Relevant bibliographies by topics / Chinese Experimental fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Chinese Experimental fiction'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Chinese Experimental fiction"

1

Heise, Ursula, and Tonglin Lu. "Misogyny, Cultural Nihilism, & Oppositional Politics: Contemporary Chinese Experimental Fiction." Chinese Literature: Essays, Articles, Reviews (CLEAR) 20 (December 1998): 212. http://dx.doi.org/10.2307/495276.

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Wu, Fatima, and Lu Tonglin. "Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction." World Literature Today 69, no. 4 (1995): 869. http://dx.doi.org/10.2307/40151810.

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Castelli, Alberto. "CHINESE LITERARY AVANT-GARDE: A TALE OF MAGIC." Folia linguistica et litteraria XII, no. 34 (2021): 7–24. http://dx.doi.org/10.31902/fll.34.2021.1.

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Chinese Avant-garde stands as a literary avalanche at the economic dawning of the Reform Era. The shaping of postmodern texts depoliticized, and fragmented, is somewhere along the line the ontological transaction to a post-ideology literature where the permanent struggle is not anymore between classes, but within the frame of personal identities. The narrative moves from socialist realism to experimental writing, from realism to abstract expressionism, forging a literary paradigm alternative to the dominant one. In this sense, Chinese Avant-garde stands as the narrative re-enchantment of Chine
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Ng, Kenny K. K. "Theory and Practice of the Long Novel." Prism 17, no. 2 (2020): 326–52. http://dx.doi.org/10.1215/25783491-8690412.

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AbstractThis article examines the promises and predicaments of May Fourth writers in their experimental writing of the “long novel” (changpian xiaoshuo 長篇小說) as a Chinese brand of the modern epic. May Fourth intellectuals showed a conscious effort to institute a new brand of fictional genre to enlighten the reading public. Yet their “education of the novel” was far from complete, as New Literature writers found fictional expressions primarily in the form of the short story, with strong undertones of individualism, subjective lyricism, and elitism. By focusing on Mao Dun's 茅盾 (1896–1981) Ziye 子
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Lee, Gregory. "Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction (review)." China Review International 5, no. 1 (1998): 194–97. http://dx.doi.org/10.1353/cri.1998.0083.

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Hartley, John. "‘Pathetic earthlings! Who can save you now?’ Science fiction, planetary crisis and the globalisation of Chinese culture." Global Media and China 7, no. 1 (2021): 3–23. http://dx.doi.org/10.1177/20594364211067872.

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Chinese policy has turned to the globalisation of communication and stories. Beyond the diplomatic ‘voice’, one of the ways that Chinese culture is reaching out to the rest of the world is through science fiction. Sci-fi can be construed as a specialist thinking-circuit for cultures to build and explore experimental models of collective action at global and planetary scale. What do its stories tell us about the globalisation of Chinese culture? When the need to ‘save the world’ has crossed over from sci-fi to science, from entertainment to activism, and from a thought experiment to imminent da
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Hedberg, William C. "How Do We Have Eighteenth-Century Japanese Fiction? Hermeneutic Mitate, Unreadable Novels, and Tension in Translation." Eighteenth-Century Fiction 37, no. 1 (2025): 53–76. https://doi.org/10.3138/ecf.2023-0065.

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The turn of the eighteenth century witnessed the importation of a vast array of new Chinese texts into Japan, and the remainder of the century was marked by the experimental reworking of the language, themes, and compositional techniques found in these works. While this history of Sino-Japanese engagement is often presented as a narrative of Japanese “domestication” of foreign literary forms, this article highlights authors who intentionally emphasized Chinese linguistic borrowings and narratological techniques that could not be easily assimilated. In thinking about how texts from the non-Euro
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Rong, Xiaoyu, and Jiagong Tang. "Exploring the social and cultural contexts in ancient chinese literature using natural language processing techniques." Journal of Combinatorial Mathematics and Combinatorial Computing 124 (February 18, 2025): 429–43. https://doi.org/10.61091/jcmcc124-28.

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The rise of digital humanities reflects a paradigm shift in literary research. This project applies natural language processing to ancient Chinese literature, embedding an attention mechanism into an iterative null convolutional network for named entity recognition. It also integrates the MacBERT pre-training model with a dual-channel structure of aspectual word and semantic features, designing a hierarchical attention mechanism for aspect-level sentiment analysis. Experimental results show improved recognition and sentiment analysis performance, with evaluation scores exceeding 83%. In Ming D
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Gong, Tianwei, and Andrew Shtulman. "The Plausible Impossible: Chinese Adults Hold Graded Notions of Impossibility." Journal of Cognition and Culture 21, no. 1-2 (2021): 76–93. http://dx.doi.org/10.1163/15685373-12340097.

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Abstract Events that violate the laws of nature are, by definition, impossible, but recent research suggests that people view some violations as “more impossible” than others (Shtulman & Morgan, 2017). When evaluating the difficulty of magic spells, American adults are influenced by causal considerations that should be irrelevant given the spell’s primary causal violation, judging, for instance, that it would be more difficult to levitate a bowling ball than a basketball even though weight should no longer be a consideration if contact is no longer necessary for support. In the present stu
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Larson, Wendy. "Misogyny, Cultural Nihilism and Oppositional Politics: Contemporary Chinese Experimental Fiction. By Tonglin Lü. Stanford University Press, 1995. ix, 235 pp. $39.50 (cloth); $14.95 (paper)." Journal of Asian Studies 56, no. 1 (1997): 181–82. http://dx.doi.org/10.2307/2646374.

