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Dissertations / Theses on the topic 'Chinese fiction, Chinese'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.

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2

Wang, Hao. "Dunhuang xiao shuo ji qi xu shi yi shu = Dunhuang xiaoshuo jiqi xushi yishu /." Hefei Shi : Anhui ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2006430115.html.

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3

Shi, Shumei. "Writing between tradition and the West Chinese modernist fiction, 1917-1937 /." online access from Digital dissertation consortium, 1992. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9301519.

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4

Lü, Yongjia. "Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.

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5

Chen, Lifen. "Fictionality and reality in narrative discourse : a reading of four contemporary Taiwanese writers /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6624.

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6

Chui, Mai-hing. "A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.

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7

CHAN, Wai Yee. "香港小說中的空間". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/10.

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從來小說中的環境描述，都是小說創作中一項具體而重要的細節與象徵。小說作者往往藉由對場所/環境的選取與陳述，建構舖陳出小說中的情調與氛圍，其中蘊涵著作者個人對現實的感懷與情緒的投射。在不同的年代裏，都有作者以香港為小說的場景，他們透過不同的主題與角色，或頹靡，或抒情，或狂亂，或純真，或虛或實；所帶出的香港故事，與時俱變。如果都會的變貌是香港這座城市的本命，那麼它是如何影響及反映在以香港作為場景的小說之中？而這些以香港為場景的小說，又如何呈現了香港的氛圍與面貌？本論文嘗試以小說的「空間」及「場景」──也就是香港──為探索主題，從文本中歸納勾勒出「文學中的香港」的面貌，並對照不同作者的共通描述。論文共分六章。第一章為導論，主要介紹論文的研究範圍、方法及目的。第二章討論香港小說中的豪宅、半山洋房與大酒店；這些「空間」呈現了上流社會和中產階級，主要來自「外來作家」的描述。第二章討論香港小說中的木屋區、板間房和床位；四、五十年代從國內南來的作家，他們的小說總離不開他們對現實生活的憤慨與生存的苦苦掙扎，木屋區、板間房與床位就成為他們描寫現實生活的重要場景。第三章討論香港小說中的大廈；居住環境的擠迫，已經成為香港社會裏無法逃避的一種現實狀態，這樣的題旨都曾經出現在劉以鬯、也斯和西西的小說裏，不過他們態度迴異，構成了不一樣的城市氛圍。第五章討論香港小說中正在消失的城

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8

CHEN, Xijing. "舒巷城的小說研究". Digital Commons @ Lingnan University, 2002. https://commons.ln.edu.hk/otd/13.

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香港作家舒巷城（1923-1999）被文學史家稱為香港的「鄉土作家」。「鄉土文學」在中國內地及台灣有不同的定義及發展，香港特殊的地理環境、政治因素，令香港文學的發展吸收、融合多方面的思潮、技巧，形成跟中國內地、台灣的文學同中有異、異中有同的特色。本文主要把舒巷城放在時代背景中，分析香港「鄉土文學」和其他兩地作品特色之異同，同時對舒巷城的作品按時序作一整理，嘗試整理出作家在特定寫作環境下，作品所呈現的特色及作者文學觀的轉變。

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9

Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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10

Wan, Pin P. "Investiture of the gods (Fengshen yanyi) : sources, narrative structure, and mythical significance /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11125.

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11

Kockum, Keiko. "Japanese achievement, Chinese aspiration a study of the Japanese influence on the modernisation of the late Qing novel /." Löberöd : Plus Ultra, 1990. http://catalog.hathitrust.org/api/volumes/oclc/24703921.html.

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12

Starr, Chloe. "The late Qing courtesan novel as text and fiction." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311310.

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13

Wong, Chi-hung. "Space in Taiwan urban novels a study of fiction by Huang Fan, Lin Yaode, Zhu Tianwen and Zhu Tianxin = Taiwan du shi xiao shuo de kong jian : Huang Fan, Lin Yaode, Zhu Tianwen, Zhu Tianxin zuo pin yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B35808068.

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14

Mai, Shujian. "Wan Qing Shanghai xiao shuo de cheng shi shu xie = City writing in late Qing Shanghai fictions /." click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17982091f.pdf.

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15

Stuckey, George Andrew. "Memory, tradition, history ties to the past in modern Chinese fiction /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=954000301&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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16

Yuen, Wai-kuen Jeannie. "Crisis and negotiation : a study of modern chinese fiction in the eighties /." [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13671704.

