre Journal 44, no. 4 (1992): 550. http://dx.doi.org/10.2307/3208791.

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Dissertations / Theses on the topic "Chinese drama Dreams in literature"

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Emerson, Whitney. "All of Chinese Literature Condensed: A Sourcebook from the Playwright, Director, and Biggest Fan." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5932.

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Aristotle stated in his Poetics that theatre's dual purpose was to educate and entertain. Centuries later the Roman Horace and Indian Bharata echoed his same sentiments. I intend to realize all three theorist's ideas on the theatre by creating an original educational and entertaining work and bringing it to performance. The audience will retain information without being aware of learning if it is presented in a pleasurable way. The most important geopolitical relationship of this century will be between China and America. In order to educate the American public about the culture of The Middle
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Zhu, Minqi 1953. "Literary motifs in traditional Chinese drama." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290589.

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The purpose of this dissertation is to examine some of the distinctive qualities of traditional Chinese drama in light of comparative studies in literature and drama, especially of Richard Wagner's theory of motifs. Opposed to realism, Wagner argued that music is necessary to the finest drama, for it should be "distanced" from actual life. Wagner intended to fuse all artistic arts into his "music drama." However such drama has existed in China for at least seven hundred years. Moreover, it still keeps vigorously springing up, and greatly manifesting its vitality. The hypothesis of this dissert
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Herd, Ruth Anne. "The influence of Japanese 'shimpa' drama on the birth and development of Chinese early modern drama." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365483.

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Zhang, Xiao Yang. "Shakespeare and traditional Chinese drama : Shakespeare in Chinese culture; a comparative study in cultural materialism." Thesis, University of Southampton, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358083.

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齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

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譚達先 and Tat-sin Tam. "Folk literature and the Zaju (Northern drama) of the YuanDynasty, 1279-1368." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31232395.

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Wang, Hui. "Reconfigurations of gender contemporary Chinese drama 1979-1989 : the politics of re-inscribing sexual differences /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22190144.

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文秉懿 and Bing-yee Man. "A study of minor comic characters in Yuan drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B3121177X.

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Wang, Hui, and 王卉. "Reconfigurations of gender: contemporary Chinese drama 1979-1989 : the politics of re-inscribing sexualdifferences." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31242364.

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曾慶慈 and Hing-chi Tsang. "A critical study of supernatural elements in Yuan drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31210028.

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Books on the topic "Chinese drama Dreams in literature"

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Zhongguo meng xi yan jiu. Xue si zhu ban she, 2000.

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Chinese dreams: Pound, Brecht, Tel quel. The University of Michigan Press, 2004.

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Juwen, Zhang, ed. The interpretation of dreams in Chinese culture. Weatherhill, 2000.

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Dell, Pamela. I.M. Pei, designer of dreams. Childrens Press, 1993.

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Roland, Alan. Dreams and drama: Psychoanalytic criticism, creativity and the artist. Continuum, 2002.

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Kennedy-Andrews, Elmer. The art of Brian Friel: Neither reality nor dreams. St. Martins Press, 1995.

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7

Rao, Pengzi. Comparative studies in Chinese and western literature and drama. Jinan University Press, 1996.

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8

Gun gun hong chen. Guangdong lu you chu ban she, 1996.

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9

The contemporary Chinese historical drama: Four studies. University of California Press, 1990.

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10

Liaoning Sheng qu yi jia xie hui, ed. Zhongguo chuan tong er ren zhuan da quan. Zhongguo wen lian chu ban she, 2008.

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Book chapters on the topic "Chinese drama Dreams in literature"

1

Xu, Xiaowen. "Early modern drama." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-15.

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Knight, Sabina. "4. Vernacular drama and fiction: gardens, bandits, and dreams." In Chinese Literature. Oxford University Press, 2012. http://dx.doi.org/10.1093/actrade/9780195392067.003.0004.

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Inwood, Heather. "The Happiness of Unrealizable Dreams." In Chinese Discourses on Happiness. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455720.003.0011.

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This chapter explores the pleasures found within a category of Chinese literature known as YY (yiyin), a term that originated in Dream of the Red Chamber and which has been translated as “lust of the mind” or “lust of intent,” but which can be understood in a more contemporary sense as “mental porn” and the verb “to fantasise.” By examining a typical work of online YY fiction, I suggest that yiyin denotes a key hedonistic impulse in contemporary Chinese popular narratives in which authors and readers gain pleasure from the vicarious satisfaction of the protagonist’s every desire. Fulfilment of these desires, however, is constantly delayed as the “objects of happiness” are held at arm’s length and the protagonist—and reader—keeps wanting more. The pursuit of happiness in Chinese popular fiction thus mirrors the deferral of gratification within capitalist consumerism, highlighting readers’ sense of lack (manque) and helping to determine their subjectivities as questioning, desiring individuals. I conclude by suggesting that, in contrast with official discourse surrounding the “China Dream,” popular fiction offers a means of “feeling good” (shuang) that is quite at peace with the fact it has no pretensions of ever coming true.
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"24. Performing the Nation: Chinese Drama and Theater." In The Columbia Companion to Modern Chinese Literature. Columbia University Press, 2016. http://dx.doi.org/10.7312/dent17008-025.

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"Chapter Seventeen Drama and Fiction of the Ming Dynasty." In A Concise History of Chinese Literature (2 vols.). BRILL, 2011. http://dx.doi.org/10.1163/9789004203679_019.

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"Chapter Nineteen Drama and Fiction of the Qing Dynasty." In A Concise History of Chinese Literature (2 vols.). BRILL, 2011. http://dx.doi.org/10.1163/9789004203679_021.

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"King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu." In History and Drama. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110604276-004.

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