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Dissertations / Theses on the topic "Chinese Experimental fiction"

1

袁洪庚 and Honggeng Yuan. "From conventional to experimental: the makingof Chinese metaphysical detective fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894422.

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Yuan, Honggeng. "From conventional to experimental : the making of Chinese metaphysical detective fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.

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Payne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.

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The following paper will deal with the actantial place of memory and history in the works of Ge Fei, a so-called avant-garde writer in China. Analyzing his three major novels published in the nineteen-nineties, as well as an earlier short story, the paper will discuss how Ge Fei renegotiates the status and place of the literary subject as configured through the act of writing, and its close relationship with the medium of memory and history. Contrary to the prevailing opinion, the avant-garde experiment in Ge Fei's works does not intimate the dissipation of the subject, but rather assists in r
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Books on the topic "Chinese Experimental fiction"

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Wang, Jing. China's avant-garde fiction: An anthology. Duke University Press, 1998.

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Pullman, Philip. The Subtle Knife. Random House Children's Books, 2001.

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Pullman, Philip. The subtle knife. Alfred A. Knopf, 2007.

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Pullman, Philip. Mroczne materie: Magiczny nóz. Albatros, 2004.

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Pullman, Philip. 奥祕匕首. Miao si chu ban you xian gong si, 2007.

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Pullman, Philip. The subtle knife. Knopf, 1997.

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Pullman, Philip. The Subtle Knife. Scholastic, 2021.

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Pullman, Philip. The subtle knife. Galaxy Plus, 2009.

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Pullman, Philip. La daga. Punto de lectura, 2002.

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Pullman, Philip. The subtle knife. Thorndike Press, 2002.

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Book chapters on the topic "Chinese Experimental fiction"

1

Cunliffe, Tom. "Tracing the Science Fiction Genre in Hong Kong Cinema." In Sino-Enchantment. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474460842.003.0007.

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This chapter traces the sporadic historical development of the science fiction genre in Hong Kong cinema and analyses several films made in Hong Kong since 1979, which adopt science fiction elements to negotiate cultural and ideological anxieties related to modernity, coloniality and Chinese nationalism. The films analysed in this chapter blend science fiction motifs, iconography and narratives with other local genres such as wuxia, kung fu, comedy and the undercover cop/agent thriller. This mixing of genres foregrounds Hong Kong cinema’s particular ideological perspective, which sometimes und
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Hockx, Michel. "From Writing to Roaming." In The Making of Chinese-Sinophone Literatures as World Literature. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888528721.003.0011.

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Black and Blue is the collective name of a unique group of writers that has been promoting experimental fiction in China for over two decades. This article assesses the group’s contributions to global avant-garde aesthetics through its innovative practices and its dedication to its art. Close readings of work published in the group’s magazine provide insight into what David Damrosch calls the “negotiation between two different cultures,” in this case an engagement between Chinese fiction and Dutch poetry. These investigations are framed by an argument concerning the significance of the World W
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Kam, Tan See. "Three-Women Fiction, Mandarin Ducks and Butterflies." In Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0006.

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At work in Peking Opera Blues is a deeply intertextual relation to the film adaptations (three-women films) of a popular form of sentimental romance fiction - mandarin duck and butterfly fiction (yuanyang hudie) - which emerged when China, after thousands of years of dynastic rule, first experimented with democracy as an alternative mode of governance and lifestyle. This “fiction of comfort” came under attack by the May Fourth Movement after 1919, and was eventually consigned to the margins of modern Chinese literature. Reading through the lens of “three-women” films like Fate in Tears and Lau
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Seng, Guo-Quan. "Love, Desire, and Race." In Strangers in the Family. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501772504.003.0007.

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This chapter addresses how Chinese male writers internalized and popularized the new discourse of love and love marriage. Toggling between the social and the fictional, the chapter traces the formation of a desiring Chinese moral subject to three moments in the late colonial period. First, in a “racializing” moment of birth (1903–17), writers experimented with the Western binary approach to sexual love in a series of lust caution stories. Safely pursued outside the context of Confucian marriage, the stories centered on Chinese men's attraction to native women, at the same time as they turned n
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Sidel, John T. "Newspapers, Rallies, Strikes." In Republicanism, Communism, Islam. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755613.003.0006.

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This chapter focuses on the early decades of the twentieth century across the Indies, which saw major shifts in the public sphere, from experiments in fiction, publishing, and dramatic acting to unprecedented initiatives in associational activity and, in due course, revolutionary political action. It introduces the pioneering newspaperman Tirto Adhi Soerjo, who played a prominent role in the founding of the first mass movement in the Indies, the Sarekat Islam (SI), and his fellow journalist and SI activist Marco Kartodikromo. The chapter then highlights the first decades of the twentieth centu
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Rivera, Takeo. "Asians Never Stare into Your Eyes." In Model Minority Masochism. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197557488.003.0005.

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Analyzing flatness as an affective mode of techno-oriental racialization, Chapter 5 turns to two experimental works of literature: Tao Lin’s semiautobiographical novel Taipei (2013) and Tan Lin’s fictional memoir Insomnia and the Aunt (2011), texts that conceptualize Asianness itself as affective flatness accessible through technological mediation. In the ostensibly postracial Taipei, Tan Lin produces an aesthetic of flatness to demonstrate the Asian male protagonist’s interface with high technology and new media, although close examination of the text reveals that the means of accessing Asian
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