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17

Chan, Wai-ying, and 陳惠英. "Chinese lyrical fiction in the period 1919-1989." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.

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18

程雲峰 and Wan-fung Ching. "The images of peasants in modern Chinese fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31209166.

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19

Moore, Emily Olive. "Translating Greek Mythology in Contemporary Chinese Science Fiction." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8764.

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Given its early connection to western science fiction, it is not entirely surprising that contemporary Chinese science fiction (csf) frequently references the "west" in general and Greek mythology in particular. The three works that I analyze in this paper are Xia Jia's "Psychology Game," Gu Shi's "Chimera," and Egoyan Zheng's The Dream Devourer. These three texts utilize Greek mythology in different ways, to different degrees, and with different purposes, and yet they all use Greek mythology to visually disrupt their respective texts. Xia Jia ends "Psychology Game" with a direct Greek-languag

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20

Li, Shuangyi. "Proust and China : translation, intertext, transcultural dialogue." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/28694.

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The thesis primarily engages with Proust and China from the following three aspects: the Chinese translations and retranslations of Proust’s A la recherche du temps perdu, contemporary mainland Chinese writers’ intertextual engagement with Proust, and the transcultural dialogue between Proust and the Franco-Chinese author, François Cheng. Part I Chapter I compares and contrasts different – integral and selective – Chinese translations of La Recherche, and explores their different emphases as well as negligence of Proustian themes, e.g. time and memory over anti-Semitism and homosexuality, due

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21

Hao, Ji. ""Double" in traditional Chinese fantastic fictions." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1438396.

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22

Chung, Hilary. "The portrayal of women in Mao Dun's early fiction 1927-1932." Thesis, Durham University, 1991. http://etheses.dur.ac.uk/6244/.

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It is the prevailing critical assessment of Mao Dun's early creative writing that he displays a singular insight in his portrayal of women. This thesis seeks not only to challenge this assessment by a predominantly male body of criticism but also the assumptions on which it is based, namely that an intellectual sympathy for the women’s cause necessarily implies a transcendence of the patriarchal attitudes with which society is imbued. The major short stories and novellas written between 1927 and 1932 are analysed systematically to identify Mao Dun's underlying attitudes towards women. His port

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23

Dilley, Whitney Crothers. "The Ju-lin wai-shih : an inquiry into the picaresque in Chinese fiction /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6620.

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24

Fang, Zhihua White Ray Lewis. "Twentieth century Chinese and American short fiction a comparative analysis /." Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411037.

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Thesis (D.A.)--Illinois State University, 1993.<br>Title from title page screen, viewed February 21, 2006. Dissertation Committee: Ray Lewis White (chair), William Bohn, Irene Brosnahan, Douglas Hesse, Curtis White. Includes bibliographical references and abstract. Also available in print.

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25

Mills, Deborah Susan. "Images of chaos : a study of metaphor and myth in the fiction of Lu Xun." Thesis, University of Newcastle Upon Tyne, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386757.

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26

Chan, Kenneth, and n/a. "Chinese history books and other stories." University of Canberra. Creative Communication, 2005. http://erl.canberra.edu.au./public/adt-AUC20061020.144139.

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My thesis is a creative writing doctorate which focuses on one Chinese family's adaptation to living in Australia in the mid-twentieth century. The thesis is in two parts. Part I is an examination of Chineseness and identity within the context of the short stories that make up Part I1 of the thesis. In Part I, I have looked at the place of the Chinese within the larger, dominant cultures of America and Australia. In particular, I have discussed the way in which the discourses of the dominant culture have framed Chineseness; and also what it might mean to describe authentic and essential qualit

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27

伍湘畹 and Sheung-yuen Daisy Ng. "Chinese tradition and Western influences in Li Ang's fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31209385.

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28

許子東 and Zidong Xu. "Narratives of the "Cultural Revolution" in contemporary Chinese fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31237915.

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29

Ng, Sheung-yuen Daisy. "Chinese tradition and Western influences in Li Ang's fiction /." [Hong Kong : University of Hong Kong], 1989. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12757858.

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30

Yeung, Mei-yee. "Searching for a cultural identity : Hong Kong fiction from the fifties to the nineties /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19605389.

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31

Ge, Liang, and 葛亮. "A thematic study of the immigrants' fiction of Yan Geling." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26652845.

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32

Kramer, Heinz Oliver. "Chinese fiction abroad : the exilic nature of works by Chinese writers living abroad after the Tiananmen Massacre." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/24793.

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On June 4th 1989, the People’s Liberation Army used tanks to crush the anti-government demonstrations which had been taking place most notably on Tiananmen Square in Beijing. Following the massacre, what initially seemed to be a watershed in post-Mao Chinese society, proved, at least on the economical side, only a short-lived return to Communist orthodoxy, before Deng Xiaoping re-launched economic liberalisation in 1992. The arts, too, were initially afflicted, with a return to tighter censorship and an uneasy political climate. Some writers, well known during the late 1970s and 1980s, had bee

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33

Cheng, Po-suen. "The theme of alienation in modern Chinese and Anglo-American fiction /." [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12317135.

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34

Xu, Gang Gary. "The sentimental education of Chinese modernity qing in Chinese fiction from the late Ming to the turn of the millennium /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3048266.

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35

Ng, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.

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36

Choi, Po-ki. "Male images in the romantic stories in the chuanqi genre of the Tang dynasty Tang chuan qi ai qing xiao shuo de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926178.

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37

Wu, Yingni. "Zhang Dachun xiao shuo lun = Research on Zhang Da Chun's fiction /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941218a.pdf.

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38

Wang, Baorong, and 汪宝荣. "Shaoxing Dialect in English translations of Lu Xun's fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40887698.

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39

Wang, Baorong, and 汪宝荣. "Lu Xun's fiction in English translation: the early years." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46969081.

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40

李仕芬 and Shi-fan Lee. "Love and marriage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208721.

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41

Chunjing, Liu. "Seeking identity between worlds: A study of selected Chinese American fiction." University of the Western Cape, 2011. http://hdl.handle.net/11394/5176.

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Magister Artium - MA<br>The literature of the Chinese diaspora in America is marked by a tension between ancestral Chinese traditional culture and the modernity of Western culture. This thesis explores diaspora theory, as elaborated by Stuart Hall, Homi Bhabha, Gabriel Sheffer and others to establish a framework for the analysis of key Chinese American literary works. Maxine Hong Kingston's seminal novel, The Woman Warrior (1975), will be analysed as an exemplary instance of diasporic identity, where the Chinese cultural heritage is reinterpreted and re-imagined from the point of view of an e

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42

李仕芬 and Shi-fan Lee. "The male characters in the fiction of contemporary Taiwanese women writers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.

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43

Kozar, Seana. "Deliberations between the covers : an audience-centred ethnography of Chinese popular fiction readers /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ34716.pdf.

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44

Marling, Thomas Oliver. "The magician of reason, the plaything of enlightenment: grotesque fantasy and tabloid speculative fiction, 1900-1911 /Marling Thomas Oliver." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/375.

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The final decade of the Qing Dynasty, 1901-1911, witnessed a proliferation of works of fiction that incorporated, to a large extent for the first time, themes and images relating to material and technological progress. These "science fantasies" of global and interplanetary peregrination and travel across epochal time have typically been situated along various degrees of confederacy with the values and ideology of modernising China at large. This study however addresses the complex and oft-obfuscated relationship between much of this speculative fiction and the late-Qing tabloid press, which is

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45

齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

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46

袁洪庚 and Honggeng Yuan. "From conventional to experimental: the makingof Chinese metaphysical detective fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894422.

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47

Liu, Mei-Ying. "Portrayals of the Chinese in fiction for children 1925-1991." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248969330.

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48

McClellan, Thomas M. "Zhang Henshui's fiction : attempts to reform the traditional Chinese novel." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/20003.

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This thesis is an attempt to show the place of the popular author Zhang Henshui (1895-1967) in modern Chinese literature. Discounting his formative period up to 1924, from which almost none of his writing survives, and the period after the author suffered a debilitating stroke in 1949, nine of his major works of fiction are examined in detail. Employing the criteria Zhang claimed in non-fictional writings to have set himself, while exercising proper caution with such material, the fiction is analysed chronologially in search of ways in which the author progressively achieved 'reform' of the tr

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49

Lin, Xiangcheng. ""San yan" gu shi de jie gou fen xi = The San-yen stories : a structural analysis /." click here to view the abstract and table of contents, 1999. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15646440a.pdf.

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50

Zheng, Ruiqin. "Xi Xi "Tong hua xie zhen" xiao shuo yan jiu = Research on the fairy realism in Xi Xi's writings /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722624a.pdf.

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